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MeTV's SuperSci-Fi Saturday Night

Land of the Giants: “Graveyard of Fools”: The final episode of the series is kind of a mess. The title seems to allude to the idea from “Land of the Lost” earlier in the season that the other side of the planet is a mysterious realm nobody has ever returned from (which contradicts the origin story of the teleporter inventor from “Panic”), although it doesn’t really do much with the idea, at least not coherently. Steve, Dan, Val, and Fitzhugh are captured by evil scientists Melzac (Albert Salmi), who sends them in a radio-controlled plane to the mysterious other side of the planet, where his more laid-back twin brother Bryk (also Salmi, obviously) has already traveled through unexplained means. They’ve found an all-powerful alien device called the Servo Actuator -- which is a silly name for an all-powerful alien device, since it just means a small electric motor that rotates a machine part. Anyway, they intend to use its nigh-godlike powers to Conquer The World, but they first need the Little People to install a replacement part deep inside the device. (Okay, so how did they get the original damaged part out in the first place?) Those powers include teleporting the plane to the other side of the planet, which is handy, since there’s no way a gas-powered model plane could make it that far.

But for some reason, rather than just putting the LP into the machine, Bryk first puts them through a dreamlike series of “tests” that are too nonsensical to explain. It’s unclear whether the bizarre, semi-hallucinatory experiences they have are a function of the alien machine or of the natural conditions on that side of the planet that make it a “Graveyard of Fools” who dare to venture there. But once in the alien machine, Steve somehow instantly becomes an expert on nuclear furnaces and is able to diagnose merely from the sound of the device that it’s going to explode. He and the others manage to tap into its mind control response to send themselves to safety, but Bryk, who has much more practice mind-controlling it, is somehow unable to do the same and gets himself blown up, while Melzac cooperatively gets himself blown up through some sort of feedback. And the model plane is conveniently teleported back before it blows, so the gang can get back together. It’s teleported right back to the spot it was launched from. So why the hell did the twin scientists even need a model plane to transport the Little People?

Basically, this season has had two modes -- the focused mode that was true to the original premise and ideas of the series, and the unfocused mode that just flung in a bunch of random, weird sci-fi that could’ve gone in any Irwin Allen show. Most of the middle season was in the latter mode, but we had a run toward the end that got back to basics, and then these last two episodes were back in unfocused mode -- although last week’s “Wild Journey” managed to tie pretty directly into the core premise by revisiting the events of the pilot. But “Graveyard of Fools” was perhaps the most unfocused, incoherently Irwin Allen-ish episode of the bunch. It would’ve been better if “Wild Journey” had been the finale as originally intended, since it would’ve brought the series full circle to the beginning.
 
If MeTV could show just one more episode of The Incredible Hulk, it probably wouldn't be:

"Veteran"
Originally aired October 16, 1981
MeTV said:
When David catches wind that a disturbed man is plotting to assassinate a politician and Vietnam War hero, he will risk everything to alert the authorities before it is too late.



Events in the news the week that the episode aired:
October 14 – Vice President Hosni Mubarak is elected President of Egypt, one week after Anwar Sadat was assassinated.
October 16 – Gas explosions at a coal mine at Hokutan, Yubari, Hokkaido, Japan kill 93.



A hiatus holdover:

"Lady (You Bring Me Up)," Commodores
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(Charted June 20; #8 US; #13 AC; #53 Dance; #5 R&B; #56 UK)


At #1 for the first of three weeks:

"Arthur's Theme (Best That You Can Do)," Christopher Cross
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(Charted Aug. 15; #1 US the weeks of Oct. 17 through Oct. 31; #1 AC; #13 Rock; #7 UK)


New on the charts in the current week:

"Take My Heart (You Can Have It If You Want It)," Kool & The Gang
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(#17 US; #16 Dance; #1 R&B; #29 UK)

"Young Turks," Rod Stewart
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(#5 US; #63 Dance; #23 Rock; #11 UK)

"Harden My Heart," Quarterflash
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(#3 US; #41 AC; #1 Rock; #49 UK)

_______
 
I think she's taking her cue more by the strangely abbreviated on the jacket supplied by his Employer.

