A clear example of Trek's Utopianism is the first season of TNG on the Enterprise-D.
If anything was analogous to a "boat" it would not have been the Narada, but the infinitesimal Enterprise.Still, there's a difference in having a brig on a ship full of drunken, gambling, dancing, party-going, celebratory folk and having one on, say, a fishing boat.
I would be interested to learn how one of the most successful franchises in entertainment history, a body of work with continuing cultural impact, and a world wide network of ongoing activity can properly called "dead and buried".
I would ask: how does one clearly distinguish utopianism from optimism or imagination?
No, the crew on the Narada were not at work. They were there to exact revenge. They ceased to be miners the moment they attacked the USS Kelvin. Like I said, it was not a military vessel, they were not just following orders.
I agree and it seems very much like the anti-aging planet society the Son'a were after. Yet, my read is that the EntD was provided as an exceptional environment in the overall society, where both your example and that Son'a world are clearly shown as special.A clear example of Trek's Utopianism is the first season of TNG on the Enterprise-D.
I think your telepathic grasp into my thoughts exceeds your telepathic reach. Unless I'm greatly mistaken about my own beliefs or your definition of "congruent", I didn't intend to draw any relationship between Trek utopianism (singly or otherwise) and entertainment franchise success.I would be interested to learn how one of the most successful franchises in entertainment history, a body of work with continuing cultural impact, and a world wide network of ongoing activity can properly called "dead and buried".
You proceed from the false premise that this single aspect of Star Trek - it's supposedly significant utopianism - is congruent with its success as an entertainment franchise.
Well it looks that way to me... but tags could have gotten mixed somewhere.After all, I didn't post that Star Trek was "dead and buried," now, did I?
I would ask: how does one clearly distinguish utopianism from optimism or imagination?
Wrong again. I understand the definitions, but also their vagueness and in this case interrelatedness, which does not seem compatible with your appeal to clear distinctions.You're saying that you don't understand the entirely separate definitions of the words?
Well it looks that way to me... but tags could have gotten mixed somewhere.
let utopian Trek remain unlamented, dead and buried.
By trying to transport people he would put the ship itself in danger by remaining close to it, longer. Even if they managed a beam out of all the people who were willing to come they'd then have Romulans on board... potentially a lot of them. If nothing else that puts Mr. Clean (whoever the security guy was that objected to being called 'cupcake') and company in danger by introducing them to potentially armed enemies who have superior physical strength.
In a moment of crisis (which is what I'd call being sucked in by a black hole) I think he followed his first duty to a tee even if it was, perhaps, at the expense of a more diplomatic solution (or even just the attempt at having one.) It can be objected to as hasty... but anything further feels like a stretch given the circumstances.
Isn't that really Spock's fault though? He tells them to send out the warning on all frequencies, takes the time to explain himself to Uhura, and then actually goes to the transporter room but doesn't think to tell anybody "and while I'm gone, try beaming people en mass from where ever you can. Energize." I think that's his fault. Not Kirk's.I would also mention that the ship made no effort to use its many transporters to beam up any vulcans from the surface of the planet while Spock farted around in the katric arc looking for his own family. Yet another failure of Kirk and Spock's much heralded leadership.
No I don't use voice recognition software to do my typing, why are you asking?
Did we see the same film?Ship designers are very conservative and all space are to be used in what ever capacity, especially on a working vessel.
I was glad to see Nero fry, so I don't have a problem with this.![]()
That is scary. This statement is indicative of why the world is in the state it's in at this time.
That anyone at this late date looks to Star Trek to serve as an example of what "the future" ought to be like rather than simply enjoying it as a movie, uh, "scares" me.![]()
The statement may be, but the corollary to that is that the movie is, too. 95% of viewers (at least, so says Rottentomatoes) wouldn't have liked this movie unless the characters and worldviews in it appealed to at least most of them... Star Trek (the movie) is about 2009 people in a futuristic setting. Whether it makes you happy or sad, I think it's clear that this movie contains an essentially accurate representation of the zeitgeist of today.
There was a time when the people in charge of this franchise were actually trying to show a better world than what we have now. Star Trek's idealized version of the future inspired a lot of people back then. Now, it's just today's world and people with future technology. Nothing to strive for, nothing to dream about.
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