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MeTV's SuperSci-Fi Saturday Night

It would have been stretching things somewhat if Batgirl had been bringing along Charlie in a little birdie mask....

That reminds me of Filmation's The Secret Lives of Waldo Kitty, where the Howard Morris-voiced live-action cat Waldo had cartoon dream sequences about being various fictional heroes. In his role as Catman, his sidekick was a bird named Sparrow. (The other heroes were Catzan, Robin Cat, the Lone Kitty, and Captain Hurk of the starship Secondprize.)

But the neat thing about adding Batgirl was that it allowed some new hero pairings. We saw Batgirl and Robin team up in "The Wail of the Siren," and I'm sure there are some Batman-Batgirl teamups when Robin wasn't available. And in the horse race here, Batgirl (well, her male riding double) was the only one of the three who was in mask and cape at the time.
 
Regarding Alfred's role, Batgirl had to have some sort of confidante to bounce things off of for the audience's benefit...I wouldn't read so much into it. Her only other option as written was to talk to her bird a lot more.

She had no official recognition from Commissioner Gordon or Chief O'Hara (because she was not a deputized officer of the law--and by making Barbara the Commissioner's daughter, the producers were self-handcuffing themselves from that ever happening). As a result, Alfred having any connection of Batgirl screamed as way to (as noted earlier) give the "seal of approval" because to viewers, the set up said it all: she was not experienced in criminology or fighting, so why would fans even accept her, unless this stretch of a character had "insider" support she would never have on her own.
 
I think she earned her seal of approval by being competitive with the boys, and impressing them in the process.
 
i haven't had a chance to watch much of the Ironsides binge, but i did catch an episode with Tina Louise. almost didn't recognize her without the Ginger hair and flashy gown.
 
The Trek guest star spottings have been impressive here...a De Kelley, a Walter Koenig, and two Shats, amongst others...not counting regular co-star Barbara Anderson.

Shat even got to push the wheelchair.
 
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I think she earned her seal of approval by being competitive with the boys, and impressing them in the process.

I'm referring to the audience needing a seal of approval, and after two seasons and a movie featuring Batman and Robin using more than the Batcomputer to solve crimes (meaning their minds) and being able to go toe to toe with villains, Batgirl was never up to that standard at any point in that season.

The Trek guest star spottings have been impressive here...a De Kelley, a Walter Koenig, and two Shats, amongst others...not counting regular co-star Barbara Anderson.

Shat even got to push the wheelchair.

Don't forget Gene Lyons (Ambassador Fox in "A Taste of Armageddon") in the recurring role as police commissioner Randall.
 
I'm referring to the audience needing a seal of approval
Which she earned with her own abilities and resourcefulness, IMO.

Don't forget Gene Lyons (Ambassador Fox in "A Taste of Armageddon") in the recurring role as police commissioner Randall.
I caught sight of him a couple times and figured he must be a recurring character, but wasn't watching closely enough.
 
Another Saturday without Me...the Crisis Continues....

To revisit my DECADES tangent from last week, the Christmas weekend binge will be...

...are you ready for this...?

That Girl

...which has now officially gone from "Why doesn't Me put this on at a time when I can see it?" to "Oh my god, enough already, play something else!"

One of my guesses was half-right, though...on Christmas Day, they'll be playing a recurring block of Twilight Zone episodes, including but not limited to a couple of Christmas-themed ones.
 
Batman--

"Louie the Lilac." This only earns a nod thanks to Milton Berle's long association with Batman, dating back to the start of season two.

In ABC's fall 1966 promo "7 Nights to Remember," this Batman-centric piece (obviously, as it was the TV sensation of 1966) chronicled the Dynamic Duo responding to Gordon telling them that someone has stolen ABC's new fall shows (among them, The Green Hornet, The Time Tunnel & That Girl).