Since David's aliases all use his real first name, perhaps the ID he ripped off belonged to a (convenient) guy named Dave.

Incidentally, David was still wearing the jacket and shirt when he and the escapees were walking with Phil back to his home.

Continuity error, as I recall he was not wearing it when the inmates caught up to David post Hulk-out.
 
If MeTV could show just one more episode of The Incredible Hulk, it probably wouldn't be:

"Veteran"
Originally aired October 16, 1981

Why not. Its a rather serious episode with (what I recall were) strong guest performances. That, plus the usual top shelf work of Bixby, and its more entertaining than MeTV shoveling piles of Lost in Space and Battlestar Galactica...
 
"Lady (You Bring Me Up)," Commodores
This is not the Commodores song that I like.

"Arthur's Theme (Best That You Can Do)," Christopher Cross
This is not the Christopher Cross song I like.

"Take My Heart (You Can Have It If You Want It)," Kool & The Gang
Not a big fan of Kool & The Gang. These are all bringing back that "bad 80s" vibe.

"Young Turks," Rod Stewart
And this isn't helping. :rommie:

"Harden My Heart," Quarterflash
Whew! I like this one. I remember thinking that it was a new Pat Benatar song the first time I heard it.
 
Why not. Its a rather serious episode with (what I recall were) strong guest performances. That, plus the usual top shelf work of Bixby, and its more entertaining than MeTV shoveling piles of Lost in Space and Battlestar Galactica...
Nobody notices my facetious replacements for "The week on the Incredible Hulk," then they take them way too seriously.

This is not the Commodores song that I like.

This is not the Christopher Cross song I like.

Not a big fan of Kool & The Gang. These are all bringing back that "bad 80s" vibe.

And this isn't helping. :rommie:
Tough crowd this week.

Whew! I like this one. I remember thinking that it was a new Pat Benatar song the first time I heard it.
The singer is very saxy.
 
Since David's aliases all use his real first name, perhaps the ID he ripped off belonged to a (convenient) guy named Dave.

Yes, that's plausible !


Continuity error, as I recall he was not wearing it when the inmates caught up to David post Hulk-out.
He was wearing it the whole time. At one point, when they meet Phil and David's standing up, the jacket with the name on is practically hanging off.
 
ME-TV Saturday Night schedule as of 9/4/17--

7PM - Wonder Woman
8PM - Svengoolie
10PM - Batman
11PM - Star Trek
12 MIDNIGHT - Battlestar Galactica
1AM - The Outer Limits
2AM - The Outer Limits
3AM - Lost in Space
4AM - Voyage to the Bottom of the Sea
5AM - Swamp Thing

So, Svengoolie moves up by one hour, and Land of the Giants goes bye-bye as I suspected, but they're keeping Galactica and Lost in Space on the schedule. Pity.
 
Last edited:
But two hours of Outer Limits. Wow, Sven goes prime time. That's a pretty big shakeup.
 
The Incredible Hulk--
"Veteran"


Vietnam veteran Jack Hewitt is lost in the fog of memories of the war--and some sort of illness. Resting in an alley, a would-be robber tries to steal one of Jack's cases, but is scared off by café employee David Barnes. David takes the ill Hewitt to his apartment, but the man cannot rest, as he's plagued by nightmares of the war, including his failure to stop the bizarre figure of a man in a porcelain-mask screaming "Kill the enemy! Kill 'em all!!". Shocked from his nightmare, Hewitt and Banner learn a little about the other--

