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The Classic/Retro Pop Culture Thread

They're definitely putting themselves out there a lot by this point. Kinda like Tiny Tim. Whether the honor was deserved or not, it's no wonder that Yoko would become the face of the Beatles' breakup.

I think it was partially earned in that she was influencing / encouraging Lennon's flights of whatever-you-call-it, and his increasing resistance to his bandmates in the studio. That, and the whole Avant-Garde act was grating--even during a period where there were a ton of pretentious musicians and actors running around.


Not to discourage the contribution, but technically that would fall into the following week's episodes (Sunday, Dec. 22 through Saturday, Dec. 28, 1968). Which, as we'll see in next week's post, will be a light week for new episodes due to the holiday...but an iconic week for the Space Program.

Ah. By the way, for any Me-TV viewers out there, Land of the Giants starts all over with the pilot on 12/22.


And Trek is this week just getting around to airing its second-produced episode of the season, "Elaan of Troyius".

So much to like about that episode. More on that later.
 
Haven't gotten around to writing my weekly reviews, so I'll just toss this up....

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55 Years Ago Spotlight

Selections from Billboard's Hot 100 for the week:
2. "Louie Louie," The Kingsmen
3. "You Don't Have to Be a Baby to Cry," The Caravelles

5. "Since I Fell for You," Lenny Welch
6. "Be True to Your School," The Beach Boys
7. "Drip Drop," Dion

9. "Everybody," Tommy Roe
10. "Popsicles and Icicles," The Murmaids

12. "Loddy Lo," Chubby Checker

14. "Wonderful Summer," Robin Ward
15. "She's a Fool," Lesley Gore
16. "Walking the Dog," Rufus Thomas
17. "Quicksand," Martha & The Vandellas
18. "Have You Heard," The Duprees feat. Joey Vann
19. "Little Red Rooster," Sam Cooke

21. "The Boy Next Door," The Secrets
22. "The Nitty Gritty," Shirley Ellis
23. "In My Room," The Beach Boys
24. "Midnight Mary," Joey Powers
25. "Kansas City," Trini Lopez
26. "Can I Get a Witness," Marvin Gaye
27. "It's All Right," The Impressions
28. "Sugar Shack," Jimmy Gilmer & The Fireballs

30. "Baby Don't You Weep," Garnet Mimms & The Enchanters
31. "Drag City," Jan & Dean
32. "Washington Square," The Village Stompers
33. "Pretty Paper," Roy Orbison

35. "Hey Little Girl," Major Lance
36. "For Your Precious Love," Garnet Mimms & The Enchanters

39. "Deep Purple," Nino Tempo & April Stevens
40. "That Lucky Old Sun," Ray Charles
41. "I Wonder What She's Doing Tonight," Barry & The Tamerlanes

48. "As Usual," Brenda Lee

52. "Somewhere," The Tymes
53. "Surfin' Bird," The Trashmen
54. "(Down at) Papa Joe's," The Dixiebelles w/ Cornbread & Jerry
55. "When the Lovelight Starts Shining Through His Eyes," The Supremes
56. "Bossa Nova Baby," Elvis Presley

59. "Out of Limits," The Marketts

62. "Hooka Tooka," Chubby Checker

69. "Hey Little Cobra," The Rip Chords

72. "Daisy Petal Pickin'," Jimmy Gilmer & The Fireballs

77. "Anyone Who Had a Heart," Dionne Warwick

80. "Whispering," Nino Tempo & April Stevens

83. "What Kind of Fool (Do You Think I Am)," The Tams

100. "Baby, I Love You," The Ronettes


Recent and new on the chart:

"Hooka Tooka," Chubby Checker
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(Dec. 7; B-side of "Loddy Lo"; #17 US; #20 R&B)

"Whispering," Nino Tempo & April Stevens
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(#11 US; #4 AC; #20 UK)


And in case anyone's been wondering what sort of high-charting items I've been choosing to skip in this era...here's a trio of consecutive chart-toppers that share that distinction:

"I'm Leaving It Up to You," Dale & Grace
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(Oct. 5; #1 US the weeks of Nov. 23 and 30; #1 AC; #6 R&B)

"Dominique," The Singing Nun
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(Nov. 9; #1 US the weeks of Dec. 7 through 28; #1 AC; #7 UK)

"There! I've Said It Again," Bobby Vinton
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(Nov. 30; #1 US the weeks of Jan. 4 through 25, 1964; #1 AC; #34 UK)

Oh yeah, I'll tell you something...the next song to top the chart will break this Drab Three's easy listening streak....

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Always weird to hear, given its place in history. It also has kind of creepy and ominous overtones to me because of hearing adults talking about it at the time-- well, the time of the murders-- some of whom believed the Beatles to be involved.
I don't think it should be held against the song what a homicidal lunatic read into it.

If the Beatles were bigger than Jesus and Tim was bigger than the Beatles....
Definitely not!
 
"Hooka Tooka," Chubby Checker
I love this song. :rommie:

"Whispering," Nino Tempo & April Stevens
Mediocre.

"I'm Leaving It Up to You," Dale & Grace
Sounds nice, and definitely hearkens back to the 50s.

"Dominique," The Singing Nun
Ah, yes, the nun who fell from grace.

"There! I've Said It Again," Bobby Vinton
Another 50s throwback. It's just kind of there.

I don't think it should be held against the song what a homicidal lunatic read into it.
No, of course not, but you can't help the associations and impressions, especially at that age.

Definitely not!
:rommie:
 
_______

50th Anniversary Viewing
(Part 1)

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The Ed Sullivan Show
Season 21, episode 8
Originally aired December 8, 1968
As represented in The Best of the Ed Sullivan Show

From a mixed Best of installment that I partially covered around this time last year, we have a few more bits of business. First, "a lot of you youngsters have been clamoring for us to bring back Liza Minnelli to our stage." For the occasion, she covers the recent 5th Dimension hit "Sweet Blindness" accompanied by a couple of male dancers:
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The song certainly seems to suit her, and she brings something to it in her idiosyncratic way, no doubt informed by personal experience.

A few segments later in the Best of installment, Liza is back singing "a new song called 'Simon,' which is written by her husband, Peter Allen." That would husband #1 of 4, according to Wiki. The Sullivan performance largely consists of a promotional video rather than a stage performance...and a fairly striking one, though I couldn't find a clip of it.

"Now for all of you youngsters, here's..."
More Liza Minnelli?
"...one of the top rock groups of the...world, the Ah-so-CEE-ay-tion." I'm not sure offhand what they were there to promote, as they only seem to have performed two old hits. First is their #2 from the previous year, "Never My Love":
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Directly following that to close the Best of installment is their debut #7 hit from 1966, "Along Comes Mary". The clip below uses the video from the Sullivan performance, but the audio from the single. The actual performance audio is a bit lower tempo and moodier.
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Following this, Ed brings them over and tries to name which state each member of the group is from.

Also in the original episode according to tv.com:
Music:
--Ray Charles - "Marie," "Eleanor Rigby" (with Ray Block's Orchestra) & "If It Weren't for Bad Luck."
--Joan Sutherland - "Saluta la France" and "La fille du régiment (The Daughter of the Regiment)."
Comedy:
--Richard Pryor (stand-up routine) - talks about childhood, school, God creating humans, slaves, and impersonates Richard Nixon.
--Jack E. Leonard (insult comedian)
--The Veterans (Comic circus from Sweden) - athletes try to vault.
Also appearing:
--The Venezuelan Folk Ballet (singers and dancers in colorful costumes).
--Audience bow: Anna Maria Alberghetti (singer).

