I've read most of this thread (as much as I could stomach) and feel compelled to join the ranks of those who are dismayed and frustrated with the direction the post-Voyager story line has taken--apparently in a TNG novel, no less. I wonder what will happen when the Voyager fans, who have waited years for the Voyager relaunch to resume, buy this new book only to discover that their beloved captain was killed off in some previous novel from the TNG relaunch series? Can you imagine killing off Picard in the Voyager relaunch? The situation is ludicrous; if ever there was a reason to stop considering previous novels canon, this is a big one.
Let's step back a bit and review the bidding about women in the Star Trek franchise. After TOS, which treated women as secondary characters, window dressing, and sexual objects, Trek was gradually moving into modern times when TNG arrived with a female security chief and CMO. In TNG and DS9, women were beginning to be used as something other than sex fodder, even though they were almost always dressed in "uniforms" that were skin tight, plunged to their navels, and were otherwise designed to put their female "assets" on display.
For the thousands of female Star Trek fans, who have always been underestimated and underappreciated, IMHO, the change wasn't happening fast enough. We wanted a powerful female lead, and we were thrilled to get Kathryn Janeway in the person of Kate Mulgrew. Whether Janeway was developed "consistently" or not (Kirk certainly wasn't), she was and is an icon to every female interested in science fiction or any kind of post-graduate professional career. Her example is also one reason for Mulgrew's status as one of the best-loved actors at conventions throughout the world.
Janeway is a unique and valuable commodity in Star Trek, even seven years after the series has ended. Countless young girls look at her character as an inspiration for their own futures--as a woman who succeeds in life not by screwing her way to the top but by hard work, intelligence, and dedication. She is a model to youngsters who are still "finding" her in reruns and dvds and a hope to those of us who are in the trenches, still trying to break the glass ceilings and wondering if we will ever be judged by the "content of our character." She is one of the rare female characters to break the mold in the current "entertainment community," a breath of fresh air.
And what does Pocket Books do with this unique and interesting character? Do they explore her potential as a leader? Is she used as a catalyst for change and improvement? Do they aim their Voyager relaunch toward a continued (or perhaps rescued) development of what heights a female Starfleet officer can reach?
Nope. They kill her off. In a TNG book, no less.
Now, you tell me if that's a smart move? I'd say not. And I'd say that failing to use the reset button or some other plot device (no matter how trite or incredible) to return Janeway to life is simply the perpetuation of a huge mistake. Failing to appreciate and utilize a unique character in the franchise makes no sense to me and is, as they say, "a foolish consistency." But that's my opinion.
And, no, I haven't read Peter David's book, nor will I read another Star Trek novel until this incredible blunder is corrected. No apologies offered. Why spend my precious money to subsidize a publisher that doesn't issue books about my favorite series' relaunch and then usurps my favorite characters and uses them to liven up some other flagging relaunch, only to kill the best one off as (what?) some misbegotten way to generate interest? No thanks.
Okay, I'm off my soapbox. Let the games begin.
Let's step back a bit and review the bidding about women in the Star Trek franchise. After TOS, which treated women as secondary characters, window dressing, and sexual objects, Trek was gradually moving into modern times when TNG arrived with a female security chief and CMO. In TNG and DS9, women were beginning to be used as something other than sex fodder, even though they were almost always dressed in "uniforms" that were skin tight, plunged to their navels, and were otherwise designed to put their female "assets" on display.
For the thousands of female Star Trek fans, who have always been underestimated and underappreciated, IMHO, the change wasn't happening fast enough. We wanted a powerful female lead, and we were thrilled to get Kathryn Janeway in the person of Kate Mulgrew. Whether Janeway was developed "consistently" or not (Kirk certainly wasn't), she was and is an icon to every female interested in science fiction or any kind of post-graduate professional career. Her example is also one reason for Mulgrew's status as one of the best-loved actors at conventions throughout the world.
Janeway is a unique and valuable commodity in Star Trek, even seven years after the series has ended. Countless young girls look at her character as an inspiration for their own futures--as a woman who succeeds in life not by screwing her way to the top but by hard work, intelligence, and dedication. She is a model to youngsters who are still "finding" her in reruns and dvds and a hope to those of us who are in the trenches, still trying to break the glass ceilings and wondering if we will ever be judged by the "content of our character." She is one of the rare female characters to break the mold in the current "entertainment community," a breath of fresh air.
And what does Pocket Books do with this unique and interesting character? Do they explore her potential as a leader? Is she used as a catalyst for change and improvement? Do they aim their Voyager relaunch toward a continued (or perhaps rescued) development of what heights a female Starfleet officer can reach?
Nope. They kill her off. In a TNG book, no less.
Now, you tell me if that's a smart move? I'd say not. And I'd say that failing to use the reset button or some other plot device (no matter how trite or incredible) to return Janeway to life is simply the perpetuation of a huge mistake. Failing to appreciate and utilize a unique character in the franchise makes no sense to me and is, as they say, "a foolish consistency." But that's my opinion.
And, no, I haven't read Peter David's book, nor will I read another Star Trek novel until this incredible blunder is corrected. No apologies offered. Why spend my precious money to subsidize a publisher that doesn't issue books about my favorite series' relaunch and then usurps my favorite characters and uses them to liven up some other flagging relaunch, only to kill the best one off as (what?) some misbegotten way to generate interest? No thanks.
Okay, I'm off my soapbox. Let the games begin.