Hewitt: "You been on your own a long time?"
David: "Yup, long enough."
Hewitt: "It's been a while since...since I've been on my own. But here I am. I'm back, and a guy tries to steal my gear. Really nice, huh? Does that ever happen to you? I mean somebody jumps you and stuff?"
David: "I always run first."
Hewitt: "I run, too. I used to run all the time. No more. I'm gonna fight back, now! From now on!"
David: "Violence doesn't usually work. At least not for me. I find that it isn't worth it in the long run. You said something about being back. Is this your hometown?"
Hewitt: "I once lived in this city. Dad works here. My old man. A hard worker. Makes his living off of other people's throwaways. The things that he really doesn't want. But he uses them, you know? Like me. He really didn't want me. Not really. So, I come back to pay the debt."
David: "Debt?"
Hewitt: "Yeah, I...sorry. I'm not used to talking so much."

Feeling he's overstayed his welcome, Jack prepares to leave--and share the few dollars in his possession. David refuses the money, of course, but notices something in one of Jack's open cases. Not long after Jack's departure, David spots a newspaper ad for rifles, which jars his memory of Jack's case, which he now recalls contained rifle parts and box of .22 caliber bullets. Adding Jack's "So, I come back to pay the debt", David fears Jack intends to kill someone.

Jack barges his way into Lisa Morgan's dance studio, which overlooks the park where preparations are made for the campaign rally of Harrison Cole (Hewitt's old squad member); Lisa's protests are met with Jack's erratic demands--and her getting full sight of the rifle. Hinting that he will hurt her if she causes trouble, Lisa stands petrified. Elsewhere, David makes an anonymous call to the police, warning them about Jack's plans. For his effort, the police assume David is connected, trace the payphone, and suspect the call came from a restaurant (thanks to the sound of dishes in the background). At Lisa's studio, the dancer breaks down, begging for an explanation for his plan to kill Cole; Jack's mind slips into memories again, where he entered an army morgue, unzipped a body bag containing his dog tags...his body. Behind him, the porcelain-masked man reveals himself to be Harrison Cole.

Speaking of Cole, David--not expecting police action--visits Cole, warning him about Jack's alleged assassination attempt, only to be laughed at by Cole, who believes Jack died in the war. Kicking David's claims aside, Cole suddenly becomes irate, and signals his assistant--Howard Miller--to forcibly remove David. Privately, Cole believes David knows some unspoken truth about him, which Miller will discover, using the usual methods...

One of those methods includes strapping David to a char, and connecting him to a device originally designed to stress test alloys, now modified to send powerful electric charges through David's head. Not accepting any of Banner's repeated explanations or warnings, Miller reconnects the device, cranks it up , then leaves a screaming Banner alone in the room. Seconds later, Banner transforms into the Hulk, breaks out of the room, and throws a shelf into the bodies of Miller and his gun-toting associates, before leaving the building.

That evening, Jack--still holding Lisa hostage at her dance studio--cradles the rife, still focused on killing Cole--

Lisa: "Can I ask you something? You said he killed you. Listen, I might die tomorrow, and I want to know why."
Jack: "You won't die. I promise."
Lisa: "How can you promise anything? You're the one that's gonna start it all, for God's sake! I wanna know why! Maybe I could help."
Jack: "Lance Corporal Jack Hewitt...Captain Harrison Cole...they were in a war. And there was a war going on between them, too."
Lisa: "Vietnam?"
Jack: "Nam, yeah...Sunny Southeast Asia. Going up against craziness...going up against it every day. Pretty soon, Lance Corporal Hewitt couldn't take it. No more! I couldn't! And I told Harrison Cole! Right out--right to his face, I told him! One more time, just one more time you murder one of those dumb fools, and I'm gonna tell the whole world! Cole believed me. He believed me, and he knew that when it happened again, I would talk. Pretty soon, there was a patrol sent and it was a setup...nobody was coming back. We were all zapped."
Jack: (motioning to his case) "It's all in the bag. all written down. The whole story. All the so-called reasons. All the insane stupidities. And the name of the man responsible for letting the murder multiply..Captain Harrison Cole. "
Lisa: "But you said he killed you. How?"
Jack: (distracted) "You're really pretty, you know? It's...it's really weird being with someone as pretty as you. It's been a long time since I've even seen anyone as pretty."
Lisa: "Jack, I still don't understand."
Jack: "Justice. I'm executing a murderer. The murderer of Jack Hewitt. "

The following morning, the police visit David, still thinking he's filed a false report--or knows more than he's telling. Simultaneously, the power-hungry Cole blames Miller for David's escape, completely disbelieving the Hulk story, and sends Miller to along with increase his personal security for the rally, then catch and kill David.

