Yeah, but it was originally water before he transformed it...
I'm a big fan TOS. It's gotta me my favorite TV show. But it wasn't as "smart" as some think it was. Rose colored glasses and such.
There were a lot of subtleties that I think the average person might miss, because of the myriad of distractions in the movie. Seeing it multiple times may help make this clearer.![]()
We're in the odd position of having a movie on our hands that normally would've been justly trashed by critics left and right, if it didn't have "Star Trek" as the title. Usually, it's just the opposite.
Same here. I didn't turn it on to get a science or morality lesson. I was looking to be entertained. If I "learned" something it was mostly by accident.I'm a big fan TOS. It's gotta me my favorite TV show. But it wasn't as "smart" as some think it was. Rose colored glasses and such.
It had its moments, but I didn't get hooked on it as a kid because it was "smart" or "intellectual". I got hooked because it was fun and entertaining. The same reason I liked the movie.
Remark in general:
It's very easy to say the new movie is dumb, isn't it? Anybody who disagrees will immediately find themselves getting the "oh, you thought it wasn't dumb? perhaps you aren't as intelligent then" argument. So, because people don't want to look unintelligent, they simply say the movie was dumb, so they can feel better.
Like me. And I still maintain that it is easier to be fun and dumb than fun and smart
STXI, however, had 14, count them, 14 plotholes and idiocies, in JUST ONE 4 MINUTE SCENE. It would have been horrible enough if they were the only 14 plotholes in the entire movie (quite frankly 14 plotholes in an entire movie is way too much), but it goes on, and on, scene after scene, plothole after plothole after plothole, after idiocy after idiocy after contrivances after coincidences. And on top of that, you could cut the scene out of the movie - and you'd have the same movie; it does nothing for the plot.
Which scene am I talking about; Kirk trying to warn the bridge crew the Narada is at Vulcan. Quick shortened list of problems and idiocies that are in this scene: Uhura is reduced to an in dereliction of duty idiot (not sending the message of the Narada destroyed 47 Klingons up to Starfleet command), the Vulcans are reduced to complete idots sending "we have detected Earthquakes" instead of sending "there's this giant ass ship that just destroyed our militia fleet and is now drilling a hole into our planet", the whole bridge crew and Kirk are reduced to illogical buffoons, Sulu is made to look like a complete idiot unable to perform the one task he's trained most of all to do, the brand new flagship of Starfleet has no subspace/FTL sensor-less the very sensors it needs to get anywhere safely at warp speeds, a communications Lieutenant is made to look like an even bigger idiot wondering whether he can differentiate Vulcan from Romulan when there are NO transmissiosns AT ALL, and there are many, many more things.
And what was it for? Nothing. The concept of the scene is warning the bridge crew that Vulcan is under attack and they're heading for the attacker. Yet, when he succeeds, and they drop out of warp, they are at Vulcan and at the Narada anyway, making the entire scene useles. Worse, Nero then chooses not to destroy them, because he wants young Spock to watch just like old Spock.
So, if Enterprise had flown wide-eyed into "the trap", we would have the exact same result, the same movie. All those plotholes and idiocies, for absolutely nothing. In fact, if Sulu wasn't reduced to an idiot and the Enterprise arrived properly along with the fleet, Nero would have disabled the Enterprise, and the crew would have been forced to watch the Narada destroy the rest of the fleet without getting a scratch on it driving home just how hopeless the situation is; it would have been a fantastic spacebattle and a fantastic dramatic scene. The movie would have been better - MUCH better.
By contrast, look at STII. It's basic plot maybe light, but what's done with it, and how everything else is treated. The character-growth of Kirk's son going from hating his father and Starfleet to grudging respect. The revelation Kirk has a son and the mother wouldn't allow him contact. The whole theme of the no-win scenario, and Spock's solution. And on and on. And every scene, and every character interaction and drama piece is allowed the proper amount of time and pacing to develop and come to fruition. This movie has multiple layers - it's a masterpiece.
STXI is just unfunny juvenile jokes stringing along SFX piece after SFX piece. There are hardly any, if any at all, character moments and drama, and if they're there, they're either overshadowed by the multiple plotholes that allowed them to happen, muffled away and diminished by an intruding dumb joke, or not dealt with all. How Spock went from logical person that would only look at a woman if his mind was compromised to starting a relationship with one of his students which could fill a 3 hour movie alone - not dealt with, it's just poof, they're together. Spock's mom dying - how she got to the High Council in the first place as she was only just on the balcony of her home, the Vulcan High Council that chose to go to a place where they can't be communicated with, Spock choosing to take a leisure stroll through the park, as Checkov has enough time to interact with Kirk and Sulu for several minutes, run to the transporter room, and beam Kirk and Sulu aboard before Spock finally arrives in the transporter room. And on and on and on. Only four scenes work; everything else is riddled with emptiness, plotholes, idiocies, and contrivances. And there's no depth, no multiple layers, nothing.
STXI - I've never seen a movie this utterly horrible. Never in my entire life have I seen something this bad with his many plotholes and idiocies in this many scenes. And it has got nothing to do with it not being like a TOS episode, the fact that it has got nothing that makes it resemble any good Star Trek story or movie only COMPOUNDS the problem. This movie, even if it didn't carry the name Star Trek, is bad, and horribly written, all on its own. As a Star Trek movie - it's worse, it's FAR worse.
Like me. And I still maintain that it is easier to be fun and dumb than fun and smart
Well, of course, however, "We choose to go to the moon and the other things that are worth doing, not because they are easy, but because they are hard."
