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MeTV's SuperSci-Fi Saturday Night

"My Favorite Magician"--

At the Pink Cafe (California), dishwasher/busboy David Barker is in the break room preparing to inject himself with yet another self-made serum in the hope of ending the Hulk problem--

David: "After all these months, I'm just days away from results. Only after the last, precisely timed injection has been administered will I have any indication whether the serum has been effective."

David continues to note the time & kind of reactions to the serum, including hypertension, azotemia, nausea, anaphylaxis, elevated mood and dizziness. With that, David injects himself, and puts his gear away as his demanding boss (Earl) sends him back to collect dishes.

As David works, a sudden flash & puff of smoke reveals the whimsical Jasper Dowd--a professional magician--who immediately entertains staff & patrons by "magically" producing his own dinnerware. After his meal, Jasper discovers that he does not have money to pay his bill...so Earl sends him to the kitchen to wash dishes with David. Jasper wastes no time trying to regale Banner with tales of a worldly life--success as a magician. When Jasper breaks cups during a trick, Earl fires him--and David.

On the road to San Luis Obispo in Japser's "touring" van, the magician observes David is preoccupied with writing in his notebook--

Jasper Dowd: "Had your nose in that book for hours...formulas...equations..."
David: "I've been working on a problem for a long time...and uh..I'm close."
Jasper Dowd: "Science. It was called alchemy during the Middle Ages. Alchemy...I like that! More mysterious."

Suddenly, Jasper needs a puff from his inhaler due to asthma complications. David suggests stopping, but Jasper prefers to continue driving, determined to reach his old friend's restored vaudeville theater where he was promised a steady gig. Conveniently, Jasper is lacking an assistant, and makes a clear-as-day offer for David to become his new assistant.

David: "I don't know anything about magic!"
Jasper Dowd: "David, in you I see the mysteries of the universe! You have powers you're not even aware of. Okay, so you're no Harry Houdini, but if I can pull a rabbit out of a hat, I can pull a sorcerer out of you!"

At a pay phone, Jasper calls his long lost love Lily Beaumont, speaking as if they are set for a long awaited reunion. Unbeknownst to Japser, Lily is now romantically involved with the heavily-accented romancer Giancarlo Corleone, the man making his intention to marry her clear. ; Lily walks off, leaving the frustrated Giancarlo to crush a single rose....

Back at the Pink Cafe, Jasper's daughter--Kimberly Dowd--searches for her father. Earl gives her a good lead....

At the vaudeville theater, Jasper shows David some of his old set pieces, when he calls out to a "McGee"--freezing David in his tracks, until he turns to see Jasper's old friend Edgar McGee. All seems well until Edgar mentions that he thought Jasper would've married his former assistant Lily--the reference upsetting Jasper.
Later, Jasper familiarizes David with the various routines, with a focus on the pièce de résistance: Neptune's Torture Chamber--where Jasper will be handcuffed to the metal floor inside a water-filled, glass box....

That night, the theater is filled to capacity. Eventually, Jasper the Great--and his assistant David--take the stage, only it is David in the box. As David is submerged, Jasper suffers another asthma attack, and drops the key to the handcuffs he was supposed to feed to David. Banner panics, and this sends him to Hulk-mode.

The creature's expanding body breaks the glass; as the Hulk growls at the startled audience, Jasper is at once shocked by the sight of the creature--and his daughter in the audience. Jasper bolts to his van, and speeds away (with David's bag), leaving daughter, Edgar and the chaos caused by the Hulk behind like a distant memory. Inside, the Hulk destroys part of the stage (the audience thinks its part of the show), breaks through the theater wall, and stops in an alley--harassed by a couple of talkative, photo-seeking theater-goers.

After changing back to David, he returns to the theater to inspect the damage, but runs into Kimberly Dowd, and after some backstory on Jasper, such as his longtime feelings for Lily, going back to magic after his wife died, etc., the two head off to Beaumont Estates--the assumed destination of Jasper. Because David's serum has to be administered at specific times throughout the day, Banner worries that he will miss the dose--and probably his best chance to end the Hulk.

David: "Pardon me, do you mind telling me what time it is, please?"
Kimberly: "That's the third time you've asked in an hour--it's a quarter after."
David: "Ah. I'm sorry to keep bugging you that way, it's just that its urgent that I take my injections on schedule."
Kimberly: "Couldn't we stop at a hospital, or something and get this serum, or whatever it is?"
David: "I really wish we could, but uh, it's very rare."
Kimberly: "You know, the two of you must have been some kind of pair--two grown men hunting--scrounging desperately for their medicine!"
David: "Hm-mm!"
Kimberly: "A few months ago, we found out Jasper has coronary heart disease."
David: "Is he undergoing treatment?"
Kimberly: "Well he was...until he ran away from the convalescent home."
David: "Ran away?"
Kimberly: "Three times. I put him in when the doctors said a severe asthma attack could trigger a fatal heart attack."

Jasper arrives at Lily's estate, and attempts to rekindle any feelings she once had of the man--while her wedding is being prepped all around them. As it turns out, Giancarlo is not some foreign romantic type, but a common American swindler conning Lily every step of the way, a point Jasper tries to make--

Jasper: "The closest Giancarlo's ever been to Italy is the spaghetti joint he worked at in the Bronx!"

