donners22 said:
Anyone else think that the sex scenes in Crucible between Kirk and Keeler actually cheapened their relationship? Not that they were explicit at all, but I felt it really undermined her character and made the relationship seem even weaker - which was a problem given how much the books already stretched it.
I must admit that I am almost mystified by this opinion, but then every reader brings there own mores to the objects of their reading. As you say, those scenes were not explicit, but in addition to that, they were written with the intention of strengthening the relationship between Kirk and Keeler. Of course, I might have failed as a writer in fulfilling that goal.
You say the books "stretched it," but it is unclear to me to what the "it" refers. Kirk and Keeler's relationship, perhaps? If so, then I can say that my feeling as a
Star Trek fan has always been that Edith Keeler was the one true love of Kirk's life. Though living her life in the 1930s, Edith held a vision of life and the universe seemingly beyond her time, and one completely compatible with Kirk's own. The two felt kindred to me, fated to be together, though, tragically, only briefly.
More than that, Kirk and Keeler struck me as adults. They were people who chose to take on serious responsibilities in their lives, who worked to better the societies of which they were a part, willing to take on the duties attendant with such aspirations. As mature, healthy adults who fell in love with each other, it seemed only natural to me that they would consummate their relationship. Though it is unclear in "The City on the Edge of Forever," I explicitly stated in
Crucible that Kirk and Spock were in the past for almost seven weeks, a long enough time for a physical relationship to develop between Kirk and Keeler in a natural, unhurried way.
Also, those scenes, while hardly explicit, also sought to portray that aspect of their romance as something special and important to them. During one such scene, for example, Kirk reveals to Keeler something about which he virtually never speaks: his feelings about his long-lost parents.
I'm not trying to convince you of anything here. For all I know, I might have failed as a writer to convey that which I wished to convey in those scenes. Even if I succeeded, you are certainly entitled to your opinions. But I don't quite understand why sex would
necessarily cheapen a romantic relationship. If anything, such physicality can bring intimacy and trust to new levels.
donners22 said:
The story is set in 1930, and involves a character named "Sister Edith Keeler" in the credits. I thought it would be more powerful if the love between the characters was about their personalities, their outlooks on life and their good qualities.
I found the descriptions focused too much on the physical and thus weakened, or at least missed the chance to properly explain and expand, an already overplayed relationship.
Yes, the story is set in 1930, actually at the end of a period known in America as the "Roaring Twenties." Take a look at some pre-Code films from that era and you might be surprised at their prurient nature (the remnants of Frank Borzage's
The River, from 1929, is a fascinating example). Still, Edith Keeler was hardly portrayed as a loose woman, either in the television series or in
Crucible.
As for the credits listing the character as "Sister Edith Keeler," there is absolutely no mention, nor even any hint, within the actual episode that Keeler is a nun or a member of a chaste--or
any--religious sect. Still, I did take note of the character listing in the credits, and I even had one character call her "Sister Edith." I took the time to explain that Keeler did not like such an appellation, that she did not belong to any religious group, but that she understood why some people employed that monicker.
Anyway, I submit that the relationship between Jim Kirk and Edith Keeler was almost entirely about their personalities. They loved each other, not because of simple physical attraction, but because of their shared outlook on life.
Also, I am surprised to read that my descriptions "focused too much on the physical." It is my feeling that my descriptions, with regard to Kirk and Keeler's relationship, focused almost entirely on the emotional. I'm not sure what you mean by an "already overplayed" relationship, but part of my aim in
Crucible was to further explore the attraction between Kirk and Keeler. Perhaps I failed to do that well, but I don't think that introducing sex into a nearly two-month long romantic relationship weakened that relationship.
donners22 said:
Then again, this was the same series that mentioned characters "exploring each other's bodies", which is one of the funniest things I've ever read.
Not sure what's so funny here, other than that the metaphor strays toward the cliche.
And actually, to explicitly bring this back to the topic of the thread, my own feeling as a reader of
Trek fiction is that I want what I read to be mature. I prefer not to read violence for the sake of violence, or sex for the sake of sex; I also have no taste for teenage-type sexual behavior. As a writer, I pretty much have the same opinions. In
Olympus Descending, during Taran'atar's escape from Ananke Alpha, I wrote a scene in which he literally tore a security guard's arm completely off, then used the handprint of the disembodied limb to open a gate. After reading what I'd written, I decided on my own to tone the scene down. Though not violence for the sake of violence, I felt that having a character's arm ripped off crossed the line of what I felt comfortable putting in a
Star Trek novel.