45.
And it takes maybe two minutes out of a forty-eight minute long episode.
Personally I like both light and dark (and DSC really isn't all that dark to begin with, nor is TNG1 all that light). I just want the characters to be engaging and the stories to make sense and not be boring or cringeworthy.
Based on the first seasons alone, the DSC characters were far more engaging to me than the TNG ones. Yes, Picard and crew got better, but not in this season.
Based on the first seasons alone, DSC had plenty of fun, interesting stories, even though their season long arc did flop like a wet fish in the last few episodes. TNG, on the other hand, spends most of its time either boring me to tears or being so cringeworthy I can barely watch. I honestly don't understand where the 'fun' is supposed to be in watching it, light hearted or not.
Meanwhile, we've had how many debates about "Fucking cool!" which was less than minute.![]()
Tilly is the best!
Lorca??Her and Stamets were the best thing about the show.
Lorca??
Isaacs was better in The Death of Stalin.
WESLEY: Data, I can understand how this could happen to the Ornarans. What I can't understand is why anyone would voluntarily become dependent on a chemical.
DATA: Voluntary addiction to drugs is a recurrent theme in many cultures.
TASHA: Wesley, no one wants to become dependent. That happens later.
WESLEY: But it does happen. So why do people start?
TASHA: On my home planet, there was so much poverty and violence, that for some the only escape was through drugs.
WESLEY: How can a chemical substance can provide an escape.
TASHA: It doesn't, but it makes you think it does. You have to understand, drugs can make you feel good. They make you feel on top of the world. You're happy, sure of yourself, in control.
WESLEY: But it's artificial.
TASHA: It doesn't feel artificial until the drug wears off. Then you pay the price. Before you know it, you're taking the drug not to feel good, but to keep from feeling bad.
WESLEY: And that's the trap?
TASHA: All you care about is getting your next dosage. Nothing else matters.
WESLEY: I guess I just don't understand.
TASHA: Wesley, I hope you never do.
I really don't think that speech is that bad.
And it takes maybe two minutes out of a forty-eight minute long episode.
^I like Symbiosis because I think the aliens provide a lot a tension and surprises and a good ethical dilemma for Picard and Crusher. I found the plight of the Onarans very gripping and there was some real great scenes with the actor who plays Kirk's son, including one where he almost kills Riker with his electrical energy. I thought the guest stars were topnotch and the episode has some of my favorite scenes between Picard and Crusher. But to each his own.
You pretty much beat me to it. A big part of the problem with that scene is the context of the times...Nancy Reagan might as well have beamed aboard and given that Afterschool Special talk to Wesley.As for what makes this speech in particular that bad: it feels like it was lifted directly from a cheap DARE video. None of the characters are actually in character, the dialogue is clunky as hell, and they're not so much even having a conversation with each other as they are talking at the audience (which they seem to think is filled with six year olds). It is just so blatantly obvious that the entire scene was inserted into the story for no other reason than because someone said that if they were doing a drug episode they would have to tell all the kiddies at home to Just Say No!
Context. TNG to me captures the joy of Star Trek and I've always seen it on TV. I only realised how ordinary the acting was just recently. I mean for the first couple of seasons. I miss the childlike (even being no longer one) appeal.
Discovery is a paid for product now in a sea of almost hardcore competition and I analyse things to death now.
Nostalgia plays a big part here. I feel the same way about TOS, which is the show I grew up on. By the time TNG debuted I was well past college, editing books for a living, and far more critical in my tastes. It had no "childlike" appeal to me and I was all too conscious of how weak that first season was.
Which suggests that modern viewers will someday regard the first season of DISCO with the same fond nostalgia.
To quote an old saying: "The golden age of science fiction is twelve."
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