This is not about "reviving" any particular series; it's about remaining consistent with the widely recognized and already-established visual aesthetic of the "Prime Timeline" , which is by no means a "big ask".
(snipped for space and my bolding)Not really. I am more nineties Trek than TOS purist, and I and many others still prefer it to be in the long established continuity. Part of what makes Trek fun, and makes things like anniversaries worthwhile for the show, is that it is one tapestry unfolding over many many years worked on by different people. Not a tea towel collection produced under license, which is what reboots are in that extended metaphor. .
IT'S. A. FUCKING. REBOOT!This is not about "reviving" any particular series; it's about remaining consistent with the widely recognized and already-established visual aesthetic of the "Prime Timeline" , which is by no means a "big ask".
That is a symptom of another issue I have with today's society in which people seem to look hard to be offended or insulted by something someone says or by something they see on TV or films.It's almost as if people are trying to find reasons to boycott the damn thing. My opinion of this show will be based on the actual show.
In a Mirror, Darkly already showed us that the classic TOS aesthetic can still work in a modern production.
Let's not make this about generational issues. There are 79 million millennials -- placing blame on that many people for a perceived problem of victimization is downright silly, not to mention statistically inaccurate.That is a symptom of another issue I have with today's society in which people seem to look hard to be offended or insulted by something someone says or by something they see on TV or films.
Some people today seem to want to feel victimized, as if being offended or victimized is some badge of honor to wear: "Look at me...I'm offended, too!!"
I blame millennials -- or at least some of the more vociferous millennials -- for that attitude, but the attitude has spread to others.
I blame millennials.
It was actually revamped quite significantly from the 1960's - for example, some of the computer screens were replaced with video screens, the banister and ceiling were properly rounded instead of segmented, and the texturing and materials were done up a bit too.I bet somebody's about to come along and say that it didn't work, and that the look should have been revamped instead of slavishly adhered to.![]()
That's why I said "some of the more vociferous millennials", rather than blaming all millennials.Let's not make this about generational issues. There are 79 million millennials -- placing blame on that many people for a perceived problem of victimization is downright silly, not to mention statistically inaccurate.
EDIT: If you can't tell, I'm a millennial and I resent this kind of thinking. It's just utter nonsense. Every older generation always thinks the next generation is a bunch of whiners. It's actually ironic.
I agree. We're watching ENT again for the first time in years to prepare for DSC and just got done with this arc. To me, the Augment and Augment Virus arcs were the most groan-worthy moments of the show. I never felt an explanation for ridgeless Klingons was necessary and prescribed to Gene's "imagine they always had ridges" directive; they simply updated the makeup with an interesting design for the big screen (a pretty common occurrence for tv-to-movie IP's).Personally, I was much more satisfied with Worf's non-explanation of it by simply saying "...It's a long story" in 'Trials and Tribblations' than I was the augment virus explanation from 'Voyager'.
Edit to correct:
I meant 'Enterprise', not 'Voyager' (thanks, jaime).
People keep bringing up previous instances in which the designs of certain aliens were altered as a way of justifying this latest apparent change, but there's a significant difference between what Star Trek was then and what it is now. At the time previous design changes were made, there was actually "room" to make said changes because the "visual Canon" was less rigidly defined because of the size of the franchise at the time.
With over 700+ hours of released content having defined a much more rigid "visual Canon" by this point in time, making sweeping changes to the way that certain species look is far less doable than it ever was in the past, making what has apparently happened with regards to Discovery fundamentally different than what has happened previously.
This thread isn't about this subject, but suffice to say, when you paint your insults with broad brushstrokes, it's going to irritate people. Blaming millennials for basically every societal problem is a common refrain from previous generations and the media. There isn't an ounce of truth to any of it, because a group that size is so diverse that any general statements about it, even in limiting language like "lots" or "some" millennials, is bound to be false. The very concept of generations is just a nebulous box that makes it easy for bored journalists to write vapid thinkpieces and cranky uncles to complain about something at Thanksgiving dinner. There are plenty of whiners and people who feel sorry for themselves in every age group and demographic, it is by no means a phenomenon exclusive to young people.That's why I said "some of the more vociferous millennials", rather than blaming all millennials.
However, like it or not, there are attitudes and degrees of entitlement that are pervasive within a generation that can help define the generation as a whole. That's not the same as saying it defines each of the 79 million individual members of that generation. I have a daughter who is a millennial, and while I don't think that 'trying hard to be offended' attitude defines her, she does displays that attitude on occasion, being as much product of her generation than she is a product of her parents' generation.
For example, not all teenagers in the late 1960s and early 1970s were necessarily make-love-not-war flower-power liberals. However, those more liberal attitudes did help to define that generation as a whole.
I'm sorry, but posts like this really irritate me.
The slight amount of the bridge we can see in the teaser shows a bridge that is nothing like the Cage. Touchscreens everywhere, low light levels, very blue and dark grey but modern styles, large structural supports dividing key areas.
The uniform take cues from TOS proper, but of greater detail and better materials, so yeah it's only using what little it needs to be Star Trek overall.
Story wise sure, visually? Were you really expecting everything to look like "The Cage"?
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