Season 2 is not bad. It's my favorite, and definitely one of the best, far better than the later lifeless seasons where they seemed satisfied just to appear dignified, in place of drama, and mouth easy truisms masquerading as challenging ideas.
Season 2 is not bad. It's my favorite, and definitely one of the best, far better than the later lifeless seasons where they seemed satisfied just to appear dignified, in place of drama, and mouth easy truisms masquerading as challenging ideas.
I think as a whole season 2 is a lot better than season 7 as a whole. It helps that season 2 has a doctor with personality.
What? Beverly had no personality.
Correct...
Ah, yes. The episode that taught us that the most challenging obstacle to a boy's path to greatness... is their mother.Where no man has gone before is the best episode of season 1.
Ah, yes. The episode that taught us that the most challenging obstacle to a boy's path to greatness... is their mother.
Traveller: It's best you do not repeat this to the others, especially not to the mother.You know what? Mothers are stupid. Let's just dump her.
Riker: Sir, shall I send for Doctor Crusher?
Picard: Why? Is someone ill? Or would you rather tell her about this, Wes?
Wesley: If you don't mind, sir, I'd like to sit here awhile. I'll tell her later.
*TNG drops Beverly Crusher's character after Season 1*
Now remember new season 3 writers, we've established in Season 1 that Wesley (our lord and savior) cannot achieve greatness if his mother is around and-
That's stupid.
*TNG brings back Beverly Crusher*
And Wesley's stupid.
*TNG drops Welsey*
According to Wil Wheaton, he left because Rick Berman screwed him out of a chance to appear in a movie (I cannot recall the film) and start a grown up film career by telling him he had a major, pivotal scene he needed to film for the episode, so he flies back from I think Paris to LA, and they cut the scene out of the script as soon as he returned, and the whole thing was Berman's way of telling Wheaton that he owned him, he was not going to have a career outside of his relationship to the show, and he needed to know his place. And Wheaton contacted his agent and asked to be gotten out of his contract in disgust.
According to Wil Wheaton, he left because Rick Berman screwed him out of a chance to appear in a movie (I cannot recall the film) and start a grown up film career by telling him he had a major, pivotal scene he needed to film for the episode, so he flies back from I think Paris to LA, and they cut the scene out of the script as soon as he returned, and the whole thing was Berman's way of telling Wheaton that he owned him, he was not going to have a career outside of his relationship to the show, and he needed to know his place. And Wheaton contacted his agent and asked to be gotten out of his contract in disgust.
According to Wil Wheaton, he left because Rick Berman screwed him out of a chance to appear in a movie (I cannot recall the film) and start a grown up film career by telling him he had a major, pivotal scene he needed to film for the episode, so he flies back from I think Paris to LA, and they cut the scene out of the script as soon as he returned, and the whole thing was Berman's way of telling Wheaton that he owned him, he was not going to have a career outside of his relationship to the show, and he needed to know his place. And Wheaton contacted his agent and asked to be gotten out of his contract in disgust.
So Mad Magazine was rather brutal back in the day.
http://mystartrekscrapbook2.blogspot.com/2011/03/1988-mad-spoof-star-blecch-next.html
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