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MeTV's SuperSci-Fi Saturday Night

"The Minstrel's Shakedown/Barbecued Batman?": Ironic that an episode featuring a singing, rhyming villain is the first 2-parter in the series whose titles don't rhyme. (There are four more of those coming up this season, and the rhyming titles are abandoned altogether in the third season.) I wonder why part 2 wasn't something like "Batman's Takedown" or "The Minstrel's Breakdown."

Anyway, the Minstrel's medieval gimmick is a bit weak, and repetitive coming just two weeks after the Archer; it's like they were creating villains that would let them raid Fox's historical-costume warehouse. (Indeed, King Tut returns next week.) But other than that, he's a really effective villain, with his electronic tricks and his rather ruthless blackmail scheme. This is a surprisingly modern story, with a high-tech terrorist manipulating the stock-exchange computers and broadcasting demands on live television, and with Batman using a UAV drone to trace the signal. (Although the Green Hornet also had a VTOL camera drone in his arsenal.) It's also one of the less farcical, more seriously played episodes they've done -- albeit with some gags, like Phyllis Diller showing up as the janitor.

This was a good episode for the supporting cast, too. Alfred had a lot to do (I think they've really beefed up his role this season), and we saw a lot of Gordon and O'Hara. The bit where O'Hara started asking suspicious questions about Batman's true nature and Gordon chewed him out for it was surprising. For a moment there, O'Hara was channeling his fellow Irish-stereotype character, Hornet's Mike Axford, in accusing the masked crimefighter of being up to no good. Imagine if we'd seen this side of him more often -- it makes him a more interesting character. Unfortunately, O'Hara didn't get to do much in the final fight except get knocked out at the start and just lie there until it was over. (Would've been cool to see Commissioner Gordon get his licks in too.)

The Minstrel was exposed and defeated a bit easily, though -- kind of an anticlimax. Still, that's two strong stories in a row. I remember thinking the second season wasn't as good as the first, but so far it's holding up fine.

Interesting that Batman referenced the Clock King among his past foes, since we won't be seeing that episode for three more weeks. Maybe these were aired out of production order, which was quite common in '60s TV. Then again, Catwoman was mentioned long before her first appearance, and Clock King was a pre-established comics character.

By the way, I always thought the Minstrel's song was original to the show, and it was only comparatively recently (in the past decade or so, anyway) that I discovered it was an old standard, "The Wandering Minstrel." Even though Robin actually names the song in the first episode. I guess I figured it was only a known song within the show, like the Batusi.


Wonder Woman: “The Man Who Could Move the World”: Another wartime-legacy episode. A good try to acknowledge America’s mistreatment of Japanese-Americans during the war, but undermined by its very stereotypical portrayal of Ishida and the fact that he was completely wrong about the imagined injustice he sought to avenge. Not to mention Diana blowing off the whole atrocity with “That’s why pencils have erasers.”

It was also a bit of a gyp to have WW saved by the mind-enhancing machine overloading, rather than letting Steve actually make a difference for once. But I suppose the idea was that it was her superhuman resistance that caused the overload. If so, it wasn’t conveyed well.

Lots of anachronisms here. All the supposedly vintage wartime Wonder Woman dolls and books and posters are clearly modern merchandise, with the doll dressed in WW’s second-season uniform. WW herself is even wearing her current outfit in the wartime flashbacks (although I suppose it’s possible that she changed the design sometime between 1942 and the end of the war).

And it turns out I was wrong -- the “Belt of Strength” is still removable. Though it’s harder to tell that it isn’t of a piece with the rest, so that might still make it harder for bad guys to pull it off.

And wow, that was the most random, pointless funny-banter ending I can remember seeing. Just some stream-of-consciousness stuff about baseball? They couldn’t think of anything better?
 
The Millionaire seems like a strange show. I haven't had a chance to see an entire episode, but the format is interesting. The narrator character speaks directly to the audience, like Rod Serling in Twilight Zone, but he is also part of the story (usually just to hand over the check). He describes the millionaire character as having died a few years ago, and the stories he tells are from a few years before that. Since the show started in 1955, that would mean that the stories must take place in the 1940s. I haven't seen enough of it to be able to tell if they actually make any effort to be true to that period.

That, or the narrative framing sequence (really the stock opening, I think) takes place in...[holdsnose]THE WORLD OF THE FUTURE![/holdsnose]

Caught a couple of episodes Sunday...as I thought, not my thing. Happy to take a break from having DECADES on constantly.

The show was satirized on SCTV in the 1978/1979 season:

[yt]https://www.youtube.com/watch?v=d8772cIb9zY[/yt]

I love how it established that giving away millions like that would eventually bankrupt the person doing it.
 
