Justin Lin's tweet has as much relevance to the merits of CBS's suit as does my recent exploration of the evolution of belly lint.
I'd guess that Lin just looked at an article that popped up on The Hollywood Reporter front page yesterday, scanned an article about what looked like a simple fan film and Tweeted a reaction without any further investigation.
Re: The amended complaint.
I wonder if the Smithsonian has a Deed of Gift on record for the starship Enterprise? Deeds of Gift to the SI typically require the relinquishing of copyright rights.
Re: Lin's tweet
I wouldn't mind seeing Trek this ubiquitous.
Are you sure? From the NASM FAQ:Smithsonian is well aware they don't own the image of the Starship Enterprise. They can't authorize movies or books. They own the physical object NOT the rights to the concept etc.
Emphasis added.What about copyrights?
Copyright refers to ownership of the contents of a document rather than ownership of the physical item itself. Thus, copyright resides with the creator of the document unless he/she has legally transferred it to another person or institution. When you sign the Deed of Gift, you will be transferring any copyrights you hold to the Archives. This transfer of copyright is important in terms of making the documents fully available to researchers.
Will I still have rights?
While you relinquish your rights of ownership and copyright, you have the same right to use the materials that everyone else enjoys.
Nah - this was just a fast and furious reaction to an article that popped up on his radar.Maybe Paramount told him to throw a bone out there for the old fans who obviously live and die on the Abrams films not being "true Trek"?
An opinion from a director isn't something his lawyers can use. They need facts, not non-legal opinions, and they have ZIP on facts.Yikes, Justin don't give anything for Alec's lawyers to use.
If you wanted to know how much money was spent on the recent trip to Arizona, Alec has posted a new blog.
Neil
Critics like to complain about how we spend money. And they can only do that because we are so transparent and post everything about our finances (funny how that works). Of course none of them have actually made a film like this, so what do they know? But lets go over what we spend, so you, our loyal donors, know.
If you wanted to know how much money was spent on the recent trip to Arizona, Alec has posted a new blog.
Neil
Yikes, Justin don't give anything for Alec's lawyers to use.
The tone in that piece is very defensive, condescending and petty.
I'm gonna parse this, just for fun.If you wanted to know how much money was spent on the recent trip to Arizona, Alec has posted a new blog.
Neil
Because that's a fascinating topic?So today I thought I would discuss how much money we spent on the trip to Phoenix to shoot The Four Years War documentary.
Points for calling them critics instead of liars and haters for once.Critics like to complain about how we spend money. And they can only do that because we are so transparent and post everything about our finances (funny how that works).
You've not made a film like this either, and you likely never will.Of course none of them have actually made a film like this, so what do they know?
Are those the 4 unauthorized (IP infringing) novels that weren't licensed?But lets go over what we spend, so you, our loyal donors, know.
So when we decided to make The Four Years War documentary, we needed two people, John Theisen, the original writer of the FASA supplement (who lives in Phoenix), and Stephen Fender, who wrote the Four Years War novels (and lives in Seattle).
So, two people you've conned. Gotcha. Since this little project COULD be sold, do they get a cut if/when you do?Frank Kraljic and Associate Producer Bill Watters, both volunteered their time to be camera men, Bill even flying down from San Francisco on his dime!
Paid with donor funds from Axanar? Why don't you say if so?John graciously offered a two day rental of a time share he has for free. We flew Stephen down ($261) and Rob and I drove in (gas both ways was about $ 100). We paid for our meals, and the meals of the crew during the shoot (figure $ 250). Add a $ 300 camera rental and the shoot cost us about $ 900.
Wait so this was for a special feature on a movie you'll never be able to make? Isn't this continuing production on "The Axanar Works?"And for that, we not only got enough footage for the documentary to be about an hour, but we got additional interviews for the Deluxe Blu-Ray special features. And that is how it is done!
Of a movie without a script, a studio, or a chance in hell of being made.Alec Peters
Executive Producer
You should be banned.Nah - this was just a fast and furious reaction to an article that popped up on his radar.
Alec doesn't know any other way to communicate, beyond hypocritically changing his opinions with the wind if it suits his purpose (see: Justin Lin tweet.)
If anything, it's all been revelatory that the only thing he really cares about is looking good to the sad sacks still supporting him. If he can claim bragging rights that even Lin is on his side, so much the better. I can't speak to what it will do for the case itself, but it seems as far as Alec is concerned, he has no problem right now swiping his innumerable statements about the reboots under the rug so he can do what he does best - sucking up to people more talented than he is.
He's the very definition of man-child with his petty and arbitrary ficklness and temper tantrums, but the hypocrisy just gets worse and worse at each turn.
Hmmm...I wonder about Belly Lint Migration.
But not too much...
Maybe this has been mentioned before, but would a judge need to recuse her/himself if there was a question of degree of Star Trek knowledge and familiarity? By that I mean, if this proceeding is ultimately going to be left up to a judge, would the opinion be tainted if the judge was very familiar with ST, as opposed to not, and be able to recognize more similarities and infringement than a judge who had little familiarity with the franchise?
I don't think it would matter one way or the other. The CBS/P lawyers will make the case for the similarities, and probably explain them and point them out in a way someone unfamiliar with "Star Trek" could see. Someone unfamiliar with "Star Trek" may not even know a "real" D7 from the Axanar one, which would actually work more in CBS/P's favor. If anything, those of us very familiar with "Star Trek" may be more likely to notice any differences. But even then, the point would be the similarities are so many and strong and the differences so few and subtle that if anything, it's akin to plagiarizing by paraphrasing rather than quoting verbatim.Hmmm...I wonder about Belly Lint Migration.
But not too much...
Maybe this has been mentioned before, but would a judge need to recuse her/himself if there was a question of degree of Star Trek knowledge and familiarity? By that I mean, if this proceeding is ultimately going to be left up to a judge, would the opinion be tainted if the judge was very familiar with ST, as opposed to not, and be able to recognize more similarities and infringement than a judge who had little familiarity with the franchise?
Yeah, I've listened to a majority of the Axanar podcasts. Burnett and Peters take every opportunity to trash the new Trek movies, so I find the camp saying how much they're excited for Beyond a bit disingenuous.
We use essential cookies to make this site work, and optional cookies to enhance your experience.