Axanar's Garth seems to be the ultimate fan-boy fantasy play acting- getting to indulge your ego and on someone else's dime. >snip<

Axanar's Garth seems to be the ultimate fan-boy fantasy play acting- getting to indulge your ego and on someone else's dime. >snip<
I'd never say the characters were unimportant in that regard. You need both, of course, and debating it too intently is like arguing which is the more important element in water - oxygen or hydrogen? Twice as many hydrogen atoms, sure, but oxygen out masses that pair by 4 to 1. Telling arguments, indeed. But really, without both, you don't have water at all. Now, instead, just for fun, argue which has more energy - an ounce of antimatter or an ounce of regular matter?![]()
Well, the comic ran for 78 issues, and is still ongoing, and the game has over 200 reviews on Amazon, so obviously a lot of people did.How many do you think delved into the video game and read all 78 comic books? I didn't do any of that, so I never got attached that way, nor did I wish to rewatch those movies, though I suppose others could have and apparently did.
My point remains, though, one should compare the relatively shorter times to the much longer time Enterprise-1701 was around (not just 3 seasons, but nearly two decades) and you can see how the ship is an important part of it on par with the characters, and why some would feel it quite important and not so easy to dismiss.
I started with TNG, I was actually born just a couple weeks before it premiered.Did you cut your teeth on TNG and seek out TOS afterward? I admit the younger crowd (yeah, I'm probably older) who did that could easily feel the loss of D more keenly. I just feel losing A (retired), B or C, E, or the first Defiant on DS9 can hardly compare to losing 1701. And yeah, D was a loss, but not nearly as keenly felt by me. Of course, YMMV.
I'm pretty sure there's a lot more that appeals to people than just those things.They are not without some of that, though much of it seems forced to me, but there are so many other bad elements in those films that I'm too distracted to care. However, I cannot deny their apparent larger audience appeal to both genders, for example, largely due, IMO, to Kirk's birth (awwwwww), George's sacrifice to save his wife and kid, and the Spock/Uhura romantic entanglement, which are very human-centric.
I think Cash Markman added that scene!
Did someone else say, "Cash"?
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Neil
I don't really see any debate in my mind, Star Trek is about the stories, and you need characters for a story. You can have a story with the characters and no ship, but you can't tell a story with just a ship.
Sure, but in your other post you said the ship had been introduced "moments" before, so I was just pointing out that the ship we saw destroyed was around for a lot more than just Beyond.
I started with TNG, I was actually born just a couple weeks before it premiered.
I'm pretty sure there's a lot more that appeals to people than just those things.
You can have stories with different characters, too, but they'd be different stories with different chemistries. But would they be as loved as Trek was? So likening the ship's importance to a beloved character doesn't seem wrong to me, even if the ship isn't a sentient being, and disagreeing with somebody who says the ships are unimportant still seems right to me. But yeah, you can get rid of the ships, but would it still be Star Trek? You swallow something like the concept of transwarp beaming whole and you can pretty much mothball the fleet and go from star system to star system light years apart in mere seconds, but do you have Star Trek anymore, or something more like Stargate SG-1? I think that was a great series, too, and wonderful stories, but it wasn't Star Trek. Star Trek needs its ships; they're important to the flavor of Trek. Even DS9 either used runabouts, that were far too often seemingly as powerful or as quick or as capable as larger starships, or they adopted one like the Defiant. Of course you can make stories without ships. I'm not saying you can't. I'm saying you need a ship to make a decent Trek-like series, and the ships are far from unimportant.
It was more of a figurative than literal moment, but I'll take your word for it that some games and/or some comics elevated the emotional attachment some fans had for the relatively younger ships. I would be less inclined to believe the same percentage of Trek fans was as emotionally invested that way, but I can see it happening for some, and just another demonstration how important the ships can be to the stories.
