I, too, vote for a
Mirror Universe story.
The Kelvin series first screwed up by retreading old ground with Khan, then they screwed up with an "original" story with the abysmal mindless shoot-'em-up of
Beyond. It desperately needs a strong hook to bring people back, and Hemsworth-not-as-Thor is
not that. (
Ghosbusters '16, anyone?
Rush?
Huntsman: Winter's War? Yeah, didn't think so.) We need Quinto with a goatee, Pine vs. Pine, and women being all sexy without demeaning the integrity of female Federation characters. A Mirror Universe allows for multiple fun and iconic villains without having to hire extra actors, and allows
everyone to have fun while simultaneously raising the stakes without yet another trite revenge-seeking villain. It's a slam dunk!
Hell, they could even bring in Khan as a terrifying Starfleet dictator, played by an actual Indian for once, as the John Harrison surgery wouldn't have happened. He could be a background presence most of the movie, like the Emperor in
ANH/
ESB, while our heroes spend most of the movie trying to get back to their home timeline, and the third act is a mission to acquire the tech to do so. But, in the end -
TWIST! They
fail, and Khan is now on to them, and eager to learn how to cross over into their home reality and steal their tech. Which leads directly to the fifth movie: the ISS
Enterprise vs. Khan and his all Augments. BOOM!!
*Mic drop*
"My name is KHAN!
...
No, really, guys, my name is Irrfan Khan. That's my actual name
."
Oh, and one
more thing: a utopian society whose ideals have been perverted by an illegitimate tyrant? Not to get all TNZ here, but what better way for
Trek to regain some of its trademark (and sorely missed) contemporary relevance?!
#MAKE THE TERRAN EMPIRE GREAT AGAIN
I think everyone can comprehend "evil twin universe", it's as simple as "Trek mumbo jumbo" gets.
Yup.
I think it's completely OTT and a step too far considering we're in another timeline already. These kind of stories only appeal to hardcore Trek/Sci-fi fans, not your average popcorn muncher, who's dollars we are chasing here don't forget.
Dude, ever heard of a little movie called
Captain America: Civil War? It assumes you're keeping track of a dozen characters with varied histories and interplay from over ten previous movies, and features a low-key villain and only one really big action sequence. It was a very complex narrative, demanding that the audience do a lot of work beforehand... and it made
over a billion dollars. Contrast that with
Beyond, which had an extremely simple story (scary alien vampire wants to kill everyone because pre-vampire
reasons), and underperformed.
my fiance, who has seen all three reboot films multiple times with me, said during the point in Beyond where nuSpock sees the picture of Prime Spock with the words 'deceased' she asked me if that was his dad, and that was on second viewing.
No offense, hombre, but if she didn't recognize Nimoy as Spock,
especially after viewing the previous movies multiple times, that's on her. In any case, it's not a useful counter-anecdote, because that was a minor detail, not the hook of the movie. You say a "simple" story is needed? "Trapped in an evil universe" - there's your hook in
five words! It doesn't get any simpler, or more compelling at first glance, than that.