KRAD didn't try to make AotF a non-Trek Trek book, he shoehorned another genre into it, rather than shoehorning Trek into another genre like the others have done.
I would say, pretty much everything by Diane Carey.Chainmail by Diane Carey. You could change a couple dozen lines in that book and I wouldn't know it was supposed to be related to Star Trek in any way.
And the subject said "novels" but I'm going to mention the two Diane Carey stories in Enterprise Logs, an American Revolutionary War story and a World War II story.
Since no one else has said it yet, I'll say that I do think the Marshak/Culbreath novels weren't Trek-like. Apparently very much in the popular style of that period's fanfiction, though. Black Fire was another one that I thought felt very un-Trek-like.
I would say, pretty much everything by Diane Carey.Chainmail by Diane Carey. You could change a couple dozen lines in that book and I wouldn't know it was supposed to be related to Star Trek in any way.
And the subject said "novels" but I'm going to mention the two Diane Carey stories in Enterprise Logs, an American Revolutionary War story and a World War II story.![]()
Shows how perceptions change, since Black Fire was very much an exemplar of what ST fanfiction was like in the day.
Since no one else has said it yet, I'll say that I do think the Marshak/Culbreath novels weren't Trek-like. Apparently very much in the popular style of that period's fanfiction, though. Black Fire was another one that I thought felt very un-Trek-like.
Shows how perceptions change, since Black Fire was very much an exemplar of what ST fanfiction was like in the day (at least from what I've read about it; I never actually read much of it beyond what was reprinted in the New Voyages anthologies and the excerpts in Star Trek Lives!).
I do think that's an interesting discussion point; were the authors actually trying to create something very much like Trek, or were they subconsciously trying to improve Trek and make it their own, by drastically emphasizing certain characteristics that weren't generally such a huge part of official televised Trek? (Things like the depth of the Kirk-Spock relationship.)
Of course, every writer, official or not, does that to a degree whether they realize it or not. That's why it's so critical to have a strong unifying force in the person of a producer or editor. Otherwise, everyone would just do "Star Trek: My Way" instead of crafting a story that's an authentic representation of the source material.
EDIT: "everyone" is probably too general a term. What I meant to say is that people always subconsciously put some of their own flavor into a story. That's not always a bad thing, but the editor or producer should be able to weed out of the parts of the "My Way" that isn't in accordance with the source.
But even within that, there's still some room for interpretation - in my very-biased Sorkin-loving opinion, Articles of the Federation makes up for any possible failures by any other attempt at a non-Trek-like novel.
It depends of the definition one gives to 'Star Trek-like'.
By 'Star Trek-like', I understand a story placed in the trekverse as created on-screen and in previous books.
What is not 'Star Trek-like'? 'New Frontier' - the stories are too over the top for the trekverse - they remind me more of Lexx.
It depends of the definition one gives to 'Star Trek-like'.
By 'Star Trek-like', I understand a story placed in the trekverse as created on-screen and in previous books.
What is not 'Star Trek-like'? 'New Frontier' - the stories are too over the top for the trekverse - they remind me more of Lexx.
But NF *had* established characters (Shelby, Selar) and characters from previous novels (Kebron, McHenry).. Shouldn't that qualify it as Star Trek-like?
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