You know what, BillJ? You're all right. 

But in the end, I still enjoyed this movie. I just have the eyes to see it for what it is and what it isn't and what it isn't is the Star Trek I fell in love with, the Star Trek that GR, for all his faults, insisted hew as closely to the rules of intelligent drama for grown-ups as a mass media space opera possibly could, the Star Trek that boasted some of the best writer if LitSF among its screenwriters as well as among its earliest novelists (Vonda McIntyre and Joe Haldeman spring to mind--Nebula-winners both, Hugo-winner too in the case of Haldeman) rather than the guys who gave us Optimus and now Spocktimus Prime. If saying so makes me an elitist then I consider elitist a compliment. And I consider it amusing that this movie's fans see the need to be so snide to anyone with a differing opinion or so much as a serious critique. Methinks we are not the ones in need of getting over ourselves.
If you are good enough at this sort of thing, you can always feel as though you're in the right, if that's important to you.
You know what, BillJ? You're all right.![]()
Okay, I saw it.
Garbage. I didn’t like one single aspect of this thing. I didn’t like the production design. I didn’t like the costuming. I didn’t like the music. I didn’t like the story. I didn’t like the characterizations (or interpretations thereof). I really looked for something to like and I didn’t find a thing.
It was nothing but one over-the-top cliché after another and each of them grated on my nerves. Including clichés based on next to nothing—Kirk FINALLY makes it with a green alien chick. Whooee!
I also didn’t find it fun in the least. But I did find it incredibly stupid and dumb-as-shit. I’m an hour and half into the film before the remotest spark of interest hits me, but long before then I really couldn’t care less. There's no logic whatsoever to how things unfold or why things are done.
Kirk’s punk like characterization got on my nerves from the start and never did I see one iota of roguish appeal that William Shatner’s Kirk has in spades. And there is ZERO logic to support how Kirk ends up with command by the end of the film. In fact all the characters were clichés with zero nuance and subsequently zero depth and zero warmth. All the characters were played as caricatures as likely seen by the general audience, but they were all light years from the nuanced characters that TOS gave us from the very first episode. Even Bruce Green’s Pike lacked any of the appeal that I found in Jeffery Hunter’s portrayal of Pike—and Hunter only had one go at the role way back in 1965 and Greenwood is actually a good actor, just not here. They couldn’t even give us an interesting villain. Nimoy had more nuance in his five minutes than the entire rest of the film.
The only emotional quotient in this thing was the equivalent of an adolescent’s first orgasm jerking himself off to equally juvenile fantasies. And right alongside that was the equally total absence of any intelligence in the film. This was the equivalent of a glorified fanzine made live-action. Instead of going back to original source materiel and understanding all the things that made TOS work well when it was on its game they elected to pander to the lowest denominators. It’s okay to do the occasional nudge-and-wink shtick, but you can’t have nearly an entire film of that. Galaxy Quest was more entertaining and I didn’t think that was much. Instead of crafting a genuine Star Trek space adventure drama that resonated like TOS they cranked out something resembling what average John and Jane Q. Public thinks Trek is. True, this isn’t your father’s Star Trek, but rather his know-nothing punk son’s rip-off of it—all grungy flash and no substance. I’m actually surprised Chekov didn’t have a bolt or something pierced through his eyebrow.
And here’s an irony. While I detest every single continuity change made, even with it being a reboot, it could still all have been salvaged with smarter, more deft writing. But such was not to be. Christ, even STV - The Finial Frontier was better than this. Episodes like “Spock’s Brain” are pure rocket science compared to this. First season TNG was more engaging.
To cap it all off the excessive handycam work was not at all appreciated. I’m really getting annoyed with this style of filming. It gives me a headache.
This film looked more Farscape or new Battlestar Galactica than Star Trek with its grungy industrial and cheap looking production design. But then it goes right alongside the new U.S.S. Uglyprise.
