The way they blocked out the scene between Alex and The Doctor was a direct callback to the first confrontation between Alex and Astra, and the same thing applies to the scene in Kara's apartment where she argues with Alex about Clark vis a vis the scene in the Pilot where they argue about Kara saving the plane, even though the characters are in different places in the former apartment scene than they are in the latter.
Different places in more ways than one. Pardon the digression, but when looking for info about the show's sets the other day, I found that, in the pilot, they'd shot Kara's apartment scenes in a real LA loft with rental furnishings, but then they had to rebuild the whole thing on the soundstage and make replicas of all the rental furnishings because it was cheaper than renting them for a year or more. You kind of have to wonder why they didn't just build from scratch in the first place, then, but I guess the economics of a pilot -- when you don't know if you'll even be making more than the one episode -- are different from the economics for a whole season.
Sorry, just thought that was interesting. Now back to our program.
I wish they hadn't decided to write Snapper Carr as such an a-hole, but we did get some humor out of Kara's awkward attempt at a snappy insulting retort, so I can live with the situation for now.
Well, it's consistent, given that the height of her trash talk to date has been "Oh, shut up, you mean girl!"
J'onn giving Superman the Kryptonite at the end of the episode is not something I was expecting, but it's a nice resolution to the tension between them and a good 'bridge' to future cooperative endeavors between the DEO and Clark, so I'm glad it happened.
I wonder if that means we won't see Alex use her super-armor again. It's unclear whether it merely emits kryptonite radiation or is actually powered by kryptonite, like Metallo is. If the latter, that would suggest it won't be used again, unless they can rig an alternate power source. Which would be good, because you don't want it to be too easy for Alex to win her fights just by armoring up.
Cat leaving is sad because I'm going to miss having Calista around every week, but I loved the au revoir scenes between her and Kara and her and Supergirl, and am eagerly anticipating what's going to happen the next time we see her on the show.
I'm torn between enjoying the warmer Cat-Kara relationship and missing her old evil-boss persona. I'm not quite used to her pronouncing Kara's name correctly.
James taking Cat's job as CEO is going to be interesting to see because of the potential conflict that could arise in relation to the other 'job' we know he's going to be embarking on within the course of the next 8 episodes, and I'm also intrigued to see if it creates any conflicts between him and Snapper.
Jimmy Olsen vs. Snapper Carr. That sounds like some gimmicky story they would've done in some Silver Age issue, the battle of the teen sidekicks. (Since Snapper was originally the Justice League's teen mascot, and essentially a Jimmy Olsen knockoff to begin with. Ian Gomez's version has got to be one of the most extreme mismatches between the original character and the adaptation's namesake.)
I saw some people complaining online about Clark's stay in National City ending after only two episodes, but my counter-argument is that I'm pretty sure we're operating "in real time" and it's been a week since the events of The Adventures of Supergirl, which extends the timeline of Clark's stay considerably.
It would make sense that it took at least a week to turn Corben into Metallo, if the other guy hadn't been Metallo-ized overnight. Well, it makes sense that you could go faster the second time, once you have some experience with the process.
I'm not really sure what the intent of the final scene with Mon-El waking up and attacking Kara was supposed to have been, but it seemed like a 'cheap' way to end the episode. We'll see how they resolve the situation, though.
This show loves its cliffhanger endings.