Arriving at Gordon's office, the duo screen previews of ABC's news shows, make a reference to their own show returning, but discover Berle hiding behind Gordon's desk. The punch line was that Berle had his own variety show beginning that fall. The ABC fall preview can be seen here--

https://www.youtube.com/watch?v=kHapib9rV4E

Never shy on cross promotion, ABC & Dozier had Adam West, Van Williams and Bruce Lee (all in costume) appear on The Milton Berle show--

https://www.youtube.com/watch?v=VzDckvipbrc

If that was not enough, West (again in costume) appeared on ABC's Hollywood Palace (interesting to see him on video, instead of the 35mm used for the series 7 movie) where he would have yet another round with Berle--

https://www.youtube.com/watch?v=lpLgE3At5_s

Next, during Batman's second season, Berle (along with Julie Newmar as Catwoman) made a cameo appearance in the second part of the Ma Parker story simply called, "Ma Parker." In the episode, he portrayed a random prison yard criminal named "Lefty" who is talked into serving the rest of his impossibly long sentence (to Lefty's enjoyment).

Sooo, after audiences were hit over the head with Batman/Berle cross promotion stunts, the comedian finally took on the role of an official Batman villain in the fall of 1967. Berle had an opening in his schedule, since his heavily promoted variety series was cancelled after one season.

In "Louie the Lilac," Berle's surly gangster had zero appeal as a villain. Moreover, his plot--trying to take over the (limp stereotype) of "flower children," was about as pointless as you will see in season three--and that's saying something.

Moreover, as presented, the "flower children" (like beatniks, mop-top Beatles knock offs, et al) were typically misrepresented on several 1960s TV series run by people generally born between the turn of the century and the Great Depression. In other words, many stereotypes, and/or humor at the expense of the various faces of the disrespected, post war youth culture.

Next, is one of the key reasons Batman comic fans from the 60s made blanket judgements about the TV series, which inspired derision to this day: "Surfs Up! Joker's Under!"

Features:


  • The duo turned into human surfboards (you would need an army of Jedi hand waving to be convinced to buy the ridiculous "science" behind this).
  • Joker trying to become surfing champion of the world through--get this--a Surfing Experience & Ability Transferometer & Vigor Reserver???
  • Gordon and O'Hara dressed as surf bums. Embarrassing beyond belief.
There's a fine line between occasional dips into light satire (season 1) and outright absurdity. This episode crashed through that line at warp 9.
 
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I've managed to DVR a couple of Avengers episodes from Cozi to watch at my Mother's house. Unfortunately, they're currently showing Tara King episodes-- not that I don't like Tara, but I'd rather see some Emma Peel, since I haven't seen them in a while.

Another Saturday without Me...the Crisis Continues....

To revisit my DECADES tangent from last week, the Christmas weekend binge will be...

...are you ready for this...?

That Girl

...which has now officially gone from "Why doesn't Me put this on at a time when I can see it?" to "Oh my god, enough already, play something else!"
Be careful what you wish for. :rommie:

One of my guesses was half-right, though...on Christmas Day, they'll be playing a recurring block of Twilight Zone episodes, including but not limited to a couple of Christmas-themed ones.
Cool. It might be the only watchable channel that day.
 
Batman: I already covered the dreadful "Louie the Lilac" when they showed it a few months ago, so I'll skip to:

"Surf's Up! Joker's Under!" Oh, brother. I suppose there's a case to be made that this is a fun parody of '60s beach movies, but I'm not a fan of '60s beach movies, so I've always found it clumsy, pandering, and stupid. How in the heck does the Joker think that being King of the Surf will in any way translate to the conquest of Gotham City and the world? He's gone from being a devious mastermind to just plain loony. And he has a machine that can steal people's knowledge and vigor, and all he can think to do with it is learn to surf? Why not use that machine on Batman while he has him captive? And Gordon and O'Hara's random decision to go undercover as beach bums is more pathetic than amusing.

The low budget is also quite blatant here. Looking at the bargain-basement "turned into surfboards" cliffhanger in the middle, I realize that part of the reason they largely dropped the deathtraps is probably because they just couldn't afford to build them anymore. They could barely afford walls on their sets. The climax is also hampered by the need to have all the action described by the spectators, although it is kind of funny that both Batman and the Joker go out surfing in their full costumes, plus swim trunks.