Bristling at the accusation, Lily sends Jasper away. The magician coldly brushes past Giancarlo--running into David & Kimberly waiting at his van. At Jasper's motel, David anxiously retrieves his bag, giving himself the next injection while Kimberly confronts her father about his health--

Kimberly: "Jasper, we are leaving in the morning."
Jasper: "I'm not going!"

Jasper has another asthma attack--

Kimberly: "Where's your inhaler?"
Jasper: "Even with doctors and nurses, its still a PRISON!"
Kimberly: "Its the best convalescent home money can buy."
Jasper: "They take away your self respect! I'm not going...I can take care of myself!"
Kimberly: "David??
David: "Sit down, Jasper--sit down immediately! Where's the inhaler?"

Jasper's protests are interrupted with gasps for air--

Jasper:
"I can take care of myself....tell her, David!"
David: "No--no.Jasper, I'm afraid this is between you and your daughter. I'm sorry. Look, um...if that ride to Los Angeles is still open...I'll take it with you if its alright. i'll just check into a room here tonight."
Kimberly: "Of course. I'll be leaving about seven."

Jasper snatches David's journal as a way of keeping him around, and after cross-arguments between the three--

David
: "As for you two--its seems that you're talking again, but you're not listening."
Jasper: "That's not true."
Kimberly: "You wanna talk about truth? Your magic act never headlined a show!"
Jasper: "Not here in the states..."
Kimberly: "Nowhere!"
Jasper: "Overseas...."
Kimberly: "Never!"
Jasper: "Europe?"
Kimberly: "No! Jasper, you were never a star in vaudeville.I'm sorry. From all accounts, y-you were never Jasper the Great, y-you were Jasper the mediocre! You know, I promised mother I would never say that to you. "
Jasper: "No--no, Kim. I'm glad you did...I...I never really gave your mother a chance to tell me. I was always too busy being center stage.David's right--I was always talking, when I should just shut-up and listen."
Kimberly: "Mother called them your little white lies. She said that everybody told them."
Jasper: "But I never really meant to lie to her. slight exaggeration here..a little embellishment there....well, ah...how do you find the truth after you've made it disappear so many times?"
Kimberly: "Jasper, mother always loved you. She loved you more, even after she knew the truth. Dad.."
Jasper: "If we're going in the morning, we'd better get an early start. I'm feeling a little tired."
Kimberly: "We can talk more when we get home."

Feeling defeated, Jasper makes one last feeble retort--

Jasper: "Abracadabra. That's your cue to disappear."

A moment later, Jasper receives the letter he's been waiting for (proving Giancarlo is already married), and slips away. David and Kimberly know where he's headed--Lily's wedding--but have a more pressing concern: he's left his inhaler behind.

At the wedding of Lily & Giancarlo, Jasper tries to reveal the contents of the letter to Lilly--only to be apprehended by Giancarlo's men; David and Kimberly show up, but suffer the same fate...with David dropping the inhaler Jasper so desperately needs. Giancarlo's henchmen lock David in the trunk of a car--triggering the series' fastest Hulk out. The creature's feet tear through the car's chassis, as he sends the trunk lid flying. Wasting no time, the Hulk plows through the henchmen, and hurls the frightened Giancarlo into the wedding cake, just as Jasper (in the wake of Kimberly recovering his inhaler) shows Giancarlo's marriage certificate to another woman. Not a shocker, but Lily has had enough of the con man.

An unspecified time later (at Lily's estate), David records his lack of progress with the serum--

David: "My hopes that the serum would stop the metamorphoses are gone. Even after the last of the 20 injections, the condition persists. With this latest disappointment, I must reexamine the entire concept of a cure."

Kimberly has returned home, suggesting Jasper will be staying with (or near) Lily.

Jasper: (to David) "...and what about your problem. Did you ever find the answer?"

Sadly, David can only share what he believes to be true--

David: "No, I uh...I'm beginning to think I might never find the answer to my problem."

Jasper successfully performs a trick which eluded him for 20 years, using that as a call for David to believe in the "magic" that might solve his own problem.

NOTES:

Jack McGee does not appear in this episode.

The episode begins with a heavy cure-related scene. For the second time in the series, Banner creates his own serum designed to end the Hulk curse, and he believed he was close. The script does not note whether or not this is a another version of the S-27 serum he created to effect adrenal function, as seen in "The Confession" but it is a complete dead end.

Conscientious as ever, David always bends the needle of every syringe used, to prevent anyone else from using it.

Of course, Bixby's first experience with magic was on his own series The Magician (NBC, 1973-74)--
TV%20GUIDE%20-%2012-1-73%20-%20THE%20MAGICIAN_zpsgdhzhete.jpg


GUEST CAST:

Ray Walston (Jasper Dowd) made himself a TV legend--along with former co-star Bill Bixby on the 60s sci-fi sitcom My Favorite Martian (CBS, 1963-66).
TV%20GUIDE%20-%2011-2-63_zpsiqu5pluc.jpg