Speaking of Banner, the police continue their soft line of questioning, until David recalls Jack's line about his father--"The things that he really doesn't want. But he uses them, you know?"-- leading the police to take that lead (with Banner in tow) to Archer Hewitt's scrapyard. The elder Hewitt finally reveals his connection to Harrison Cole--how the candidate once rescued his failing business, which Archer assumed was to honor out of guilt over Jack's death in Vietnam. The story takes another turn when Archer produces a photo of Jack and his other son, Doug--recognized by David as Jack.

Continuing, Archer recounts how Doug wanted to join the service to be with his brother, but due to an injury, did not meet the physical requirements. Instead, Doug obsessively read Jack's weekly letters from Vietnam, and was understandably devastated to learn of his brother's death, acting as if he had been killed, too. Eventually, Doug's thinking he was a walking dead man forced Archer to have him committed to the state psychiatric hospital, where he had been for the past six years. With Doug armed and on the loose, the police now see David's puzzle coming together...

At the dance studio, Lisa delicately tries to talk Jack out of his plan for the last time, admitting she likes him, and does not want to see him hurt. Before he can respond, both notice the heavy police presence as Cole's car arrives at the site of the rally. With the police checking every building surrounding the area, its not long before an officer knocks on the door of the dance studio. Outside, David and his handler show up, with the officer's superior checking with the policeman who checked the dance studio. In the studio window, an officer waves to confirm all is clear...but its distance obscures the fact Jack/Doug has knocked out the officer and dressed in his uniform...

The entire scene is tense as Cole is escorted to the podium; David spots Doug/Jack in the window and yells for everyone to take cover as Hewitt fires at Cole. In the pandemonium, David is mistaken for a would-be assassin by Cole's security team--with several beating Banner to the ground, sending his body rolling under the podium...as he transforms into the Hulk. As Cole takes cover, a firefight breaks out between Doug/Jack, the police and Cole's security; the Hulk rips the podium apart, using the platform to disable the security/police, then violently tosses another into the rest of the officers. With Doug/Jack still shooting, the Hulk uses his body to shield Cole; Lisa pleads with the man to stop--that murder is not the way, which reminds Doug/Jack of David's statement a day earlier--

David: "Violence doesn't usually work. At least not for me. I find that it isn't worth it in the long run."

Doug lowers his rifle as the police break in the studio. Between Lisa and Doug referring to what amounts to Jack's army unit confession regarding Cole's murders, the police promise to look into it all, as they take him into custody. As Doug leaves, Lisa reminds him that he--Doug--still lives.

Later, one of the officers tells David that Hewitt is doing better under treatment for what was described as "acting out his psychosis". As for Cole, Jack's letters have led to an investigation by the Marine Corps, so foe time being, Cole's business and political goals are as dead as his wartime victims.

NOTES:

This is not a cure-related episode.

Jack McGee does not appear in this episode.

"Veteran" was a novel spin on what was a well-worn subject of 1960s/70s TV drama--the Vietnam veteran "back in the world", suffering from post traumatic stress disorder (once called "combat stress reaction" or "shell shock") and turning violent for various reasons. Here, the character's reaction was due to a death he did not experience in person, yet the loss was so devastating, that his inability to accept the death (and the corruption leading to the crime) sent him into the fantasy of being the judge and jury in the form of the murdered brother. Koslo had no difficulty playing both the psychologically disturbed and sympathetic Doug, when such a story in another actor's (and overall production's) hands could have ended up like too many cop dramas with a gunshot, followed by the expected, "what can we do..what can WE DO??" or "he wasn't at home here--or there" kind of melodramatic performances. Thankfully, that was not the case here.

