I'm reminded of Starship Troopers. The book is explicit pro-military, pro-fascism bullshit, and Ed Neumeier and Paul Verhoeven pissed on it. The result was an amazing movie.
The book is so much more than that and the movie is so much less than that.
I'm reminded of Starship Troopers. The book is explicit pro-military, pro-fascism bullshit, and Ed Neumeier and Paul Verhoeven pissed on it. The result was an amazing movie.
The book is so much more than that and the movie is so much less than that.
The book is pro-fascism bullshit with some techno-nerd shit about power armor.
The movie is a brilliant satire, along the lines of RoboCop, about war politics.
Because if you're not actually using the source material, then you're not actually doing an adaptation and you're just wasting the name. If I'm going to see a movie based on something I enjoy, then I'm going to want to see a movie based on the thing I enjoy, not a movie that just happens to have the same name.Why? Who gives a shit?
Edit: I'm reminded of Starship Troopers. The book is explicit pro-military, pro-fascism bullshit, and Ed Neumeier and Paul Verhoeven pissed on it. The result was an amazing movie.
Works should, and need to, exist independent of one another. Adaptations are just that: Adapting.
They usually seem to be pretty good about at least giving them special thanks credits or something.I don't care one iota how closely a superhero movie adapts the storyline that inspired it, but when a flick is tangibly based on a particular storyline by a particular author or two, as with DoFP and (Old Man) Logan, those authors should get a prominent on-screen credit.
Justice League - Would have loved to have seen what Snyder would have produced if his family tragedy hadn't happened.
Because if you're not actually using the source material, then you're not actually doing an adaptation and you're just wasting the name. If I'm going to see a movie based on something I enjoy, then I'm going to want to see a movie based on the thing I enjoy, not a movie that just happens to have the same name.
I can enjoy a bad adaptation if it's well done, but I'm still going to be disappointed it wasn't a true adaptation of the source material.
So what? If the movie is good, it doesn’t matter. Plus, the book is still available to those who want to read it.Exactly this. Like what novelist Tom Clancy once said in a DVD commentary no less: "I’m the author of the book the director ignored"!
And by "his family tragedy" we mean WB crapping all over his film and pushing him out because of Beavis' box office and all the nonsensical butthurt entitled fanboy whining.
Because if you're not actually using the source material, then you're not actually doing an adaptation and you're just wasting the name. If I'm going to see a movie based on something I enjoy, then I'm going to want to see a movie based on the thing I enjoy, not a movie that just happens to have the same name.
It matters to those who read the book and want to see both a good movie and a faithful adaptation of the book they loved.So what? If the movie is good, it doesn’t matter. Plus, the book is still available to those who want to read it.
It matters to those who read the book and want to see both a good movie and a faithful adaptation of the book they loved.
(cough) Peter Jackson (cough)
If that's what people want, Peter Jackson is a master of adaptation because that's exactly what he gave us with the LotR and Hobbit Trilogies.

It amuses me to no end that there's still a subset of people on the Internet who remain outraged that Jackson cut Tom fuckin' Bombadil and his stupid-ass singing.![]()
From what I’ve heard/read online it’s not as much about the stuff he cut off as it’s about the stuff he (made up and) put in.
Something can be a good movie, but still a bad adaptation.So what? If the movie is good, it doesn’t matter. Plus, the book is still available to those who want to read it.
I was actually pretty happy with the LOTR movies as adaptations. They did change, add, and remove things, but IMO it was still recognizable as LOTR.It matters to those who read the book and want to see both a good movie and a faithful adaptation of the book they loved.
(cough) Peter Jackson (cough)
When i reread LOTR I always skip the Tom Bombadil part...annoying character. I'm so glad that Jackson cut it out of the films.It amuses me to no end that there's still a subset of people on the Internet who remain outraged that Jackson cut Tom fuckin' Bombadil and his stupid-ass singing.![]()
I wasn't upset at it not being included either, it doesn't really seem to have a huge impact on the bigger story, so taking it out doesn't really hurt anything. I'll confess, when I read the books I only made it about 3/4 of the way through The Two Towers, so I guess there is a chance it could have come into play in Return of the King, but that seems unlikely.
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