But I am gratified that in fashioning such a fucked-up failure it’s really easy to divorce this thoroughly from the original series. However, it does fit neatly with ENT which was a failure of its own. And if I could I would console Shatner to be glad he had nothing to do with this turkey. Too bad Nimoy can no longer make that claim.
Suffice to say I’m glad I didn’t pay to see this in the theatre. And I sure as hell wouldn’t pay even two cents for the dvd. It’s also safe to say that I won’t be bothering with any subsequent films as long as they’re following Abrams’ approach to the subject matter. Abrams, like Manny Coto before, has been hyped as a saviour yet here he shows he’s just a purveyor of mediocrity.
Deep down I wanted to be proven wrong on some level. But this thing couldn’t even meet my lowest expectations. It was one cringe or disgusted groan inducing thing after another. After four decades of watching various films this one joins the ranks of utter disappointments right alongside the likes of Battlefield Earth, Starship Troopers, The Fifth Element, Superman Returns, Batman & Robin, Batman Forever, Insurrection, Nemesis and the recent remake of The Day The Earth Stood Still.
The cliché that things today are all flash and no substance is in truth usually overblown, but not here. This follows the true dumb action flick approach: cram it with stuff and run it all at breakneck speed to veil the fact that there's nothing of any sense happening.
No subtlety, Not a whit of intelligence. Not a hint of nuance. And not one measure of maturity.
Garbage.
Set aside all the periphral elements I dislike. Look at the Kirk arc in this film since he's a central element of the story. This interpretation of Kirk has little to nothing but a smarmy, smartass attitude and no self-discipline. He later stows away aboard a ship where he has no standing and no position. After Pike acts outraged he then enlists the stowaway's help. Throughout the entire thing this Kirk never demonstrates any evidence of ability to command and lead and displays no substance to show why others should respect and follow him. And by the end of the story he gets command by an organization that apparently doesn't have very demanding standards.They give command to a hotshot neophyte who hasn't done anything of substance to show he's earned the prize of one of Starfleet's best ships within a very few span of years..
That's all up on the screen and none of it bears any resemblance to a believable scenario. The only reason this Kirk gets his captaincy is because that's where Abrams wanted the story to end up despite the fact that nothing in the preceeding two hours logically supports that conclusion. It's all nonsensical. And to make it all worse this portrayal of Kirk isn't likable. He's all swagger and smartass without one iota of roguish charm. He's I punk I wanted to kick from pretty much the onset. It isn't easy to cheer for a hero who shows little evidence of likability. It's made all the more worse by a portrayal that is essentially one dimensional with next to no nuance. Give us a different interpretation, yes, but give us something of substance. Instead of that approach why not show us a Kirk learning and earning his way? Show us someone developing the abilities and scars of leadership over the years--that's credible. Instead they portray an over-the-top caricarture of Kirk rather than a nuanced believable one.
Abrams has gone the route of an adolescent fantasy where the kid believes if he's macho and heroic enough he'll get to lay the girl, or in this case win command of the Enterprise.
This story is also about nothing but trying to force-fit two characters into a "destiny." Quinto's Spock has next to no range while Nimoy was adept at telegraphing so much through eyes and facial expression. But the whole point of this story is to get two cardboard cutouts together.
Now add back all the other things I disliked and you have a film that fails my definition of good Star Trek. Dismiss me as a regressive purist if you like, but you're making a TOS era film then I'm going to judge it by the show that established and defined that era. And even if you prefer a different series or film version of Trek you cannot deny that TOS is the genuine article.
But what really burns my ass is what happens when you elect to take a dissenting position. I'm not the only one, but anyone around here who is the minority positon of not accepting something TPTB proffer gets roasted and jeered for having an opposing viewpoint.
Everyone takes something different from a show based on their likes and dislikes. If your Trek doesn't take itself seriously than that's the Trek that'll make you happy. But if your Trek does strive for a good measure of credibility then that's what you'll look for. And the fact is TOS often made an effort to convey a sense of credibility in ideas, in chracterization and often in story.
