Anyone with a camera, a few friends, and a place to film can do a movie in that sense, but a big budget movie like a Trek movie is another matter entirely. CBS isn't interested enough in making movies to invest that kind of money in them. They'd rather keep those dollars for their TV division and CBS All Access.Also, I meant more they have a movie studio and crew to physically film with. The crew that makes Discovery would be able to do a movie.
Exactly.Anyone with a camera, a few friends, and a place to film can do a movie in that sense, but a big budget movie like a Trek movie is another matter entirely. CBS isn't interested enough in making movies to invest that kind of money in them. They'd rather keep those dollars for their TV division and CBS All Access.
Based purely on the quality of production on display across 15 episodes and the Season 2 trailer, I think the Discovery production team are more than capable of doing a feature film. If they can produce 50 minutes of some of the most cinematic television ever created in a matter of days, I would think they'd be able to produce a 2-hour movie shot slowly and surely over 3 to 4 months. Also you forget the 2009 Star Trek movie was made by a television production company, not a movie production company.Anyone with a camera, a few friends, and a place to film can do a movie in that sense
Please see Rule of Acquisition 121Wait, is Trek for sale?![]()
I was thinking that as well. Of course he did spend close to 1 billion on the new Tolkien series, and I doubt Snow Crash came cheaply, either. His pockets are deep but not infinite.The whole franchise should be sold. Jeff Bezos and Amazon would be all over it.
Well it's Amazon's money, so it's pretty close to infinite.Please see Rule of Acquisition 121
I was thinking that as well. Of course he did spend close to 1 billion on the new Tolkien series, and I doubt Snow Crash came cheaply, either. His pockets are deep but not infinite.
Actually, that's not quite correct. Bad Robot is both a movie and TV production company--they made two theatrical films prior to Star Trek XI, so they weren't newbies to movies in 2009. But as far as the topic on hand, it's just a matter that TV and theatrical movies are two different businesses with two different business structures. They may look the same, but they're not because of the way they're set up and the monies involved. Although as I said earlier, anyone can do a movie if they have only a camera, so it's not about CBS not having the resources to do Trek movies, it's all about CBS wanting to do Trek movies. Given how little they've invested in their movie division over the last decade and how much almost of an afterthought it seems to be today, I'd say they're far more interested in doing new productions for CBS All Access.Based purely on the quality of production on display across 15 episodes and the Season 2 trailer, I think the Discovery production team are more than capable of doing a feature film. If they can produce 50 minutes of some of the most cinematic television ever created in a matter of days, I would think they'd be able to produce a 2-hour movie shot slowly and surely over 3 to 4 months. Also you forget the 2009 Star Trek movie was made by a television production company, not a movie production company.
No, don't rewrite history.Actually, that's not quite correct. Bad Robot is both a movie and TV production company--they made two theatrical films prior to Star Trek XI, so they weren't newbies to movies in 2009.
No, don't rewrite history.
Filming on Cloverfield began in June 2007. They didn't start filming Star Trek XI until November 2007 and were still filming it when Cloverfield was released in January 2008.Cloverfield was released before Star Trek, but wasn't started until after work began on the 2009 film
Yes, but it's not the same Bad Robot that exists today. It was just Touchstone Television done under JJ's producing leadership and his company name. He then split away from Touchstone Television and took that Bad Robot branding and turned it into its own production company, with deals with Paramount and Warner Bros. for movies and television respectively. Before that deal, it was just Touchstone Television pretending to be a company called Bad Robot, not an actual production company called Bad Robot. That's why there's no Bad Robot logo on Mission Impossible 3.Joy Ride (2001) was Bad Robot's earliest foray into theatrical films.
Star Trek was announced before, with JJ initially producing and then signing on to direct.Filming on Cloverfield began in June 2007. They didn't start filming Star Trek XI until November 2007 and were still filming it when Cloverfield was released in January 2008.
THIS. I too prefer every Trek production to be as unique as possible. When I try to articulate it though it usually pisses off the continuity pornographers.So Trek movies would be back under ST'09/ID writer/producer Alex Kurtzman?
Truthfully I prefer Trek to have a variety of voices. I don't want movies and TV indistinguishable like they were in the 90s.
Maybe you could answer:It's just a matter that TV and theatrical movies are two different businesses with two different business structures. They may look the same, but they're not because of the way they're set up and the monies involved. Although as I said earlier, anyone can do a movie if they have only a camera, so it's not about CBS not having the resources to do Trek movies, it's all about CBS wanting to do Trek movies. Given how little they've invested in their movie division over the last decade and how much almost of an afterthought it seems to be today, I'd say they're far more interested in doing new productions for CBS All Access.
Much is often made of the fact that Wrath of Khan was shot by Paramount's TV department.
It really stopped being the case in 2005 when Paramount Television was acquired by CBS. Prior to that, Paramount Television and Paramount Pictures were under the same Viacom umbrella and it was a no-brainer for people who worked on Star Trek (or other Paramount) TV shows to also work on the Star Trek movies. There was almost perfect synergy between them back then. It really wasn't until 2005 that we began talking about Star Trek TV and Star Trek movies as being made by separate companies with different people behind them.Maybe you could answer:
Much is often made of the fact that Wrath of Khan was shot by Paramount's TV department.
Now exactly what this means is largely political and economical (I suspect), figures on paper as it were, or perhaps a question of who was overseeing how Harve Bennett spent his money or whom he hired with it. I.e., it didn't effect the film being shot anamophic for theatrical release or anything like that (although I know Meyer had to fight an uphill battle with the studio to get a real composer and orchestra hired rather than tracking TMP music or getting someone with a synthesizer). But now here's what I want to know.
At no point in this narrative, that I can find, has it ever been specified when (or if) this ever stopped being the case.
Were all the Star Trek movies, beginning with The Wrath of Khan and up through Nemesis, produced by the TV department?
That makes sense. I kind of assumed that would be the case with the TNG films (except possibly Nemesis), but I also couldn't imagine a point where the TOS films (except possibly The Voyage Home) might have broken away from that. It makes sense if they never did.It really stopped being the case in 2005 when Paramount Television was acquired by CBS. Prior to that, Paramount Television and Paramount Pictures were under the same Viacom umbrella and it was a no-brainer for people who worked on Star Trek (or other Paramount) TV shows to also work on the Star Trek movies. There was almost perfect synergy between them back then. It really wasn't until 2005 that we began talking about Star Trek TV and Star Trek movies as being made by separate companies with different people behind them.
CBS OWNS the Star Trek film rights. They LICENSED them to Paramount and JJ Abrams. There's nothing for them to buys - they OWN it.Let's be honest, Viacom does come off as a jilted ex living off spousal support.
With the movies back in development hell again, should CBS just make a play for the movie rights?
Would the fans be here for it?
We use essential cookies to make this site work, and optional cookies to enhance your experience.