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Shazam!

I really like Winter Soldier, but c'mon, the baddies there are literally Nazis...

Obviously, but the point is that people and institutions who initially seemed to be trustworthy and good turned out to be deeply corrupted. A story where the bad guys are unambiguously bad can be dark, sure, but a story where even your faith in the good guys is shaken is darker.
 
My problem with MoS has nothing to do with Henry Cavill. He was a potentially great Superman poorly served by the material. And yes, of course in general it's possible for more than one style to work, but it is logically invalid to respond to a criticism of a specific work with empty generalizations. Of course a dark Superman story could work, but not that specific dark Superman story. Darkness is a tool in the kit, like any other. Whether it works depends on how it's used in each specific case.

MOS works.

Because it's more grounded in reality. Because it deals with issues that strike close to home in real life rather than being pure fantasy. Because it's a story about seemingly good, trusted individuals and institutions being compromised and corrupt, rather than a story where the evil is unambiguous and easy to define. And because it has time to really delve into its story and characters so that we can feel the impact on a personal level, rather than cramming in so many characters and subplots that everyone except the villain is treated superficially. Because quality matters more than quantity.

I disagree that there's any significant quality gap between IW and WS, but regardless quality is not darkness. And WS is a story about hope triumphing over fear.
 
And WS is a story about hope triumphing over fear.

Many dark stories are about hope triumphing over fear. The fear is the dark part, after all. The more intense the darkness, the more it serves the message of hope.

Anyway, this isn't a competition. You don't have to prove that your opinion is more right than mine, nor do I have to prove the reverse. That's not how opinions work.
 
OK, first off let me just by saying holy crap there is a shit ton of misunderstanding in, by me and due to my not being clear enough.
Superhero movies can be anything from Deadpool to Guardians to Watchmen to The Dark Knight, some people will like 'em more on the one end of that spectrum or the other, and some will like all kinds, but to say that all should be one way and that that's the only correct way to make them is rather limiting.

I especially don't get this knee jerk reaction of everything must be "fun"!!! whenever anyone suggests they like something different, because if anything the "fun" superhero movies are in no danger of disappearing from cinemas, they're the easiest sell to mass audiences and there's half a dozen scheduled every year for the foreseeable future. They're not going anywhere, so hide your pitchforks every time someone mentions they'd also like to see something more on the serious side...
Sorry, I didn't mean to say that every superhero movie must be fun, I just meant that it is what I personally prefer, and that I don't mind the occasional darker take on superheroes. I love Logan, the Winter Soldier, and The Dark Knight, but I just don't want to see every single superhero movie try to be like them.
What are you talking about?




I watch a super hero movie for a good, entertaining or fascinating story - whether it is serious and challenging or fun and light-hearted. I don't believe in limiting my choices in what a super hero movie should be. Nor do I believe that only a certain kind of super hero movie should be made. I find that kind of mentality rather restrictive and unoriginal.
This is where I think I misunderstood you, I thought you were basically saying that ever superhero movie that wasn't dark, and "challenging" was shit and they should never make superhero movie like that again, and since Aquaman was a hit that meant that was all that was going to be made and you were pissed about it.
That is the perfect way of putting it. Nolan did something that worked for his particular situation, then it got copied by people who didn't get that his style of story just doesn't work for most superhero movies (plus a director or two who just don't "get" superheroes at all, regardless of what style was being used). I don't even really like Nolan's Batman films that much, but at least they didn't feel like they were really off, tonally speaking (even if I prefer a less gritty, more fantastic Batman with colorful villains, like the Batman TAS version).
Or Gotham :nyah:
 
So what do we think of the new trailer? I think they nailed the concept which is an intentional Mary Sue, so to speak. This is a boy's superhero fantasy come true...
 
Obviously, but the point is that people and institutions who initially seemed to be trustworthy and good turned out to be deeply corrupted. A story where the bad guys are unambiguously bad can be dark, sure, but a story where even your faith in the good guys is shaken is darker.


Since the villains in "The Winter Soldier" are unambiguously bad, what do you mean? Was Steve's faith in the good guys shaken, because they didn't realize they had moles within their organization for years?


My problem with MoS has nothing to do with Henry Cavill. He was a potentially great Superman poorly served by the material

I agree with grendelsbayne that "Man of Steel" worked. Well, at least for me. Perhaps one day in the future, my opinion of it might lessen, as it has for "Superman: The Movie". But right now, it's my favorite Superman movie.
 
MoS was a good superhero origin story, but a terrible Superman story.
I disagree on this as well. MoS was pretty close in tone (if not in the specifics of the plot) to how Superman stories had been in the comics for years leading up to the movie. I have some problems with the climatic battle but not really with the movie overall.
 
I disagree on this as well. MoS was pretty close in tone (if not in the specifics of the plot) to how Superman stories had been in the comics for years leading up to the movie. I have some problems with the climatic battle but not really with the movie overall.
I just thought it was emotionally unengaging, one of those "Well, there are things happening on screen" kind of movies. The effects were well done, the way Supes used his powers was awesome, the movie just didn't ever make me care that much about what was happening.
 
I just thought it was emotionally unengaging, one of those "Well, there are things happening on screen" kind of movies. The effects were well done, the way Supes used his powers was awesome, the movie just didn't ever make me care that much about what was happening.
I had a similar experience, and there are probably a zillion little things adding up to it. Seems like others didn't, though, so.... :shrug:
 
It works just fine. The fact an uncharacteristic take that didn’t meet expectations by giving people something other than the status quo does NOT mean it failed to work. Rather, it revealed how resistant to challenged expectations most people are.
Being challenging is fine...but should ALSO should understand the character and why people like them.

The challenge of expectations that worked for me, that everyone seems to ignore, is that Martha helped Clark by teaching him the way a special needs child might need to be taught. So very ironic that the most powerful person on the planet becomes that way by using techniques typically used for the most vulnerable people on earth. THAT is how you usurp expectations, but still stay true to the character... had they gone with that, and showed how such creative love would shape Clark to WANT to be a hero, even with conflicting feelings that the talk with Jonathan and Clark as a kid brought out (which was ALSO good, and "challenging expectations"), would have made for a great origin to herodom.

Instead, having Clark doing the TV Hulk / Bruce Banner thing of going place to place --- ehhh.... not so creative or inspiring.


As a comparison... Having Logan be a R Rated film certainly challenged expectations for a Wolverine that many teens and pre-teens (and parents) got into...but because of the character (i.e. Wolverine), the darkness MADE SENSE.
 
So very ironic that the most powerful person on the planet becomes that way by using techniques typically used for the most vulnerable people on earth.
Lovely observation. And as I've said many times, another way the film challenges Superman tradition and expectations is to have Lois in on Clark's secret from the beginning, and it's a great change that pays big dividends.

So you're right: The issue is not that MoS's detractors are just too hidebound and unimaginative to accept an original or fresh approach (despite what the film's boosters like to argue). The issue is that there are good changes and shitty changes, and MoS contains a few of the former but many more of the latter.
 
I just thought it was emotionally unengaging, one of those "Well, there are things happening on screen" kind of movies. The effects were well done, the way Supes used his powers was awesome, the movie just didn't ever make me care that much about what was happening.

And I found it emotionally engaging. I guess we all have different opinions of the movie.


The issue is that there are good changes and shitty changes, and MoS contains a few of the former but many more of the latter.

That might be your issue and the issue of some others, but it's not MY issue and I assure you, I have come across others who share my feelings. So, there is no "issue". There is simply "your issue".
 
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