At no point in this conversation have I been talking about "Gene." The concept of a post-scarcity economy has an existence well beyond Star Trek. Hell, my whole point is that Star Trek's producers failed to engage with the ramifications of a post-scarcity system as well as other science fiction and futurism have done over the years, because of what was referenced earlier about the producers not liking how replicators changed things from what they were used to. Change from what we're used to is what science fiction should embrace, not retreat from.
That might be the case with the
concept of post-scarcity, and I agree with you it's one of those things Trek has never done all that well. But from the perspective of creating and story-building, my point is the main complaints with replicators came from the feeling that they were taking away from that. Not that I entirely agree with those complaints, just that I understand them as I said before.
It's kind of like saying the next Trek series that gets made will keep aspects like exploration and development, but the new hero ship will have the best technology and our crew can go from the Alpha to the Delta quadrant in a much shorter time. Our sickbays will use some of the Borg tech Voyager explored so we can resurrect the redshirts, or at least the more plot-important characters.
Or how the Discovery was originally intended to be in service a mere decade before TOS, and has a highly experimental spore drive that functions a lot better (when it works anyway) than the technology we see a century or more afterward. And speaking only for myself, it's one of the things I've come to dislike in application.
Don't be ridiculous. That's not a "replica" of Leonardo any more than a painting of him would be. It doesn't have Leonardo's consciousness, it's just an animated character impersonating him.
Not only that, but you're positing that I'm saying the exact opposite of what I'm actually saying, which is that an identical copy is not as valuable because it's not the original object that was directly created by the original artist or involved in the original historical events.
Then perhaps you can clarify for me. If we're to assume the holodeck can recreate any historical figures with a high degree of accuracy, as we've seen dozens of times, then at what point do these versions have the capacity for consciousness and self-awareness? The latter has seemed somewhat easier than the former, in some episodes.
And even assuming they aren't really conscious in the utmost sense, why does it matter when our holo-Leonardo has all the necessary knowledge and skills to do what his living counterpart did?
To return to the cloning example, the Klingon monks at Boreth decided to clone Kahlless in a bid for power. And while the dialogue in that episode raises some questions about how "accurate" this Kahless is (as his knowledge and memories were programmed by the monks, going off written records), no one seems to question that he's sentient, intelligent, or that he has the capacity to effectively
be a new Kahless. That's why Gowron fears his influence, more than anything else, and why he ultimately agrees to share power. Because Worf points out that even in a symbolic way, a living Kahless is a very powerful image to many Klingons.
The Dominion also cloned Weyoun a number of times, and there's no indication that each version was "less" than the last one. The only clone that differed was the one who tried to defect.
Because you're trapped by the assumption that value is about physical material rather than meaning and historical context. You still think I'm talking about monetary value, when my whole point is that that is not how a post-scarcity, post-capitalist society would define value.
* shrugs *
No, I'm saying that if your earlier post that the real "value" of replicated material is the information, not so much the physical aspect (which I agree with, to some extent) is correct, then a holo-Leonardo is not an "inferior" copy who's just "pretending" to have the information and skills he's been given. He has those qualities by design, and is every bit as capable as the original. He can produce works that are just as good, because all of the essential information is intact. His paintings and creations aren't going to be "less" skilled than what the real Leonardo did, even if the circumstances of how and when they're made are different.. The only thing that's really changed in this equation is the physical substance, and I'd say that's rather debatable when the hologram can be made to be as physically realistic as possible.
I'm also talking about the possibility of worlds and governments that don't operate the way post-scarcity Earth or other Federation worlds are supposed to function in Trek. Because from my perspective, both in terms of watching and creating ideas, there's a limit to how far technology can be pushed before it takes over areas of development it shouldn't. Because that incarnation of Earth, in some contexts, is fairly boring and I don't want "too perfect" humans.