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Babylon 5

There was the Gold Channel, which was high-priority and real-time. There were other real-time connections made, but they always took some doing, explicitly or implicitly (William Edgars could always call Garibaldi at any moment from Mars, but he was super-rich, while Sheridan and Ivanova had to both pull some strings and wait around to call their respective fathers, and Garibaldi had to go through the Psi Corps office on Mars to get information of Lise when he was checking on her during the riots, since regular channels were unavailable). My read is that there were a finite number of real-time long-range communications channels available to Babylon 5 (and in civilized space in general), and that there were a handful like the Gold Channel that were always kept available for important calls, but for the rest, you had to wait for your turn, not just for Babylon 5's communications to free up, but also whatever relays and whatnot your signal had to pass through to get to whoever you wanted to talk to.

FTL communications don't seem to require a jumpgate (the only time we saw one used that way was when the station was trying to contact a specific ship, but didn't know the location beyond "Somewhere in hyperspace"), so light-speed delay to Jupiter probably isn't a major factor. Bandwidth, however, almost certainly would be. When communications are fuzzy, they always have analog interference, not digital, so if you want to read into that, it could be that interstellar communications doesn't have the speed of our present-day internet, but is stuck in the '90s. As for waiting for search results, a substantial amount of information would be locally cached on Babylon 5, so you'd only need to connect to the central database for really esoteric stuff like, say, detailed crime reports on a series of long-solved murders.
I'm going to fanwank it and imagine that the ansible-like FTL comms are based on quantum entanglement, which represents a finite, limited resource that has to be replenished by physically transporting one particle of each entangled pair of particles through hyperspace to B5 from Earth. Once installed, each particle can be used only once to send information. Of course, in our reality, it doesn't appear that it's possible to use entanglement to implement FTL comms but let's imagine in the B5 reality that the signal depends on the rate at which the particle states are measured. That way, it is possible to encode information on a communication channel using frequency modulation. Haven't thought of a reason why they have to use analogue rather than digital though - the latter would be more efficient.
 
It's obvious knowing what I know now what "Don't kill he who is already dead" means. I can't remember what "The eye that does not see" is.

The nightwatch is seeming like something that could start to exist in the next few years.
 
It's obvious knowing what I know now what "Don't kill he who is already dead" means. I can't remember what "The eye that does not see" is.

The nightwatch is seeming like something that could start to exist in the next few years.

While the novels do something with a play on 'I' and 'eye', it seems clear from this that "You must save the eye that does not see." belonged to G'Kar:
From: J. Michael Straczynski <71016.1644@compuserve.com>
Subject: 404: Falling
To: CIS
Date: 11/29/1996 9:36:00 AM

{original post unavailable}

Yeah...would've been nice if Londo had at least tried to do
something about the eye that did not see Cartagia's splendor....

jms
 
JMS also proposed the "I" = "Eye" interpretation. He did like messing with the fans from time to time.

From: jmsatb5@aol.com (Jms at B5)
Subject: Re: Londo's Lament, Redemption or Fire? (long)
To: rec.arts.sf.tv.babylon5.moderated
Date: 9/18/1996 5:08:00 PM

There's another way to look at this, which occured to me as I was writing
it, so I structured it accordingly.

Morella: "You must save the eye that does not see."

Londo: "I...do not understand."

I.

Eye.

We never actually saw how she spelled or meant this.

Given Londo's background, one could almost make the case that the
discussion was about him. Not saying that's it, but it's a possibility
and a subtext.


jms

Of course, that and the "Kill the one who is already dead" can be as ambiguous as you like, because Morella said the last one could make up for the others, and I don't think there are many candidates for Londo's greatest fear that will destroy him.
 
Could that which is already dead refer to anything besides Sheridan, whom he does not kill?

He also does in fact save G'Kar, who is visibly missing an eye in the future.

His greatest fears seem to be the destruction of his homeworld, giving control of it to an external force seems like a candidate. Or you could also argue his greatest fear is making Centauri Prime weak and vulnerable, which he also must do in order to prevent its destruction. And the keeper does destroy him, it destroys everything about him except his life.
 
Could that which is already dead refer to anything besides Sheridan, whom he does not kill?

He also does in fact save G'Kar, who is visibly missing an eye in the future.

His greatest fears seem to be the destruction of his homeworld, giving control of it to an external force seems like a candidate. Or you could also argue his greatest fear is making Centauri Prime weak and vulnerable, which he also must do in order to prevent its destruction. And the keeper does destroy him, it destroys everything about him except his life.
Morden could also be considered the one who is already dead, as he was legally dead throughout the series, and he was working for the Shadows.
 
just started season 2. It already looks much better. They must have gotten a better budget going into the 2nd season. Their graphics look better and their camera seems to be better.
 
just started season 2. It already looks much better. They must have gotten a better budget going into the 2nd season. Their graphics look better and their camera seems to be better.
A pretty good effort as the whole thing was filmed in an off-the-beaten-track former hot-tub factory that had been converted into a studio.
 
Morden is one who was already dead, but it's hard to see how killing him was bad for Centauri.
Morden wasn’t really a target for Londo until after Cartagia was dead, at which point, putting his head on a spike was the only possible outcome.

I struggle with J’kar being the eye that does not see. The empty eye sees an empty soul after all. There was that eye thing that Morden recovered, but that had already happened.

Londo Killing Sheridan was also not really on any kind of agenda, not before he was already committed to that fate.

Londo’s greatest fear must have something to do with J’kar, Londo knows he will die at J’Kar’s hand. Aligning himself with the Narn, becoming his friend, knowing that they will die with their hands on each others throats must rank quite high as a greatest fear.
 
That's a good point about Londo's greatest fear possibly being killed by G'Kar, since he saw that in a prophecy quite a bit earlier.

Londo captured Sheridan in the future and didn't kill him, alternately secretly freeing him and asking him to not forget the suffering of the Centauri, which I think is extremely likely to be just what that part of the prophecy meant.

I agree the eye that does not see is a little more of a stretch for G'Kar, but it fits with that theme that ALL pieces must be in place in order for Londo to save his planet. G'Kar is the only one he can ask to kill him since nobody else would both do it and not try to turn the situation to their personal advantage, Sheridan is the only one other than maybe Delenn (Who would never go along if he killed Sheridan) with both enough power and enough empathy to make things better for Centauri Prime after they screwed the galaxy.

Sheridan's brief slip into the future is required to go exactly right for Centauri Prime to be saved.
 
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just started season 2. It already looks much better. They must have gotten a better budget going into the 2nd season. Their graphics look better and their camera seems to be better.

Good eye. JMS explained at the time:

Yes, we brightened things up a notch, but only a notch, because we
discovered that a lot of the good work being done on the sets and the
costumes wasn't being seen because we were too dark. So we went up about
one f-stop, but at the same time began using more shadows, textures and
colors, so the show has a denser look to it.
 
Just watched the episode In the Shadow of Z’Ha’Dum. My wife totally freaked out about this one. It’s like all the pieces fell into place for her. It’s great to watch people have an awakening and finally get it. She’s now talking about little clues and what’s going to happen in the future.
 
Between her departure in season 2 and her reappearance in season 5, did anybody ever reference in-world what happened to Na'Toth? Was the audience supposed to assume she died in the attack as G'Kar did, or was it Judy Winslow style handwave? "Attache? What attache? I haven't had an attache since that airlock incident. It doesn't look like anything to me."
 
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