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Standing Ovation. Slavish adherence to some imagined "canon" is equal to fundamentalist religion, just not quite as likely to harm real people.
Oh, just you wait until the Trek Wars start.
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Standing Ovation. Slavish adherence to some imagined "canon" is equal to fundamentalist religion, just not quite as likely to harm real people.
Consider how the Star Wars prequels and interquels (Rogue One etc) still make some vague attempt to retain a 1970s aesthetic in hairstyles and set designs etc despite the ridiculousness of doing so
The designs in ANH stand up because they were not made on a 1960s TV budget.
* Just want to clarify, I'm not arguing in *favor* of maintaining a 1960s look for ENT or DSC here, actually I'm saying that a natural evolution/retcon of design when budget allows them (eg. TMP) is good. I just feel like, I need to defend ENT against the charge that it 'didn't look like TOS' on the grounds that the *expectation* it should look anything like TOS is dumb and would never have even been there had TNG and DS9 not ratified the TOS look.
It's exactly the same deal with the stupid 'Klingon problem'. A grand total of zero people gave much ado about crinkly foreheads or whatnot, we just assumed that TOS had a low budget and crinkle!Klingons are just what they always looked like, that's even what we take away from DS9's Blood Oath. So noone was asking the question about Klingon foreheads until someone made it a big deal to the actual characters in universe.
That's okay as far as it goes, but my point is that I reject the premise that it "didn't look like TOS" altogether. It clearly drew a lot of stylistic inspiration from TOS, if you pay close enough attention to notice. There were a ton of ways in which ENT's technology was designed to look like a forerunner of TOS technology. Doug Drexler, Michael Okuda, and the rest of the ENT art team worked hard to put in as many TOS homages and foreshadowings as they could.
On the contrary, that was a lively subject of debate and speculation among fandom long, long before the actual shows addressed the issue. The implicit official stance, and the one advocated by Roddenberry when he was asked about it, was that the Klingons had always had ridges, but since when did fans meekly go along with the official stance? People were making up explanations for the change in the Klingons as soon as TMP came along. There are a number of works of tie-in fiction from the '80s-'90s that offer a fairly good cross-section of the many fan theories that were out there. John M. Ford's The Final Reflection from 1984 posited that Klingons created genetic "fusions" of themselves and their various neighbor races in order to better understand and deal with them, implying that the humanlike Klingons seen in TOS were Klingon-human fusions. Chris Claremont and Adam Hughes's 1992 Debt of Honor graphic novel from DC posited that the two different varieties of Klingon were rival races and that a civil war was decided in the ridged race's favor sometime before TMP, with the smooth-headed race being discommendated and exiled en masse. There's a 1993-4 time travel storyline by Howard Weinstein and Gordon Purcell in DC's TOS comic which shows Klingons of both types coexisting throughout Klingon history. Michael Jan Friedman's 1999 novel My Brother's Keeper: Enterprise, conversely, strongly implies that ridged Klingons are the result of a genetic-engineering experiment that the naturally smooth-headed Klingon people undertook around the time of the second pilot to breed a fiercer type of warrior.
And I'm sure you can find articles and speculations about the change in some of the old Best of Trek fanzine collections, though it's been so long that I don't remember any specifics. I know the genetic-engineering idea was popular, along with the theory that a disease had changed the Klingons -- presaging the explanation we eventually got, but the other way around, assuming that they were smooth-headed first. Personally, I always thought it was foolish to assume the entire species had to change all at once. After all, the only Klingons we actually saw in TOS were military personnel, so we didn't know anything about how the civilian population looked.
Enterprise's answer to the ridge question was, funnily enough, a combination of O'Brien and Bashir's guesses from TAT: genetic engineering and a viral mutation.
Whether that was a coincidence or on purpose, no idea.
When they aired Trials and Tribble-ations the showrunners didn't have the answer at the time and it wouldn't be answered until years later. They probably put that in as a sort of thruway line with a bit of humor. I imagine when those episodes of Enterprise aired that they hoped people wouldn't read too much into that particular conversation between Bashier, O'Brien and Worf (though we are Trekkies and analyze everything).
I'm pretty sure ENT was the first series to actually show a Klingon subject race, but of course they did nothing with it.
I've said this before on the forums but I have no doubt the writers meant it purely as a joke and never knew the sort of life the joke would take on (to the demerit of the franchise as a whole, frankly) for many, many years after. The Augment virus, yes, but also the whole idea that TNG took place in the same 'visual continuity' as TOS has been a stick that Trek has been beaten with repeatedly ever since, most glaringly on the reaction to DISCO.
It's more a detriment to the show being able to progress itself within modern production design. Establishing the classic 60's look in Relics as exactly what it looked like in universe put the creators in a stranglehold later. When TOS was produced it was the best vision of the future they could make. Ditto for TMP. And TNG. Each time updating the look and softly retconning what had come before.I'm not sure why them explaining the different appearance is a detriment to the show though. It's not like it consumed hours and hours of television space. It was a few episodes of Enterprise, episodes that I thought were pretty good actually, and not just for explaining the different appearance. And sure, TNG takes place in the 'same' continuity as the original series, however, since it was about 100 years after the first series, they were able to take it in a largely different direction.
The main issue I have with Discovery is it's so close to the original series, and with some of the showrunners and staffers insisting this is the prime universe, they created their some of their own problems with fans. I still think setting it maybe the late 25th century or later would have served them better if they wanted to operate in the prime universe.
It's more a detriment to the show being able to progress itself within modern production design. Establishing the classic 60's look in Relics as exactly what it looked like in universe put the creators in a stranglehold later.
Needless to say; if TNG had done an update of the TOS Bridge back then and set the trend from the off, I doubt there would be the same furor about Discovery's aesthetic pallet today.
Obviously it didn't, because Kelvin and DSC have both been totally free to change the look. It's not a stranglehold if you can break it at will. All it did was put some overly literal-minded fans' imaginations in a stranglehold. And fans have got to stop being so arrogant as to assume they have the power to dictate the form the actual shows and films take.
You're probably wrong about that. There's always something that sets off the "fans" who are predisposed to furor. Some people just want to be negative and they'll latch onto whatever excuse they can find.
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