This film doesn't make any such effort.
Okay, I saw it.
Garbage. I didn’t like one single aspect of this thing. I didn’t like the production design. I didn’t like the costuming. I didn’t like the music. I didn’t like the story. I didn’t like the characterizations (or interpretations thereof). I really looked for something to like and I didn’t find a thing.
It was nothing but one over-the-top cliché after another and each of them grated on my nerves. Including clichés based on next to nothing—Kirk FINALLY makes it with a green alien chick. Whooee!
I also didn’t find it fun in the least. But I did find it incredibly stupid and dumb-as-shit. I’m an hour and half into the film before the remotest spark of interest hits me, but long before then I really couldn’t care less. There's no logic whatsoever to how things unfold or why things are done.
Kirk’s punk like characterization got on my nerves from the start and never did I see one iota of roguish appeal that William Shatner’s Kirk has in spades. And there is ZERO logic to support how Kirk ends up with command by the end of the film. In fact all the characters were clichés with zero nuance and subsequently zero depth and zero warmth. All the characters were played as caricatures as likely seen by the general audience, but they were all light years from the nuanced characters that TOS gave us from the very first episode. Even Bruce Green’s Pike lacked any of the appeal that I found in Jeffery Hunter’s portrayal of Pike—and Hunter only had one go at the role way back in 1965 and Greenwood is actually a good actor, just not here. They couldn’t even give us an interesting villain. Nimoy had more nuance in his five minutes than the entire rest of the film.
The only emotional quotient in this thing was the equivalent of an adolescent’s first orgasm jerking himself off to equally juvenile fantasies. And right alongside that was the equally total absence of any intelligence in the film. This was the equivalent of a glorified fanzine made live-action. Instead of going back to original source materiel and understanding all the things that made TOS work well when it was on its game they elected to pander to the lowest denominators. It’s okay to do the occasional nudge-and-wink shtick, but you can’t have nearly an entire film of that. Galaxy Quest was more entertaining and I didn’t think that was much. Instead of crafting a genuine Star Trek space adventure drama that resonated like TOS they cranked out something resembling what average John and Jane Q. Public thinks Trek is. True, this isn’t your father’s Star Trek, but rather his know-nothing punk son’s rip-off of it—all grungy flash and no substance. I’m actually surprised Chekov didn’t have a bolt or something pierced through his eyebrow.
And here’s an irony. While I detest every single continuity change made, even with it being a reboot, it could still all have been salvaged with smarter, more deft writing. But such was not to be. Christ, even STV - The Finial Frontier was better than this. Episodes like “Spock’s Brain” are pure rocket science compared to this. First season TNG was more engaging.
To cap it all off the excessive handycam work was not at all appreciated. I’m really getting annoyed with this style of filming. It gives me a headache.
This film looked more Farscape or new Battlestar Galactica than Star Trek with its grungy industrial and cheap looking production design. But then it goes right alongside the new U.S.S. Uglyprise.
But I am gratified that in fashioning such a fucked-up failure it’s really easy to divorce this thoroughly from the original series. However, it does fit neatly with ENT which was a failure of its own. And if I could I would console Shatner to be glad he had nothing to do with this turkey. Too bad Nimoy can no longer make that claim.
Suffice to say I’m glad I didn’t pay to see this in the theatre. And I sure as hell wouldn’t pay even two cents for the dvd. It’s also safe to say that I won’t be bothering with any subsequent films as long as they’re following Abrams’ approach to the subject matter. Abrams, like Manny Coto before, has been hyped as a saviour yet here he shows he’s just a purveyor of mediocrity.
Deep down I wanted to be proven wrong on some level. But this thing couldn’t even meet my lowest expectations. It was one cringe or disgusted groan inducing thing after another. After four decades of watching various films this one joins the ranks of utter disappointments right alongside the likes of Battlefield Earth, Starship Troopers, The Fifth Element, Superman Returns, Batman & Robin, Batman Forever, Insurrection, Nemesis and the recent remake of The Day The Earth Stood Still.
