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TOS try again....

Every time I read this BBS I thank my lucky stars that Trek fans don't get to control what makes it to film.

What a jackamoose that would be.
 
  • 13 hour long episodes per season
  • The big 3 + Scotty are the same, but Scotty is a woman for sure.
  • The minor characters rotate through, as would actually happen. They'd come aboard, serve a year, and either move to other positions on the ship or rotate off.
  • Much more Hornblower-esque in that the ship cannot easily contact command base because their subspace radio has not only significant time lags but limited range. When they're out on the frontier, they are alone.
  • The transporter only moves people and things from place to place. When it malfunctions, you die. It's not a story device.
  • Regular characters die and when they do they don't come back. Ever.
  • No hybrid aliens. Species can't cross-breed (they can't, really). Spock is a Vulcan raised by a human mother whose influence on him has made him as ill a fit on his homeworld as if he were half human.
  • Spock is NOT a Swiss Army Knife character. He is better at some things than humans, and worse at others. He's great on desert planets. He sucks on Sarpedion.
  • No ESP/telepathy amongst humans. Only aliens may have telepathy, which operate under very carefully worked out rules.
  • No comedy episodes. No cute endings on dramas where people die.
  • Aliens are alien. If that can't be afforded, they're humans who settled other planets and developed their own cultures.
  • The gravity fails now and then
  • Short stories are licensed from actual SF writers where possible, but adapted by TV writers who understand the form (TOS tried to use SF writers, but many of them couldn't produce a story/script which suited the show's format).
  • We never ever say what year it is. We always refer to the past as in "120 years ago" meaning we never end up contradicting real history.
  • No evil mirror universe.
  • Stories are about something, but not moralizing. Questions are more interesting than answers.
  • We get only ONE each of the following.
    • logic the computer to death
    • alien force takes over the ship
    • alien(s) with godlike powers

This is almost precisely what I had in mind. :cool:
 
One thing I'd do is cut back on the references to "Earth" and "human". Obviously they serve as a touch stone for the audience, but conceptually Starfleet and the UFP are mutli-species and multi-planet. No more Qs judging humanity and threatening to send them home.
 
They're fictional characters. You do with them what you think will make for interesting stories. The more diverse the characters are, the more story and thematic possibilities.

There is diversity and then there is inconsistency. Inconsistency for the sake of convenient story-telling does not necessarily make good story-telling. Janeway is often criticised as a character for being inconsistent. Paris and Chakotay lost what little edge they had far too soon in Voyager and their development suffered. I think characters should oscillate on a relatively narrow band and depart from that only as part of a defined arc or when they are pushed to extremes.

But them I'm a control freak.

I fail to see how one relates to the other. You can write non-diverse characters as inconsistently as WASPy ones. "Non sequitur. Your facts are uncoordinated." ;)

Ha ha. True dat.
 
One thing I'd do is cut back on the references to "Earth" and "human". Obviously they serve as a touch stone for the audience, but conceptually Starfleet and the UFP are mutli-species and multi-planet. No more Qs judging humanity and threatening to send them home.

But ships like the enterprise are from Starfleet which is a earth organization so naturally they have a majority of humans aboard. Its like when the Klingons became part of the UFP their ships still had all Klingons aboard. If Q would have decided to meet a Klingon ship he may well have judged them.
 
Starfleet has been assumed to be an Earth organization primarily because of ENT, but if you're rebooting you're not obligated to stay with that assumption. In TOS it wasn't so clear and for many of us Starfleet came into being upon or just after the founding of the Federation. Indeed FJ's tech manual follows that line of thought.

Prior to the establishing of the Federation and Starfleet it was thought Earth (and other worlds) had their own space agencies.
 
One thing I'd do is cut back on the references to "Earth" and "human". Obviously they serve as a touch stone for the audience, but conceptually Starfleet and the UFP are mutli-species and multi-planet. No more Qs judging humanity and threatening to send them home.

But ships like the enterprise are from Starfleet which is a earth organization so naturally they have a majority of humans aboard. Its like when the Klingons became part of the UFP their ships still had all Klingons aboard. If Q would have decided to meet a Klingon ship he may well have judged them.
No it's not. Starfleet is the exploration and defense arm of the United Federation of Planets, not Earth. More so by TNG than TOS.

Star Trek said:
This is Captain James T. Kirk of the starship Enterprise, representing the United Federation of Planets.
 
Starfleet has been assumed to be an Earth organization primarily because of ENT, but if you're rebooting you're not obligated to stay with that assumption.

Of course depending on how far the rebooting is, you might not have a multi-species federation.

Remember it wasn't until later in season 1 that they went from Earth ship to Federation ship.

Plus it sounds like the original idea was the UN in space, which is probably why they had Earth starships and Vulcan starships.
 
Starfleet has been assumed to be an Earth organization primarily because of ENT, but if you're rebooting you're not obligated to stay with that assumption.

Of course depending on how far the rebooting is, you might not have a multi-species federation.

Remember it wasn't until later in season 1 that they went from Earth ship to Federation ship.

Plus it sounds like the original idea was the UN in space, which is probably why they had Earth starships and Vulcan starships.
BY the time we saw the Intrepid, the Enterprise was a Federation ship.
 
