Yes I gathered that.He didn't just find a motorcycle. He found his own.
I guess real movie making and a sense of tension don't apply either.. and they can always add that "sense of tension" along with goddamn everything else, in post.real physics don't apply.
after so thoroughly dissecting these films...is there anything left for you to enjoy?I guess real movie making and a sense of tension don't apply either.. and they can always add that "sense of tension" along with goddamn everything else, in post.real physics don't apply.
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I love how the extras act as though nothing is happening outside of the one guy leaning over looking at where they'll land, going "Oh, now that's something."
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I love how the extras act as though nothing is happening outside of the one guy leaning over looking at where they'll land, going "Oh, now that's something."
That's utterly ridiculous. They should be terrified/running away.
When it's not in slow motion, I'm sure it's harder to notice, but I do agree that the director should have caught that and planned for where the CG monster was to land so as to avoid having people unconcerned.
Timby you don't think Whedon is a competent director?
I think he's a great director
Well, since movies aren't meant to be watched one screencap at a time, I'm going to give Joss Whedon a pass on this. I can only assume that the majority of moviegoers were not watching our heroes' arms at that particular moment.
I agree. They call it the Marvel Cinematic Universe but there is nothing particularly cinematic about it. There's little artistry to the the shots and compositions.Well, since movies aren't meant to be watched one screencap at a time, I'm going to give Joss Whedon a pass on this. I can only assume that the majority of moviegoers were not watching our heroes' arms at that particular moment.
The point is the composition is terrible. I've often said that The Avengers feels like Whedon smashing his action figures together, and that shot above is probably one of the biggest examples of it. Everyone looks like plastic figures arranged in a semi-circle, with terribly flat lighting that conveys nothing. This is supposed to be an end-of-the-world hellscape (because that's what the movie keeps telling us, but it utterly fails to show it), and instead it feels like a bunch of people in shitty costumes (particularly Cap) chilling on a city block.
It's bad direction and it's bad photography (which is on Whedon; Seamus McGarvey went on to shoot Godzilla 2014, which is breathtakingly beautiful), which appears to be continuing with Avengers 2.
Whedon's a decent writer. He's a fucking God-awful director.
That comment was not warrantedAnd, of course, my days of not taking anything FSM says seriously ended ages ago...
And, of course, my days of not taking anything FSM says seriously ended ages ago...
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