The cliché that things today are all flash and no substance is in truth usually overblown, but not here. This follows the true dumb action flick approach: cram it with stuff and run it all at breakneck speed to veil the fact that there's nothing of any sense happening.
No subtlety, Not a whit of intelligence. Not a hint of nuance. And not one measure of maturity.
Garbage.
Set aside all the periphral elements I dislike. Look at the Kirk arc in this film since he's a central element of the story. This interpretation of Kirk has little to nothing but a smarmy, smartass attitude and no self-discipline. He later stows away aboard a ship where he has no standing and no position. After Pike acts outraged he then enlists the stowaway's help. Throughout the entire thing this Kirk never demonstrates any evidence of ability to command and lead and displays no substance to show why others should respect and follow him. And by the end of the story he gets command by an organization that apparently doesn't have very demanding standards.They give command to a hotshot neophyte who hasn't done anything of substance to show he's earned the prize of one of Starfleet's best ships within a very few span of years..
That's all up on the screen and none of it bears any resemblance to a believable scenario. The only reason this Kirk gets his captaincy is because that's where Abrams wanted the story to end up despite the fact that nothing in the preceeding two hours logically supports that conclusion. It's all nonsensical. And to make it all worse this portrayal of Kirk isn't likable. He's all swagger and smartass without one iota of roguish charm. He's I punk I wanted to kick from pretty much the onset. It isn't easy to cheer for a hero who shows little evidence of likability. It's made all the more worse by a portrayal that is essentially one dimensional with next to no nuance. Give us a different interpretation, yes, but give us something of substance. Instead of that approach why not show us a Kirk learning and earning his way? Show us someone developing the abilities and scars of leadership over the years--that's credible. Instead they portray an over-the-top caricarture of Kirk rather than a nuanced believable one.
Abrams has gone the route of an adolescent fantasy where the kid believes if he's macho and heroic enough he'll get to lay the girl, or in this case win command of the Enterprise.
This story is also about nothing but trying to force-fit two characters into a "destiny." Quinto's Spock has next to no range while Nimoy was adept at telegraphing so much through eyes and facial expression. But the whole point of this story is to get two cardboard cutouts together.
Now add back all the other things I disliked and you have a film that fails my definition of good Star Trek. Dismiss me as a regressive purist if you like, but you're making a TOS era film then I'm going to judge it by the show that established and defined that era. And even if you prefer a different series or film version of Trek you cannot deny that TOS is the genuine article.
But what really burns my ass is what happens when you elect to take a dissenting position. I'm not the only one, but anyone around here who is the minority positon of not accepting something TPTB proffer gets roasted and jeered for having an opposing viewpoint.
Everyone takes something different from a show based on their likes and dislikes. If your Trek doesn't take itself seriously than that's the Trek that'll make you happy. But if your Trek does strive for a good measure of credibility then that's what you'll look for. And the fact is TOS often made an effort to convey a sense of credibility in ideas, in chracterization and often in story.
This film doesn't make any such effort.
$144 million now and counting in 7 days, ahead of Wednesday grosses of: Wolverine, Iron Man, and Batman Begins.
Wow you guys are making a real impact by not seeing it...
RAMA
$144 million now and counting in 7 days, ahead of Wednesday grosses of: Wolverine, Iron Man, and Batman Begins.
Wow you guys are making a real impact by not seeing it...
OK guys. Don't get personal. Have respect, even if you disagree with each other.
Did you see this?
Okay, I saw it.
Garbage. I didn’t like one single aspect of this thing. I didn’t like the production design. I didn’t like the costuming. I didn’t like the music. I didn’t like the story. I didn’t like the characterizations (or interpretations thereof). I really looked for something to like and I didn’t find a thing.
