Nah, I got it. I just wanted to make that joke.Ha, I was thinking more of meeting Sherry Jackson. I guess my post was a little too vague.![]()
Oh, right. Roddenberry lent it out to somebody who didn't realize its significance, right?Requiem for Methuselah, so I could prevent the original Enterprise three-footer from being lost.
That didn't happen until about a decade later, during the Phase II pre-production.
If somebody "saved" the model, we'd all just be talking about the inconsiderate jerk who stole it.
Yeah, send it back to the guy who loaned it out and forgot to ask for it back in the first place....Not if they anonymously mailed it to Gene Roddenberry after he would have lent it out (say, right after the premiere of TMP just to be sure). One would have to hope of course that no "butterfly effect" would result by its 10 year disappearance.
Yeah, send it back to the guy who loaned it out and forgot to ask for it back in the first place....
The Immunity Syndrome
I would love to know how they made the Ameoba Effect, and how it was as colorful as it was with the low budget. It's probably my favorite effect of the series.
Yes, I know. I'm grabbing the model right after the Methuselah scenes are filmed, and locking it away until well after Phase II is dead and buried, then giving it back to Gene (hopefully he won't lose it again).Requiem for Methuselah, so I could prevent the original Enterprise three-footer from being lost.
That didn't happen until about a decade later, during the Phase II pre-production.
I think that might actually be more interesting and educational than watching them film. There were some really nice effects during Star Trek, like this one or the planet killer from Doomsday Machine. It would be interesting to know how the effects team was able to make things work at the time.For that, you'd have to talk to the folks at Van der Veer or Film Effects of Hollywood or whichever company did that particular effect.
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