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Whatever Happened to Diane Carey?

Lonemagpie said:
And Red Squad's already been mentioned, so I don't need to bother

First off, one group doesn't qualify as "all those." Second, Red Squad wasn't a "youth military organization." It wasn't a distinct organization at all -- just an unofficial student clique within Starfleet Academy, one that was established by Admiral Leyton and was a temporary aberration rather than a regular institution. And Starfleet Academy is not a "youth military organization," because it rarely takes anyone under 17 or 18. (One assumes that Wesley trying to get in as early as age 15 was an exception based on his genius; there's never been any other suggestion that anyone so young can get in, as far as I'm aware.)


As for the Wagon Train thing, I always took that as just the pitch Roddenberry used to sell the show to Western-obsessed network execs, not an expression of his real intent or inspiration. It's just part of Hollywoodspeak -- you package your concept by comparing it to a known success. "It'll be My Fair Lady with a call girl!" "It'll be Hamlet with lions!" "It'll be The West Wing in the 24th Century!" (Sorry, KRAD.)
 
As for the Wagon Train thing, I always took that as just the pitch Roddenberry used to sell the show to Western-obsessed network execs, not an expression of his real intent or inspiration.

Indeed - I was making the Hornblower comparison, though.

(It always amazed me that everyone compared original BSG to Star Wars, when they clearly have a literal Wagon Train, in the stars!)
 
Sci said:
To be fair, it's not as though the Trek novels are burdened with an overabundance of novelists writing from a relatively conservative political stance, and it was nice to be able to point to Ms. Carey's work when someone would invariably complain of an intentional liberal bias in the novel line.

I know I enjoy all the Left Behind novels written from a liberal atheist perspective. Oh, wait, there aren't any, because the values inherent in that fictional universe mean that can't be done. Hmm.
 
So from what I see here, I find it interesting and odd that a female author would have such views on the male-female dynamic, one might say even "anti-feminism" by the sounds of it...
Again I haven't read any of her works, so I'm only going by what I'm reading here, but would be a fair assessment to make?
 
Ethros said:
So from what I see here, I find it interesting and odd that a female author would have such views on the male-female dynamic, one might say even "anti-feminism" by the sounds of it...
Phyllis Schlafly? (Kidding. I doubt Diane Carey is that rabid and hardcore)

Again I haven't read any of her works, so I'm only going by what I'm reading here, but would be a fair assessment to make?

*shrug* Based on what I've read, it seems like it. I didn't pick up on any of that the last time I read any of her work.
 
Lonemagpie said:
(It always amazed me that everyone compared original BSG to Star Wars, when they clearly have a literal Wagon Train, in the stars!)

Well, probably that has something to do with the fact that it came out about a year after Star Wars, had its effects produced by John Dykstra, and used the same kind of WWII-dogfights-in-space paradigm that SW popularized. And its leads included a clean-cut, heroic fighter pilot, his wise, elderly mentor, and his roguish, womanizing best friend.
 
Emh said:
Once again, everyone either absolutely loves or absolutely hates Fire Ship and Red Sector, but everyone agrees Ship of the Line is the worse. :lol:
Just to be perverse...

Fire Ship: Love.
Red Sector: Hate.
Ship of the Line: Meh.

I thought Fire Ship was bloody brilliant, and possibly the best Janeway story ever done. For the first time ever, really, I felt like the Delta Quadrant was an alien place, with races whose technological development took a different path. And the Hornblower-esque feel of the story -- Janeway working her way up from deckhand to captain -- felt completely natural.

Red Sector. The quote in Tim Lynch's review was that the book "actively causes brain damage." I can't argue with that.

Ship of the Line. It has all the hallmarks of a rush job. I don't know if Diane was crunched for time on the manuscript or if John Ordover was derelict in putting it through editorial and production on a timely basis. Either way, the resulting book is a deeply flawed work that falls short. On a writing level, Ship is never bad. On a continuity level, Ship falls well short of the goal (and could so easily have been fixed.) And so I tend to be forgiving of Ship.

Ancient Blood was brought up elsewhere in the thread. I didn't care about the Worf plotline (to the point that I don't remember what it was about), the holodeck scenario with Picard and Alexander was exciting fun for this Age of Sail fan. If Carey wrote Age of Sail novels, I'd be there are the bookstore to snap them up the moment they came out. :)
 
Christopher said:
Lonemagpie said:
(It always amazed me that everyone compared original BSG to Star Wars, when they clearly have a literal Wagon Train, in the stars!)