_______

Mission: Impossible
"The Play"
Originally aired December 8, 1968
Wiki said:
The IMF must discredit a foreign minister of culture whose influence prevents his premier from establishing a non-aggression pact with the United States.

The reel-to-reel tape on a rooftop overlooking a small urban playground area said:
Please dispose of this recording in the usual manner. Good luck, Jim.
And this week's "usual manner" is tossing it in the building's chimney pipe. We then proceed straight into the briefing, as we have no major guest agents this week. Cin's back, but Willy's absent. That's funny, they totally could have used him to haul around the conference table that Barney was hiding in.

Guesting the one and only John Colicos as Milos Kuro, Minister of Culture of the "UCR," and anti-American propagandist. During a visit to the US, State Department Barney invites Kuro to a night at the theater, where an IMF-arranged "mob scene" of actors playing protesters outside the theater underscores the controversially "anti-American" nature of the play being performed....which was written by Playwright Cin and stars POTUS Actor Jim and UCR Dude Actor Rollin. When he learns that the play has been censored in the States, Kuro arranges to have it performed in the UCR...but informs Cin that he'll have to use UCR actors.

Thus, once inside the UCR, Chauffeur Jim drives Broadway Producer Rollin to a meeting with the UCR actor now playing UCR Dude, Vitol Enzor (Michael Tolan). Producer Rollin lures Enzor out of the country with a job, and arranges to have him smuggled through Customs via a noteworthy method: Not only do we have the novelty of somebody else being disguised as Rollin, but apparently Rollin's IMF-level disguise skills aren't that unique, as Enzor creates his own completely convincing Rollin mask using materials in his dressing room! Rollin then proceeds to use Enzor's materials to create his own disguise of Enzor, thus reclaiming his rightful fake role in the play.

Fake Rollin tries to smuggle out an arts medal and it's found by a Customs official (There's Jason Wingreen!), but he and Chauffeur Jim smooth it over with a bribe.

Meanwhile, Barney is smuggled into the highly-guarded theater in a...well, you know. Once free to sneak around the theater, he engages in setup stuff that includes placing a device in the rafters (demonstrated in the briefing) that can cause a person standing under it to not hear nearby sounds, however loud. Of course--the old "gadget that creates a cone-shaped area of silence" trick!

Kuro claims his country has no censorship, but the first thing he does once he's got Cin in the UCR is to start making rewrites to insert propaganda. When the local prima donna actor playing the role of the US President walks out following provocation by Fake Enzor, Cin gets Jim back in the role. His excuse for being in the country? He's her husband, of course! He's always her husband, even though another guy in the cast was really her husband.

The IMF cast members bring the UCR Premier to a rehearsal, where, thanks to the Cone-Shaped Area of Silence device and a tape player, he hears a different version of the play than the director and Kuro do. That and a planted script that includes the offending material causes the Premier to have Kuro dragged away. Jim, Rollin, and Cin exit stage left, to no ovation.

_______

The Avengers
"Whoever Shot Poor George Oblique Stroke XR40?"
Originally aired October 30, 1968 (UK); December 9, 1968 (US)
Wiki said:
A mystery enemy is targeting Britain's most important government computer with a series of sabotage attempts. Steed investigates the machine's designer, following up a clue the computer has provided, and plants Tara in his household as a spy.

This episode seemed to be suffering from a dirty source tape, causing lots of annoying little skips in the video and audio.

Tara shows up at the scene of the titular crime dressed for a party in a stylized cat outfit complete with mask. She proceeds into the investigation wearing it, mask and all, even getting into a fight scene, but doffs it about a third of the way in when she gets into surgical gear for an operating room scene. After that she's in regular clothes.

The surgery is for the vaguely robot-ish computer unit, which has been shot by an assassin. A subsequent attempt on George's life, perpetrated by an inside saboteur, involves "poisoning" him with acid. The efforts of the "surgeons" over the course of the episode culminate in a brain transplant with an older model of the computer named Fred.

In a fight scene, Steed uses his bowler (which they never go out of their way to remind us is metal-lined) to cover a gun being fired at close range, causing the bullet to deflect into the shooter.

Tara goes undercover as the American niece of George's designer, Sir Wilfred. Thorson does a game attempt at an American accent, but it's pretty spotty. Wilfred has enemy agents in his home who've been extracting secrets from him via drugging and interrogation. The reason the assassin and saboteur have been trying to kill George is because Wilfred programmed him to relay a distress message.

When Steed rescues Tara near the end, she delivers one of her "steed" double entendres to his face.

_______

I love this song. :rommie:
I was surprised when you proactively referenced it the other week!

Mediocre.
This falls squarely in the category of "soundalike follow-up single". Can I assume that it has the virtue of not also having been covered by Donny and Marie?

Sounds nice, and definitely hearkens back to the 50s.
As my playlists have become more and more inclusive of the era, this one doesn't sound as bad to me as it used to, but I decided early on to draw a line at it, and am sticking to that.

I've definitely heard it on oldies radio. It's good, not great.
I'd like to amend my statement here to include the opinion that "Can I Change My Mind" has a nice groove.
 
Last edited:
First, "a lot of you youngsters have been clamoring for us to bring back Liza Minnelli to our stage."
Hmmm....

Following this, Ed brings them over and tries to name which state each member of the group is from.
Guess he had to say something.

That's funny, they totally could have used him to haul around the conference table that Barney was hiding in.
Maybe he hurt his back or something.

but apparently Rollin's IMF-level disguise skills aren't that unique, as Enzor creates his own completely convincing Rollin mask using materials in his dressing room!
They should have added his picture to the portfolio from there on out. :rommie:

Of course--the old "gadget that creates a cone-shaped area of silence" trick!
WHAT??

He's her husband, of course! He's always her husband, even though another guy in the cast was really her husband.
That's the spy biz for you.

"Whoever Shot Poor George Oblique Stroke XR40?"
I just saw this last weekend.

Tara shows up at the scene of the titular crime dressed for a party in a stylized cat outfit complete with mask. She proceeds into the investigation wearing it, mask and all, even getting into a fight scene,
Weird, but cool. I guess it made it easier to use a stunt double to fall down the stairs.

The efforts of the "surgeons" over the course of the episode culminate in a brain transplant with an older model of the computer named Fred.
Shades of Star Trek: Nemesis.

Thorson does a game attempt at an American accent, but it's pretty spotty.
Maybe she was supposed to be a Brit who had been living in America and never quite lost her British accent.

I was surprised when you proactively referenced it the other week!
Oh, yeah. Foreshadowing! :rommie:

Can I assume that it has the virtue of not also having been covered by Donny and Marie?
Not that I recall.

As my playlists have become more and more inclusive of the era, this one doesn't sound as bad to me as it used to, but I decided early on to draw a line at it, and am sticking to that.
I'll leave it up to you.
 
"Hooka Tooka," Chubby Checker
(Dec. 7; B-side of "Loddy Lo"; #17 US; #20 R&B)

Crappa Songa.