To Generation X audiences, he is remembered for his portrayal of the angry, judgmental Mr. Hand from Fast Times At Ridgemont High (Universal, 1982). other credits--
  • Suspense (NBC, 1949-54) - five episodes.
  • Way Out (CBS, 1961) - "The Down Car"
  • Summer Playhouse (CBS, 1964) - "Satan's Waitin' '"
  • The Evil Touch (Nine Networks, 1973-74) - "Dear Beloved Monster" & "The Trial"
  • The Six Million Dollar Man (ABC, 1976) - "A Bionic Christmas Carol"
  • Buck Rogers in the 25th Century (NBC, 1979) - "Cosmic Whiz Kid"
  • Popeye (Paramount, 1980) - as Poopdeck Pappy
  • Galaxy of Terror ( United Artists, 1981)
  • Otherworld (CBS, 1985) - "Rules of Attraction"
  • Misfits of Science (NBC, 1985) - "Steer Crazy"
  • Friday the 13th - The Series (Syndicated, 1988) - "Tales of the Undead"
  • Superboy (Syndicated, 1988) "The Russian Exchange Student"
  • Blood Salvage (High Five Entertainment, 1990)
  • Star Trek: The Next Generation (Syndicated, 1992) - "The First Duty"
  • Space Case (1992) - with a title song by The Village People.....
  • The Stand (ABC, 1994) - miniseries
  • Project ALF (NBC, 1996)
  • Addams Family Reunion (Fox Family, 1998)
  • My Favorite Martian (Buena Vista, 1999)
  • Star Trek: Voyager (UPN, 1998-99) - "In the Flesh" & "The Fight"
Anne Schedeen (Kimberly) has a few fantasy roles, but is best known for the goofball alien sitcom ALF (NBC, 1986-1990).

Bob Hastings (Earl the diner boss) beats Charlie Picerni (Harris from "The Slam") for overall career association with comic book and/or superhero productions. Starting in the 1940's Hastings was the third actor to voice Archie Andrews in the Mutual/NBC radio series which ran for a full decade--1943-53.
After Archie, Hasting moved on to superheroes through Filmation--

  • The Adventures of Superboy (from The New Adventures of Superman--CBS, 1966-68) --as young Clark Kent / Superboy
  • The Batman/Superman Hour (CBS, 1968-69) - as young Clark Kent / Superboy
...one appearance on the 1966 Batman live action series--
  • Batman (ABC, 1967) - "Penguin Sets a Trend"
...then moving to Hanna-Barbera in the 1970s--
  • Challenge of the Super-Friends (ABC, 1978-79) - various voices
...and the Timmverse DC cartoons--
  • Batman: The Animated Series (Kids' WB, 1992-1995) - recurring as Commissioner James Gordon
  • Batman: Mask of the Phantasm (WB, 1993)
  • The Batman - Superman Movie: World's Finest (WB, 1997)
  • Superman (WB, 1997-98)
  • The New Batman Adventures (WB, 1997-99)
  • Batman & Mr. Freeze: Sub Zero (WB, 1998)
  • Gotham Girls (WB, 2002)
  • Static Shock (WB, 2003)
  • Batman: Mystery of the Batwoman (WB, 2003)
 
Same here...I knew of the existence of My Favorite Martian...I think I'd seen a cartoon adaptation of it...but had no idea it was Bixby's breakout role until many years later.

Oh, yeah, I saw that first too. Filmation's My Favorite Martians, focusing on the teenage relatives of the sitcom's main characters. It had Jonathan Harris as Uncle Martin and Howard Morris as Tim.


-26:14. Prior to the transformation, in some shots of David in Neptune's Torture Chamber, the left handcuff is obviously not closed.

And I think there's one bit where Bixby accidentally pulls up the whole floor he's cuffed to and then pushes it back down, but I'm not sure.


And speaking of Hulk noises...this is the first episode in which it was obvious to me that his growls were different.

Yeah -- even in the opening preview, it was very recognizable to me as Charles Napier's voice.
 
Ah, I wish I had seen this episode of the Hulk last night. My Favorite Martian was one of my favorite shows as a kid and I absolutely love Ray Walston. I have the complete series on DVD.

What about her classic foray into sci-fi: "My Clone Sleeps Alone."

(Yes, that's a real Pat Benatar song.)
Hmm. She needs a lover and her clone sleeps alone-- the solution seems obvious.
 
And speaking of chemistry...I think I'm going to have to count this as a cure-related episode, as David "Barker's" serum angle did play a role in the plot, however small it was.

Small, but important, as we see the series having David speaking more about the what, how & why of one of his treatments in a episode that was not centered on a cure (e.g. "Married" or "Kindred Spirits").


And speaking of Hulk noises...this is the first episode in which it was obvious to me that his growls were different.

Heh..I can accept that as easily as I accept his facial changes from pilot to 2nd movie to 1st regular series episode.
 
I only really noticed the difference in the hulk growls at the start of Series 3, during the first Metamorphosis hulk-out.
The only problem I have with Napier's growls is that they sound more obviously dubbed over the action than the ones roared by Cassidy. One can almost picture Napier's growls being recorded which somehow seem more 'deliberate'.
 
