• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Spoilers DC's Legends of Tomorrow - Season 1

Ray is a Nerd.

Kendra must be accessing her past lives to know and care about Picard and Star Trek, unless she is a super nerd to have caught all of Star Trek in reruns or dvd during this incarnation.
 
Generally, I think the whole 'code against killing' thing is great for certain characters, but there's no real reason it should be applied to all superheroes. It has been applied to them all in the past, obviously, because they were characters specifically designed to be sold to little kids, but they're not just for little kids anymore, so if the other aspects of the characters can evolve and be modernized, I have no problem with doing away with the killing ban for those characters in whom it doesn't really make sense.

Regard for life and basic compassion should always make sense. Defining lethal violence as a last resort is every bit as important for adults as it is for children, because adults become police officers and military officers and legislators and executives and are placed in situations where they actually have human lives in their hands. The idea that it's okay for adults to be callous about life and death is contemptible to me. Last year, an off-duty campus cop shot a black motorist dead for no reason just a couple of blocks from where I'm sitting now. The only reason I'm not living in terror right now is that I have the automatic protection of being a white male, but a lot of my neighbors aren't so lucky. That's what happens when you get a society where adults think that deadly force is a casual matter. So don't try to tell me that disliking deadly force only "makes sense" for children.


And I would say the vast majority of the marvel characters currently out there fall into that category: a lifelong weapons manufacturer, former assassin, former spy, former revolutionary, norse god raised in a warrior culture, uncontrollable rage monster, and a combat veteran whose very first act of heroism was volunteering to go to war and kill people.

And yet most of them were portrayed in the comics as preferring nonlethal tactics. Even the Hulk rarely killed by accident. Pointing out how they're portrayed in the movies to defend how they're portrayed in the movies is tautological. I'm talking about the difference from their conventional portrayal in the comics.

And there's a practical, legal reason for superheroes to eschew deadly force -- namely, the fact that they aren't state actors. They aren't cops or soldiers, so they don't have the authority of the state to back them up if they use deadly force. So that opens them up to potential criminal charges or wrongful-death lawsuits. Even if they could prove it was necessary due to self-defense or defense of others, they'd still need to expose their identities and go to court, and it would probably end their careers. So even aside from the basic morality of giving a damn about human life (which should be a given), there's a very logical, functional, pragmatic reason why superheroes shouldn't go around killing people if they can possibly avoid it.


I'm curious, though - why is it ok for Jessice Jones to just be reluctant to kill, even though she did kill in the end, but Superman doesn't get any credit for his reluctance?

Well, I could say that it's because he's Superman, the archetype of all superheroes. He's supposed to be the best and purest of them all, while Jessica Jones was created specifically to be a darker, more flawed character. It makes no sense to treat them as interchangeable.

But the real answer is that it's not about the characters' choices. The characters don't exist. What I'm addressing is the choices made by the people writing about them. In comics, it's usually a given that heroes avoid killing, unless they're darker antihero types like Wolverine. Okay, it's less ubiquitous than it used to be, but there are still enough heroes with no-killing codes that it's not something that anyone would need to explain or justify to the audience. And yet here you are demanding that I justify the basic, fundamental morality of thinking that violence is bad. And that's because American movies have this longstanding habit of embracing violence, having the villains die at the end as a matter of formula. Historically, movie heroes have tended to be cops or soldiers or gritty private eyes or people seeking vengeance for their loved ones or other stories that have fallen into a kill-or-be-killed formula. So when superheroes get adapted to movies, they get forced into that conventional mold rather than being true to themselves. Even movies that pay lip service to superhero codes against killing still tend to have them make "exceptions" at the end, or at least having the villains end up getting themselves killed in one way or another.

And who did Ant-Man kill?

No, my point was that he was the only MCU movie hero who emphatically had a code against killing. He was the exception to the general pro-deadly-force mentality of the movie characters. (And the moment where his teammate went back to get the unconscious guards out of the building was one of my favorite parts of the movie. Superheroes should be rescuers first, not soldiers or warriors. My favorite sequences in superhero stories are the rescues.)


Anyway, coming back to this thread, this team seems more along the lines of the Guardians model than the Daredevil model (villains, warriors, assassins), so I don't see a huge problem with it here, either. Perhaps the Atom or Firestorm should be a little more concerned about that - but then again, their entire mission is based on killing a man, so they know what they signed up for.

And that's something that's bugged me fro the start -- that someone like Ray is so sanguine about working alongside homicidal criminals. If they were all characters more along the lines of Sara or Snart, something like the Suicide Squad, then that would make more sense. But it's weird for a Boy Scout like Ray to be so unconcerned with the moral issues of working alongside a guy (Mick) whose declared reason for joining the team was "I like to kill people."


Every time I read someone's post about Rory in this thread, for a second or two I think they're talking about Arthur Darvill.

That's why I try to call him "Mick" instead.
 
Ray is a Nerd.

Kendra must be accessing her past lives to know and care about Picard and Star Trek, unless she is a super nerd to have caught all of Star Trek in reruns or dvd during this incarnation.
One need not have watched all of Star Trek to know who Kirk and Picard are.
 