We have to remember that what TOS could show wasn't always what they would rather have done.

By the end of the first season and then throughout the rest of the series the idea was cemented that Starfleet was an arm of the Federation and it was meant to be a multi-species entity. But TOS was restrained by budgetary and resource limitations that prevented them from depicting that fully. So for a very long time fans took it on faith what was intended despite what was actually shown. Spock was the constant reminder that other races served in Starfleet. The reference to the all Vulcan crew of the Intrepid was another nod in that direction.

The movies and then the spin-offs also tried to convey that idea, but even though they went further than TOS they were still limited in what they could show on a weekly basis. Worf in TNG was the substitute for Spock in TOS in trying to show that Starfleet was not a merely humans club. But other than Spock and Worf there were no alien crew members amongst the main casts.

TAS actually did better (to an extent) because Arex and M'Ress were bridge personnel, but then they only had to be drawn rather than having an actor spend hours in make-up.


A new series could explain this and could be something of an indirect nod to TOS. The Intrepid was an all Vulcan crew while the Enterprise was predominantly human. Maybe it's simply easier (in terms of environmental conditions as well as cultural considerations) to have a ship's crew be predominatly of one type. You could have aliens mixed in as individual representatives who are quite comfortable living day-in-and-day-out with other species. That's obviously the case with Spock, Arex, Mress, Worf, Ro Laren, Jadzia, Belanna and Nog and others we've seen.

That said I think it gets silly when you try to include species that have no business on a starship. An old fan favourite idea was to have a Horta as a crew member of the Enterprise despite the fact it's established that a Horta cannot exist for long outside of its native environment. And without manipulative limbs and digits how exactly is a Horta supposed to serve aboard a starship? Something like a Medusan could work because you can extrapolate that a Medusan could exist within a humanoid shaped encounter suit or even a robot like body.

Another idea that could be part of the backstory ties in with the number of somewhat isolationist type aliens encountered throught the series. These races might like being associated and dealing with other races of the Federation, but have no great interest (as a race) to go tripping thrugh the galaxy. So from that idea you might have Humans, Vulcans and Andorians as making up the bulk of Starfleet personnel with a sprinkling of other races represented.
 
The Rec-Deck scene in TMP is more like what they really wanted for TOS although even there it's probably less than 10% of the crew appears to be non-human.
 
With all the human looking aliens seen in TOS, half the crew could be non human and we'd never know. ;)
 
...

The movies and then the spin-offs also tried to convey that idea, but even though they went further than TOS they were still limited in what they could show on a weekly basis. Worf in TNG was the substitute for Spock in TOS in trying to show that Starfleet was not a merely humans club. But other than Spock and Worf there were no alien crew members amongst the main casts.

...

It's so easy to forget the half Betazoid, contact lenses an alien make...

If I recall, the original background to Data was that he was an android created by mysterious aliens, before the Soong storyline began...
 
Quite a few shows are coming through now where a character just happens to be gay or bi-sexual
I've never understood the phrase "just happens to be gay." Characters on shows and in movies are deliberate constructions. Riker didn't just happens to be heterosexual, it was overtly established in the pilot and was an important and often referred to part of his character.

Every time I read this BBS I thank my lucky stars that Trek fans don't get to control what makes it to film
Considering the Trek writers and directors who come and gone through the years, and the producers we gotten, are the fans really any worse?

I'd certain say no.

:)
 
Quite a few shows are coming through now where a character just happens to be gay or bi-sexual
I've never understood the phrase "just happens to be gay." Characters on shows and in movies are deliberate constructions. Riker didn't just happens to be heterosexual, it was overtly established in the pilot and was an important and often referred to part of his character.

But if every Riker episode was obsessed within trying to bang some chick, it would get old. I think the distinction is that in the past a gay character's plot threads in movies and shows were often centred on the dreary subject of them and their families 'coming to terms' with their sexuality because it wasn't 'normal' or desirable or some sort of moral judgment. This is brilliantly parodied in Brooklyn 99 with Captain Holt's riveting stories about being black AND gay in the seventies.

It's fine to tell a story about a character coming to terms with something but when the same thing is done so often in so many shows, it starts to grate a bit.

And then you have disappointments like the movie adaptation of State of Play where we lose heroic gay MI5 agent but keep the amoral drug-abusing bisexual. It's better to have light and shade.
 
Every time I read this BBS I thank my lucky stars that Trek fans don't get to control what makes it to film
Considering the Trek writers and directors who come and gone through the years, and the producers we gotten, are the fans really any worse?
I'd certain say no.
:)

There's really no consistency in the quality of Trek produced by different "types" such that you can really draw a causal relationship. For instance, wouldn't the actors be the ultimate insiders? Nimoy's track record was good, but Shatner's turn was a disaster. And Frakes' was mixed.

I also find the most strident "don't let the fans run things" drumbeat tends to come off as simply a swipe by JJ Trek fans at Trek purists, despite the fact that, revisionism or not, JJ Trek is chock full of the same sort of gratuitous homages and fan-service that some here bash amateur fan-films for. Nimoy showing up on the viewscreen in Into Darkness is not that different from finding some elaborate rationalization to wedge a William Windom cameo into Phase II.
 
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