I'm sure creating the film was hard work and to those involved worth doing. It doesn't have the look of something dashed together on the quick and cheap. Folks seem to think its worth watching too.Like me. And I still maintain that it is easier to be fun and dumb than fun and smart
Well, of course, however, "We choose to go to the moon and the other things that are worth doing, not because they are easy, but because they are hard."
You'll get no argument there. I still can't get over it: I liked the movie, had a great time all 3 times I saw it and yet I find myself still sympathizing more with the people who hated this film than those who loved it. I just don't get it.![]()
I'm sure creating the film was hard work and to those involved worth doing. It doesn't have the look of something dashed together on the quick and cheap. Folks seem to think its worth watching too.Well, of course, however, "We choose to go to the moon and the other things that are worth doing, not because they are easy, but because they are hard."
You'll get no argument there. I still can't get over it: I liked the movie, had a great time all 3 times I saw it and yet I find myself still sympathizing more with the people who hated this film than those who loved it. I just don't get it.![]()
Yeah, you can sympathize with those who didn't get the film they wanted.
Maybe next time. Though I doubt that film will ever get made, because that "Star Trek" never existed. (Not a reference to alternate timelines.)
It's very easy to say the new movie is dumb, isn't it? Anybody who disagrees will immediately find themselves getting the "oh, you thought it wasn't dumb? perhaps you aren't as intelligent then" argument.
It's very easy to say the new movie is dumb, isn't it? Anybody who disagrees will immediately find themselves getting the "oh, you thought it wasn't dumb? perhaps you aren't as intelligent then" argument.
I don't feel a lot of vulnerability on that score relative to the folks who suggest as much.![]()
On the dumbness scale it probably somewhere in the middle ( for me) As for "bad boy Kirk" I think the genesis of that take is in TWOK and it seems to the version that the public knows best.I'm sure creating the film was hard work and to those involved worth doing. It doesn't have the look of something dashed together on the quick and cheap. Folks seem to think its worth watching too.You'll get no argument there. I still can't get over it: I liked the movie, had a great time all 3 times I saw it and yet I find myself still sympathizing more with the people who hated this film than those who loved it. I just don't get it.![]()
Yeah, you can sympathize with those who didn't get the film they wanted.
Maybe next time. Though I doubt that film will ever get made, because that "Star Trek" never existed. (Not a reference to alternate timelines.)
A-ha! This is why I sympathize with those who hate this movie: ultimately, I agree with them in the substance of their argument but not the effect. Yes, this movie is dumber than all but the worst episodes of TOS; yes, this movie does assassinate Kirk's essential character in order to bring him in line with the 21st Century entitled pretty boy brat archetype (and yes, I know this noxious archetype has been around for ages--thing is, Kirk was never an exemplar of it); yes on a thousand other points. The only thing that puts me in your camp rather than theirs is that none of that bugged me enough to keep me from having a good time. That's it. What's more, none of the strenuous defenses of this film convince me that it is any smarter than it is or, conversely, that the best episodes of TOS were any dumber than they were. Revisionism is revisionism and my tolerance for it ends in the theatre, with the deliberately hokey fake planets that accompany the original Sandy Courage theme. Ooooh, how kitschy!
One more thing: a lot of work went into making TMP, a movie I like and you've savaged. Why should I give a pass to the writers of Transformers 1 & 2 and the creator of Felicity if I shouldn't give that same pass to the creator of Star Trek and the director of The Day the Earth Stood Still?
As for "bad boy Kirk" I think the genesis of that take is in TWOK and it seems to the version that the public knows best.
As for "bad boy Kirk" I think the genesis of that take is in TWOK and it seems to the version that the public knows best.
Kirk was never "bad boy kirk" in TWOK.
I dont recall asking you (or anyone) to give it a pass. Especially based on the past work of the creators. I happen to love the look of TMP (refit E: best Enterprise ever). I'm sure the guys putting that film together worked their asses off. I just think the script need another go. Made a little tighter and the characters closer to what I knew from TOS. I would never use that JFK quote to try and say something negative about the film and filmmakers involved. Because I don't think it fits. Comparing the making of any film (be it Trek or anything else) to what went into putting a man on the Moon just doesn't work.
It's very easy to say the new movie is dumb, isn't it? Anybody who disagrees will immediately find themselves getting the "oh, you thought it wasn't dumb? perhaps you aren't as intelligent then" argument.
I don't feel a lot of vulnerability on that score relative to the folks who suggest as much.![]()
"Boy Scout" is usually code for a good boy. Superman is called "The Big Blue Boy Scout" because he's a straight arrow who follows the rules, calls his mom every night and helps old ladies cross the street.Agreed [with 3D Master]. TWOK Kirk wasn't a bad boy at all, he was a stubborn intellectual.
* He was "never a Boy Scout," but that doesn't make him a "bad boy." To me, it suggests a certain individuality, disdain for group think and doctrine, and lack of interest in merit badges. (No offense to Scouts.) When he knew Carol Marcus as a cadet and young officer, he was probably the first to find a way around the Starfleet way of doing things, maybe didn't fit in at the officer's mess, and shunned the "careerist" mindset that's more concerned about evaluations than effectiveness.
Perhaps, but it is presented with a somewhat gleeful glint in Kirks eye and followed up by the phrase "I don't like to lose."* As a trainee, he didn't cheat on the Kobayashi Maru because he wanted to beat it. He cheated because he rejected the idea of an unwinnable scenario. I interpreted his cheating as an act of protest, intended to draw attention to what he believed to be wasteful, perhaps harmful training.
Not sure how that ties into Kirk being a "bad boy"* His inattention to detail during his first encounter with Khan is simply the result of several decades of intellectual stubborness. By this point in his career he felt that he had learned all he needed, and that his own instincts were superior to the Starfleet system.
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