2. The early 23rd Century is just interesting to me in general. That entire period between the founding of the Coalition and the start of Kirk's original five-year-mission is fascinating to me in the Prime Universe, and now the period between the founding of the Coalition of Planets and the appearance of Nero is fascinating to me in the altered timeline.
Yeah, that's part of what interests me -- not only have we not seen much fiction set in that era, but I'm curious about how to reconcile what the film shows us about that era with what we saw of the 2250s in the TOS pilots and the '60s in TOS proper.
(Of course, pre-Nero stories are going to have happened both ways in both universes, but I digress.)
I think you mean they'd happen the same way, since technically there's only the one timeline which splits when Nero arrives.
Why were they using actual windows for viewscreens? Etc.
The way they did it in this film reminds me of something I came up with a long time ago when I was designing a starship for my original SF universe -- the idea of the viewscreen being an actual transparent port with HUD graphics projected onto it. It's nice to see that idea actually used.
3. I really like the idea of a Middle Eastern Starfleet captain. This may be just because of my PC-ness, but I like the idea of a Star Trek story that continues to challenge the popular audience's preconceptions about race and ethnicity and religion by presenting them with a hero and main character who is a Muslim of Middle Eastern descent. And I'd be pretty fascinated by the question of how those cultures may have changed and evolved in the 23rd Century (just like I am of how Christian cultures may have changed in the 23rd Century), while still maintaining their own identity.
Well, with a name like "Richard Robau," I'm not sure he'd be a Muslim. His bio on the Intel tie-in site says he was born in Cuba, though Bob Orci (who named the character for his Cuban-born uncle) imagined him being raised in the Middle East.