"Whispering," Nino Tempo & April Stevens
(#11 US; #4 AC; #20 UK)

Not distinctive at all.

"I'm Leaving It Up to You," Dale & Grace
(Oct. 5; #1 US the weeks of Nov. 23 and 30; #1 AC; #6 R&B)

Always okay to catch on an oldies rotation, but nothing I ever searched for (let alone purchased).


Linda Thorson is from Toronto. If Wikipedia is to be believed, she lived there until she was 18. I haven’t seen the episode, but maybe a few years in the UK sabotaged her accent.

So she was a Canadian playing a Brit pretending to be an American. :rommie:

Sort of like Dark Shadows' Jonathan Frid, who was also from Canada, but portrayed Barnabas Collins, a character born in England and migrated to the U.S., hence the New England / faux-English accent Frid used in character.
 
_______

50th Anniversary Viewing
(Part 2)

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TGs3e12.jpg
"Decision Before Dawn"
Originally aired December 12, 1968
Wiki said:
The Screen Actor's Guild gives Ann a huge paycheck, and she must struggle on how to invest or spend it.

Although she initially gets everyone worked up by describing her windfall as being in "five figures," it turns out to be $743.62, which is treated by comparison as not being all that big a deal even in 1968 money. Nevertheless, Ann initially considers herself to be "independently wealthy," though she's in for a letdown.

In soliciting ideas from Donald and her parents, Ann is too concerned with trying to please everybody else, such that she ultimately opts to split her spending between part of each suggestion. Thus she rents a piano instead of buying one (her mother's suggestion), opens up a travel club account instead of taking an overseas trip (Donald's suggestion), buys a new mattress (her own idea), and invests the rest (her father's suggestion).

Larry Storch guests as a lecherous mattress salesman who hits on Ann at the store, then shows up at her door with wine and roses during the delivery (featuring Vic Tayback as one of the delivery men), while Donald and her parents are there. Donald wins points with Mr. Marie by handling the unwanted visitor appropriately.

While Ann has her piano (which takes up most of her living/dining area), we get a musical interlude in which she sings "I've Got You Under My Skin" accompanied by Donald on the keys. Mr. Marie reacts with comical displeasure when she gets to the line "this affair never could go so well". Donald tries singing it as well, but is stymied by Mr. Marie's glowering.

"Oh, Donald" count: 1
"Oh, Daddy" count: 3

_______

Ironside
"Sergeant Mike"
Originally aired December 12, 1968
Wiki said:
A dog is the only witness to a woman's murder - a murder that seems to match a series of killings, except aimed at middle-aged men.

If the premise sounds a bit familiar, it's because they did an episode last season called "Officer Bobby" in which it was a baby who was the "witness" to a crime.

This week's top-billed guest and early suspect? "Chief Ironside, don't make me angry. You wouldn't like me when I'm angry."

Ironside realizes that the German Shepard found at the scene of the murder doesn't belong to the victim because there are no provisions in the kitchen. Therefore, he reasons, finding the dog's owner might lead them to the killer.

The victim's next-of-kin, Edward Neufane (the Bixster), exhibits a fairly cavalier attitude about his aunt's murder, but argues that he had nothing to gain by killing her. When Ironside first questions him, he's working out with hand grippers. Even at this early point, he was searching for a way to tap into the hidden strengths that all humans have....

Team Ironside takes in the dog, but can't get him to eat because, the Chief deduces, he's been trained to only eat when given a specific command. When a boy named Charlie Tompkins (Rocky Lang) comes to claim the canine, they learn the dog's name and that the command is "Mike, hit the chow line." Charlie also demonstrates other tricks that Mike's trained to perform, but Ironside somehow figures out that the dog doesn't really belong to him, and the boy confesses that the true owner is a cleaning person known as the Colonel (John Dehner), who happens to already be in jail. The Colonel was working at the victim's home at the time of the murder, and says that he saw her being killed but didn't get a good look at the murderer. Sometime after that, he was arrested in a bar for being drunk and disorderly.

A cuff link found in the victim's home leads to another suspect, Judson Trumball (Robert Cornthwaite), a nebbish who met the victim from an ad he put in a hippie paper. It turns out that the various male victims of the prowler whose M.O. this resembles had also put in similar ads; and that the victim had been depositing amounts of money that matched the amounts that the other victims had withdrawn. The dog angle kind of gets lost around here in the middle.

Ironside has the Colonel released and asks him about both of the other suspects, then keeps his cabin under surveillance. The Colonel proceeds to try to blackmail both Neufane and Trumball, and it's Neufane who shows up at the cabin with a gun. It turns out that Neufane and his aunt had been swindling and killing the other victims, and Ironside thinks that Neufane turned against his aunt for withholding her profits.

In the climax, we're led to believe that Neufane shoots Mike, but it's revealed that he was just performing one of his tricks--playing dead when somebody "shoots" him (though it's not clear if he was nevertheless wounded).

During the investigation, we get another really obvious back-projected outdoor Frisco location.

_______

Adam-12
"Log 61: The Runaway"
Originally aired December 14, 1968
Wiki said:
Reed gets excited when he is asked to help out on his first big drug bust, but it turns out to have a disappointing ending through no fault of his own. Meanwhile, Malloy and Reed help out with a teen-aged girl who ran away from home and is staying with a single man twice her age.

The episode begins with Reed and Malloy chafing over how officers Brinkman (Claude Johnson) and Walters (William Stevens) have been "riding the hottest car in the division," while Adam-12 has been handling more mundane duties in their wake, like finishing up their parking violations.

The episode's first call is from an older woman who complains about some hippies living next door but is concerned for the welfare of one of them, a girl named Carol (Cynthia Hull) whom she's seen mistreated. Investigating the neighboring house, Reed finds Carol hiding in another room after Ray (Philip Chapin) claims that she'd split a week before. Seeing needle marks on her arm, Malloy reads her rights before she explains her current sickly condition. Malloy's assessment is that she's suffering from infectious hepatitis. He then arrests Evans for contributing to the delinquency of a minor...though they never ask the girl's age. In actuality there was a 14-year age difference between the actors, but she would have been 21 at the time.

When they continue their patrol, recurring stoolie Teejay (Robert Donner) gives the officers a hot tip about a drug deal that's scheduled to go down that night. The case goes to recurring detective Sgt. Miller (Jack Hogan), but he enlists Reed and Malloy to assist with the bust. The officers resume their duties in the meantime, though Reed can't think about anything else. They go for a Code 7 without calling it in on-camera, but Brink and Walters are at their dining establishment of choice to rub their success in their fellow officers' faces.

Back on duty, our officers respond to a call about a prowler to find that the callers are a pair of young boys who are home alone with a dog and a toppled bookshelf. Their story is that a burglar knocked over the shelf, but the officers see through their ruse and figure that the kids had been playing ball in the house.

As the time for the bust comes, they put in a Code 5 (stakeout) and take their position to snare any would-be escapees. Reed is clearly antsy for action and disappointed when Miller eventually calls off the operation because the suspect doesn't show. Back at the station, they learn that the suspect had coincidentally been pulled over a few blocks from the stakeout by Brink and Walters, who are none too pleased to learn that they blew the bust and let the guy go with a citation.