GUEST CAST:

Ray Walston (Jasper Dowd) made himself a TV legend--along with former co-star Bill Bixby on the 60s sci-fi sitcom My Favorite Martian (CBS, 1963-66).
TV%20GUIDE%20-%2011-2-63_zpsiqu5pluc.jpg

To Generation X audiences, he is remembered for his portrayal of the angry, judgmental Mr. Hand from Fast Times At Ridgemont High (Universal, 1982). other credits--
  • Suspense (NBC, 1949-54) - five episodes.
  • Way Out (CBS, 1961) - "The Down Car"
  • Summer Playhouse (CBS, 1964) - "Satan's Waitin' '"
  • The Evil Touch (Nine Networks, 1973-74) - "Dear Beloved Monster" & "The Trial"
  • The Six Million Dollar Man (ABC, 1976) - "A Bionic Christmas Carol"
  • Buck Rogers in the 25th Century (NBC, 1979) - "Cosmic Whiz Kid"
  • Popeye (Paramount, 1980) - as Poopdeck Pappy
  • Galaxy of Terror ( United Artists, 1981)
  • Otherworld (CBS, 1985) - "Rules of Attraction"
  • Misfits of Science (NBC, 1985) - "Steer Crazy"
  • Friday the 13th - The Series (Syndicated, 1988) - "Tales of the Undead"
  • Superboy (Syndicated, 1988) "The Russian Exchange Student"
  • Blood Salvage (High Five Entertainment, 1990)
  • Star Trek: The Next Generation (Syndicated, 1992) - "The First Duty"
  • Space Case (1992) - with a title song by The Village People.....
  • The Stand (ABC, 1994) - miniseries
  • Project ALF (NBC, 1996)
  • Addams Family Reunion (Fox Family, 1998)
  • My Favorite Martian (Buena Vista, 1999)
  • Star Trek: Voyager (UPN, 1998-99) - "In the Flesh" & "The Fight"

Walston also famously played the Devil, aka "Mr. Applegate," in the classic movie musical Damn Yankees.
 
Heh..I can accept that as easily as I accept his facial changes from pilot to 2nd movie to 1st regular series episode.
Wasn't saying I had an issue with it...just that the voice role switching is something that I only learned about here, and this is the first time I noticed it for myself. Now I can't say that I could have identified the voice actor if I hadn't read who it was....
 
Land of the Giants: "The Lost Ones": Okay, it's getting ridiculous how many fellow castaways they're running into on a weekly basis now. This time it's a bunch of punk kids who are consistently annoying throughout, too stupid to stop fighting with the heroes every step of the way. Still, it's a good showing for nearly the whole ensemble, and Valerie and Betty get a rare chance to be awesome on their own. I had to wonder, though, why they didn't get the kid out of the trap by using their razor-blade ax to cut through the wire mesh, as they did in a previous episode featuring a similar box.


The Time Tunnel: "The Death Trap": This is a bizarrely revisionist take on the Baltimore plot, a foiled assassination attempt on Abraham Lincoln just before his inauguration. History records that the plot was the work of secessionists wanting to kill Lincoln for his abolitionist views, but this inexplicably inverts that and says the conspirators were abolitionist followers of John Brown, hoping to eradicate slavery by getting the South blamed for Lincoln's death so that it gets conquered by the North. What the what? I think they tried to cover themselves a bit by having Ann and Kirk talk about how there were conflicting accounts and the conspirators had used aliases, but it's still a very strange alteration.

It's also bizarre that they had the Tunnel somehow be sentient enough to show them a glimpse of Lincoln's 1865 assassination as if to tip them off about this earlier assassination attempt. It serves no story purpose and is just an excuse to toss in a bit of the obligatory stock footage -- with a different actor entirely playing Lincoln, making it an even odder choice.

Ford Rainey makes a pretty good Lincoln, though -- apparently it's a role he played four times, this being the second. Tom Skerritt is all but unrecognizable -- and not very good -- as the assassin's brother Matthew.

I've realized I rather like these characters' easy certainty that history is immutable. It's kind of a refreshing change of pace from all the time-travel stories where the characters constantly have to worry about changing history or preventing its change. It's a lot simpler when you just know going in that there's only one version of history, and that the only areas of uncertainty are those things that history doesn't record either way.


Planet of the Apes: "The Cure": Not a bad one, with some nice tension between Galen and Virdon in the first act. The character conflict enhances what's otherwise yet another "The astronauts know basic things the stupid apes don't know" plot. David Sheiner's Dr. Zoran is kind of interesting too -- a chimp scientist rational enough to accept that Alan and Pete know what they're talking about, but selfish enough to take credit for their ideas and try to turn them over to Zaius when it's all over. Urko, on the other hand, is less nuanced than ever -- extremist, irrational, willing to endanger his own people's lives for his own political advantage over Zoran, and ultimately coming within a hair's breadth of mounting an armed coup against Zaius. It's hard to believe he even keeps his job after this (and this was only the sixth episode filmed, so he did).

By the way, famed Marvel Comics writer Chris Claremont visited the location shoot of this episode for a couple of days, in his capacity as the assistant editor of Marvel's PotA tie-in magazine, and his entertaining account can be read here (scroll down past the photos).
 
I only really noticed the difference in the hulk growls at the start of Series 3, during the first Metamorphosis hulk-out.
The only problem I have with Napier's growls is that they sound more obviously dubbed over the action than the ones roared by Cassidy. One can almost picture Napier's growls being recorded which somehow seem more 'deliberate'.

Interesting. Cassidy being less deliberate in delivery might have something to do with the fact he was an experienced voice actor before his Hulk days.

Walston also famously played the Devil, aka "Mr. Applegate," in the classic movie musical Damn Yankees.

