For an example of what Nolan is speaking about, take the Star Wars prequels.
For an example we are to refer to movies that are nearing 20 years old? Is there no allowance for the maturing of the FX industry in those 20 years?
For an example of what Nolan is speaking about, take the Star Wars prequels.
Yes, let’s pretend that modern movies don’t use the same techniques to replace practical sets and real location shooting because some suit at a studio thinks it’s cheaper with CGI.For an example we are to refer to movies that are nearing 20 years old? Is there no allowance for the maturing of the FX industry in those 20 years?
Compare that to a situation like the one above where the actors are in a green room reacting to marks on a wall, and the entire environment has to be drawn in around them.
But that goes back to Nolan's original point in the text I quoted above.Actors have had 30 years to adapt to the changing VFX world. Their skills grow as they continue to acclimate. Much like skills changed as we moved from live action theater to more intimate TV and movie settings.
But that goes back to Nolan's original point in the text I quoted above.
There's a threshold where the fictional world you're trying to create loses believability because it becomes an obvious animated environment instead of a real environment and loses suspension of disbelief.
I heard that in Spock’s voice.Yes, it's quite irrational.
Then my work here is done.I heard that in Spock’s voice.![]()
And ONE Volkswagon!I don't really care if the FX are CGI or practical, as long as they're there to enhance the story rather than show off what can be done in CGI. My feelings about nudity, violence, and sex in visual media are similar, I don't mind any of it if it contributes to the story, but if it's just shown for its supposed shock value, I get bored with it pretty quickly, and even if it wasn't particularly shocking, the Carol Marcus bikini scene in STID didn't contribute to the story at all.
For me Bullitt will always remain the ultimate car chase movie, and that was all done with practical effects.
I ain't complaining about that scene.I don't really care if the FX are CGI or practical, as long as they're there to enhance the story rather than show off what can be done in CGI. My feelings about nudity, violence, and sex in visual media are similar, I don't mind any of it if it contributes to the story, but if it's just shown for its supposed shock value, I get bored with it pretty quickly, and even if it wasn't particularly shocking, the Carol Marcus bikini scene in STID didn't contribute to the story at all.
For me Bullitt will always remain the ultimate car chase movie, and that was all done with practical effects.
He was off screen.I firmly believe it's a tradition-breaking travesty that mirror universe Kira didn't have a beard.
The beard?He was off screen.
YesThe beard?
Mirror Garak was twisted in ways that would scar our minds.
To be fair, Prime Garak was, too.![]()
He was neither a good person or good character.Mirror Garak was twisted in ways that would scar our minds.
To be fair, Prime Garak was, too.![]()
For me to not like him?Which was largely the point of his character.
We use essential cookies to make this site work, and optional cookies to enhance your experience.