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Which is the main identity?

I definitely prefer the post-Crisis version in which Clark is more the real person and definitely a presence in his own right - but Superman is also more than just a disguise, instead a sincere alter ego. I like older versions too (especially when they get some comic relief without going too far, Clark was certainly competent though dismissed by Lois in the Fleischer shorts) but I think the modern one is the most interesting.

Interesting question on a similar topic, when you see the words "Clark Kent" written down, which actor's face do you immediately think? And the same question for "Superman"?

For Clark Kent, no actor, just Byrne's and somewhat Jurgens's illustrations. But after that I think I agree on Tom Welling.
For Superman, still Christopher Reeve.
 
Which is the actual identity, Superman/Kal-El or Clark Kent? Does Superman/Kal-El disguises himself as Clark or does Clark disguise himself as Superman/Kal-El? Which is the real person?

For me, Bill's answer to this question is canon:

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I'm not quite as familiar with the character's comic book versions as I am other characters like Batman, or Spider-Man, but my interpretation of the Clark/Superman thing would be that his real identity is a combination of the two. Each identity is a way for him to do things he couldn't with the other, so when he is completely free to be himself he would probably be a meshing of the two.
 
Richard Donner, in his brilliance, cast the role for Clark Kent, not Superman. So I always figured there was something there.
I believe you see his true identity during his youth, when he's non-meek Clark but hides his powers. You see the "real" man again in Superman II, when he takes his glasses off and is revealed to Lois, but isn't wearing his suit, as well as in the first film, when he wants to reveal himself in Lois' apartment. THAT'S the real guy, sans disguises.
 
Well, yes, technically both Superman and "mild-mannered" Clark are disguises and there's a real persona underneath them both. But the question is, which one is closer to the real persona? Pre-Crisis, when Kal-El dropped the disguises and acted like his true self, he acted like Superman. In his free time, when he was by himself, he wore the cape and tights and hung out in the Fortress of Solitude conducting scientific or medical research to help the world or building new crimefighting tools or using his heat vision to carve Kryptonian writing into his giant diary or engaging in his creepy hobby of building statues and trophy rooms to honor all the significant people in his life (including a Clark Kent room so that visitors to the Fortress wouldn't get suspicious about the omission).

Christopher Reeve's version didn't go quite that far, but when he dropped the act, he may have called himself Clark, but he acted like Superman. Indeed, that's why his Superman is so engaging -- because he's so guileless. You sense that what you see is what you get. He's not acting tough and macho -- he doesn't have to. He's just a guy. A nice, neighborly guy who wants to lend a hand and happens to have powers and abilities far beyond those of mortal men.

By contrast, the post-Crisis version, when he's alone and free of artifice, acts more like Clark. He hangs out in his apartment, he wears street clothes, he does normal stuff. The only real difference between private Clark and public Clark is that the latter doesn't openly use superpowers. This is the version Dean Cain played in Lois and Clark. A large part of it is that he has more ties to his life as Clark in this version -- both his parents are still alive and available to hang around with, and since he's less nerdy as Clark, he has closer relationships with his co-workers, particularly Lois.
 
You've no idea

Curt Swan's Superman and Jim Aparo's Batman are the versions I always see in my head.

Richard Donner, in his brilliance, cast the role for Clark Kent, not Superman. So I always figured there was something there.
I believe you see his true identity during his youth, when he's non-meek Clark but hides his powers. You see the "real" man again in Superman II, when he takes his glasses off and is revealed to Lois, but isn't wearing his suit, as well as in the first film, when he wants to reveal himself in Lois' apartment. THAT'S the real guy, sans disguises.

That's the absolute brilliance of Christopher Reeve's acting. He actually understood this conflicted personality triad and was able to play it off nicely on screen.
 
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or using his heat vision to carve Kryptonian writing into his giant diary
I recall him putting his hand on a panel which caused a giant writing implement on a robot arm to write the diary, but they probably changed it from one to the other somewhere along the way.
 
Keep in mind that the guy saying that stuff about Clark Kent being Superman's critique of the Human Race is coming from a Sociopathic Killer, he's not really thinking about it the same way most people would.

Frankly, I'm glad they did away with the Lois/Clark/Superman triangle in the new movies...after a while instead of being funny or romantic it just made Lois a moron and Clark this douchebag who enjoyed playing some twisted mind game with his supposed Love Interest.
 
Frankly, I'm glad they did away with the Lois/Clark/Superman triangle in the new movies...after a while instead of being funny or romantic it just made Lois a moron and Clark this douchebag who enjoyed playing some twisted mind game with his supposed Love Interest.

Well, the professed rationale behind keeping your superhero identity secret from your love interest is to protect them, so that villains won't go after them to hurt the hero or torture them for the hero's secrets. But that rationale falls apart given that most love interests are as closely affiliated with the superhero identity as the civilian identity. Everyone already knows that Lois Lane is close to Superman or that Steve Trevor is in love with Wonder Woman or whatever. So the bad guys would have plenty of reason to think they might know the heroes' identity and torture them anyway. The fact that they don't know the secret doesn't protect them from torture, it just protects the hero from exposure when his loved ones are tortured. It's really entirely selfish.

The only way it could really work is if the hero avoided any interaction in hero form with the people they know in their civilian life. Just stayed as far away from them as possible, both to keep them from being publicly linked to the hero identity and to minimize the chance that they'd recognize the face and voice under the mask. But the conventions of series fiction demand that the hero and the secret identity have the same circle of associates.


By the way, I thought about this conversation when watching the last moments of tonight's Supergirl. When Kara goes home and hangs out with her sister or her friends (who know her secret), she tends to stay in her Supergirl costume, but she acts like Kara. Although it's the real Kara rather than the mousy, shy public persona. Still, it's hard to define where the various facets of her identity begin and end. They're all aspects of one person, a person who seems more comfortable in costume than in street clothes, but who acts like a civilian even while dressed like a superhero.
 
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