I've never had a problem with the so-called "boring political talk" in Star Wars. One of my favorite scenes in the 1977 film is the first scene aboard the Death Star.
I have no problem with the presence of politics in SW. I thought it was cool seeing the Senate, and I thought the sequence in RotS with Palpatine throwing the Senators' pods at Yoda during their fight was a nice visualization of the way he was tearing down democracy in the Republic.
My problem with the politics in the SW PT wasn't that they were there. It's that they were implausibly stupid. Non-Senators have a right to call a vote of no confidence? No formal political parties? High-ranking Senators can be all of 24 years old and rely on 19-year-old Padawans for protection? The media is virtually non-existant? 14-year-olds can be elected Queen of an entire planet? Nobody bothered to check and see who paid for the clone army? Nobody thought there was anything convenient about the clone arm showing up just when the Senate passed a bill raising the army?
C'mon. The Republic was not well-organized.
You make some very good points. Also, was Jar Jar elected a representative for Naboo or did Padme just make him her replacement? And how does that work? Heck, even the Clone Wars cartoon got into the bad management. Something like the Republic paying their member planets power bills.
It bothered me too that Padme would be opposed to the Military Creation Act. I mean outside of her having an anti-war/pro-peace kind of bent, it doesn't make sense to me. If there had been a Republic army in Episode 1 then the Trade Federation blockade likely wouldn't have happened and Valorum could've sent soldiers and not two Jedi. To me it made more sense for Padme to be a proponent of the Act. That would also make Dooku wanting to assassinate her be for more political reasons than fulfilling a personal grudge from the Trade Federation. And it would've been nice to see Padme in Episode 3, realize the horror of her mistake, of how she had played a part in the death of the Republic, even if for an ostensibly noble reason.
As we learned in ATOC there hadn't been a war since the foundation of the Republic, they'd relied on the Jedi to keep the peace. Ob-Wan told Luke the Jedi were the guardians of peace and justice in the old Republic. I'm srue that in most people's eyes there's no need for an army if there's no war. Palpatine created a war and the need for an army.
I've never had a problem with the so-called "boring political talk" in Star Wars. One of my favorite scenes in the 1977 film is the first scene aboard the Death Star.
Agreed--that great, necessary scene gave the conflict a face and motivation--much like most of Tarkin's scenes. It was not just some dull guy trying to act brutal (Anakin) or a wicked wizard cackling and shooting lighting bolts for two hours. Since that time, you have a certain faction within Star Wars fandom that thinks its boring if not all about "badass" Sith / waving glow sticks, space battles that cannot possibly be exciting after seeing the same 30,000 times before, and anything associated with Boba Fett, or the (thankfully jettisoned) EU.
That genuinely turned Star Wars into the cartoon critics have always accused it of being--only now, they are right.
I like watching shows that make me forget somewhat what genre they represent.
I loved the Battlestar Galactica remake because it didn't always come across as a science fiction show. Sometimes it came across as a good drama or action show.
I loved the Dark Knight trilogy because it didn't always seem like an over the top, gee-whiz comic book hero movie. Sometimes it felt more like 24 than a typical Batman movie.
George seems to be at his best when he's collaborating and it's damned had to collaborate when you're surrounded by yes-men, which is what seemed to happen if you look at some of the behind the scenes footage.
George seems to be at his best when he's collaborating and it's damned had to collaborate when you're surrounded by yes-men, which is what seemed to happen if you look at some of the behind the scenes footage.
That was painfully clear; many times during production clips, whether it was during an editing session, storyboard session, and especially anything involving the approval of FX or creature design, the expressions on the key personnel faces around him practically screamed, "heh-heh, we agree with everything you say!! Aren't we just like you? heh-heh...everything is great!"
That kind of kiss ass mentality contributed much to the prequels being so awful.
Apart from the issues Sci mentioned, I just can't wrap my head around the notion of a single-government known galaxy in the first place, unless it's tyrannical by default. So some planets or systems want to opt out of the Republic... why is that a problem? Opting out of a federal government is one thing, and waging war against said government is another thing entirely.
I have no problem with the presence of politics in SW. I thought it was cool seeing the Senate, and I thought the sequence in RotS with Palpatine throwing the Senators' pods at Yoda during their fight was a nice visualization of the way he was tearing down democracy in the Republic.
My problem with the politics in the SW PT wasn't that they were there. It's that they were implausibly stupid. Non-Senators have a right to call a vote of no confidence? No formal political parties? High-ranking Senators can be all of 24 years old and rely on 19-year-old Padawans for protection? The media is virtually non-existant? 14-year-olds can be elected Queen of an entire planet? Nobody bothered to check and see who paid for the clone army? Nobody thought there was anything convenient about the clone arm showing up just when the Senate passed a bill raising the army?
C'mon. The Republic was not well-organized.
George seems to be at his best when he's collaborating and it's damned had to collaborate when you're surrounded by yes-men, which is what seemed to happen if you look at some of the behind the scenes footage.
That was painfully clear; many times during production clips, whether it was during an editing session, storyboard session, and especially anything involving the approval of FX or creature design, the expressions on the key personnel faces around him practically screamed, "heh-heh, we agree with everything you say!! Aren't we just like you? heh-heh...everything is great!"
