.tnereffid eb ot tsuj ,eno neht dna ,tsrif 2 daer dluohs uoy kniht I
!sdnah ruoy no emit hcum oot evah uoy kniht I

.tnereffid eb ot tsuj ,eno neht dna ,tsrif 2 daer dluohs uoy kniht I
!sdnah ruoy no emit hcum oot evah uoy kniht I
!od I !od I?thgir, sleber dna snairartnoc sevol ydobyreve, neht tuB
Marco, firstly, nice to see you back. Secondly, I did actually read it side one and then two, but as a crime reader mostly, I prefer to get the motive stuff as i go along. I think interspersing chapters would have been better, but that's just me.I've just finished reading it today and I have to say that reading side two first actually makes more sense, and gives you a better idea of her motivations.
You're meant to understand her motivations after you've read Side One. That's the explicit reason for numbering the sides at all.
Reading them in reverse order is the equivalent of reading the back half of regularly-formatted novel before reading the front half. If that's the way you roll, fine. But it goes completely against the intended reading experience.
This mysterious soul is known as David Morgan-Mar....like some mysterious soul who managed to only see a version of Memento in chronological order, I can only wonder what first experiencing it in the intended order is like.
That being the case, what was the point of formatting it as a flip book at all? Why not just format it as a back and front half? Sure, the gimmick of a flip book is cute regardless, but it seems counterintuitive to pick a design that works because it has no front and then say, "No, this is the front or you're doing it wrong."Reading them in reverse order is the equivalent of reading the back half of regularly-formatted novel before reading the front half. If that's the way you roll, fine. But it goes completely against the intended reading experience.
Conformist hack.Steve Mollman said:Mostly 'cause Brendan Moody read Side Two first, which was a pretty good indicator that that was the Wrong Way.
I read it in the proper order, you know, side 1 first then side 2, and it was fine.
But then I'm not one of those people that read the last book in the Double Helix series first because I need to read them in chronological order as opposed to the order the authors intended. I'm not one of those people that read the Worlds of DS9 in chronological order as opposed to the order the authors intended. I'm not one of those people that went through the first 4 New Frontier books and read all the chapters in chronological order as opposed to...well you get the idea.
Hey, we're only talking about media tie-in fiction here, no offense meant to anyone as we all read it, so when I read these questions I need to tell my self "hey, you're at a 10, you need to be at a 2, who cares how someone else reads a book" but I just don't understand the thinking that goes behind the idea that reading a book the way the author and editor intended is "wrong".
That being the case, what was the point of formatting it as a flip book at all? Why not just format it as a back and front half? Sure, the gimmick of a flip book is cute regardless, but it seems counterintuitive to pick a design that works because it has no front and then say, "No, this is the front or you're doing it wrong."
what was the point of formatting it as a flip book at all?
That being the case, what was the point of formatting it as a flip book at all? Why not just format it as a back and front half? Sure, the gimmick of a flip book is cute regardless, but it seems counterintuitive to pick a design that works because it has no front and then say, "No, this is the front or you're doing it wrong."
It will work, I think that this one got everyone talking about the DS9R again so without a long wait, we should be sufficiently eager to see the conclusion of one arc, and the segue into the next one.As for the choice of format... The idea was to marry the story to a format that served it symbolically and structurally, much the way The Lives of Dax was done as an anthology precisely in order to mirror the collective nature of the title character. Once the core ideas that became Fearful Symmetry took shape—a tale of two Kiras, two Ilianas, and two universes, all in opposition--the "flip book" format of complementary and, at times, reflective narratives seemed like the natural fit. At least to me.
That said, and in the interest of full disclosure, Fearful Symmetry was supposed to have resolved the Iliana/MU arc; the manuscript was two hundred pages longer than what was actually published. But Olivia and I agreed that those last two hundred pages felt rushed and needed much more room to tell the rest of the story properly. The story had become much bigger and more complex than originally anticipated, and because I'm under a great deal of pressure to do as few Twilight-sized novels as possible (owing to the higher unit cost associated with books of that size), the decision was made to end Fearful Symmetry earlier in the narrative, as a cliffhanger, and allow the author to develop what remained of the story into a fuller and more satisfying second novel. The downside, of course, is that the "flip-book" format works less well that it would have, had the story remained whole.
On the upside, I expect The Soul Key--or whatever we end up calling the continuation novel--to vindicate the compromise we felt compelled to make.
With your eyes.What's the best way to read Fearful Symmetry?
So now you're saying I need to get extra equipment just to read the book? |-)With your eyes.What's the best way to read Fearful Symmetry?![]()
the "flip book" format of complementary and, at times, reflective narratives seemed like the natural fit.
What's the best way to read Fearful Symmetry?
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