The main thing that makes this episode worthwhile is that amazing bathing suit Yvonne Craig wears in most of her scenes. It was pretty daring for '60s TV. The Joker's henchwoman Undine looks pretty fantastic in her bikini too.


Wonder Woman: "Spaced Out": Oh, look, it's Rene Auberjonois as a thief. Kind of a clumsy plan to smuggle the jewels out -- the kind that's likely to lead to a comedy of errors. And what a coincidence that Auberjonois just happened to send the stolen crystals to the guy Diana knows.

Hold on... Paragon Studios is bringing back its Space Quest series? In 1979? That has a familiar ring to it. Auberjonois's casting was kind of prophetic. (Although they later said that it had already had movies and was returning to TV, so it's about eight years ahead of Star Trek.)

Okay, so Wonder Woman apparently has the power to fall faster than a vase. How the heck does that work?

Oh, a Logan's Run mention. It's not all fake shows after all. I guess they were able to do that because both shows were on CBS. (And had been contemporaries, although the LR series ended nearly a year before this episode aired.) Later on we see some Star Wars costumes, but only in stock footage from an actual con, as you can tell from the scratches on the film. And one of the masquerade costumes is the Metaluna mutant from This Island Earth -- I wonder if it's the actual costume pulled out of storage. If so, it's deteriorated enough to look like a cheap fan replica.

Hold on... is the musical score using the Blaster Beam? If so, that's another Trek connection.

Man, that "Black Avenger" mask is hideous. This is supposed to be a successful show?

Oh my god... wait, wait, what is this? Robby the Robot is... just a guy in a suit? Nooo!!!! All my cherished illusions, crashing down around me!!! Why, why, whyyyyy???

At first, it looked like this was going to be mocking SF fandom. Diana seemed to have a rather contemptuous attitude at the beginning, and Sylvester was way too stereotypically nerdy. (Which is a shame. His "C6 Society" dedicated to space colonization is clearly a riff on the L5 Society, which deserved to be treated with more respect.) But that aside, it turned out to be a fairly decent portrayal of the convention experience, at least for the era, and it had a fun, if predictable, climax. (The whole thing about the climactic chase disrupting, and being seen as part of, the costume contest was also done in The Guild and probably quite a few other shows.)
 
Batman and Joker surfing is a classic moment.

[yt]https://www.youtube.com/watch?v=AlusgU-MUZ4[/yt]
 
I'm afraid I think it's just too silly. I mean, Batman and the Penguin competing for a mayoral race is terrific comedy and satire, but when you've sunk to the level of a surfing competition, that's just not trying very hard anymore. What's next, a dance marathon?

I like the show better when there's a sense of real stakes to it, however absurd the situation. Something where Batman and Robin are in danger of their lives, where Gotham in in danger of the collapse of law and order or the destruction of the financial system, things like that. The great thing about this show is that it worked as serious adventure for kids and satire for adults. If it's just an out-and-out spoof, then it's lost something.
 
Eh, I just think it's good, campy fun...and I've taken to this sort of thing more as the perception of Batman in popular culture swung to the opposite extreme and got Way Too Serious.

And good continuity with the shark repellent.
 
Wonder Woman: "Spaced Out": Oh, look, it's Rene Auberjonois as a thief.

Hold on... is the musical score using the Blaster Beam? If so, that's another Trek connection.

At first, it looked like this was going to be mocking SF fandom. Diana seemed to have a rather contemptuous attitude at the beginning, and Sylvester was way too stereotypically nerdy. (Which is a shame. His "C6 Society" dedicated to space colonization is clearly a riff on the L5 Society, which deserved to be treated with more respect.)

That had me steamed for all of a minute--but I stil thought it was one of the nicer episodes.