I forgot about that--thanks for the update!
 
This week, on The Incredible Hulk:

"Jake"
Originally aired November 2, 1979
As a rodeo medic, David helps an aging cowboy with a serious health condition as well as the man's younger brother, who has gotten mixed up with a gang of cattle thieves.


Events in the news the week the episode aired:
November 1 – Iran hostage crisis: Iranian Ayatollah Ruhollah Khomeini urges his people to demonstrate on November 4 and to expand attacks on United States and Israeli interests.
November 2
  • French police shoot gangster Jacques Mesrine in Paris.
  • Assata Shakur (née Joanne Chesimard), a former member of the Black Panther Party and Black Liberation Army, escapes from a New York prison to Cuba, where she remains under political asylum.
November 3 – In Greensboro, North Carolina, 5 members of the Communist Workers Party are shot to death and 7 are wounded by a group of Klansmen and neo-Nazis, during a "Death to the Klan" rally.


New on the U.S. charts that week:

"Life During Wartime (This Ain't No Party...This Ain't No Disco...This Ain't No Foolin' Around)," Talking Heads
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(#80 US)

"Jane," Jefferson Starship
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(#14 US; #49 UK)

"Send One Your Love," Stevie Wonder
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(#4 US; #1 AC; #5 R&B; #52 UK)

"Rock with You," Michael Jackson
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(#1 US; #21 AC; #2 Dance; #1 R&B; #7 UK)

And at #1 for the week (having made its chart debut back on August 11):

"Pop Muzik," M
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(#1 US; #4 Dance; #2 UK)
 
"Life During Wartime (This Ain't No Party...This Ain't No Disco...This Ain't No Foolin' Around)," Talking Heads
Now we're talkin.' :bolian:

"Jane," Jefferson Starship
I totally forgot about this one. Not bad.

"Send One Your Love," Stevie Wonder
Pleasant enough, but not his best.

"Rock with You," Michael Jackson
This guy did Thriller? :rommie:

"Pop Muzik," M
Oh, yeah. One of the ultimate 80s novelty numbers. :rommie:
 
Now we're talkin.' :bolian:
Digging deep payed off.

I totally forgot about this one. Not bad.
This would be the beginning of the Mickey Thomas era that eventually gave us just "Starship".

Pleasant enough, but not his best.
In this case, though, "his best" sets a pretty high bar.

This guy did Thriller? :rommie:
For the record, I have a big, fat soft spot for Off the Wall...my sister had the album.

Oh, yeah. One of the ultimate 80s novelty numbers. :rommie:
Funny you should describe a number from '79 that way, as it affirms a perception of my own. Usually in popular culture, the first year or so of a new decade comes to resemble the previous decade more than the decade that it begins. In music, at least, I feel that the reverse is true for the turn of the '80s...late '79 feels like the '80s getting off to an early start. Disco being on the wane no doubt contributed a great deal to that.

We have another one-hit wonder coming up next week that I've always tended to associate with "Pop Muzik", that has a more tangible reason for being strongly associated with the '80s...don't touch that dial!
 
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The Talking Heads sound a bit ahead of their time there in 79.
They were part of the cutting edge of New Wave, which was an industry rebranding of the more commercial elements of the Punk scene. Their previous charting singles:

"Psycho Killer"
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(02/18/78; #92 US)

"Take Me to the River"
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(11/04/78; #26 US; Al Green cover; their most commercially successful single until "Burning Down the House" in '83)
 
Uh-oh -- looks like Netflix is pulling The Incredible Hulk from streaming at the end of the year. We only have four more weeks. I think that means I'm going to have to abandon the once-a-week schedule and just binge through the rest of the series, since I'd prefer that to seeing edited versions on MeTV. Not sure what that'll mean for my participation in the thread. Not sure what it'll do for others' participation either, since I think most of us are watching it on Netflix.

As for "Jake," it's an episode that's always been a yawner for me. It's a pretty run-of-the-mill story with stereotyped cowboy characters and a drab melodrama revolving around an aloof and unsympathetic title character that we're somehow supposed to sympathize with. The most interesting parts are the music and the background announcements on the rodeo PA, many of which make in-joke references to the show's production staff, including a lost 8-year-old boy named for producer Nicholas Corea and a cowboy (and amateur musician) named in honor of Kerry McCluggage, a Universal Television executive who would go on to become the studio's vice president the following year and president sometime later, and who subsequently moved to Paramount, where he was behind the creation of UPN in 1995.
 
"Jake"--

David finds himself in Gaston, Texas, working as first aid ("I'm just a band-aid and aspirin man") for the Gaston Rodeo--although he's developed a closer relationship with Jake White & his girlfriend Maggie. The aging bull roping man has been working toward winning what would be his last, big contest (Best All Around - worth $100,000) in order to afford another rig for the trucking company he wants to run with his brother Leon. The one thing standing the way is his health--BLANK--which he refuses to address until he's earned that second rig.

On the other hand, younger brother Leon (a rodeo clown)--always being bailed out by Tibby, Martin & Buford (part of Jake's crew) for steep gambling debts, is told he has to "work it off" again, as in the case of some earlier incident in San Antonio. Leon resents the situation, but has no choice. Henchman Buford wonders why Tibby tolerates Leon at all--

Tibby: "Well, its just like when we were teenagers--you always had to make friends with the biggest nerd in the class because he had keys to his dad's car."