Not to mention that the taxes were pre paid. He could always sell off that 60,000-acre estate. :rommie:

These days there are plenty of billionaires who could afford to give away a million dollars a week.
 
It's cool to spot familiar faces on these old shows. I saw Beatrice From Vega$ in one episode and Droxine from "The Cloud Minders" in another. And a very young Harrison Ford as a Hippie. :rommie:
 
I just put it on for the first time late last night before I went to bed, so I haven't seen much. They just did one with Davy Jones sporting a proto-mullet.

I used to see this show around 2 on weekday afternoons when I was a preschooler.

Now up--Bill Bixby!

ETA: And then there was one with Ruth Buzzi, Sgt. Carter, and Vincent Price.

Much later ETA: It looks like "Love and the Happy Days" will be airing Friday morning at 1 a.m. EST, if anyone's interested. (For anyone who's not in the know, the pilot for Happy Days was aired as a segment on LAS before the series was picked up.) I don't think I've ever seen the entire episode.
 
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I remember seeing it once, a long time ago. Some of the cast are different. I'll have to record it to refresh my memory. I was back to work yesterday, so I'm not seeing as much of it, but I spotted Yvonne Craig yesterday. Almost every episode has somebody of note. William Windom was on when I got up a few minutes ago. I really wish they would release more on DVD.

Where do you get information on the individual episodes? All I can find on their website is a very general PDF.
 
Combination of IMDb and my onscreen cable guide.

ETA: I've caught enough now to spot some repeat guest stars...Tina Louise, Sgt. Carter....
 
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Yeah, there's lots of repeats. I've seen Judy Carne a few times, which is nice, as well as Karen Valentine. I've spotted a few more notable genre actors, like Sherry Jackson and Ruth McDevitt. I recorded one the night before last with Denise Nicholas from Room 222, who is someone else I had a crush on back in the day.

And I had forgotten about the cartoons! I recorded two episodes last night that were done by Hanna-Barbera. I can't wait to see them. :D
 
Sherry Jackson...I missed Sherry Jackson...? :(

ETA: But there's my third Frank Sutton spotting.

ETA from an episode or two later: And holy smokes, it's Cass Elliot!

Kind of a sad connection there...it seems that Sgt. Carter and Mama Cass both died in 1974....
 
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Sherry Jackson played Bob Crane's too-young-for-him fiancee.

I saw Mama Cass in the credits, but I didn't see the episode.

Irene Ryan was on one, playing the exact opposite of Granny. I think that's the only time I've ever seen her in anything else besides Beverly Hillbillies.

Dick Gautier seems to turn up frequently. And I've seen Elaine Giftos in a few. I wish I had more time to just sit and watch.
 
I saw Bob Crane in the credits of an episode but wasn't watching closely...I may have had it on and missed her!

Times sure have changed...somebody actually described Mama's character as a "pig" in the episode (and not in the Dragnet / Adam-12 context)!

Caught "Love and the Happy Days" (retitled for syndication from "Love and the Television"). Kind of interesting, and "Ronny" Howard still looked pretty young. Couldn't get used to the original Mr. C, though, as he was a completely different physical type from Tom Bosley. I was reading that George Lucas watched this episode when deciding whether to cast Ron in American Graffiti.

Back to the black-and-white era tonight...Route 66 starts at 9 p.m. EST. I wonder if the first episode is anything like a pilot? The synopsis makes it sound like just another episode, but maybe they were airing out of production order like Trek...?

Going by the main cast, Route 66 is two degrees of separation from Galactica: 1980. Just sayin'....

ETA: I knew it was only a matter of time before Bob Denver showed up....
 
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Yep. Of course, Route 66 has nothing to be ashamed of, since Bonanza, one of the most generally beloved of classic TV series, is only one degree from G1980....
 
Heck, the ITV Sherlock Holmes is one degree from Galactica 1980, since Jeremy Brett replaced Richard Lynch as the villain Xaviar (and inexplicably gave him a half-German, half-Dracula accent rather than Lynch's New York accent).
 
I stumbled upon G1980 on Netflix and am sorely tempted to watch it for the first time since it originally aired to see just how bad it was. Curse you, Daredevil...!
 
Spoilage isn't an issue, as I did watch it back in the day, though my memory of details is spotty. Think I'll hold onto those links to read along whenever I do get around to trying to watch it.

Geekdom doesn't agree on a lot, but there does seem to be an overwhelming consensus that G1980 was crap. I guess I'm morbidly curious to see just where the series falls in the spectrum between "so bad it's good" and "so bad it's unwatchable".
 
I actually liked that flying saucer the Galactica had--as if it were the next step in space exploration after the grimy star wars look.
 
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