_______

Get Smart
"Temporarily Out of CONTROL"
Originally aired December 14, 1968
Wiki said:
Max and the Chief are suspiciously issued activation notices for their Naval Reserve contracts. This conveniently requires of them that they enter active duty on board a Navy ship while KAOS nefariously plans activities on the mainland. Max is an officer and the Chief is a common seaman named John Doe!

The episode opens with Max and 99 preparing to leave for their belated honeymoon in the Caribbean when Max gets his notice from the Navy that he's being called up for duty. The Chief figures out that KAOS had them activated to get them out of the way for an operation involving an impostor replacing Vargas, a Spanish agent whom he and Max could identify. They try to get off the ship, are thrown in the brig, and manage to escape, but when they're caught it turns out that the Captain has since been given orders to assist them and lets them use a helicopter. Max and the Chief return to CONTROL to find that 99 has already spotted the impostor and restored the real Vargas; and that the honeymoon is further postponed, because 99's been called for jury duty.

_______

Hogan's Heroes
"Will the Blue Baron Strike Again?"
Originally aired December 14, 1968
Wiki said:
There’s a secret airfield somewhere in the area which London would love to bomb. Now Hogan just has to help Klink reunite with an old classmate to learn the location.

Hogan: This assignment calls for our secret weapon.
Kinch: What secret weapon?
Hogan: Klink's big mouth.​

The Blue Baron is General von Richter (Henry Corden), a legendary WWI fighter pilot. Hogan gives Klink the idea to have a party that includes his old classmate, but the plan hits a snag when all of the invitees turn down their invitations...including von Richter, who still bears a grudge over a training crash that injured his knee in 1917.
Col. Hogan said:
I made just one mistake....I never should have invited Klink to his own party.
Hogan then bribes Hilda into making some calls to lure in the guests by passing around that Honey Hornburg and her Exotic Dancers will be at the party...and they do attend, when they get word of all the VIPs who'll be there.

While von Richter is occupied by the party, Hogan impersonates him in an inebriated state so that the general's driver will take him back to the secret airbase, where Hogan and his men light a fire that lets Allied bombers know where to strike. Von Richter gains another grudge against Klink when he learns that his airfield was destroyed while he was at the party.

Klink: The ingrate! The way he acts, no one would know that I was the one who taught him how to fly!
Hogan: Oh, everybody would know...they can tell by his limp.​

Featuring an appearance by Celeste Yarnall as "Nanny," Hogan's contact in the teaser.

DIS-missed!

_______

I SAID, SORRY ABOUT THAT, RJ!!!

I'll leave it up to you.
I say...Nah, nah, nah!

Linda Thorson is from Toronto. If Wikipedia is to be believed, she lived there until she was 18. I haven’t seen the episode, but maybe a few years in the UK sabotaged her accent.
I hadn't known to listen for a Canadian accent, but here she was attempting to do that distinctly U.S.-inspired "so that's what we sound like to them" drawl.

Crappa Songa.
:lol:

Not distinctive at all.
Distinctive from other songs on the radio at the time? Absolutely. Distinctive from their own previous hit? Not so much.

Sort of like Dark Shadows' Jonathan Frid, who was also from Canada, but portrayed Barnabas Collins, a character born in England and migrated to the U.S., hence the New England / faux-English accent Frid used in character.
I don't recall him having any trouble maintaining his accent, though, even while flubbing his lines left and right.
 
Sort of like Dark Shadows' Jonathan Frid, who was also from Canada, but portrayed Barnabas Collins, a character born in England and migrated to the U.S., hence the New England / faux-English accent Frid used in character.
Not to mention born in the England of a couple hundred years ago, and migrated to the New England of a couple hundred years ago, both of which would have had accents that differed from the contemporary. :rommie:

Although she initially gets everyone worked up by describing her windfall as being in "five figures," it turns out to be $743.62, which is treated by comparison as not being all that big a deal even in 1968 money.
According to an online calculator, it's worth $5403 in today's dollars. I'd take Donald out to dinner and put the rest in my retirement savings.

Larry Storch guests as a lecherous mattress salesman who hits on Ann at the store, then shows up at her door with wine and roses during the
Agarn must have had kids.

Therefore, he reasons, finding the dog's owner might lead them to the killer.
Fetch!

Even at this early point, he was searching for a way to tap into the hidden strengths that all humans have....
Having been inspired by an encounter with an extraterrestrial possessed of superhuman powers.

The episode's first call is from an older woman who complains about some hippies living next door but is concerned for the welfare of one of them
Aw, a sympathetic square. :D

In actuality there was a 14-year age difference between the actors, but she would have been 21 at the time.
If only he had checked IMDB, the ensuing lawsuit could have been avoided.

Their story is that a burglar knocked over the shelf, but the officers see through their ruse and figure that the kids had been playing ball in the house.
The dog saw the whole thing.

Max and the Chief return to CONTROL to find that 99 has already spotted the impostor and restored the real Vargas;
But did they ever track down the KAOS mole in the Department of the Navy?

The Blue Baron is General von Richter (Henry Corden), a legendary WWI fighter pilot.
I wonder how many Barons of Color served in WWI. :rommie:

I SAID, SORRY ABOUT THAT, RJ!!!
:rommie:
 
_______

51st Anniversary Viewing

The Wild Wild West
"The Night of the Running Death"
Originally aired December 15, 1967
Wiki said:
A dying man's words lead Jim and Artie to a wagon train of entertainers and an attempt on the life of a princess.

This episode features the famous barroom fight scene between Robert Conrad and an uncredited Red West (as a stunt double) that included West being thrown headfirst into the corner of an upright piano - resulting in an injury to West that required 60 stitches!

In the teaser, Jim goes to hotel room for a rendezvous with a man named Markham, only to find that he's been killed by the mysterious Enzo. If, as Jim learns at the front desk, Enzo got into the hotel room impersonating Jim, then why was he hooded when Jim showed up?

I didn't catch what Jim and Artie's assignment was that they had an interest in the wagon train in the first place, but Artie is already embedded in the train as a thespain when Jim gets there. Christopher Kohner (Jason Evers) is the leader of the caravan, and Jim comes to believe that Enzo is among them as members begin to get killed.

After the entertainers get to Denver, Artie switches to being a very obviously made up waiter at the Governor's party.

Jim uncovers Enzo Austin Powers-style--She's a man, baby! And it turns out that one of Enzo's "victims," Dierdre (Maggie Threet, Ruth from "Mudd's Women"), was an accomplice whose murder was faked. Artie sniffs her out based on an unusual dessert order that she'd made at the hotel.

_______

Not to mention born in the England of a couple hundred years ago, and migrated to the New England of a couple hundred years ago, both of which would have had accents that differed from the contemporary. :rommie:
Yeah...it's a cinch that he didn't pick up his modern accent from Willie....

I'd take Donald out to dinner
And here I thought that you didn't like him! :p

But did they ever track down the KAOS mole in the Department of the Navy?
Good question, I didn't catch that. If they did, it was offscreen.
 
If, as Jim learns at the front desk, Enzo got into the hotel room impersonating Jim, then why was he hooded when Jim showed up?
Because it's the only way a woman could get away with pretending to be a man posing as James West? "Cough... excuse the hood, but I have a cold... cough."

And here I thought that you didn't like him! :p
Well, you know, after a couple of drinks.....
 