GUEST CAST:

Paul Koslo (Doug Hewitt) previously guest starred as biker Carl Rivers in "Long Run Home" from season three. Koslo is arguably best known for his role as Dutch opposite Charlton Heston in the post-apocalyptic sci/horror drama The Omega Man (Warner Brothers, 1971), the second adaptation of Richard Matheson's I Am Legend. Other fantasy roles--
  • Buck Rogers in the 25th Century (NBC, 1980) - "A Dream of Jennifer"
  • Galactica 1980 (ABC, 1980) - "Spaceball"
  • The Hitchhiker (HBO, 1985) - "Petty Thieves"
  • Misfits of Science (NBC, 1985) - "Twin Engines"
  • The Highwayman (NBC, 1988) - "The Haunted Highway"
  • Robot Jox (Trans World Entertainment, 1990)
  • X-Tro II: The Second Encounter (New Line Cinema, 1990)
  • Solar Crisis (Bridge Entertainment, 1990)
  • The Flash (CBS, 1990) - "Sins of the Father"
  • Project Shadowchaser (EGM, 1992)
  • Stargate SG-1 (Showtime, 2000) - "The Serpent's Venom"
Bruce Gray (Harrison Cole) has jumped across the entire fantasy TV/film landscape with a very deep credits list--
  • Invitation to Hell (ABC, 1984) - directed by Wes Craven
  • Captain Power and the Soldiers of the Future (Syndicated, 1987-88) - voice of Mentor / Dr. Stuart Power
  • Alfred Hitchcock Presents (NBC / USA Network, 1986 / 1989) - "Happy Birthday" & "For Art's Sake"
  • Captain Power: The Beginning (Syndicated, 1989)
  • The Hidden Room (Chesler/Perlmutter Productions / MCA Television, 1991) - "Splinters of Privacy"
  • Star Trek: The Next Generation (Syndicated, 1993) - "Gambit: Part 1" - as Admiral Chekote
  • Star Trek: Deep Space (Syndicated, 1993) - "The Circle" as Admiral Chekote
  • The Adventures of Brisco County, Jr. (FOX, 1994) - "High Treason: Part 1"
  • Robocop: The Series (CTV / Syndicated, 1994) - "Public Enemies"
  • Roswell: The U.F.O. Cover-Up (Viacom TV, 1994)
  • Legend (UPN, 1995) - "Bone of Contention"
  • Babylon 5 (PTEN, 1997) - "Intersections in Real Time" & "Between the Darkness and the Light"
  • Starship Troopers (TriStar Pictures / Touchstone, 1997)
  • Earth: Final Conflict (CTV / syndication, 2000)
  • The Outer Limits (SciFi Channel, 2001) - "The Vessel"
  • Cube 2: Hypercube (Lion's Gate Entertainment, 2002)
  • Star Trek: Enterprise (UPN, 2004) - as Surak
  • Charmed (The WB, 2005) - "Ordinary Witches" & "Carpe Demon"
  • Stargate SG-1 (Showtime, 2005) - "The Ties that Bind"
  • Medium (CBS, 2009 / 2010) - 11 episodes as Joe's Dad
  • Falling Skies (TNT, 2011) - 8 episodes as Uncle Scott
  • Timeless (NBC, 2017) - "The Red Scare"
Richard Yniguez (Frank Rivera)
  • Rod Serling's Night Gallery (NBC, 1972) - "The Miracle at Camafeo"
  • Shark Kill (NBC, 1976)
  • World War III (NBC, 1982)
  • Zorro (The Family Channel, 1990 / 1992) - 3 episodes
  • The Sentinel (UPN, 1996) - "Flight"
  • The Burning Zone (UPN, 1996) - "Night Flight"
  • Mysterious Ways (CTV/Pax, 2001) - "A Time to Every Purpose
Wendy Girard (Lisa Morgan)--
  • The Twilight Zone (CBS, 1985) - "Her Pilgrim Soul"
Let's just get it out there: David White (Archer Hewitt) will always be best remembered for the role of Darrin Stephens' boss Larry Tate on Bewitched (ABC, 1964-72), and he reunites with Bill Bixby after guesting on 3 episodes of My Favorite Martian (CBS, 1963-66). He's no fantasy slouch in other productions--
  • Danger (CBS, 1955) - "Telegram"
  • Studio One in Hollywood (CBS, 1956) - "The Power"
  • Alcoa Presents: One Step Beyond (ABC, 1959) - "Delusion"
  • Alfred Hitchcock Presents (CBS, 1959) - "Dry Run"
  • Encounter (ABC, 1960) - "Rehearsal for Invasion"
  • The Unforeseen (CBC, 1960) - "The Brooch"
  • The Twilight Zone (CBS, 1960 / 1962) - "A World of Difference" & "I Sing the Body Electric"
  • The Alfred Hitchcock Hour (NBC, 1963 / 1964) - "An Out for Oscar", "The Dark Pool" & "Night Caller"
  • My Favorite Martian (CBS, 1964) - "A Nose for News" & "The Memory Pill"
  • Search (NBC, 1972) - "The Murrow Disappearance"
  • The Six Million Dollar Man: The Solid Gold Kidnapping (ABC, 1973) - the third and final TV movie before the debut of the regular series
  • The Amazing Spider-Man (CBS, 1977) - Pilot movie. White earned the distinction of being the first live action J. Jonah Jameson (replaced by Robert F. Simon in the regular series)
  • Wonder Woman (CBS, 1979) - "The Starships Are Coming"
Alexander Zale (Howard Miller)--
  • Firefox (Warner Brothers, 1982)
  • Intruders (CBS / Dan Curtis Productions, 1992)
 