It was nothing but one over-the-top cliché after another and each of them grated on my nerves. Including clichés based on next to nothing—Kirk FINALLY makes it with a green alien chick. Whooee!
I also didn’t find it fun in the least. But I did find it incredibly stupid and dumb-as-shit. I’m an hour and half into the film before the remotest spark of interest hits me, but long before then I really couldn’t care less. There's no logic whatsoever to how things unfold or why things are done.
Kirk’s punk like characterization got on my nerves from the start and never did I see one iota of roguish appeal that William Shatner’s Kirk has in spades. And there is ZERO logic to support how Kirk ends up with command by the end of the film. In fact all the characters were clichés with zero nuance and subsequently zero depth and zero warmth. All the characters were played as caricatures as likely seen by the general audience, but they were all light years from the nuanced characters that TOS gave us from the very first episode. Even Bruce Green’s Pike lacked any of the appeal that I found in Jeffery Hunter’s portrayal of Pike—and Hunter only had one go at the role way back in 1965 and Greenwood is actually a good actor, just not here. They couldn’t even give us an interesting villain. Nimoy had more nuance in his five minutes than the entire rest of the film.
The only emotional quotient in this thing was the equivalent of an adolescent’s first orgasm jerking himself off to equally juvenile fantasies. And right alongside that was the equally total absence of any intelligence in the film. This was the equivalent of a glorified fanzine made live-action. Instead of going back to original source materiel and understanding all the things that made TOS work well when it was on its game they elected to pander to the lowest denominators. It’s okay to do the occasional nudge-and-wink shtick, but you can’t have nearly an entire film of that. Galaxy Quest was more entertaining and I didn’t think that was much. Instead of crafting a genuine Star Trek space adventure drama that resonated like TOS they cranked out something resembling what average John and Jane Q. Public thinks Trek is. True, this isn’t your father’s Star Trek, but rather his know-nothing punk son’s rip-off of it—all grungy flash and no substance. I’m actually surprised Chekov didn’t have a bolt or something pierced through his eyebrow.
And here’s an irony. While I detest every single continuity change made, even with it being a reboot, it could still all have been salvaged with smarter, more deft writing. But such was not to be. Christ, even STV - The Finial Frontier was better than this. Episodes like “Spock’s Brain” are pure rocket science compared to this. First season TNG was more engaging.
To cap it all off the excessive handycam work was not at all appreciated. I’m really getting annoyed with this style of filming. It gives me a headache.
This film looked more Farscape or new Battlestar Galactica than Star Trek with its grungy industrial and cheap looking production design. But then it goes right alongside the new U.S.S. Uglyprise.
But I am gratified that in fashioning such a fucked-up failure it’s really easy to divorce this thoroughly from the original series. However, it does fit neatly with ENT which was a failure of its own. And if I could I would console Shatner to be glad he had nothing to do with this turkey. Too bad Nimoy can no longer make that claim.
Suffice to say I’m glad I didn’t pay to see this in the theatre. And I sure as hell wouldn’t pay even two cents for the dvd. It’s also safe to say that I won’t be bothering with any subsequent films as long as they’re following Abrams’ approach to the subject matter. Abrams, like Manny Coto before, has been hyped as a saviour yet here he shows he’s just a purveyor of mediocrity.
Deep down I wanted to be proven wrong on some level. But this thing couldn’t even meet my lowest expectations. It was one cringe or disgusted groan inducing thing after another. After four decades of watching various films this one joins the ranks of utter disappointments right alongside the likes of Battlefield Earth, Starship Troopers, The Fifth Element, Superman Returns, Batman & Robin, Batman Forever, Insurrection, Nemesis and the recent remake of The Day The Earth Stood Still.
The cliché that things today are all flash and no substance is in truth usually overblown, but not here. This follows the true dumb action flick approach: cram it with stuff and run it all at breakneck speed to veil the fact that there's nothing of any sense happening.
