I have no fealty to CBS, so let's cut that BS out and the "toeing the corporate line" BS as well. That's just trying to play word games. I was a fan in the 70's and yeah we helped keep it alive. But so did the toys, comics and reruns. All made possible by Star Treks owners. So spare me the lone hero fighting the evil corporation line.I'm not going to get into a fruitless philosophical debate, but that kind of corporate fealty comes across as, at least, reductive and simplistic, especially considering a pop culture entity that was kept alive only by fans during the 1970s, and considering Kurtzman has no ties to the original tree or its branches. (whereas Berman, Piller, Behr, Moore all knew and worked with Roddenberry.)* I mean, let's say a Russian mining consortium bought Lucasfilm and turned Star Wars films into state propaganda for Putin - at a certain point, that would stop being Star Wars, despite legal claims of ownership.
*I'm not claiming Roddenberry is the be all & end all of Star Trek, but to continue the Star Wars comparison - Disney Lucasfilm is run by and has employed close associates of George Lucas (Kennedy, Kasdan, Howard) - whereas with B. Fuller long gone, Kurtzman Trek is currently disconnected from the primary tree of life (sorry, Nero & Keenser don't have essential dogmatic status just yet) and thereby has to earn its Trek status in the minds of devotees- it doesn't get that automatically by the royal decree of Moonves.
I probably could write another draft of this, but oh well.
If some corporation, be it Russian, American or Ugandan, buys Star Trek or Star Wars and puts out an inferior product or one with a negative message I'll stop watching. But they will still own the thing and they will be Star Trek or Star Wars. It[s about the product not who owns it . Now if they start using child labor to make the show, then I'll have a problem with the owners.
I don't care about connections to some "tree of life". I want a good show. If that means someone who's never heard of Roddenberry, Star Trek or science fiction can produce a story I like, then more power to them. That's pretty much what happened when Bennett and Meyer created TWOK.
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