_______

50 Years Ago This Week

Earthrise.jpg

December 22
  • David Eisenhower, grandson of former U.S. President Dwight D. Eisenhower, marries Julie Nixon, the daughter of U.S. President-elect Richard Nixon.
  • Mao Zedong advocates that educated youth in urban China be re-educated in the country. It marks the start of the "Up to the mountains and down to the villages" movement.
Mark Lewisohn's The Beatles Day by Day said:
December 23 – The Hell's Angels from California ensure that Apple's first Christmas party, held in 3 Saville Row, is a riotous and unforgettable one. John and Yoko dress up as Father and Mother Christmas, handing out presents to all of the children attending.
Wiki said:
December 24 – Apollo program: U.S. spacecraft Apollo 8 enters orbit around the Moon. Astronauts Frank Borman, Jim Lovell and William A. Anders become the first humans to see the far side of the Moon and planet Earth as a whole. Anders photographs Earthrise. The crew also reads from Genesis.
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December 26 – Led Zeppelin make their American debut in Denver, CO.
December 28 – Israeli forces launch an attack on Beirut airport, destroying more than a dozen aircraft.


Selections from Billboard's Hot 100 for the week:
1. "I Heard It Through the Grapevine," Marvin Gaye
2. "For Once In My Life," Stevie Wonder
3. "Love Child," Diana Ross & The Supremes
4. "Wichita Lineman," Glen Campbell
5. "Stormy," Classics IV feat. Dennis Yost
6. "Abraham, Martin and John," Dion
7. "I'm Gonna Make You Love Me," Diana Ross & The Supremes and the Temptations
8. "Who's Making Love," Johnnie Taylor
9. "I Love How You Love Me," Bobby Vinton
10. "Cloud Nine," The Temptations
11. "Both Sides Now," Judy Collins
12. "Cinnamon," Derek
13. "Hooked on a Feeling," B.J. Thomas
14. "See Saw," Aretha Franklin
15. "Hey Jude," The Beatles
16. "Soulful Strut," Young-Holt Unlimited
17. "Bring It On Home to Me," Eddie Floyd
18. "Magic Carpet Ride," Steppenwolf
19. "Chewy Chewy," Ohio Express
20. "Going Up the Country," Canned Heat
21. "Son of a Preacher Man," Dusty Springfield
22. "Little Arrows," Leapy Lee
23. "Too Weak to Fight," Clarence Carter
24. "Papa's Got a Brand New Bag," Otis Redding
25. "Those Were the Days," Mary Hopkin
26. "Lo Mucho Que Te Quiero (The More I Love You)," Rene & Rene
27. "Scarborough Fair," Sergio Mendes & Brasil '66
28. "Crimson and Clover," Tommy James & The Shondells
29. "Shame, Shame," Magic Lanterns
30. "If I Can Dream," Elvis Presley
31. "Till," The Vogues
32. "A Ray of Hope," The Rascals

34. "Stand by Your Man," Tammy Wynette
35. "Promises, Promises," Dionne Warwick

38. "This Is My Country," The Impressions

40. "Hang 'Em High," Booker T. & The MG's
41. "I Started a Joke," Bee Gees
42. "Everyday People," Sly & The Family Stone
43. "Hey Jude," Wilson Pickett

46. "Bella Linda," The Grass Roots

49. "(There's Gonna Be a) Showdown," Archie Bell & The Drells

53. "Worst That Could Happen," The Brooklyn Bridge

56. "Crosstown Traffic," The Jimi Hendrix Experience

62. "California Soul," The 5th Dimension

66. "Can I Change My Mind," Tyrone Davis

72. "Touch Me," The Doors

74. "I've Gotta Be Me," Sammy Davis, Jr.
75. "Ramblin' Gamblin' Man," Bob Seger System

89. "Sweet Cream Ladies, Forward March," The Box Tops
90. "This Magic Moment," Jay & The Americans

100. "Things I'd Like To Say," New Colony Six


Leaving the chart:
  • "Bang-Shang-A-Lang," The Archies (13 weeks)
  • "Hold Me Tight," Johnny Nash (15 weeks)
  • "Pickin' Wild Mountain Berries," Peggy Scott & Jo Jo Benson (10 weeks)
  • "With a Little Help from My Friends," Joe Cocker (6 weeks)

New on the chart:

"Sweet Cream Ladies, Forward March," The Box Tops
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(#28 US)

"Things I'd Like To Say," New Colony Six
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(#16 US; #17 AC)

"This Magic Moment," Jay & The Americans
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(#6 US; #11 AC; originally a #16 hit for the Drifters in 1960)

"Touch Me," The Doors
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(#3 US; song starts around 0:39)


And new on the boob tube:
  • Mission: Impossible, "The Freeze"
  • That Girl, "Should All Our Old Acquaintance Be Forgot"
  • Get Smart, "One Nation Invisible"
  • Hogan's Heroes, "Man in a Box"

Frank Borman said:
And from the crew of Apollo 8, we close with good night, good luck, a Merry Christmas, and God bless all of you--all of you on the good Earth.

_______

Because it's the only way a woman could get away with pretending to be a man posing as James West?
No, no, no...she's a man, baby...he's not a woman, baby!

Well, you know, after a couple of drinks.....
:lol:
 
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"Sweet Cream Ladies, Forward March," The Box Tops
Nice one, although it seems to be sending mixed messages. I'll have to listen to the lyrics more closely when I have time.

"Things I'd Like To Say," New Colony Six
Simple, but it sounds very nice.

"This Magic Moment," Jay & The Americans
Classic. Sounds like the 50s. :D

"Touch Me," The Doors
The Doors are awesome! Actually, this is one of my favorite Doors songs. I should probably add it to my MP3 folder.

No, no, no...she's a man, baby...he's not a woman, baby!
Oh. I'm so confused.
loopy.gif
 
_______

50th Anniversary Album Spotlight

The Beatles ("The White Album")
The Beatles
(Part 4 of 4)


I'll be the first to admit, Side 4 is definitely where the album falls apart, but at least they backloaded it.


The final side of the album opens with "Revolution 1," a bluesier, more acoustic, earlier version of the song that became the B-side of "Hey Jude":

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(not on Rolling Stone's 100 Greatest Beatles Songs as its own entity, but the single version ranks #13)

Single-album note: Being effectively an outtake of a previously released song, this one is very disposable.


Next up is Paul's latest love letter to the '20s music hall sound, "Honey Pie":

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This is a perfectly fun little number...I especially like the scratchy old record-sounding bit. (Woulda been trippy if they'd done the whole song like that!) And I have a vivid memory of a late-night drive in Indiana in 1988 when this song "popped" for me. But after "When I'm Sixty-Four" and "Your Mother Should Know," this can't help feeling a little "been there, done that".

Single-album note: Part of me would like to keep this for variety, but overall I just don't think it has the chops to make the cut on a leaner, meaner White Album.


George's last of four songs on the album is the whimsical "Savoy Truffle":

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Wiki said:
The song was written by George Harrison and inspired by his friend Eric Clapton's fondness for chocolate. The lyrics list the various flavours offered in Mackintosh's Good News chocolates and serve as a warning to Clapton about the detrimental effect that his gorging would have on his teeth.

This one is goofy, enjoyable, and has a distinctive sound, but...

