From the 4th Draft: -
The thing to remember here is that a script is not some cast iron holy writ. It's a sketch to be further developed in the shooting process, and then again in the edit. And even a script can be compromised as a filmmaker anticipates what is and is not possible to put in front of a camera.
What people think of as a "tiny" settlement depends largely on one's own experience, but honestly though, in my mind if Luke is something of a self insert character for Lucas, then Anchorhead should be broadly like Modesto, and from what I can tell, that seems about right in terms of scale, just a little denser and way dustier.
8 EXT. ANCHORHEAD SETTLEMENT - POWER STATION - DAY 8
Heat waves radiate from the dozen or so bleached white buildings.
Luke pilots his landspeeder through the dusty empty street of the
tiny settlement. An old WOMAN runs to get out of the way of the
speeding vehicle, shaking her fist at Luke as he flies past.
WOMAN
I've told you kids to slow down!
Luke pulls up behind a low concrete service station that is all
but covered by the shifting desert sands.
47 EXT. TATOOINE - BLUFF OVERLOOKING MOS EISLEY SPACEPORT - DAY 47
The speeder stops on a bluff overlooking the spaceport
at MOS EISLEY. It is a haphazard array of low gray concrete
structures and semidomes. A harsh gale blows across the
stark canyon floor. Luke adjusts his goggles and walks to
the edge of the craggy bluff where Ben is standing.
The thing to remember here is that a script is not some cast iron holy writ. It's a sketch to be further developed in the shooting process, and then again in the edit. And even a script can be compromised as a filmmaker anticipates what is and is not possible to put in front of a camera.
What people think of as a "tiny" settlement depends largely on one's own experience, but honestly though, in my mind if Luke is something of a self insert character for Lucas, then Anchorhead should be broadly like Modesto, and from what I can tell, that seems about right in terms of scale, just a little denser and way dustier.
According to Lucas, the version of Mos Eisley we saw in the special edition WAS the version he intended. What people saw in theatres in '77 was the highly compromised, scaled back version he could manage on the budget and time that he had.I'm glad we finally got to see it, same as with Alderaan getting a lot of screentime. But i'm not sure if the way Anchorhead was depicted fits with Lucas intention, when we first saw Mos Eisley in ANH.
At least with what he intended for Mos Eisley to be like, before he thought about changing things for the SE.
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