A derisive laugh is shared by the trio...

Elsewhere, Jake is struck with another bout of pain; Leon runs to his side, but is scolded (in front of David) for fraternizing with the gamblers, which upsets the infantilized younger brother. After Leon departs, Jake says he's feeling cold--setting off suspicion in David, as the outdoor temperature is anything other than cold.

On the way back from a medical supply run in Houston, David comes across Leon attempting to rope calves for Tibby's obviously illegal operation; the man angrily sends David away, promising to explain everything later. David is spotted by Buford...

David scans the local newspaper, reading--

Cattle Thefts on the Rise--Rustlers Hit Amarillo, Broken Arrow and Tucumcari

--sounding like the incident with Leon. If that was not enough, Banner spots one of the trucks used in the rustling...

Later, Leon approaches David about the crime, seemingly in need of talking to someone he can trust. It is clear Leon feels unappreciated & disrespected by Jake--both as a brother and his job as a rodeo clown he also sees as being of little value, despite the important function the clown serves. Leon opens up, filling Banner in on the debt he owes--the reason behind his part in cattle rustling, but asks David not to interfere--meaning informing Jake.

The next day, David continues to prod Jake about his health (such as wearing a jacket in 100 degree weather); Jake's pushback is that he will only seek medical attention after the all-important Best All Around. He's also feels he needs to watch over Leon (referring to him as a "dreamer") --that he's a good person. David asks if he's ever said that to his brother, but Jake believes--

Jake: "Between two grown men, some things don't need saying."

Tibby--knowing it was David "spying" on their rustling sends a letter (signed by "Leon") asking him to meet at Sloan's Creek. Of course, Buford and Marvin show up on horseback, putting a little abusive fear into David--enough that he minds his own business. David wastes no time running away, but he's quickly roped and dragged across the rough terrain and through a lake...while Hulking-out. The Hulk yanks the ropes, pulling the men from their horses and returns the mistreatment by pulling them through the water.

Jake confronts Leon about cattle rustling and his gambling--

Leon: "Okay, so I've been haulin' livestock! Big deal!"
Jake: "Middle of the night? You been stealin' cattle.Poker? In over your head again? You doin' somebody's dirty work to pay off a gambling debt, now if you're not careful, you're gonna blow our cha--"
Leon: "--OUR chance? It's your chance! It's your truck, your money, your business! Let me tell you something. You can have it--'cause I don't want no part of it, okay? I'll see you--"
Jake: "I'm still talking to you!!"
Leon: "Well, I'm done listening, now! If you wanna fight, we'll fight like real men, and for once, you just forget I'm your little brother!"
Jake: "Just be glad I never have forgotten."
Leon: "All my life, everybody's always told me how lucky I am to have a big brother like Jake White--a ladies' man...and a man's man! You good at ridin' and ropin'...everything I can't do! A champion and a legend! I'm a tell you something, Jake...you're so old.."
Jake: "I'm a good as I ever was--"
Leon: "--when we were kids, and you took on daddy--remember? Remember what he did? He knocked you on your butt--"
Jake: "That's got nothing to do with now!!"
Leon: "IT DOES!! Yes it does. 'cause I remember thinking, 'Jake should have waited 'till he was sure he could beat daddy' Well...I waited. A long time, too."

Leon delivers a right cross to Jake's jaw, but the older man barely moves. Instead, he gives an understanding pat on Leon's face....

At the rodeo, Tibby doubts Marvin & Buford's story about a "green man" attacking them. As Jake prepares to ride a horse called Dark Stallion, Maggie finds David, asking him to interpret a doctor's report on Jake's health--

All tests including Gamma globulin and Chemzyme evaluation support chronic adrenal cortical insufficiency. Prognosis poor.

--in short, Addison's Disease.

Dark Stallion throws Jake off of his back, but drags the man; Leon jumps on the field,but the horse is quickly separated from the injured Jake. As David helps Jake off the field, Tibby's henchmen spot Banner again--still perplexed by his disappearance during the Hulk attack. While David treats Jake's injuries, Maggie grills the man on his lack of honesty. David joins in, frankly speaking of the risks of Addison's Disease. Jake finally admits to his problem, but insists on continuing--and how hard he's had to work to create a life for himself--and his brother (paying off his debts), which he hopes to achieve with the $100,000 contest.

David: "I don't think that Leon needs the money as much as he needs you."
Jake: "That's never been enough before. for a Band-Aid and aspirin man, you sure know a lot of them 50 dollar words."
David: "I'll tell you what I do know. You're putting a $100,000 bounty--on your own life. Now, the stress of that riding out there--the heat of this day..all of it can make your condition critical--especially with a bull ride ahead of you."
Jake: "Hey, partner...haven't you ever hung in there, even when everybody else tells you it is a lost cause?"
David: "Yeah."
Jake: "Yeah...folks like us, losing a fight ain't nearly as bad as hiding from one."

To that end, Jake takes the fight to Tibby, learning that Leon owes $12,000 in debt, hence the cattle rustling crimes; Jake promises to pay Tibby--but demands he leave town once he's paid...but not before clocking him in the jaw for attempting a tag team beating with Buford.

