but I'm not that familiar with the TV show. It was all about the comics for me. Mostly the UK ones, but they occasionally brought in some of the US stories as well.
My favorites go all the way back to the first mini, when Optimus Prime was less "elder statesman" and more "John Wayne." My absolute favorite quote comes when the Autobots have the Decepticons cornered at Sherman Dam and Optimus calls out: "Stick it in neutral, Megatron! Yer not goin' anywhere!"![]()
Haha. Which episode was that?
Can't remember the details but there was an episode where Star Scream finds his old partner? friend? Skyfire on Earth. It was a step above the usual drek the show had for scripts.
^ Died. Well, he did come back like 2 episodes later to be fair.
And I clearly remember, from the few times I did catch the TV show, how much more intelligent and literate the comics seemed in comparison. The TV show seemed so dumbed down, so explosions-and-one-liners, whereas the comics managed to create some really great, well-told, clever stories. Much like Trek Lit has done with some of the less brilliant Trek TV.
Season 3 gets flack because of several factors namely a) the terrible animation due to mostly how Hasbro sunk much of the animation budget for and b) it followed in the heels of the movie where Optimus Prime was perceived to have died at the hands of Megatron partially due to Hot Rod, which in turn created somewhat of backlash from the nascent fandom of the time. According to Hasbro's own internal data, a lot of the kids (now adults) saw Optimus Prime very much as a father figure and what happened in the movie no doubt had a negative effect on their perception of Hot Rod and later Rodimus. But you are right, Season 3 had some of the best scripts and employed notable writers such as Diane Duane, Len Wein and Marv Wolfman. Five Faces of Darkness with the origin of the Transformers, Only Human with the return of Cobra Commander, Ultimate Weapon with Rodimus standing up to Galvatron and exploration of First Aid's non-violence were all very good scripts that would have been remembered more fondly if not for the animation problems.
In "Fight or Flee", I love the sequence when Sandstorm convinces his planet's people to rebel against the Decepticons and it turns into a massive conflict. The ending is also memorable in its ambiguity and Rodimus' questionable actions.
"Carnage in C-Minor" has some of the more hilarious examples of animation problems in the series, chiefly this one and this one. I don't think Voyager class Soundwave has much to fear from Legion class Blaster.My only specific gripe with the episode is that the aliens talk in musical English, but only Blaster and Soundwave seem able to understand them.
Wow, I forgot about that 2nd example you posted, my goodness that is a major size difference! It's as if the animators and layout operators wanted to see if anyone at Sunbow was paying attention that day... and maybe they weren't?
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