Barry will have had lived in the Future, and will have had worked in the future, which is most likely when he invented this AI technology, around about the same time Barry pissed off Eobard into becoming a big bad and starting a time war.
I wonder if we'll ever get a season where Barry lives in the future.
 
Regard for life and basic compassion should always make sense. Defining lethal violence as a last resort is every bit as important for adults as it is for children, because adults become police officers and military officers and legislators and executives and are placed in situations where they actually have human lives in their hands. The idea that it's okay for adults to be callous about life and death is contemptible to me. Last year, an off-duty campus cop shot a black motorist dead for no reason just a couple of blocks from where I'm sitting now. The only reason I'm not living in terror right now is that I have the automatic protection of being a white male, but a lot of my neighbors aren't so lucky. That's what happens when you get a society where adults think that deadly force is a casual matter. So don't try to tell me that disliking deadly force only "makes sense" for children.

Slow down there. No one said callous disregard for life. We're talking about the difference between 'We do not kill ever' and 'We don't kill unless we absolutely have to' (except in regards to anti-heroes, like the Guardians).

The first is an extreme position that makes little sense for the average superhero, especially those characters with, say, active military pasts like Captain America (or half the Avengers). The second is pretty much the default position for most superheroes, and I think that holds up pretty well, including in the movies.

And yet most of them were portrayed in the comics as preferring nonlethal tactics. Even the Hulk rarely killed by accident. Pointing out how they're portrayed in the movies to defend how they're portrayed in the movies is tautological. I'm talking about the difference from their conventional portrayal in the comics.

Most of them are portrayed in the movies as preferring non-lethal tactics, whenever they possibly can.

But the real answer is that it's not about the characters' choices. The characters don't exist. What I'm addressing is the choices made by the people writing about them. In comics, it's usually a given that heroes avoid killing, unless they're darker antihero types like Wolverine. Okay, it's less ubiquitous than it used to be, but there are still enough heroes with no-killing codes that it's not something that anyone would need to explain or justify to the audience. And yet here you are demanding that I justify the basic, fundamental morality of thinking that violence is bad. And that's because American movies have this longstanding habit of embracing violence, having the villains die at the end as a matter of formula. Historically, movie heroes have tended to be cops or soldiers or gritty private eyes or people seeking vengeance for their loved ones or other stories that have fallen into a kill-or-be-killed formula. So when superheroes get adapted to movies, they get forced into that conventional mold rather than being true to themselves. Even movies that pay lip service to superhero codes against killing still tend to have them make "exceptions" at the end, or at least having the villains end up getting themselves killed in one way or another.

I'm not asking you to justify that violence is bad. I'm saying that Superheroes (who have almost always used violence to solve their problems) should not be expected to never ever use lethal force under any circumstances, especially not when it goes directly against the basic facts of the character. Of course it's a last resort, but it is on the table.

If your problem is with the fondness of hollywood for portraying no way out scenarios above scenarios (like Daredevil) where the hero is able to save people without having to cross that line, then I sympathize. There should be room for a little more diversity in that respect. But that doesn't mean that the no way out scenarios are bad portrayals of superheroes. The question of how much is too much, where is the line, what is the right thing to do, is at the very core of what makes superheroes fascinating.

And that's something that's bugged me fro the start -- that someone like Ray is so sanguine about working alongside homicidal criminals. If they were all characters more along the lines of Sara or Snart, something like the Suicide Squad, then that would make more sense. But it's weird for a Boy Scout like Ray to be so unconcerned with the moral issues of working alongside a guy (Mick) whose declared reason for joining the team was "I like to kill people."

True enough. I'm not entirely sure where they're going with them yet, either, and they certainly are a very strange group. But the fact remains that they all signed on with the express purpose of killing a guy and totally screwing up the timeline - in Ray's case mainly because he wanted to be famous. I can't compare him to the source material (or even Arrow, which I don't watch) but he doesn't strike me as that much of a boy scout, at any rate.

Ray is a Nerd.

Kendra must be accessing her past lives to know and care about Picard and Star Trek, unless she is a super nerd to have caught all of Star Trek in reruns or dvd during this incarnation.

Next Gen first aired in 87, and Kendra must've been born sometime in the late 80s/early 90s, so I doubt she could have a past life that was a huge Next Gen fan.
 
One need not have watched all of Star Trek to know who Kirk and Picard are.

But Kendra and Ray both know who Vash is, and that's some pretty hardcore fandom.


Slow down there. No one said callous disregard for life. We're talking about the difference between 'We do not kill ever' and 'We don't kill unless we absolutely have to' (except in regards to anti-heroes, like the Guardians).

The first is an extreme position that makes little sense for the average superhero, especially those characters with, say, active military pasts like Captain America (or half the Avengers). The second is pretty much the default position for most superheroes, and I think that holds up pretty well, including in the movies.

Except it isn't. The MCU movie characters have rarely, if ever, voiced any overt preference for nonviolent solutions. Iron Man swears off selling weapons to bad guys, but an hour later he's casually blowing up his enemies without a qualm. Lethal force is the movie characters' default position. Heck, in Ant-Man, Scott expresses amazement that he took on an Avenger and lived, implying that the Avengers are perceived as killers by default. That's a lot different from "not unless we absolutely have to."