What I remembered for years afterward was the girl that had the space bazooka type thing. That was a real toy available in the late 70's early 1980s--before the modern day bionic ear but after Steve Soltesz sold his toy listening device called The Big Ear
 
Batman--

"The Ogg and I" & "How To Hatch a Dinosaur"

The great movie actress Anne Baxter created a clever, sympathetic villain in the strong, early 1st entry, "Zelda the Great" / "A Death Worse Than Fate," but for her return, she was dumped into the low end of her career in this 3rd season mess. If that was not bad enough, Baxter delivered an accent almost as bad as Boris Badenov from Rocky and His Friends / The Bullwinkle Show.

Vincent Price's Egghead--like Romero's Joker--was reduced to a whining man-child in season 3, robbing the villain of his intelligent, sinister character developed in his 2nd season debut.

There's not many times in TV history where a series took such an incredibly drastic quality and care dive in its final year, that it barely resembles the early episodes. For Batman, this Egghead / Olga two-part story represents that dive in a season already on the "barely tolerable" list.

Onion eggs.

Okay...


Watch for the so-named "Neosaurus"--the astoundingly cheap costume was recycled from an episode of Lost in Space titled "The Questing Beast."

If not for the series title and a couple of familiar costumes, one would think this was a bad parody of the series which exploded on the scene on the night of January 12, 1966, and enjoyed a largely strong 1st season.

At the time, some probably thought the Alan Hale, jr. cameo as the purposely misnamed "Gilligan" sort of a late nod, since his most famous work ended its three-year run (on CBS) in April of that year.

Still, late 60s nods to other network's TV series were not all so uncommon. CBS' Gilligan's Island made use of the Batman onomatopoeia during a fight scene in its vampire episode, "Up At Bat." Across its run, NBC's The Monkees featured numerous Batman spoken or visual references--most notably, the "Frogman and Tadpole" segment satire within a satire episode, "Captain Crocodile." In the last episode to be produced, "The Monkees Blow Their Minds," fans were treated to a cameo from Burgess Meredith as a squawking, Penguin-like character, sans the nose appliance.

On that note, "The Monkees Blow Their Minds" aired on March 11, 1968--just a few days before Batman's series finale, "Minerva, Mayhem and Millionaires" aired on March 14, 1968.
 
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TREK_GOD_1, do you get these shows earlier in the evening than I do? You posted your review at 7:01 my time, but the show just started at 7:00.

Anyway...

Batman: "The Ogg and I"/"How to Hatch a Dinosaur": What the heck does "Ogg" mean, come to think of it? It's used in both of Egghead and Olga's storylines this season. Is that some '60s in-joke I'm not getting, or a prototype of one of those relationship portmanteaus, Olga + Egghead = Ogg?

And whose idea was it to put Egghead, an egg-themed supergenius, together with a Cossack insurrectionist queen? It's a bizarre pairing, and one that comes largely at Egghead's expense as he's reduced to a second banana to the not-very-interesting Olga. If they wanted to give Egghead a love interest, why not at least create someone thematically appropriate? Like, ohh, Frances, Queen of Bacon? Or Melba Toast?

Here's something I never noticed before -- Cossacks are a Slavic people from Russia and Ukraine. Bessarovia is clearly meant to be culturally and linguistically Russian. Samovars are a Russian invention. So how the hell does Genghis Khan, a Mongol warlord, figure into any of this? Okay, Cossacks and Mongols were both horse nomads, but that's the only connection. Why not the Brass Samovar of Ivan the Terrible, say?

Really lame climax to part one. Weirdly casual implications of cannibalism, and Batman was oddly helpless in the face of Olga's come-ons. Weak ending, too, with the tear-gas gag.

Part 2 at least focuses more on Egghead, but Olga still gets in the way. And the ending is weird. I'm not sure whether it's funny or just stupid that Batman somehow manages to get inside an unbroken eggshell without explanation. I think it's just a little too cartoony and random. The best part is Alfred playing phone tag with Batman and Barbara.

When Batman said the Batcomputer was too radiosensitive to function well when radium was being transported in the city 14 miles away, I had to wonder how it coped with the big honking atomic reactor just 14 or so yards away in the back of the Batcave.