Single-album note: Of the "other three" George songs on the White Album, it stands out the least from "While My Guitar Gently Weeps," as it's just a more lightweight rocker.


Given its positioning, John's "Cry Baby Cry" used to be the de facto end of the album for me:

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It's a decent number and I particularly like the atmosphere of the faint dinner party noises. But the most distinctive part of the track is Paul's "Can You Take Me Back" fragment at the end...which always sounded to me like a plea not to continue the album.... :lol:

Single-album note: I think this one could go, given so much stronger and more distinctive John material to choose from.


And now we come to the infamous "Revolution 9". I originally considered this piece downright disturbing, and actively avoided it. After I developed an appreciation for Classical, however, I came to see it in a new light, better appreciating it for what it has to offer. And take my word for it, it's a freakin' masterpiece compared to the random burping and farting on John & Yoko's Two Virgins.

Single-album note: Nevertheless, this never belonged on a Beatles album, especially with John and Yoko already releasing their own experimental albums. For its spot on the double album, I think that "What's the New Mary Jane" would have been a better fit.


The album closes with what has since come to hold the dubious distinction of being my least favorite song on the album, the John-written, Ringo-sung "Good Night":

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Wiki said:
Lennon is said to have wanted the song to sound "real cheesy", like a Gordon Jenkins-esque Old Hollywood production number.
Unfortunately, he got what he wanted. I recall a time when I played the White Album for my nephew, who was maybe in his tweens then. When he heard the opening strings of "Good Night," he mockingly called out, "Lassie...Lassie...!"

This song used to sound disturbing to me by association, given its place behind "Revolution 9," like a sort of dark joke...though that's certainly not how it was intended, having been sincerely conceived as a lullabye for John's son Julian. My attitude toward "Revolution 9" having since lightened, "Good Night" just sounds schmaltzy and cringe-inducing to me now.

Single-album note: This song is the reason that "Don't Pass Me By" makes the cut.


So yeah, here we basically have an entire side of material that could have been left off the album...and possibly the most skippable album side of the Beatles' original (British) album releases, if you don't count the non-Beatles soundtrack music on Side 2 of Yellow Submarine...and I guess you might have to squint past Side 1 of that album as well. I'm not even planning to give that one (belatedly released in January 1969) its own album spotlight, as it only has four original Beatles songs, and I covered them when reviewing the film this past Summer.


Next up, if I get to it in a seasonal enough manner: Soul Christmas, various artists

_______

Nice one, although it seems to be sending mixed messages. I'll have to listen to the lyrics more closely when I have time.
I ain't hearin' it or feelin' it for this one. Maybe it'll grow on me in its time on the playlist, but I doubt it.

Simple, but it sounds very nice.
Now this one does indeed have a nice sound, but it's not available for download. There's plenty of other New Colony Six material available, but not their only Top 20 single...and I also skipped even including their only other Top 30 single on the list because it, too, was unavailable. Don't take my money, then.... :shrug:

Classic. Sounds like the 50s. :D
Since it was a 1960 song, I'm gonna let this one slide....

The Doors are awesome! Actually, this is one of my favorite Doors songs. I should probably add it to my MP3 folder.
A perfectly enjoyable classic pop song in its own right, but as their first offering from The Soft Parade (coming in July '69), somewhat poorly regarded among Doors enthusiasts for their uncharacteristic diversion into using elaborate string and brass arrangements.

Oh. I'm so confused.
loopy.gif
Well, it seems that I did misremember the quote. The actual line was "It's a man, baby!"
 
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Single-album note: Being effectively an outtake of a previously released song, this one is very disposable.
XpMR528.gif


And now we come to the infamous "Revolution 9". I originally considered this piece downright disturbing, and actively avoided it. After I developed an appreciation for Classical, however, I came to see it in a new light, better appreciating it for what it has to offer. And take my word for it, it's a freakin' masterpiece compared to the random burping and farting on John & Yoko's Two Virgins.
It's a great headphone song.

The album closes with what has since come to hold the dubious distinction of being my least favorite song on the album, the John-written, Ringo-sung "Good Night":
I wonder if John was taking a dig at Paul's "granny music" with this one. I rather like it.
 
Well, I think I've got my single-disc track list. Putting no thought into resequencing, but merely listing the songs in the order that they already appear:

"Back in the U.S.S.R." (2:43)
"Dear Prudence" (3:56)
"Ob-La-Di, Ob-La-Da" (3:08)
"While My Guitar Gently Weeps" (4:45)
"Happiness Is a Warm Gun" (2:43)
"I'm So Tired" (2:03)
"Blackbird" (2:18)
"Rocky Raccoon" (3:33)
"Don't Pass Me By" (3:51)
"Julia" (2:54)
"Birthday" (2:42)
"Yer Blues" (4:01)
"Sexy Sadie" (3:15)
"Helter Skelter" (4:29)
"Long, Long, Long" (3:04)

This gives us a total of 15 songs (exactly half the number of tracks on the double album) totaling 49:25 in length, which, at an average of approximately 24:43 per side, is in line with the longer album sides on the White Album and Abbey Road. We have an artful balance of 6 Paul songs and 6 John songs whose total lengths differ by a mere second, plus the requisite 2 George songs and 1 Ringo song.

I'm not saying that it's not worthy in general, but if the goal is to pare down the White Album into a leaner, meaner single disc, then about the easiest thing to exclude would be an alternative version of a song that they'd just released as a single B-side. In any imaginary single-disc White Album scenario, I assume that the better songs being excluded would have found their way onto a hypothetical additional album.

It's a great headphone song.
I wouldn't call it a "song" at all, as there's very little singing going on (just a bit of choral music in the mix). I'd call it a "piece," as I would with instrumental classical music.
 
The final side of the album opens with "Revolution 1," a bluesier, more acoustic, earlier version of the song that became the B-side of "Hey Jude":
I like it, but then I'd probably love just about any version of this song.

Next up is Paul's latest love letter to the '20s music hall sound, "Honey Pie":
I like that 20s sound, so this is pretty good.

And now we come to the infamous "Revolution 9". I originally considered this piece downright disturbing, and actively avoided it.
I think this is one of those period constructs that require chemical additives. :rommie:

I ain't hearin' it or feelin' it for this one. Maybe it'll grow on me in its time on the playlist, but I doubt it.
Nothing like a good pro-prostitute song. "Lady Marmalade" is my favorite.

Now this one does indeed have a nice sound, but it's not available for download.
Weird. Rights issues, maybe?

Since it was a 1960 song, I'm gonna let this one slide....
I had a feeling. :rommie:

A perfectly enjoyable classic pop song in its own right, but as their first offering from The Soft Parade (coming in July '69), somewhat poorly regarded among Doors enthusiasts for their uncharacteristic diversion into using elaborate string and brass arrangements.
Bob Dylan had a similar experience back in the day.

Well, it seems that I did misremember the quote. The actual line was "It's a man, baby!"
I guess I had to be there. :rommie:
 
_______

50th Anniversary Viewing

_______

The Ed Sullivan Show
Season 21, episode 9
Originally aired December 15, 1968
As represented in The Best of the Ed Sullivan Show

Ed said:
"Fingertips" and "I Was Made to Love Her" established Stevie Wonder as a fantastic American singing star before he hit the real Jackpot with the song "For Once in My Life."
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About time Ed got someone who knew how to do that song!