Well, probably that has something to do with the fact that it came out about a year after Star Wars, had its effects produced by John Dykstra, and used the same kind of WWII-dogfights-in-space paradigm that SW popularized. And its leads included a clean-cut, heroic fighter pilot, his wise, elderly mentor, and his roguish, womanizing best friend.

Nah, just coincedence. Daggits don't pull people's and legs off when they lose at something
 
I thought it was Wagon Train to the Stars, wasn't it Nick Meyer who drew the Hornblower analogy.
"Wagon Train to the stars" was how Roddenberry sold it to network executives, but you can see from Stephen Whitfield's Making of Star Trek and later interviews that Hornblower was his model for Kirk. However, he was reasonably certain that NBC executives wouldn't know C.S. Forrester from a hole in the ground. :)
 
KRAD said:
However, he was reasonably certain that NBC executives wouldn't know C.S. Forrester from a hole in the ground. :)

Reminds me of J. Michael Straczynski's anecdote of how he had a character in a Murder, She Wrote script compare another character to Captain Ahab and a network executive said "Who's this Ahab guy? I can't find him anywhere in the script." And when JMS tried to explain, the exec insisted the line be expunged because nobody would know what it meant.
 
Ethros said:
So from what I see here, I find it interesting and odd that a female author would have such views on the male-female dynamic, one might say even "anti-feminism" by the sounds of it...
You mean like Ann Coulter, who believes she shouldn't have the right to vote because she's a woman? (To which Austin Powers would respond, "Whaaaa? That's a man, baby!")
 
The Laughing Vulcan said:
I thought it was Wagon Train to the Stars, wasn't it Nick Meyer who drew the Hornblower analogy.

The show was "Wagon Train to the Stars", but April/Winter/Pike/Kirk was also inspired by the "Hornblower" books. Although Roddenberry was distressed by much of what Bennett & Meyer were doing to "his ST" with ST II, he couldn't really begrudge the Hornblower stuff because he'd already drawn the analogy himself. Although, IIRC, GR did object that they went too far:, eg. the military look of the uniforms, the bosun's whistle, etc.
 
Sci said:
I'd say it is. A bias, mind you, isn't necessarily a bad thing, either -- it's simply a point of view. But when you're, for instance, writing from the point of view which holds that homosexuality is a morally neutral thing, then that's certainly one particular bias. It's a good bias, I would argue, but a bias nonetheless.

Maybe we're using two different meanings of the word bias. The one that comes to my mind first is the pejorative sense, also the first applicable definition in my dictionary:

2. a particular tendency or inclination, esp. one that prevents unprejudiced consideration of a question; prejudice.

Obviously, since liberalism is opposed to prejudice, the notion of a 'liberal bias' comes off as something of an oxymoron. If liberal rejection of conversative stances sometimes seem so speedy that it comes across as prejudice, it's only because conversatism, by its very Arcadian nature, deploys a limited number of arguments repeatedly and innovates only infrequently, such that most arguments will have been encountered, considered and dismissed many times previously. Not prejudging, then, but postjudging.

On the other hand, if you mean bias to mean partiality generally and not neccesarily a jaundiced perspective, a proclivity, then I would agree.

So while I think it's fair to say that overall, Trek's politics tends to be more liberal, I also think it's fair to point out that there are elements of conservatism that are represented in Trek, too. So it's nice to have, in terms of authors, more of an ideological balance. I'm not saying that Trek books should start espousing a fundamentally conservative viewpoint, mind you -- but it's nice to present more than one political POV both in the books and amongst the authors.

Frankly, I'm quite happy with the mostly liberal viewpoint we have now, which I think fits the universe nicely. I don't see that we should start going off looking for libertarian, or fascist, or anarchist Trek fiction, in the name of a misunderstood notion of inclusivity. Being inclusive doesn't mean accepting all things; it's maximizing what can be incorporated, while still rejecting overt exclusionary schemes. And the Moore quote, I feel, supports what I've been saying about how Carey's works felt, to me anyway, to present only a singular viewpoint. You certainly wouldn't argue that the current roster of authors, whatever their real life affiliations, don't present a variety of perspectives in their novels, from liberals like Troi to militarist Klingons to capitalist Ferengi to crypto-facsists like Section 31. Yes, one ideology will typically prevail or be casted in the best light, but it's part of the Trek universe's philosophical underpinnings that optimism and outreach succeed, and doesn't make the writers' attempts to present a multiplicity of viewpoints futile or hypocritical.

There was no Bill O'Reilly comic book, to the best of my knowledge. There was, however, a extremist conservative Sean Hannity comic called Liberality For All, which was absolutely hysterical.