Tibby assumes a couple of things: one--that David was the one to expose the rustling, and two--that Jake will not say anything that would risk sending his brother to jail. With that, Tibby plots to kill David through an "accident" during Jake's bull riding contest...

On the day of the contest, David notifies the rodeo owner (Bob Long) that he has to leave; he learns Maggie wanted him to pull Jake from the event for his health's sake, but as an adult..and one who signed a release, there's nothing he can (or is willing to) do. Only a few feet away in the background, Jack McGee strolls around, and in the greatest moment of Providence Working for David Banner, he is saved from a face-to-face run-in with McGee by the conversation, and a passing horse, which redirects David from the area.

Whew, indeed.

McGee speaks to Bob Long about the Hulk sighting--and the transient who would look for work in such a lower profile setting; Long does not put much into McGee's description of John Doe--

McGee: "Medium height, medium build...brown hair...brown eyes...."
Long: "That's it?"
McGee: "Uh...yeah."
Long: "You just described half the men that work here!"

Maggie pleads with David to talk Jake out riding Killer Instinct--the most dangerous bull on the circuit; David asks Maggie to call the paramedics, and give them Jake's medical report so they are prepared to treat him in the event he's injured. As Maggie leaves to carry out David's plan, Jake mounts Killer Instinct, Leon--in clown gear--prepares for their entrance, and David is apprehended by Buford and Marvin...tossed into another bull's stall, and immediately stomped by the 1600 lb. animal.

Jake rides Killer Instinct--handling the powerful animal until he's thrown to the ground; Leon races to get the bull's attention, just as Banner transforms into the Hulk--pushing his own animal adversary to the ground. Breaking out of the stall, the Hulk protects Jake from being run over by the bull by grabbing its horns, and scaring it off.The audience watches in silence as the Hulk carries Jake to safety, then pursues Tibby and his henchmen--eventually subduing them by bending a metal guardrail around them.

Leon decides to go to the sheriff, prompting Jake to tell him what he could not earlier--

Jake: "Leon, I'm real proud. If you weren't my brother, I'd want you for a friend."
Leon: "Jake, I'm real proud, too."

Maggie tells Jake it was David who asked for his medical records to be delivered to the doctors, but Jake will not have the chance to thank the man who is--as always--on the road to somewhere else.

NOTES:
This is not a cure related episode
.

The problem with McGee's pursuit of John Doe is that he's never seen the man's face (clearly), which means that general description too easily fit millions of men in the United States. His "details" are exactly what law enforcement (for one example) sees as being too vague to be of use--the same applies to investigative journalism. McGee would have been better off just exclusively chasing actual Hulk sightings instead of the--up to this point--fruitless, always after the fact--search for man who (without even a hint of Banner's type of facial structure) can fade into the crowd.

Bixby stuntman Frank Orsatti had much to do this week by adding director to his duties.

Common for so many TV series with a few western elements, we hear a spin on Elmer Bernstein's unforgettable main title from The Magnificent Seven.

Yes, Marvin & Buford should know David is the Hulk, but they fall into the category of Too Stupid to Trust Their Own Eyes, or maybe its the episode's first case of Providence Working for David Banner, as they write off the Hulk with "I love those clowns," suggesting he (the Hulk) was part of the rodeo act.

GUEST CAST:

L.Q. Jones (Jake) has a familiar list of credits in the non-fantasy genres, including The Young Lions (Fox, 1958) with Marlon Brando & Dean Martin, episodes of Wagon Train, such as "The Robert Harrison Clarke Story" (1963--written by Gene Coon), Hang 'Em High (UA, 1968), Peckinpah's Major Dundee (Columbia, 1965) and The Wild Bunch (Warner Brothers, 1969) . His notable fantasy credits--

  • ...his first role opposite Bill Bixby--an episode of My Favorite Martian (CBS, 1965) - "The Time Machine is Waking Up to That Old Gang of Mine"
  • The Witchmaker (LQ/JAF Productions, 1969)
  • The Brotherhood of Satan (LQ/JAF Productions, 1971)
  • Another role opposite Bill Bixby in The Magician (NBC, 1974) - "The Illusion of the Curious Counterfeit" (2 parts)
  • The Strange and Deadly Occurrence (NBC, 1974)
  • A Boy and His Dog (LQ/JAF Productions, 1975)
  • The Beast Within (MGM/UA, 1982)
  • Timerider: The Adventures of Lyle Swann (Jensen Farley Pictures, 1982) - with Fred Ward
  • Voyagers! (NBC, 1983) - "All Fall Down"
  • The Mask of Zorro (Tri-Star/Amblin, 1998)
  • Route 666 (Lions Gate Films, 2001) - Its probably coincidence that Jones one guest starred on an episode of the classic Route 66.