That kind of kiss ass mentality contributed much to the prequels being so awful.
Can you name a single director who had an underling tell them no and they actually listened to them?
Apart from the issues Sci mentioned, I just can't wrap my head around the notion of a single-government known galaxy in the first place, unless it's tyrannical by default. So some planets or systems want to opt out of the Republic... why is that a problem? Opting out of a federal government is one thing, and waging war against said government is another thing entirely.
Well, it's my understanding that the Galactic Republic did not literally have jurisdiction over the entire Galaxy Far Far Away. Just most of it -- just like the United States of America does not literally contain all of North America, for instance.
As for secession -- one of the things the films strongly imply (and which the novels make more explicit) is that the Separatists are not really representing public opinion; the Separatist movement is dominated by large corporations that are seeking a weaker interstellar regime that won't be able to regulate them and which will therefore create a more profitable interstellar climate. And, of course, those same corporations -- the Trade Federation most explicitly -- are themselves puppets of Darth Sidious. So essentially Palpatine was running both sides of the civil war for his own personal power and profit; had the conflict arisen naturally, it's hard to know what the balance of power would have been.
That was painfully clear; many times during production clips, whether it was during an editing session, storyboard session, and especially anything involving the approval of FX or creature design, the expressions on the key personnel faces around him practically screamed, "heh-heh, we agree with everything you say!! Aren't we just like you? heh-heh...everything is great!"
That kind of kiss ass mentality contributed much to the prequels being so awful.
Can you name a single director who had an underling tell them no and they actually listened to them?
Gary Kurtz was that man in Lucas Land. However, by the time of the Special Editions and Prequels, Kurtz was long gone, and you were never going to find a person of such integrity at LFL--only the grinning fanboys Lucas surround himself with from the 1990s - forward--the yes-men Reverend referred to.
Britain had a Queen who was only 6 days old.14-year-olds can be elected Queen of an entire planet?
Can you name a single director who had an underling tell them no and they actually listened to them?
Gary Kurtz was that man in Lucas Land. However, by the time of the Special Editions and Prequels, Kurtz was long gone, and you were never going to find a person of such integrity at LFL--only the grinning fanboys Lucas surround himself with from the 1990s - forward--the yes-men Reverend referred to.
When did Kurtz ever tell Lucas no? Somehow I think people confuse Lucas with Steve Jobs
The team of Lucas and Kurtz would not hold together during their own journey through the jungles of collaborative filmmaking. Kurtz chooses his words carefully on the topic of their split.
After the release of “Empire” (which was shaped by material left over from that first Lucas treatment), talk turned to a third film and after a decade and a half the partners could no longer find a middle ground. “We had an outline and George changed everything in it,” Kurtz said. “Instead of bittersweet and poignant he wanted a euphoric ending with everybody happy. The original idea was that they would recover [the kidnapped] Han Solo in the early part of the story and that he would then die in the middle part of the film in a raid on an Imperial base. George then decided he didn’t want any of the principals killed. By that time there were really big toy sales and that was a reason.” The discussed ending of the film that Kurtz favored presented the rebel forces in tatters, Leia grappling with her new duties as queen and Luke walking off alone “like Clint Eastwood in the spaghetti westerns,” as Kurtz put it.
Kurtz said that ending would have been a more emotionally nuanced finale to an epic adventure than the forest celebration of the Ewoks that essentially ended the trilogy with a teddy bear luau.
He was especially disdainful of the Lucas idea of a second Death Star, which he felt would be too derivative of the 1977 film. “So we agreed that I should probably leave.”
^
Good point about wisdom not necessarily being tied to age, however I have to disagree with some of your points. The British monarchy is hereditary. And it's likely that any young monarch has adults who advise him/her or serve as regent until they are of an age that is considered appropriate for them to rule. Naboo's monarch was an elected position. So was Padme the most qualified in a planet of likely millions of humans (not counting the Gungans)?
From what we did see Padme is compassionate, dedicated, willing to fight and die for her people, she's noble and is committed to democracy, all good things. I'm not sure she was the best, but for story's sake she's the best the Naboo got.
Arguably Padme being young and perhaps more rash got more Naboo citizens killed during the Trade Federation's repression. If she had signed the treaty the Trade Federation might not have killed Naboo citizens in an effort to get her to knuckle under. I mean her plan to return to the planet on a flimsy hope to ally with the Gungans to somehow defeat the Trade Federation wasn't the wisest move and it almost ended in disaster. Even the Jedi didn't send a lot of backup to support her.
Britain had a Queen who was only 6 days old.14-year-olds can be elected Queen of an entire planet?
I agree with DarKush: Inherited versus elected. No one expects a person 6 days old to directly rule. But you do expect an elected person to rule. But arguing the fiction is a little besides the point for me. I tend to think in terms of the reality - that being George Lucas who is creating the fiction of a young queen, ostensibly because he sees wisdom in youth or maybe it's just marketing demographics. But with his his predilection for stuffed animal characters and advancing youth in his stories ahead of their maturity on our terms, reading this now, I wonder if it's a little like an absurd fantasy of putting prepubescent girls in beauty contests...The British monarchy is hereditary. ... Naboo's monarch was an elected position. So was Padme the most qualified in a planet of likely millions of humans (not counting the Gungans)?
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