My family watched it as it originally aired, so I've been watching it since I was a baby.So you first saw TNG in reruns and not even as they originally aired, or did you get into them before the series concluded by the time you reached 7 years of age? Well, I do sometimes wonder if one's first exposure to a Trek series has a greater likelihood of making that particular series their favorite Trek series, but I've never read about how likely that might be. I was once amazed, however, when somebody watched the self-destruct sequence in The Search For Spock and loved it, but only later saw it in Let That Be Your Last Battlefield (the reverse order I would think most people would see those) and thought the "callback," so to speak, as just that much more impressive. So the order one is exposed to these things apparently makes a big difference.
The building of Kirk and Spock's building relationship was a big human relation story, Kirk meeting Old Spock, Kirk and Spock rescuing Pike, Kirk sacrificing himself for his crew, Khan's actions he takes for the sake of his people, the backstory for the bad guys in Beyond. Those are just the ones I can come up with right off my head.Would you say there were some "bigger" moments than those 3 that would top your great human-relation stories in that movie? Just curious which ones you might think are bigger, if any. Or even your perhaps different opinion on why the film had a larger appeal across gender lines than most Trek series seem to have.
I never said the ships were unimportant, I'm just saying that the characters are more important, and that it's the ships' connection to the characters that makes them important.
I never said the same amount of people would be connected to the Kelvin E, just that we had more time with it than you originally said, and that some people might have had a connection to it.
My family watched it as it originally aired, so I've been watching it since I was a baby.
The building of Kirk and Spock's building relationship was a big human relation story, Kirk meeting Old Spock, Kirk and Spock rescuing Pike, Kirk sacrificing himself for his crew, Khan's actions he takes for the sake of his people, the backstory for the bad guys in Beyond. Those are just the ones I can come up with right off my head.
I'm assuming you're referring to me. I don't think they're unimportant, just a poor basis for drama, and the central story behind Axanar seemed to be a ship-building arms race between the Klingons and the Federation.It was someone else who suggested the ships and classes, etc. were unimportant
Way too much emphasis has been put on the ship classes, no one cares about that. Ships aren't dramatic, human stories are.
I'm assuming you're referring to me. I don't think they're unimportant, just a poor basis for drama, and the central story behind Axanar seemed to be a ship-building arms race between the Klingons and the Federation.
That's the main reason it's an issue for me. In Prelude we're told Garth is such an amazing captain and strategist, and yet the supposedly amazing maneuver he pulls that impresses everyone was essentially just to fly his ship forwards and shoot the Klingons. If you're going to make the ships and tactics such an important part of the story they should actually be impressive.I just don't think Peters did a good job, from what I've seen, but the Ares class starships or the arms race isn't what bothers me about it. I'm just not seeing brilliance on Garth's part. That's the other half of the story. Where is it?
I was thinking that same thing.Someone's meandering verbosity in this thread reminds me so much of ..... Jonathon Lane's style...
He's still out there prattling on his blog and podcast. Not worth wasting your time.So - I'm thinking this has been the longest dry-spell on this thread since it started a year-and-a-half ago. Has there been no news on the AP front? Has he finally collapsed under the weight of his own bullshit?
It's quiet...too quiet.The wind blows...a tumble weed rolls by...a coyote howls off in the distance...
He's trying to set up Axacon for late August 2018, he's attacking anyone who says anything that he doesn't like on Axanar Facebook page, now using the Axanar blog to do the same thing including using a Vet with PTSD to attack people from Axamonitor. He considers himself the creator of a feature-length movie and his Mouth of Sauron is trying to generate negativity towards STC using they are violating the guidelines finger.So - I'm thinking this has been the longest dry-spell on this thread since it started a year-and-a-half ago. Has there been no news on the AP front? Has he finally collapsed under the weight of his own bullshit?
It's quiet...too quiet.The wind blows...a tumble weed rolls by...a coyote howls off in the distance...
Express.Or the term 'convention' could be redefined as a card table outside a Holiday Inn.
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