Fred Ward (Marvin) As noted for the review of "The Disciple," (S2, E17) for audiences not caring about his very notable, serious work, Ward is also remembered for this short list--
  • Remo Williams: The Adventure Begins (MGM, 1985)
  • Timerider: The Adventure of Lyle Swann (Jensen Farley Pictures, 1982) - with L.Q. Jones
  • UFOria (Universal / Paramount, 1985)
  • The Hitchhiker (HBO,1987) - "Dead Heat"
  • Tremors (Universal, 1990)
  • Tremors II (Universal, 1996)
Sandra Kerns (Maggie) aside for being best known for the Scott Baio sitcom vehicle Charles in Charge, she is also married to the son of Hubie Kerns Sr.--the man best known for being Adam West's stunt double for all 120 episodes of the Batman TV series & movie. Sandra Kerns' very short list of fantasy credits--
  • The Incredible Hulk (CBS, 1981) "Two Godmothers" - a fifth season episode
  • The Greatest American Hero (ABC, 1982) - "It's All Downhill from Here"
  • C.H.U.D. II - Bud of the C.H.U.D. (Vestron, 1989)
  • She-Wolf of London (Syndication, 1991) - "Habeas Corpses"
Jessie Vint (Tibby) -
  • Silent Running (Universal, 1972)
  • The Disappearance of Flight 412 (NBC, 1974)
  • Earthquake (Universal, 1974)
  • Bug (Paramount, 1975)
  • Deathsport (New World Pictures, 1978)
  • Dark Angel aka I Come in Peace (Triumph Releasing, 1990)
  • Deep Red (Alpine Medien, 1994)
  • Beyond Belief: Fact or Fiction (FOX, 1999) - "Positive I.D." / "Cook Out" / "The New House"
  • Grimm (NBC, 2012) - "Big Feet"
 
"Jane," Jefferson Starship
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(#14 US; #49 UK)

I always found this to be a generic "rocker" designed to be an escape from the rich (but troubled) Marty Balin run in the group. Mickey Thomas was a strong vocalist--but his glory days were three years behind him on Elvin Bishop's "Fooled Around and Fell in Love." If anything, "Jane" represented the final nail in the coffin of all generations of the group in terms of quality and/or great music.


"Rock with You," Michael Jackson
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(#1 US; #21 AC; #2 Dance; #1 R&B; #7 UK)

His last, sort of normal period, and a very underrated song. Who talks about the "Off the Wall" album anymore?



"Pop Muzik," M
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(#1 US; #4 Dance; #2 UK)

One the bridges to the changing musical landscape at the end of the decade. Different as it was, there was no problem listening to this on the same stations as the bigger pop acts or balladeers of the period.
 
Uh-oh -- looks like Netflix is pulling The Incredible Hulk from streaming at the end of the year. We only have four more weeks. I think that means I'm going to have to abandon the once-a-week schedule and just binge through the rest of the series, since I'd prefer that to seeing edited versions on MeTV. Not sure what that'll mean for my participation in the thread. Not sure what it'll do for others' participation either, since I think most of us are watching it on Netflix.
Well, crap. :thumbdown: Not getting Me these days, Netflix is my only way of catching it, and I don't know if I've got it in me to binge 42 episodes in less than a month and in the middle of the Xmas season...especially if others might not be doing weekly reviews because of it. OTOH, if I did want to binge it, I've got the week between Xmas and New Year's off....

How about you, @TREK_GOD_1 ...does this affect your participation?

As for "Jake," it's an episode that's always been a yawner for me. It's a pretty run-of-the-mill story with stereotyped cowboy characters and a drab melodrama revolving around an aloof and unsympathetic title character that we're somehow supposed to sympathize with.
Yeah, I was feeling pretty much the same...a very bleh, typical formula episode, thought the Hulk does get in a couple of colorful feats of strength beyond the average thug-tossing.

David finds himself in Gaston, Texas, working as first aid ("I'm just a band-aid and aspirin man") for the Gaston Rodeo
Just schlepping around, and with no specific surname alias that I caught. But we do get a specific location beyond "probably somewhere in California."

David wastes no time running away, but he's quickly roped and dragged across the rough terrain and through a lake...while Hulking-out.
-28:54.

Only a few feet away in the background, Jack McGee strolls around, and in the greatest moment of Providence Working for David Banner, he is saved from a face-to-face run-in with McGee by the conversation, and a passing horse, which redirects David from the area.
A good lingering close-call tease.

McGee's description of John Doe--

McGee: "Medium height, medium build...brown hair...brown eyes...."
About time! Is that the first time we've heard him roll that out?

just as Banner transforms into the Hulk
-6:00.

the Hulk protects Jake from being run over by the bull by grabbing its horns
With power like that, he should be...I dunno, wrecking a town or something.

Yes, Marvin & Buford should know David is the Hulk, but they fall into the category of Too Stupid to Trust Their Own Eyes
Hmmm...in the moment when I was watching it, I hadn't considered adding them to that list. Even though they had the Hulk completely lassoed, they seemed to have a little more plausible deniability than many of the others. They didn't have their eyes on him, and when the horses stopped, they assumed they'd caught onto something else.

Sandra Kerns (Maggie)
  • The Greatest American Hero (ABC, 1982) - "It's All Downhill from Here"
Now that's weird...IIRC, this is the second time that one of our Hulk guest stars was also on an episode of TGA that ran the same day on H&I.
 
Hmmm...in the moment when I was watching it, I hadn't considered adding them to that list. Even though they had the Hulk completely lassoed, they seemed to have a little more plausible deniability than many of the others. They didn't have their eyes on him, and when the horses stopped, they assumed they'd caught onto something else.

In the heat of the moment, it might not have registered with them that the lasso was around the Hulk's torso. I think "the heat of the moment" has to be evoked to explain a lot of the evidence people overlook in these instances.
 
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