Tell that to Heir to the Jedi and Aftermath.
Aftermath was pretty good, and extremely important to the post RotJ time period. I haven't read Heir, so that wouldn't fall under the category of "books I've read".
Have you even read any of the modern YA books?
Why would I do that? I don't care to read "movie tie ins" that no one involved with the movies reads or takes into account when writing the movies. I'm also not 14 or angsty, so I don't care to read YA romance novels like Lost Stars.
It's awesome stuff, for the record. Seriously, you're missing out.
You're entitled to your opinion. Personally, I'd rather watch paint dry. It would be more entertaining, and be more relevant to the SW canon then Rey's Survival Guide or the TFA adaptation for (presumably) people too young to go see the movie.
If you're right, then the GA books will be handled in exactly the same way. They're no more important than the YA stuff.
The EU books shouldn't be important to the movies, they should be important to the universe. Who cares what Rey ate for breakfast? Books should tell things like what happened after RotJ, or stories about different events that happened that are completely unrelated to the movies. The old EU was at its best when it wasn't tied into a movie directly. Telling stories with the movie characters but not during a movie, or telling stories with the hundreds of other SW characters. In this respect, the GA books are THE books. They expand the universe, either through connecting together in ongoing stories or by just telling good, mostly unconnected stories. Tieing directly into a movie is mostly pointless and its really all fluff. The books reason to exist isn't to necessarily support the movies, its to tell stories in the SW Universe in general. The real SW novels do that. The YA books talk about Rey's breakfast or tell stories for the Twilight crowd.
Okay, but what evidence do we have that this's the case here? Everything points to them being happy as clams at where they are and with what they're doing.
I'd be happy too if I were getting a paycheck to s%^t out something every week. Getting money for little to no effort is basically a dream situation for most people.
But not the later seasons. Things have changed.
In your opinion.
Tell that to Jurassic World.
The second best JP movie and a pretty decent film overall? I honestly have no idea how that connects to anything. It was an improvement over the other sequels, but it had a new creative team.
Tell that to Agents of S.H.I.E.L.D. and Star Treks: The Next Generation, Deep Space Nine, and Enterprise.
You mean TNG, the show that only got good when one of the people directly responsible for it being garbage died and the other one left? While I don't wish any harm on the Rebels crew members, I already said that them quitting would be the only way to improve the show. DS9 was pretty good from the beginning, and even AoS had potential (and only took 8-9 episodes to get decent). Even Enterprise at its worst is better then Rebels.
I do respect you for this. I'd be interested to hear what you think.
I posted about the episode I saw in the rebels Season 3 thread, but I watched the wrong episode

Having been conversing on this thread, I'm honestly skeptical about that.
I'm just not that kind of person. I'll never hide my opinion, but I'm not going to harass someone about it. Like I said, in a hypothetical situation where he asked my opinion I'd tell him, and I wouldn't soften what I had to say, but I have no desire to go after people online. I went off on Rebels here because this is a forum where you discuss stuff, that's different then finding ways to shout your opinions at specific people.
That is the third season opener. "Hera's Heroes" is the face to face meeting with Thrawn. It is the follow-up of the episode "Homecoming" from the second season. The one that introduced the Quasar Fire-class ship to the current canon.
Like I said in the other thread, I screwed up and watch the wrong episode already. As for the Quasar Fire, I don't really remember anything about the Space Whales episodes besides the space whales. If I even got far enough into that episode to notice the ship, I was in no state to really notice it over how angry I was.
One thing to keep in mind with the whole YA vs adult books is that YA books are hot right now, so the publisher behind SW (is it still Del Rey?) are going to take every opportunity to call a book YA even if it could just as easily be marketed as an adult book. Really when it comes down to YA vs adult, it really isn't a creative thing, it's purely a sales thing. Sure adult books can have explicit sex and violence in them, but not every one does, and at same time some YA books push pretty far into that stuff. Even more than the content, the categorization comes down to which will get them more sales. Allowing marketing BS to prevent you from reading good books is ridiculous.
I've yet to read a Star Wars book or comic with any material over the equivalent of PG-13, which is how it should be. I'd bet those stupid Twilight books/movies had more sexual content then any SW book. Its not really the sex/violence content that makes a book YA, its the style. They're written simpler, have their own stupid cliches, and are directed at (usually angsty) teens. For me, its not marketing BS. There is a distinct difference between Star Wars general audience books and YA books. I didn't even like YA books (outside of Harry Potter if you count that) when I was in the YA age range, and if anything I tolerate YA stuff even less nowadays.
Its fine that they make them, people in the YA age group (even if they should be able to read GA books at that point) can have their own thing. But that's exactly what the YA books are, books written for a very, very specific demographic. That's why its either unimportant fluff, or things like angsty romance stories for people in the age group that like that stuff. YA books are not GA books with a marketing label, they're books designed to appeal strictly to a specific demographic. People outside the age range might like them, and I'm sure Disney always loves extra sales, but in the end the YA books are written to make money off a very specific audience.