Hulk: “Veteran”: This was pretty bad. A heavy-handed Vietnam-PTSD story with unsympathetic characters driving most of it and David playing a borderline role that’s awkwardly tacked on. Even for this kind of pseudo-anthology series, it’s a problem when the story would flow better if the main character weren’t even in it. Both Hulk-outs were set up in contrived ways, especially the second one. Why did the guards think David had a gun? Why would they keep beating him while a sniper was firing rounds, instead of getting out of there? And why, if their goal was to apprehend a suspected assassin, would they be content to kick him under the grandstand and just leave? That made no sense. Meanwhile, the dance-instructor hostage had a bad case of Stockholm syndrome that the episode played as almost romantic. Just a mess.

And the Hulk’s behavior was a little odd. I could see him going after the sniper, or maybe throwing a park bench at the window to stop him from shooting, but actually standing there and blocking the sniper’s shot is a little more rational and passive than what we’d expect from the Hulk.

A note of minor interest: The cop is named Harnell, in honor of the show’s composer.
 
ME-TV Saturday Night schedule as of 9/4/17--

7PM - Wonder Woman
8PM - Svengoolie
10PM - Batman
11PM - Star Trek
12 MIDNIGHT - Battlestar Galactica
1AM - The Outer Limits
2AM - The Outer Limits
3AM - Lost in Space
4AM - Voyage to the Bottom of the Sea
5AM - Swamp Thing

So, Svengoolie moves up by one hour, and Land of the Giants goes bye-bye as I suspected, but they're keeping Galactica and Lost in Space on the schedule. Pity.
It makes sense that they'd keep showing Galactica, since they just added it a couple months ago. They've barely even made it half way through. Does anybody know if Galactica 1980 is included with the original in these kind of airings?
 
Does anybody know if Galactica 1980 is included with the original in these kind of airings?

