So, where did Harry Mudd get a Time Agent's vortex manipulator anyway?

So, where did Harry Mudd get a Time Agent's vortex manipulator anyway?
So Cadet Tilly, seemingly socially awkward, turns out to be a party animal! I found that funny, unexpected, refreshing, and it made her somewhat neurotic persona much more bearable, and her character more interestingly filled out. Also, in spite of her "flaws" - and we all have flaws - she has now substantially helped Burnham on multiple occasions in significant ways. We might have thought Burnham had it pretty much together, Vulcan logic and training and all, but Tilly is really helping her to be more complete. Tilly helped Burnham overcome her trepidation about opening the case and viewing the message Captain Georgiou left her, she helped in the shuttle rescuing Sarek, helped Burnham socially integrate and deal with her feelings, and more. Burnham, initially respectfully tolerant of her snoring cabin mate, has really made Tilly her confidant, to great purpose. I was initially somewhat repulsed by her, and I think she was designed to have that effect, though I admit I was highly judgmental. But then as her character developed, I was reminded that everyone can have profound contributions, and life experiences that are important to share by way of empowering others, and I think the writers also intended to impart that lesson. We are also reminded that people of lower rank (though for the time being, Tilly outranks no-rank Burnham) may have wisdom to impart to those of higher rank, so we should always remain receptive to ideas and reflections of others, no matter the source. So I have a new regard and appreciation for Tilly, and feel a little embarrassed by my initial limited judgmental assessment of her. I think she CAN make captain one day, presuming that she avoids some horrific sacrificial fate beforehand, and given her sense of service and dedication, that is not an impossible fate. But I hope she sticks around.
Need I point out AGAIN, the differences between Mozart and Miles and Al Green with respect to the 23rd century?It never occurred to me to even question it as I watched—no more than when Mozart or bebop is part of the background. I have hosted house parties, with booze and dancing, where Mozart, Miles Davis, AND Al Green were on the playlist. No one was confused or wanting to leave early.
Nothing all. They're just very old composers.Need I point out AGAIN, the differences between Mozart and Miles and Al Green with respect to the 23rd century?
No. They’re irrelevant (the differences, not the composers). It matters not one whit whether any or all of them are heard, let alone remembered, in the “23rd century”. The purpose was to indicate to viewers today that the crew was having a party—not a recital or a concert, but a party. The effect is ruined if the viewers are not made to feel like it’s a party in a manner familiar to them. Filmed media is primarily an emotional, not analytical, experience as far as filmmakers are concerned. It’s supposed to FEEL like a party to present day viewers. It’s not supposed to be some sort of neo-anthropological exploration of “the future”.Need I point out AGAIN, the differences between Mozart and Miles and Al Green with respect to the 23rd century?
Where?? What episode do you speak of?Finally a good episode of Star Trek. This is the direction it needs to keep going.
Would you stop being so practical? (I can't help but wonder if Mudd was so effortlessly able to use his tech to get the upper hand against an elite starfleet crew on a war footing, killing them all again and again so casually, wouldn't he have been better off using it to kill his debtors?
Yes more space whales, time crystals and new Disco music.Finally a good episode of Star Trek. This is the direction it needs to keep going.
There may be a thing called "Time Crystals." But do they allow one to repeat a specific period of time in a specific spot in the universe an infinite number of times? Yeah. I didn't think so.time crystals arent magic. they are for real science. you can look them up
I agree that they are too often that, but we also sometimes get time travel stories that do have stakes...character stakes. Like City on the Edge of Forever, or The Visitor.For myself, I do not like time travel episodes in Star Trek, for the most part is that they are usually re-set episodes. It is a chance for the writers to go outside their comfort zone and place the characters in unfamiliar situations. There are no real stakes in these episodes.
Um, IMO - Lorca doesn't listen to anyone, and it would probably take Stamets too much time to convince him alone. Also, Mudd's ship was in the space creature meaning that if the creature didn't get beamed aboard, Mudd could still beam himself aboard while in Transporter range. IE They didn't necessarily need to beam the creature aboard for Mudd to get on the ship. And if Mudd really needed the creature on board he could have the ship's computer beam it on once he took control of the computer.it was beyond stupid that Michael was the only person the gay dude could convince of the loop considering he comes up with the brilliant idea of "tell me something you've never told anyone so next time you'll know what i'm saying is the truth" - that logic wouldn't work on the captain (the very person who decides to beam the whale onto the ship)?
The writing is terrible. If they hadn't forced themselves into the narrative that the black chick is central to everyone else, the story and characters could develop more naturally. That 1 woman who was like "nah, fuck you' towards Burnham got mauled to death minutes later.
Reminds me of a story I read in Voyages of Imagination. They had a sign on Roddenberry's door saying Stardates were meaningless B.S. and not to worry about them, but rejected a novel over the stardate because "Chekov wasn't on board yet."All because of a stardate.
Most fans don't care about stardates, but if it appears that DISCO goofed up on the tiniest detail then that's A MAJOR FUCK UP that we need to call out on the makers.
Goofed up stardate = NOT MY STAR TREK
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