Nuts![]()
CJRT wasn't going to live forever.
Nuts![]()
I'm aware. Still sad.CJRT wasn't going to live forever.
I know [Christopher Tolkien] took a "beating" on The Silmarillion (don't know all the details, but I'm sure there was something that wasn't lining up, though how the fans would know I don't know) and so it seemed like he contented himself to publishing the more scholarly "History of Middle-Earth" instead of attempting to complete his father's primary tales of the First Age.
The History of MIddle-Earth is, in a very extended way, an apology for the way that CJRT presented The Silmarillion. He thought the best way to do it would be to take the various manuscripts, some of which went back to 1916, and compile a single narrative. One part, "Of the Ruin of Doriath," was written whole cloth either by CJRT or Guy Gavriel Kay, who assisted CJRT in the compilation. The problem with the approach CJRT took is that JRRT changed his mind on aspects of his mythos in the fifty-plus years that he worked on the tales of the First Age, while in other places, like "The Fall of Gondolin," he'd simply never revisited after The Book of Lost Tales.
IMHO, what CJRT did is to be commended, not condemned. He made a coherent narrative out of fragments that spanned sixty years. Yet, I also understand people who think he went to far and inserted his own ideas too much into the published book. It's a valid position to take. For myself, I'd rather have a readable Silmarillion that, though difficult to read, is presented as a text for everyone, not a scholarly exploration of the evolution of the tale.
HoME, like I said, was CJRT's extended apology. Excepting the books that delve into The Lord of the Rings and other tangents like The Lost Road, he presents the manuscripts, as they developed so readers can see how the First Age developed across time. It's a fascinating insight into how a writer works and how ideas evolve. It's also a way for fans, who may have not liked what CJRT did with The Silmarillion, to make their own judgments about the correctness of CJRT's editorial work on the published book. But these aren't works for the casual Tolkien fan. And much as I love having books like Sigurd and Gudrun and The Fall of Arthur, because those are subjects that fascinate me beyond Tolkien, these aren't books for the casual reader, either. It's a balance.
Christopher Tolkien’s resignation as director of the Tolkien Estate means that we will see more Middle-Earth TV/film content and adaptations in the following years.
If you start an online petition why don’t you ask for something useful? Like have Amazon & WB hire Guillermo del Toro to develop the project(s).
A Shyamalanised TLOTR, anyone ? At least PJ didn’t make either of his Tolkien projects into a gorefest, as might have happened.If Snyder and Bay co-directed a film, would the former’s slo-mo cancel out the latter’s superfast edit/cut style? It’d certainly result in a gorgeous looking, if shallow, film!
There's definitely some stuff to work with in Aragorn's history, particularly his days in service of Gondor under the alias Thorongil, when he led a successful assault agains the Corsairs' home port of Umbar, and became the target of Denethor's jealousy. But I don't think there's enough there for a full, ongoing series, which means they'd have to (gulp) make up some stuff to fill in the blanks.It looks like there's a chance the series will focus on a young Pre-LOTR Aragorn. It seems like Aragorn has a pretty deep history, so other than maybe Gandalf, he is probably the character with the most prequel potential.
Given the Hollywood fondness for lurve, it would not surprise me if they made the most of texts like “A fragment of the Lay of Aragorn and Arwen”. Scenes set in Lothlorien are pretty much guaranteed. And they might even raid the Numenorean material, like the “Akallabeth”, for hints. Scenes set in Gondor and Rohan, and featuring their Stewards and Kings, could be used to hint at, and build up, Aragorn’s character. A lot of stuff takes place between his birth in 2931 Third Age, and his meeting with the Hobbits in 3018, as the lists of Rangers, Stewards, and Kings show. A determined and well-informed bunch of script-writers would not have much trouble finding material for a film about him. And they might do worse than read some fan fics. Some of the material in the Akallabeth and related material could be used, and dramatised, to provide answers to questions about his origins, and about why he is important. The difficulty would be, in providing dialogue.There's definitely some stuff to work with in Aragorn's history, particularly his days in service of Gondor under the alias Thorongil, when he led a successful assault agains the Corsairs' home port of Umbar, and became the target of Denethor's jealousy. But I don't think there's enough there for a full, ongoing series, which means they'd have to (gulp) make up some stuff to fill in the blanks.
There's definitely some stuff to work with in Aragorn's history, particularly his days in service of Gondor under the alias Thorongil, when he led a successful assault agains the Corsairs' home port of Umbar, and became the target of Denethor's jealousy. But I don't think there's enough there for a full, ongoing series, which means they'd have to (gulp) make up some stuff to fill in the blanks.
Even the LOTR movies ran out of steam during Twin Towers.
I don't think Peter Jackson is involved in this, so you can't really pe-judge it based on his movies.I am in complete agreement! However, The Hobbit movies did not get better with each successive entry. They sucked, and sucked ... then sucked some more. Even the LOTR movies ran out of steam during Twin Towers. If not for sweet Éowyn, I would've had to dismiss the film, entirely. Return of the King was really boring and kind of a mess, especially towards the end. "The Fellowship of the Rings" benefitted mostly from how charming and quaint it all was. The misty forests, the medieval settings ... it damn near put me in the mood for my first-ever Renaissance Fair (which I still haven't been on).
So, when Pete's got this franchise that had various published books to base it all on and official illustrators that worked on those books at hand ... and STILL delivers a body of mediocrity and boredom, it makes one wonder what stretching it all out into a series is meant to achieve? The cure for insomnia? There's so much hype regarding this franchise and what it's based on, that it disappoints me, greatly, that I can't find myself as infatuated with it. It's just "OK." It's sight better than King Arthur with Keira Knightley in it and THERE was a story with PASSION!!!
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