Ed said:
Now here are the ten guys and the one gal you know as the Brooklyn Bridge.
And here's the Sullivan video, at least, of "Worst That Could Happen". Interesting...the coda (particularly in the TV audio) makes these guys sound a little less '50s and a little more Gary Puckett & the Union Gap.

Ed said:
Here is Auntie Mame, the blonde and beautiful Jane Morgan!
Apparently she was starring in the musical Mame, from which the song "We Need a Little Christmas" originated.
Wiki said:
The original lyrics include the line, "But, Auntie Mame, it's one week past Thanksgiving Day now!" Since the time the song was written the phenomenon of Christmas creep has resulted in the normal holiday season beginning much earlier than it once did, which has led to more recent recordings changing the line to, "But, Auntie Mame, it's one week from Thanksgiving Day now!"


Ed said:
Now as a Christmas present in advance, why don't you enjoy this 1950 film clip of the young Italian star who just closed a tremendously successful engagement at the Waldorf Astoria. It is brilliant, young Anna Maria Alberghetti.
The briefly shown black and white clip is just an intro for her presumably live performance of "Who Can I Turn To".

Ed said:
Here's America's Dean of Fractured English, Norm Crosby!
The routine shown on Best of is presumably greatly edited down, given its brief length, but features the comedian demonstrating how he earned that nickname with comically mangled wordplay.

Ed said:
Now before the sensational Stevie Wonder sings his "For Once in My Life," now number one in the national polls, this word....
Now that was an awkward bit of business for the Best of edit to include, underscoring as it does the reordering of the original performances. Anyway, it's the funky "You Met Your Match" that follows that word:
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Which is followed in turn by a harmonica instrumental of "Alfie".

Also in the original episode according to tv.com:
--Jane Morgan - "It's Today" (production number from "Mame")
Comedy:
--Rich Little (comedian-impressionist) - imitates George Burns, Jack Benny, Rochester, Ed Sullivan, etc.
--Steve Rossi & Joe E. Ross - comedy team doing impressions.
Also appearing:
--Edward Villella (ballet dancer) - pas de deux with Patricia McBride, and a solo dance.
--Audience bows: Otto Preminger (movie producer), Jules Dassin (producer).

_______

Mission: Impossible
"The Bargain"
Originally aired December 15, 1968
Wiki said:
In Miami, "the Syndicate" must be prevented from funding an exiled dictator's (Albert Paulsen) plan to launch a counter-revolution.

The reel-to-reel tape in the control booth of a roller rink that plays really crappy music said:
This tape will self-destruct in five seconds. Good luck, Jim.

There's no portfolio this week, and the gang's all here.

This week's scheme involves Chef Barney, accompanied by Serving Maid Cin and Cook Willy, infiltrating the household of General Neyron (Albert Paulsen), whose right-hand man is Colonel Santagura (Nate Esformes). Neyron is in the process of working out a deal with Syndicate boss Frank Layton (Warren Stevens), whose right-hand man is Arnold Grasnik (Phillip Pine). But there's another shady character who seemingly wants in on that action: Old Mobster Rollin, whose right-hand man is Jim.

The IMF employs a number of gadgets and gimmicks in the scheme, including a powder that picks up and transfers writing; a briefcase that shape-changes into a doctor's bag, allowing Right-Hand Jim to be seen walking into and out of Neyron's home, while it's Dr. Jim who calls on Neyron inside; trick cards that, aided by some piped-in audio, make Neyron think that he's got temporary precognition (which Dr. Jim tells him is an actual medical syndrome!); a remote that opens Neyron's wall safe once a small device is planted in it; and video projection that's sold as being more immersive than the usual variety.

Fed Rollin makes Layton think that Neyron's secretly making a deal with Old Mobster Rollin, which is corroborated by Right-Hand Jim being caught by Grasnik after his visit as Dr. Jim. The core of the scheme involves the IMF using drugging, sound effects, projection, and the wall safe remote to make Neyron think he's having a vision of Layton taking back his money and shooting him. Thus when Real Layton shows up and starts behaving the same way, Neyron shoots him preemptively. And the IMF drives off in Barney's gourmet catering truck as the police arrive.

This episode includes multiple uses of a heavy piano motif of the M:I theme that I haven't noticed if it's come up before.

_______

The Avengers
"The Rotters"
Originally aired December 16, 1968 (US); January 8, 1969 (UK)
Wiki said:
Steed investigates a firm named WormDoom, whose proprietor, a businessman widely thought a bit of a rotter, is killing off his business competitors, all experts on timber decay. To get at his victims he has stolen a new chemical that, while simulating dry rot, causes wood to rot instantaneously: turning doors, walls and windows all to powder.

A group of former researchers for the Institute of Timber Technology are getting killed off one by one as Tara and Steed are investigating them, per the usual formula. The pair of killers used in this episode are somewhat entertaining in their mannerisms, at least. In their attacks they employ the chemical described above, which is effectively treated as a disintegration gimmick, which wooden doors, walls, and buildings just instantaneously disappearing. At one point Steed finds himself waiting in a parlor with the killers, making small talk. He sniffs them out when they play along with a background detail about the person they're waiting for that he'd just made up.

This one includes a good moment of surreal humor: When one of the victims is dramatically rasping out his last word, Tara mistakes his "dry...dry..." as a request for water, and he responds, "No, thank you," in a normal, matter-of-fact voice, then proceeds to finish his dramatic rasping.

This week's prize for inept spycraft goes to the bad guys. When Tara gets captured, again per formula, she's locked in an ankle chain with a bottle of acid conveniently within reach.

The villain behind the killings turns out to be one of the group of researchers, who'd discovered the rotting chemical years before and sworn to keep it a secret. His evil plan, which falls somewhere between Bond and Batman, is to use the spray on a national scale via large, remote-controlled dispensers disguised as letter boxes. Steed gets ahold of one of the handheld chemical sprayers and uses it to his advantage in the climax...yet again, per formula.

Mother's Idiosyncratic Roost of the Week is a room of inflatable furniture.

_______

Rowan & Martin's Laugh-In
Season 2, episode 12
Originally aired December 16, 1968
The Wiki list of guest appearances said:
Barbara Bain, Billy Barty, Jack Benny, Douglas Fairbanks Jr., Rock Hudson, Martin Landau, Guy Lombardo, Otto Preminger

If Billy Barty was in it, I didn't see him.

As the last new episode before the holiday, this one includes lots of Christmas business.

Mrs. Claus: Y'know, Sant, I still prefer the old-fashioned Christmas.
Santa: Yeah...when Tiny Tim said, "God bless us, every one," instead of "Tip-Toe Thru the Tulips".
Laugh-In comments on violent toys with this musical number.

Nixon's inauguration is only a month away, but Laugh-In's not done with LBJ yet. Here Douglas Fairbanks Jr. reads "A Political Christmas Carol," featuring Lyndon Baines Scrooge:
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This week's Fickle Finger of Fate goes to toy manufacturers.

Laugh-In looks at the Christmas Spirit:
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Martin: Hi, my name is Martin Landau.
Barbara: Hmm...so that's what you really look like.

Martin, standing over a lamp: A lot of people don't realize that Barbara is also a master of disguises. Aren't you, dear?
Barbara's voice, coming from the lamp: You bet your sweet bippy!

