ST-One said:
Procutus said:
... much like in Titanic. ...
"... she was called 'the ship of nerds'. And she was. She really was."
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ST-One said:
Procutus said:
... much like in Titanic. ...
"... she was called 'the ship of nerds'. And she was. She really was."
![]()
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Allyn Gibson said:
Ah, gotcha. Google sent me here.Franklin said:
I think his source for Ellison being mad and Spock having to let Kirk die in order to save the timeline is Starship Polaris, if you know what I mean.
The thing is, I wonder why Harlan Ellison would even know the story's plot. Unless he's got a gang of lemurs feeding him information.
Allyn Gibson said:
Ah, gotcha. Google sent me here.Franklin said:
I think his source for Ellison being mad and Spock having to let Kirk die in order to save the timeline is Starship Polaris, if you know what I mean.
The thing is, I wonder why Harlan Ellison would even know the story's plot. Unless he's got a gang of lemurs feeding him information.
Allyn Gibson said:
It would depend upon whether or not the WGA arbitrator considered the Guardian a character. If it's considered a concept, then no royalty for Ellison.
Going back a year to the publication of Crucible: McCoy, Ellison seems to believe that he has rights to "City on the Edge of Forever" that don't exist. His rant on his website about it boiled down to the belief that when Paramount gave him permission to publish his original script in 1996, all rights reverted back to him. The thing is, Ellison knew full well that Paramount didn't have to give him permission (copyright of the script is assigned to the author per WGA guidelines), and while Ellison's script contains people called "The Guardian of Forever," Ellison's "Guardian" bears no resemblence to the Giant Talking Donut.
Allyn Gibson said:
I didn't know I needed to. Considering that I was addressing the point about whether or not the Guardian of Forever is a "character" for WGA reasons.
Regarding the supposed plot, if that's what you're referring to, that sounds like it has more in common with "Yesterday's Enterprise" than with "City on the Edge." Or more in common with Star Trek: First Contact, for that matter. Or Gene Roddenberry's "Spock kills JFK" script for Star Trek II.
Allyn Gibson said:
Or Gene Roddenberry's "Spock kills JFK" script for Star Trek II.
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