Wonder Woman: "The Starships Are Coming": Hey, it's Mario Machado from RoboCop as the news guy! And Sheryl Lee Ralph as Steve's secretary.

It's weird to see this episode treating aliens as an unproven phenomenon when we've had at least two previous storylines featuring aliens coming to Earth with the full knowledge of the US government. There shouldn't even be a Project Blue Book in this universe; they know aliens are real. But the show has forgotten that. And ironically, the colonel who spent years futilely searching for aliens is played by Tim O'Connor, who played the series' first alien, Andros, in season 1 (and the father of the younger Andros from season 2).

And really, I can't believe how gullible that colonel was. Just because he wants to find real aliens, he lets himself be convinced that he has to nuke China? Could it have been more obvious that it was a hoax? Shouldn't he at least have demanded some sort of proof?

I don't think we've ever seen Diana interrupted mid-spin before. It's odd, because normally the POW! begins during or after the first spin, but here she'd been spinning longer than that without the change kicking in.

Well, at least Andrew Duggan gives a pretty good performance when he's explaining his plan to Diana. Probably the high point of a pretty lame episode.

Ooh, having your superheroine lead be dependent on some loser guy to save her from a deathtrap is an embarrassment. And the climax was sloppily put together. One: We see Wonder Woman tip over a car, then we see a close-up of her speaking to the bad guys -- and then we see her walk out from behind the tilted car, which is about as tall as she is, so she had no line of sight to the bad guys in the previous shot!! Two: Steele said that static and interference would be added to the taped news report to make it look live, but the broadcast itself was shown as crystal-clear. Three: The transmission site where Wondy caught Steele was some distance from the makeshift studio where the fake news report was filmed, yet Wondy appeared in her live broadcast in front of what appeared to be the same fake woods as the reporter.
 
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Oh, and a Trek guest sighting: Jon Lormer as Professor Dactyl. "For the egg is hollow and I have touched the shell!"

By the way, I got a couple of more collections of the recent Batman '66 DC comic from the library -- Volume 3 of the ongoing and the Batman/Green Hornet crossover by Kevin Smith. I've only read the former so far. I find the format of the comic reminds me of the third season, because it tends to tell shorter stories that aren't as bound by the formula of the first two seasons. Although it doesn't have the stupid teasers at the end, and the danger level is higher rather than reduced to glue traps and tear gas. (There's a Black Widow/Penguin story where we see actual skeletons of people who got caught in the Widow's giant spiderweb.) And it has an unlimited budget and thus has bigger action and wider scope, as opposed to the limited, stagey sets of season 3.

The stories in Vol. 3 include the first meeting of Batgirl and the Newmar Catwoman, after a previous Batgirl story with the Eartha Kitt Catwoman (with no explanation for why there are two different ones). At least, this Catwoman looked like Newmar, though she seemed to be written more like Lee Meriwether's Catwoman, with lots of random caterwauls in her dialogue. There's also a story where Bruce and Dick are locked out of the Batcave when the bust of Shakespeare is stolen, so they have to resort to using their old prototype costumes, which are basically a riff on the crude costumes from the '40s Batman serials, as well as a '40s-comics-style Batmobile. Which is cute, but it doesn't make sense, since they could've just used Alfred's service elevator to get to the cave.

And there's a story about a gritty and violent TV show being made about Batman by "LesiDu Studios," with the real, clean-cut Batman not appreciating how it undermines his reputation. And a Bat-Robot story that has a very Batman: The Brave and the Bold feel, and an Egghead story that feels like one of the more sci-fi-oriented tales from the '50s Batman comics, with a touch of The Outer Limits thrown in. So some of the stories get a little far afield from the show's usual approach while still being set in its milieu. Also, some of the more obscure villains they use are completely redesigned and bear no resemblance to their original actors, e.g. Chandell, Minstrel, and a somewhat de-aged Black Widow. Honestly, the story that feels the most authentic to the show is the one about Marsha, Queen of Diamonds and Aunt Hilda. I never would've expected a story about those two to be so satisfying.
 
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