It has been in the past. That was one of the main reasons it was done at all -- ABC had invested a ton of money in the original BSG and wanted more episodes that they could make cheaply (hence the Earthbound setting) and use to expand the syndication package so they'd make more money back in reruns. (Also to amortize the cost of the costumes, props, stock FX footage, etc. over more episodes.) But I'm not sure whether that would still be the case today. I'd think MeTV would want to include G80 just so they'd have more episodes, but then, they seemed okay with cycling through Planet of the Apes' paltry 14 episodes several times.
 
David Barnes.
Second use.

David takes the ill Hewitt to his apartment
No doubt because he reminds David of a guest character from a prior episode.

but the man cannot rest, as he's plagued by nightmares of the war, including his failure to stop the bizarre figure of a man in a porcelain-mask screaming "Kill the enemy! Kill 'em all!!".
The hallucinatory flashbacks were kind of an arty touch.

Kicking David's claims aside, Cole suddenly becomes irate, and signals his assistant--Howard Miller--to forcibly remove David.
Through a door that used a BSG sound effect, IIRC.

Seconds later, Banner transforms into the Hulk
-23:55. Well, I don't think we've seen David tortured before. And not an ineffectual FHO, at least...he does manage to escape.

The comic beat of the Hulk's "showdown" with the kid--Is this the first time we see the TV Hulk use "super breath"?

In the pandemonium, David is mistaken for a would-be assassin by Cole's security team--with several beating Banner to the ground, sending his body rolling under the podium...as he transforms into the Hulk.
-06:08.

Later, one of the officers tells David that Hewitt is doing better under treatment for what was described as "acting out his psychosis". As for Cole, Jack's letters have led to an investigation by the Marine Corps, so foe time being, Cole's business and political goals are as dead as his wartime victims.
I need my lead-in line to comment that the LM scene switches to what seems to be a generic sequence in a different location (from a suburban neighborhood to side of a highway).

GUEST CAST:
Gotta give a shout-out to William Boyett (Det. Harnell), best known as series regular Sgt. MacDonald on Adam-12...who also had a smattering of genre roles on his resume, including a couple of appearances on TNG.

This is not a cure-related episode.
Schlepping with Mac.

Why did the guards think David had a gun? Why would they keep beating him while a sniper was firing rounds, instead of getting out of there? And why, if their goal was to apprehend a suspected assassin, would they be content to kick him under the grandstand and just leave? That made no sense.
December's Mixer also made a note of this bit of pure stupidity.

Meanwhile, the dance-instructor hostage had a bad case of Stockholm syndrome that the episode played as almost romantic.
I found her role interesting...an ordinary person who found herself in the wrong story. You'd think she would have been hitting the floor when the gunfire started, though.

_______

Next week on Heroes & Icons (H&I):
  • "Bring Me the Head of the Hulk" (originally aired Jan. 9, 1981)
  • "Fast Lane" (originally aired Jan. 16, 1981)
  • "Goodbye Eddie Cain" (originally aired Jan. 23, 1981)
  • "King of the Beach" (originally aired Feb. 6, 1981)
  • "Wax Museum" (originally aired Feb. 13, 1981)
And so, just three months after they started airing it, H&I will already be past the point that Me dropped the show.

_______
 
I was thinking about how the security types stupidly fell into series formula when dealing with David, in relation to how they actually do things in the real world...and specifically, comparing to the then-recent attempt on Reagan and the frequently replayed news footage of the attempt (covered as a news item upthread). We see there a good example of how security types actually deal with a suspected assassin, which would have been fresh in everyone's memory when this episode aired--They pile on him and keep him restrained. Then I got to thinking about the timing of this episode compared to that attempt (March 1981) and other then-recent events of a similar nature...namely the murder of John Lennon (Dec. 1980) and assassination attempt on Pope John Paul II (May 1981). Going back to the production list, "Veteran" was produced tenth in Season 4...so it's possible that its production predated all of those events. Now I'm wondering if this episode specifically might have been held back because of the timing.
 
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