Hannity, O'Reilly--same diff'.

Ethros said:
So from what I see here, I find it interesting and odd that a female author would have such views on the male-female dynamic, one might say even "anti-feminism" by the sounds of it... Again I haven't read any of her works, so I'm only going by what I'm reading here, but would be a fair assessment to make?

Eee... I've never actually met Carey, so I'm extremely uncomfortably doing anything like accusing her of mysogyny simply from reading some of her fiction. What I will say, and I believe true, is that her characters present a quite narrow behavioural spectrum which is put forward as being 'correct', and that it correlates strongly with a very traditional notion of masculinity.

Fictitiously yours, Trent Roman
 
Trent Roman said:

Ethros said:
So from what I see here, I find it interesting and odd that a female author would have such views on the male-female dynamic, one might say even "anti-feminism" by the sounds of it... Again I haven't read any of her works, so I'm only going by what I'm reading here, but would be a fair assessment to make?

Eee... I've never actually met Carey, so I'm extremely uncomfortably doing anything like accusing her of mysogyny simply from reading some of her fiction. What I will say, and I believe true, is that her characters present a quite narrow behavioural spectrum which is put forward as being 'correct', and that it correlates strongly with a very traditional notion of masculinity.

Fictitiously yours, Trent Roman
It's been decades since I read them, but wasn't there a similar tone in some of Marshak & Culbreath's work? When you take a kind of Kirk worship standpoint, a side effect of that is often a very traditional relationship between him and "his" women--he's the hero, and the "conquests" fall into a secondary role. It does seem a bit ironic when the writer happens to be a woman. On the other hand, I don't think the women were portrayed as weak by any means, or helpless on their own. They were just very happy and eager to succumb to Kirk the space stud.
 
Scott Pearson said:
...wasn't there a similar tone in some of Marshak & Culbreath's work? When you take a kind of Kirk worship standpoint, a side effect of that is often a very traditional relationship between him and "his" women--he's the hero, and the "conquests" fall into a secondary role. It does seem a bit ironic when the writer happens to be a woman. On the other hand, I don't think the women were portrayed as weak by any means, or helpless on their own. They were just very happy and eager to succumb to Kirk the space stud.

Actually, in the Marshak/Culbreath books, the women Kirk got involved with were usually superwomen who were more than a match for him physically and mentally and sometimes put him (or his transporter duplicate) into a subordinate position that he chafed against. And they were usually at least as heavily into Spock as Kirk. The Romulan Commander in the Phoenix novels, the super-advanced Belen and Flaem in The Prometheus Design, Sola Thane in Triangle -- they didn't succumb to Kirk, they dominated him, or at least matched him.

In fact, Marshak and Culbreath sometimes went out of their way to underline Kirk's fragility in comparison to the superhuman strength of Spock, the Commander, Omne, and the other alien characters of both sexes he came up against. There was a lot of dominance/submission stuff going on with Kirk generally ending up on the bottom. Oh, sure, like all the featured characters in their books, Kirk was one of the most physically capable, sexually alluring, mentally gifted, galactically famous and important people in the universe, but Spock and the various guest characters they focused on were even more so, and most of them made a point of proving it to him.
 
And I can't think of any woman Kirk got involved with in a Diane Carey novel. She goes out of her way to say that he didn't get involved with Piper in Battlestations!

There is the love interest for Kirk in New Earth, but while Carey introduced the character, the relationship itself appears in the books not written by Carey.
 
Christopher said:Actually, in the Marshak/Culbreath books, the women Kirk got involved with were usually superwomen who were more than a match for him physically and mentally and sometimes put him (or his transporter duplicate) into a subordinate position that he chafed against. And they were usually at least as heavily into Spock as Kirk. The Romulan Commander in the Phoenix novels, the super-advanced Belen and Flaem in The Prometheus Design, Sola Thane in Triangle -- they didn't succumb to Kirk, they dominated him, or at least matched him.

In fact, Marshak and Culbreath sometimes went out of their way to underline Kirk's fragility in comparison to the superhuman strength of Spock, the Commander, Omne, and the other alien characters of both sexes he came up against. There was a lot of dominance/submission stuff going on with Kirk generally ending up on the bottom. Oh, sure, like all the featured characters in their books, Kirk was one of the most physically capable, sexually alluring, mentally gifted, galactically famous and important people in the universe, but Spock and the various guest characters they focused on were even more so, and most of them made a point of proving it to him.
Ahhh, yes, it's coming back to me now. I'd completely forgotten how everyone was turned up to 11 in the M&C books . . .
 
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