^That's a good point. I did think it was a bit of a stretch.
But speculation is fun and it's all we have to go on now!
But speculation is fun and it's all we have to go on now!
I'm as familiar with his material as his fat ass is with two plane seats every time he travels. Probably the most overrated hack of our time. Awful suggestion, you should be ashamed of yourself.Kevin Smith can write/direct serious material very well, and has a deep love of this particular subject matter. I think he'd do great, and I think if you think this suggestion is that awful, you haven't been exposed to the full range of Smith's movies - probably just Clerks, Mallrats, Jay & Silent Bob Strike Back, and Clerks II?Kevin Smith. Give me a break. That might be the most awful suggestion I've ever heard for anything, ever.
It doesn't matter nearly as much who the director is because the director doesn't have to be the studio's point man for all artistic decisions. In the end what matters the most is the script. I nominate Kim Stanley Robinson for script, with Lucas producing and a director who can manage to keep the acting on track despite dealing with huge FX, Robert Zemeckis or Ron Howard or Brad Bird or Steven Spielberg.
Also, the really really important question is, who does the score? John Williams is a great composer but the series is getting older. Age has made him less reliably great, I fear, as well. I'm thinking Brian Tyler, or Danny Elfman if he's explicitly instructed to avoid Burtonism. But maybe Dave Arnold?
It's true that nuBSG's culture was largely American, but it was American with a melange of other influences - the Greek gods, etc. I think McCreary's electic influences fit in very well with that show.Bear McCreary. No doubt the new movie will have way more aliens than the original. His score for BSG seemed way more alien than the series "deserved" (the series & the peoples felt very American).
I don't think it needs a clone like Ottman's work on Superman Returns, but a composer working in the same neo-romantic film music tradition as John Williams would be a good call (hence my pick of Howard Shore).I don't want a John Williams clone. If we can't have Williams himself, they should hire someone completely different, like Terence Blanchard or Jonny Greenwood.
Ah, but that's an excellent example, because before Lord of the Rings, Howard Shore didn't do a whole lot of neo-romantic scores. I do believe that Blanchard or Greenwood or other non-conventional choices could write music that would fit a Star Wars movie while bringing something new to the plate, which is what Shore did for LOTR.I don't think it needs a clone like Ottman's work on Superman Returns, but a composer working in the same neo-romantic film music tradition as John Williams would be a good call (hence my pick of Howard Shore).I don't want a John Williams clone. If we can't have Williams himself, they should hire someone completely different, like Terence Blanchard or Jonny Greenwood.
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