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Whopper at Mickey D's? It's a real Royale!

Qonundrum

Just graduated from Camp Ridiculous
Premium Member
When I first saw this story some 30,000 years ago, I wasn't impressed. Oh look, Trek characters in a silly remake in a silly setting reenacting some book to save on cost and to reuse sets! Though I liked the spinning doors' lighting effect at the start...

I grew to like this story over the years. Rewatching on blu-ray has only elevated my enjoyment of a story doing a one-time format change to flex its muscles. A "fish out of water" tale in terms of in-universe characters and plot device, yet those human nature Trek themes still are there.

Indeed, when they find the diary and Riker reads it - that is exactly the sort of mindset many aliens would likely espouse, to varying extents, if meeting a bunch of unknown beings in outer space: Complex beings with no way to properly communicate, misunderstanding over situation or posture (of ship and/or crew), guilt, recompense, literal interpretation of the written book found being a literal example of the culture itself. The latter being referenced in "First Contact" (Season 4, not the movie), there's a bit more weight to the revelation in this story - though both are in my list of favorites and "First Contact" is in the typical format of TNG instead of being experimental.

Oddly enough, Data does not count the cards- in later episodes he rattles off mathematical probability, but writer Tracy Torme pretty much keeps Data in character with a simple but effective line about card consistently. It ranks up there with "the cards are sufficiently randomized" in a later episode where he deals out playing cards.

Even more odd, did the Royale novel have pictures so the aliens could be so detailed with building and clothing structure for all of those background characters?

Troi gets a brief moment, getting to do a little something that only she can do. She's a bridge - like in "Farpoint" where she could sense the alien, only this time she's able to relay crew emotions and circumvent Picard and the rest guessing if they're in dire danger or not. It's not much but it's nice - she easily could have not been included for that week or, worse, getting the usual rote material of "he's hiding something, Captain".

The denouement is rather lovely - they repeat the sequence of the events as means of escape. I'm not sure how the NASA astronaut didn't think of, or where the astronaut go if the same conclusion was attempted.

A couple double entendres were amusing... The story largely maintains a balance of seriousness, but the "fish out of water" style jokes were nicely handled.

Of course, how did the aliens power this big safe zone? And other real life issues? They pretty much gloss over it where possible, which is for the best. There's more fun and depth in the adventure than having too much technobabble or technobabble that doesn't reasonably satisfy story gaps. The setup is basic but that scene with Riker reading the book solves the mystery with aplomb.

It's another example of intelligent Star Trek, focusing on a slant of the human condition not often told.

8/10
 
I'm not sure how the NASA astronaut didn't think of, or where the astronaut go if the same conclusion was attempted.
Two possibilites seem likely to me. #1, the depressing one, where he does figure out the way to beat the simulation, like our crew did, but gets to the outside, realizing he's trapped on an inhospitable world, & has no choice but to return

#2, the maddening one, where the only reason our crew could get out was because Data's superhuman skill beat the casino. Lacking that ability, he might never be able to amass the fortune to buy the hotel, that's even assuming they'd ever think he was the foreign investors, being only one person, unlike our crew's group.

Either way, with the insanity inducing conditions, I have to figure he did every unimaginable horror possible, to all those people eventually. With Groundhog Day circumstances, he'd eventually just start messing with things, to break the monotony
 
I have always liked this episode. Tongue in cheek and with a sense of humour often lacking in many episodes.
I always liked it as well. However the end where Mickey D murders the bellhop in plain view of dozens of witnesses is just plain silly. I get it, the novel is supposed to be badly written but c'mon.
 
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It was better for the astronaut to stay in the fake hotel, since there's no way he could ever have gotten home.

Kor
 
It was better for the astronaut to stay in the fake hotel, since there's no way he could ever have gotten home.

Kor

That might be worse. Said astronaut figures out to play the end role of the game as a "foreign investor" to buy out the place had he the ability to figure out the loaded dice and compensate... but then he'd walk outside the revolving door and go back in even more dejected. Living the life of a book over and over again and the clue to exiting the zoo cage is to push and finish the ending instead of looping to play the game all over again, no wonder the astronaut laments his conditions in his diary. The story makes me think the Doctor Who "Meglos" was a partial influence and a lot of people who made early TNG definitely had some open secrets about that fact. :D

I also forgot how Picard reads the first line of the book, about the "dark and stormy night" - it is so cliche they couldn't have hit the audience over the head any harder with it. Then again, it's easy to see where Torme spent the most amount of time in scripting and that's where the real genius shows. The depth and nuance of situation accorded the species that saved the astronaut and meant to do him a good thing. That's the bread and butter of sci-fi right there, even if some scenes were misfires.

Loved the incidental music - Ron Jones did go from cinematic to bombastic toward the end, but bombastic was actually quite preferable to "the symphony of drawling frog farts" that the rest of TNG became and every music composer that worked on the show was capable and did far more and better than the dreary standard issue seasons 5-7 put out.

As @Ar-Pharazon said, it is a corny story at times (there were a few scenes that didn't quite work) but it could have been a lot more corny... yikes...
 
One of the best "worst" episodes for sure. Totally rewatchable and highly entertaining.
"Baby needs a new pair of shoes."

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It's a surreal and weird show, lightweight but very rewatchable, and it's not even the best version of the script, according to Tracy Torme, who was pissed that Col. Ritchie was made a corpse. It's a pity Torme left TNG; he was one of my favorite writers, and the later seasons could have benefited from his inventiveness and humor.
 
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