My only point is that Trek has done it before.
That was not the argument that dude was making, so it's irrelevant as a rebuttal. That statement doesn't belong in that particular debate. I don't care to weigh in on the topic. But I recognize that most of the people in this debate are not debating the same thing, so I thought I'd point it out so you all don't get dizzy.
It's like me saying the "the sky is blue", and then you saying "but dirt is brown".
I may be mistaken, but my initial impression of the argument was that Abrams Trek was the most egregious violation of titillation for titilation's sake in Trek.
If I'm error, I apologize for bringing up an irrelevant argument. However, my reading of Trek's history is an idea of less clothing on the females, especially as emphasized by Theiss.
Beyond that, I think GR envisioned a more open sexual atmosphere in TOS than was initially realized. There are subtle hints at it within "The Cage" and other episodes, as well as TMP's famous "Oath of Celibacy" with Ilia. As an aside, that scene confused me for years.
But, back to the point, Trek never seemed shy about women in less clothing, regardless of if it made sense to the story.
Back to the original topic, one aspect of sci-fi's current trend is "darker and grittier." That, to me, is a delicate line to walk, because Trek was always about optimism about humanity and the ability for human to overcome challenges and move past some of the more petty issues that were a part of the culture at the time (racism, nuclear war, among others).
Optimism needs to be at the core of any new Star Trek series. I've seen lots of interesting pitches, and would love to see them developed. Just not 100% certain they would fit in Trek.
It's rather disappointing this thread got side tracked for half it's length by discussion of titillation. I was rather enjoying the hypotheticals of what Trek is...
...Unless Trek is really just an elaborate way to get women half naked and I never knew. Someone should have clued me in.
Two words: Gene Roddenberry.
Three words: William Ware Theiss