No subtlety, Not a whit of intelligence. Not a hint of nuance. And not one measure of maturity.
Garbage.
Or this?
Set aside all the periphral elements I dislike. Look at the Kirk arc in this film since he's a central element of the story. This interpretation of Kirk has little to nothing but a smarmy, smartass attitude and no self-discipline. He later stows away aboard a ship where he has no standing and no position. After Pike acts outraged he then enlists the stowaway's help. Throughout the entire thing this Kirk never demonstrates any evidence of ability to command and lead and displays no substance to show why others should respect and follow him. And by the end of the story he gets command by an organization that apparently doesn't have very demanding standards.They give command to a hotshot neophyte who hasn't done anything of substance to show he's earned the prize of one of Starfleet's best ships within a very few span of years..
That's all up on the screen and none of it bears any resemblance to a believable scenario. The only reason this Kirk gets his captaincy is because that's where Abrams wanted the story to end up despite the fact that nothing in the preceeding two hours logically supports that conclusion. It's all nonsensical. And to make it all worse this portrayal of Kirk isn't likable. He's all swagger and smartass without one iota of roguish charm. He's I punk I wanted to kick from pretty much the onset. It isn't easy to cheer for a hero who shows little evidence of likability. It's made all the more worse by a portrayal that is essentially one dimensional with next to no nuance. Give us a different interpretation, yes, but give us something of substance. Instead of that approach why not show us a Kirk learning and earning his way? Show us someone developing the abilities and scars of leadership over the years--that's credible. Instead they portray an over-the-top caricarture of Kirk rather than a nuanced believable one.
Abrams has gone the route of an adolescent fantasy where the kid believes if he's macho and heroic enough he'll get to lay the girl, or in this case win command of the Enterprise.
This story is also about nothing but trying to force-fit two characters into a "destiny." Quinto's Spock has next to no range while Nimoy was adept at telegraphing so much through eyes and facial expression. But the whole point of this story is to get two cardboard cutouts together.
Now add back all the other things I disliked and you have a film that fails my definition of good Star Trek. Dismiss me as a regressive purist if you like, but you're making a TOS era film then I'm going to judge it by the show that established and defined that era. And even if you prefer a different series or film version of Trek you cannot deny that TOS is the genuine article.
But what really burns my ass is what happens when you elect to take a dissenting position. I'm not the only one, but anyone around here who is the minority positon of not accepting something TPTB proffer gets roasted and jeered for having an opposing viewpoint.
Everyone takes something different from a show based on their likes and dislikes. If your Trek doesn't take itself seriously than that's the Trek that'll make you happy. But if your Trek does strive for a good measure of credibility then that's what you'll look for. And the fact is TOS often made an effort to convey a sense of credibility in ideas, in chracterization and often in story.
This film doesn't make any such effort.
I'd say he's been pretty damned thorough.
There is nothing APPROACHING courtesy or balance 'over there' and these posters are just calling it like it is.
There is nothing APPROACHING courtesy or balance 'over there' and these posters are just calling it like it is.
And yet, somehow, my negative review thread there (and the posters discussing therein why they didn't like the film) is chugging along just fine and polite.
OK guys. Don't get personal. Have respect, even if you disagree with each other.
Common courtesy is only a viable commodity when it is mutual, otherwise it becomes license to be exploited as a sucker.
There is nothing APPROACHING courtesy or balance 'over there' and these posters are just calling it like it is.
OK guys. Don't get personal. Have respect, even if you disagree with each other.
Common courtesy is only a viable commodity when it is mutual, otherwise it becomes license to be exploited as a sucker.
There is nothing APPROACHING courtesy or balance 'over there' and these posters are just calling it like it is.
[Romulan mode] This is a NON-mutual declaration. You WILL be polite to each other or I will kick your asses. Got it?[/Romulan mode]
We use essential cookies to make this site work, and optional cookies to enhance your experience.