Most of them are portrayed in the movies as preferring non-lethal tactics, whenever they possibly can.

Some of them are, like Nolan Batman, although the filmmakers tend to be rather hypocritical about it so that they can tack on the cliched movie ending of the bad guy dying ("I don't have to save you," etc.) One of the few that really got it right was The Dark Knight, where refusing to kill the Joker was a moral victory, a refusal to sink to his level.


I'm not asking you to justify that violence is bad. I'm saying that Superheroes (who have almost always used violence to solve their problems) should not be expected to never ever use lethal force under any circumstances, especially not when it goes directly against the basic facts of the character. Of course it's a last resort, but it is on the table.

But that's not what we're seeing here, which is my point. None of these characters has even stated a reluctance to kill. Lethal force is treated as the default. That's different from Arrow and The Flash, where the morality of killing has been addressed in actual plot and dialogue. You're saying these shows and movies are all the same in their approach, but they aren't.


If your problem is with the fondness of hollywood for portraying no way out scenarios above scenarios (like Daredevil) where the hero is able to save people without having to cross that line, then I sympathize. There should be room for a little more diversity in that respect. But that doesn't mean that the no way out scenarios are bad portrayals of superheroes. The question of how much is too much, where is the line, what is the right thing to do, is at the very core of what makes superheroes fascinating.

And that's exactly my problem with LoT and a lot of the theatrical MCU -- they aren't even asking that question, just engaging in the superficial practice of treating killing as a meaningless action beat.

Heck, I'll even give Man of Steel credit for at least trying, in its hamfisted way, to treat killing the bad guy as a moral dilemma and a tragic necessity. The fact that Superman mourned after killing the bad guy was the one thing that kept the climax of the film from being completely irredeemable. But most movies don't even bother with that. The hero just makes some clever quip while sending the villain to their doom and then goes on with life as normal.


Next Gen first aired in 87, and Kendra must've been born sometime in the late 80s/early 90s, so I doubt she could have a past life that was a huge Next Gen fan.

The actress was born in 1990.

Of course, TNG would've been readily available to her in syndicated reruns while she was growing up, not to mention home video, not to mention endless online discussions about it.
 
t's true, it was a bit strange that the cold gun ran out of juice so easily when it's never had problems before. (And was perfectly fine again later in the episode)

I don't think we've ever seen it used for continous fire or trying to close off a hull breach of a spaceship - it's usually just been short bursts.

I think Snart is beginning to like it to do good, he just can't quite admit it yet.

Began to wonder about the path they would take with Snart when he wanted to stop his old man from beating up on his sister by changing the timeline.
 
I don't think we've ever seen it used for continous fire or trying to close off a hull breach of a spaceship - it's usually just been short bursts.

As I mentioned, we've seen that it was able to form enough ice to completely encase the Flash. That should be more than sufficient to patch a fist-sized hole.
 
As I mentioned, we've seen that it was able to form enough ice to completely encase the Flash. That should be more than sufficient to patch a fist-sized hole.

It only took a short burst to encase The Flash and b) it would have taken longer to fill in the damage to the Waverider's hull because the initial ice that formed would have been pushed into space by the air pressure until he built up enough to seal the breach.
 
It only took a short burst to encase The Flash and b) it would have taken longer to fill in the damage to the Waverider's hull because the initial ice that formed would have been pushed into space by the air pressure until he built up enough to seal the breach.
Not sure how your logic is working there.

If it only took a short burst to fully enclose a human being, it wouldn't take much of anything to seal a smaller-than-a-basketball sized hole. Especially since it seems to exist as energy until it actually makes contact with something physical. (Or energy, in the case of frozen laser beams, which I'm still trying to figure out.)

It's just another case of Supergirl-chasing-an-ICBM writing, really. There's no rationalizing it, only accepting it for what it is.
 
It only took a short burst to encase The Flash and b) it would have taken longer to fill in the damage to the Waverider's hull because the initial ice that formed would have been pushed into space by the air pressure until he built up enough to seal the breach.

No, not really. Just start on the edges and fill in. If anything, the reduction in pressure would cool the air and make the ice freeze faster. And it wasn't that big a hole. It was tiny compared to the surface area of the Flash's body.

Of course, one thing that this got wrong -- that virtually every screen production except The Martian has consistently gotten wrong -- is that explosive decompression from a hull breach would be, well, explosive. It's called that because it's a single overpowering eruption that's over in a second or two, not a steady strong wind. If we were really applying realism here, the room would've been emptied of air in an instant, so there'd be no more air pressure to worry about.

Although there's also the question of how the freeze gun works. Does it just freeze the moisture that's already present in the air and on the surfaces of objects? In that case, it wouldn't have much moisture to affect in an evacuated room.
 
In 1999 when this board was founded, how many nine year olds signed up?

If she always looks like that no matter who her parents are... Her parents are always going to get divorced, unless they are Hispanic or Laltinio.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top