Perfect. Because my ennui toward season 1 is at an all-time whatever.Ennui.
Perfect. Because my ennui toward season 1 is at an all-time whatever.Ennui.
Maybe I just misinterpreted your OP. It made me think you were thinking about this as if it was some comic book series and we needed to have a super-villain to be the antagonist across the entire season.
Dukat was the best Trek villain, bar none. He was far from the only antagonist in DS9 however (and he wasn't always an antagonist in the mid-period of the show). Discounting antagonists of the week, Kai Winn, Weyoun, the Female Changeling, and Micheal Eddington also played important roles at times. Probably over half of the shows either had an "antagonist of the week" or no antagonist to speak of. For example, It's Only A Paper Moon, The Visitor, Duet, In The Pale Moonlight, etc all lacked one, and were fantastic episodes.
I thinknit could still work. I'm getting sick of the way its done these days.
Props to the OP for at least framing the question in terms of an "antagonist" rather than a "villain"... but I'm in the camp that says you don't really need one.
As Eschaton alluded... who is the antagonist in Game of Thrones? Who was the antagonist in The Wire? I mean, I love me some Buffy and some Arrow and other genre shows like that, but the notion that each season needs to have a "big bad" to defeat (or an escalating series thereof) is a tired formula that I could do without. If DSC really wants compete in the world of "prestige" TV, and to take advantage of its serialized, streaming format, it needs to move beyond those kind of tropes, and embrace the possibilities of a multifaceted ensemble, with different characters pursuing different motivations, each subjectively perceiving other different characters as "antagonists.".
Hell, Babylon 5 pretty much did this over 20 years ago. Sure, there were always "the Shadows" lurking in the background, but fundamentally, the show was about a complex ensemble of characters representing different personal, cultural, and political interests, whose agendas toward one another regularly shifted as circumstances changed, with pretty much everyone seen as antagonistic by somebody else.
DSC came close to something this sophisticated with at least one character, Lorca, or seemed to... but then pissed it all away. Hopefully, next season it will lean into the possibilities, rather than away from them.
I agree you need stakes and challenges. That's not the same thing as saying you need an antagonist per se. What it means is that you need competing interests.
Here's an idea. From the very first Trek pilot 53 years ago, all the way up to the very latest episode, we've seen and heard about the Orion Syndicate lurking around the fringes of Federation (and other) space... but we've never really learned anything about it. How about introducing a major Orion trader, or warlord, or what-have-you, and a few of his allies and adversaries and so forth, and have these characters' agendas and actions come into conflict with the Discovery crew's on multiple planets they're trying to entice into the (now war-weary) Federation? (The ST:Vanguard series of novels had a subplot that ran along similar lines, mostly to pretty good effect.) It would be a great chance to explore the intricacies of interstellar politics in a way that Trek has seldom attempted in the past (but that has worked well on shows as varied as B5 and The Expanse), and would also provide fertile ground for ethical dilemmas and real-world allegories in the classic Trek mold.
FWIW I think The Wire is arguably the best show in the history of television, but I also think its single weakest point was Marlo. He was the closest that show got to having a "villain," someone who was just irredeemably evil and seemed to have little motivation beyond being that way.
Yes, a rival! (Or more than one.) That's what I'm talking about. That's not necessarily the same thing as an antagonist, and it's definitely different from a villain.
It probably wouldn't. That however doesn't mean I would label it at comedy when the comedic part aren't a overwhelming part of the show, especially the last couple of episodes where it really just turned into TNG with a handful of punchlines
Oooh, and then Sonequa can teach all her crewmates how to manhandle zombies!Zombie NCC-1701 crew that lured Discovery with a faux distress call, lead by zombie Spock.
Oooh, and then Sonequa can teach all her crewmates how to manhandle zombies!![]()
How would that work though, without becoming like Voyager that ran the episodic formula into the ground and actions often did not seem to have consequences?
Its all about the execution. Good episodes are good, crap ones are crap.
The ssrialized storyline thing has been beaten to death and doesn't promise good storytelling either. Jusy depends on how good a story you write.
I could see either way being good or bad, I would just prefer a less serialized story line. Not to say I'd be unhappy with either as long as it didn't blow.
IMHO the key thing (which Discovery semi-blew) is to serialize the characters. Episodic plots are fine so long as there are B plots, character moments, and other small things which carry over from episode to episode.
Basically, don't pull a Voyager and have a "reset button." Understand the stories you tell now can have consequences years down the road. But don't feel the need to tie the entire season together into one massive arc. Space opera is all well and good, but without a master plan (like a novel to base it on) it will devolve into schlock.
IMHO the key thing (which Discovery semi-blew) is to serialize the characters. Episodic plots are fine so long as there are B plots, character moments, and other small things which carry over from episode to episode.
Basically, don't pull a Voyager and have a "reset button." Understand the stories you tell now can have consequences years down the road. But don't feel the need to tie the entire season together into one massive arc. Space opera is all well and good, but without a master plan (like a novel to base it on) it will devolve into schlock.
I'd really like to see a semi-episodic Trek with consequences. A planet visit might span three episodes, for example, but then have ongoing repercussions after that.
As a prequel, they're somewhat boxed in when it comes to universe-shattering stories like they tried to give us in the first season. That's almost inevitably going to end up feeling like a cheap cop out, because we know what comes after. But if the stories are a smaller scale, and more about the consequences for these characters than the UFP as a whole, they can do pretty much anything.
Resistance ain't futile we just want you to join our club and beat those nasty Terrans/Mirror Universe Borg.
Of course this would be refreshing, since it would mean that something is really essentially different in MU apart from Terrans, Ferengi, Bajorans and whoever happens to be one of the main characters of the series.Resistance ain't futile we just want you to join our club and beat those nasty Terrans/
It probably wouldn't. That however doesn't mean I would label it at comedy when the comedic part aren't a overwhelming part of the show, especially the last couple of episodes where it really just turned into TNG with a handful of punchlines
I think, more accurately, it turned into VOY with a handful of punchlines.
I like Orville just fine (watched every episode and was genuinely entertained for the most part), but it's an imitation (VOY) of an imitation (TNG) of an imitation (TOS). Replicative fading has definitely set in at this point.
I'd prefer an enemy like Baloq (again, in concept, not in execution) in "Raiders of the Lost Ark" to another Klingon or Dominion type power....
nah, Orville is still solid entertainment. VOY was just uninspired boredomI think, more accurately, it turned into VOY with a handful of punchlines.
nah, Orville is still solid entertainment. VOY was just uninspired boredom
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