Barbara: Just think, if Martin Landau and Barbara Bain adopted Arte Johnson, he'd be Landau Bain's Johnson.​

REMEMBER PEARL HARBOR...SMASH A TRANSISTOR RADIO

The German soldier said:
Good night, Lucy. And Merry Christmas to you, Matt Dillon, and The Avengers, and all of you lovely people in Peyton Place.

_______

Star Trek
"Elaan of Troyius"
Originally aired December 20, 1968
Stardate 4372.5
H&I said:
The Enterprise must escort an alien princess to her marriage to seal an interplanetary alliance, but she becomes attracted to Kirk.
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See my post here.

_______

Adam-12
"Log 122: Christmas - The Yellow Dump Truck"
Originally aired December 21, 1968
Wiki said:
Community service-based episodes would be a hallmark of Adam-12 holiday episodes throughout the series run, and the first sees Reed learn about the importance of performing charity work when he and Malloy distribute Christmas care boxes to families in need. Bob Hastings guest stars in a husband-wife dispute that gets out of control

It's become a holiday tradition to catch this episode on whichever channel has Adam-12 at the moment...now I get to experience it in immersive 50th anniversary context!

'Tis the night watch before Christmas, and all through the precinct, patrol officers are delivering sacks of donated toys to needy homes. At one such residence, Reed and Malloy chat it up with a cute kid named Harvey who's outspoken about the only thing that he wants from Santa....

Harvey: What I want is a dump truck!
Malloy: No kidding.
Harvey: A yellow dump truck!
Reed: What would you do with it?
Harvey: Put stuff in it and raise up the back and dump it out!
Malloy (to Reed): Even you oughta know that.​

Harvey's mother, Mrs. Ward, wants the officers to rendezvous with her away from home so she can put the toys in her car and bring them in later when the children are asleep. Back in the squad car, Reed finds that there doesn't happen to be a yellow dump truck amongst the toys, which makes him want to buy one for Harvey. Trying to discourage his rookie partner from getting too involved, Malloy relates an anecdote about a Christmas during the war when all he got was a sack of marbles. Somewhere in telling this story, Malloy talks himself into pulling up outside a toy store and asking to borrow a few bucks, much to Reed's amusement.

Reed (from the car as Malloy walks into the store): Remember, it's gotta be yellow!​

When Mrs. Ward sees the dump truck, it brings her to tears, which makes me a little misty-eyed.

Back on patrol, the officers pull over a very drunk driver and take him back to the station for a breathalyzer test. They see Mrs. Ward there and learn that her car had been stolen at a Christmas tree lot with the toys still inside. They talk to Sgt. Miller, who's so overworked that he doesn't expect to get home until 2 in the morning, but gives them a tip about where they might try looking for joyriders who would have stolen the car, though he doesn't think it'll do them much good.

Searching fruitlessly, the officers get a call about a family dispute at a familiar home, that of Chrles and Reba Beuhler (Bob Hastings and Eunice Christopher), whose feuding was previously featured in "Log 131: Reed, the Dicks Have Their Jobs, and We Have Ours". She's upset that he bought an expensive ham when she'd wanted him to take her out to dinner, while he's upset about her getting an artificial tree. He's about to leave the house for the night when Malloy encourages them to open up their gifts from each other. This results in a brief moment of tenderness between the couple before things flare up again when Mrs. B realizes that Mr. B's gift to her was expensive, and he could've taken her out to dinner...!

On patrol again, the officers hear radio chatter about Walters and Brinkman pursuing Mrs. Ward's car. The car is recovered and the thief arrested, but Malloy's concerned that the toys will be held as evidence. Back at the station, Reed points out a loophole that Sgt. Miller takes advantage of to release the toys to the officers.

_______

Get Smart
"Schwartz's Island"
Originally aired December 21, 1968
Wiki said:
While on their honeymoon, Max and 99 become stranded at sea because the boat they were sailing on exploded (due, as usual, to Max's inept behavior). They end up on an island in the Caribbean which, as it turns out, is synthetic and was designed by KAOS scientist Schwartz. Stationed on the island are Siegfried and Shtarker, who are there running a massive electromagnetic device. Their plan is to attract the entire U.S. Sixth Fleet, which will just happen to pass by the island in a short amount of time. The episode is a spoof of Gilligan's Island, a show produced by Sherwood Schwartz.

Hey, continuity!

This one doesn't actually have much in the way of Gilligan's Island-specific spoofery, but when Starker discovers Max and 99 on the island, he's hiding in the bushes wearing a German helmet and finds the turn of events "verrry interesting". At another point, he spoofs on the classic Timex commercial, declaring straight into the camera, "It takes a licking and keeps on ticking!"

Siegfried uses his giant magnet to bring the Chief to the island from a Coast Guard cutter, made possible by the steel-helmeted diving suit that the Chief is wearing. When the CONTROL trio escape after disabling the magnet, Max and 99 use the Chief in his inflatable suit as a life raft.

_______

Hogan's Heroes
"Will the Real Colonel Klink Please Stand Up Against the Wall?"
Originally aired December 21, 1968
Wiki said:
Carter, disguised as Klink, is spotted while on his way to a sabotage job. While the team takes out the targeted train, Hogan must concoct an alibi for Klink before the firing squad is assembled.

General Burkhalter and Major Hochstetter are both is this one.

Sgt. Schultz said:
I swear, sir, I haven't done anything! I always do nothing. I see nothing, I hear nothing, and above all...I know NOTH-ING!


Getting Klink off the hook comes down to discrediting Captain Herber, the Gestapo agent who's been assigned to Klink as an aide, over his claim that he made a call to a stationmaster (who was actually Newkirk, intercepting the call) while the phone lines were down. One does have to roll with how easily Hogan's men impersonate Germans in Germany by doing bad German accents.

DIS-missed!

_______

Nothing like a good pro-prostitute song.
I guess I don't care much what a song is trying to say if the music is lousy.

I guess I had to be there. :rommie:
If you weren't, here's what you need to know.
 
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Rowan & Martin's Laugh-In Season 2, episode 12
Originally aired December 16, 1968

Nixon's inauguration is only a month away, but Laugh-In's not done with LBJ yet. Here Douglas Fairbanks Jr. reads "A Political Christmas Carol," featuring Lyndon Baines Scrooge:

I've always laughed at the Hollywood Lefties who spent most of their time blasting LBJ over Vietnam (as though that what was his administration was all about...), with some actually buying Nixon's campaign promises to not extend the war/bring the troops home. "Suckers" is the mild way to describe this bunch.

Star Trek
"Elaan of Troyius" Originally aired December 20, 1968
Stardate 4372.5

Solid story, with one of the great scenes of Kirk being a master tactician and a beautiful score lifting it all. Oh, and let's not forget that in production order, it was the episode featuring the debut of Matt Jefferies' brilliant Klingon Battle Cruiser (now referred to as the D7). One of the best of season three.

Get Smart "Schwartz's Island"
Originally aired December 21, 1968

This one doesn't actually have much in the way of Gilligan's Island-specific spoofery,

It was titled "Schwartz's Island" primarily because the episode was shot on then then-still standing lagoon set from Gilligan's Island (CBS, 1964-67), located at CBS' Television City in the Fairfax district.
 
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