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TOS Rewatch

Plato's Stepchildren

Genetically engineered for endless longevity. Will die of infection from a single cut.

So... how does a species that was busy escaping a supernova of their homeworld during Roman times wind up having their entire culture based on Ancient Greece - to the point of even being in physical possession of the personal property of Herodotus?

TOS really did hammer home the idea of Humans being nearly powerless in the face of strange and miraculous beings out there in the universe. Strange, though, that Kirk claims no one has 'the power' where he comes from, when Starfleet has standard ESP tests and ratings (as per WNMHGB).

There is the infamous kiss. It really haunts me that real people would watch a scene of two people being forced basically at gunpoint to be intimate that way and then start screaming bloody murder because people of different skin color 'shouldn't' kiss.

I definitely enjoyed this episode overall, despite it ranging rather close to the Gamesters of Triskelion and Who Mourns for Adonais.

The Platonians themselves are irritatingly substanceless, especially considering their repeated claims of being 'philosophers' and, well, Platonian, but that is ultimately a major part of the point. They've been sitting around so long, they've lost all interest in any actual truth seeking and just fallen into cruelty and hedonism.

Alexander is a fantastic character played with great pathos here, possibly one of the best guest stars in the series. Hearing and seeing his eternity of torture at the hands of his one family is really heart-braking - I am so pleased this is another one of those rare moments when I get to enjoy a truly happy ending as Alexander both maintains his integrity and successfully escapes his people to go live in a much better world. Although I do wish Kirk's mental fight against Parmen had involved making Alexander drop the knife rather than sending him back and forth between them - it rather smacked of using him as a pawn and didn't make sense with Kirk's decision to spare them, either. Although I suppose it could be viewed as just turning the control over Alexander on and off, and it was Alexander himself who kept turning around to head for Parmen - but visually, it didn't feel that way to me.

This is another of those times, though, when I have to question Kirk's ultimate solution. Frankly, I'd consider it near miraculous if the Platonians never went back on their word and dragged in new playthings to control. The only logical reason I could even think for them not to do it would be if they truly understood that it was the environment which provided the Power, and therefore new playthings might eventually receive it, as well - but even that is just incentive to burn through playthings quickly.

It also occurs to me that this is yet another piece of the puzzle in the Federation's hard line stance against genetic engineering. A society engineered from the ground-up to be the 'perfect' undying philosopher race and they were more interested in cruelty and puppet shows than any sort of actual achievement whatsoever.

I do wonder if anyone ever experimented with Kironide away from Platonius. Would it still work to provide people psychokinetic power? Would the Federation even permit experiments? Not that it's a universe game-changer, since it's supposed to be an extremely rare material, anyway.
After fleeing their homeworld's destruction, they arrived at Earth, and they were apparently so impressed with the Greek culture left in the wake of Apollo's visit, although perhaps quite unaware of those Godly spacefarers that came before, they patterned their culture on many of Plato's ideas, and naturally, took along a few cultural trinkets. Unfortunately, they either twisted those ideas pretty good immediately, or they eventually got twisted.

Even the ESP power has always been quite minimal in humans, and nobody has that sort of telekinetic power in the Federation.

The Sons of Socrates. Oops, they changed that working title.

Plato's Stepchildren
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Wow, this episode is widely considered pretty bad, but I simply disagree. I think it has some great moments. Of course I would have preferred more Enterprise interaction and utilization of the ship's power (I love that stuff) but this episode is fine without that.

Mind you, the remastered planet and the ship rocking in orbit is pretty impressive, unlike before, so this and a few other remastered effects definitely improve the episode, even if there isn't much of it.

Side-By-Side Comparison
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I find the discourse between the trio of friends (after being abused by this planet's leader, Parmen) to be touching and worthwhile, and some of Spock's comments bordering on the profound. Later, the general Star Trek theme is again shown that in the Trek universe (well, in Federation society, anyway) size, shape, color, etc. make no difference, and Alexander marvels at the very idea that could even be true - and we, in our own society watching that, might wish to strive to reach this lofty goal ourselves.

Trek's General Feeling About People of Color.
Jim? That Barber, Floyd? He's Pink.
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Pink Floyd. Yeah. So What?
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Don't You Think That's Very Strange?
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Naw. Lots Of People Are Pink Where I Come From.
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With some scenes considered too sadistic, this episode often wasn't aired in places (not really for the interracial kiss, but other reasons). I don't make a big deal out of the first interracial kiss on American television since it might not actually have been that, anyway - a.) it's been suggested Shatner and Nichols weren't really touching lips, and b.) Sammy Davis Jr. and Nancy Sinatra had kissed on T.V. a year earlier. But in any case, it didn't really generate the feared negative response anticipated, but generated mostly positive reactions - so I can't exactly call it controversial. Also, the first sentient interspecies kiss, maybe, occurred before that - a Vulcan and a human, Spock and Nurse Chapel - so it should have been a bigger deal since it came first, too, but I guess that doesn't count since that Vulcan race is just made up stuff.

Leonard Nimoy actually wrote the song, Maiden Wine, and honestly, I've always liked it and even sometimes find myself signing it.
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Nitpicks: It seems remarkable that Parmen can do so much with simple telekinetic control. It actually appears to be relatively weak on the planet, but orders of magnitude far more powerful in space, more than enough to arrest a starship in orbit - and he can't even see the objects he's affecting, like a starship at that distance, let alone the minute circuitry within it that he was manipulating. Unlike those who could control with illusions, which easily makes sense, this is a mystery and quite unrealistic, just as being able to force a person to say certain words or dialogue would be well beyond simple telekinetic abilities. It's more magic and fantasy than science, and not really telekinesis that's going on there. And, BTW, some of that dialogue is from Earth, long after the Platonians left Earth behind. One wonders how they know about it.

One Possible Explanation.
So, it must be assumed other Earth ships have recently visited this planet, and the Platonians took those cultural elements - (Shakespeare, Lewis Carrol, Mexican Hat Dancing, etc. ) - from them before destroying the ships and their crews. This would tend to explain how Alexander was so certain that's exactly what Parmen was intending for the Enterprise - Parmen had done it before. And he'd probably do it again after the Enterprise leaves if he feels he can get away with it - though we must also assume Kirk, who realizes this, has warned Starfleet and has probably deployed a few distant warning buoys to alert new comers of the planet's inhabitant's probable hostile intentions, thus effectively quarantining the place.

The source of power, too - Kironide - is another one of those fictitious elements - and it seems all too remarkable. And I discovered recently that Corbomite is actually also one of those elements and not just a total bluff that Kirk made up, but a real (well, in that fictional universe) element - though its properties were doubtlessly exaggerated by Kirk. Anyway, if Kironide is so powerful and so quickly assimilated in the system, it's a wonder they don't keep a few staff constantly on the juice. Therefore, we must assume there are some negative side effects on humans or most Federation citizens that make its use infrequent, beside the element being exceedingly rare. Luckily for the Platonians, their eugenics background gave them longevity and probable immunity to the adverse side effects, but perhaps cost them a great deal inasmuch as they were far more susceptible to infection - and even, with prolonged use, possibly sterility - they haven't had any kids in over 2,000 years. But for humans, we can only assume there must be a good reason not to use the stuff almost continuously - sterility from long-term use is one possibility - there may be others. Otherwise, can you imagine how easily Spock (or somebody else) could fix the ship, far away from areas of deadly radiation, if they had that telekinetic power? Or worse, how easily they could immobilize an enemy warship with a thought? That could really ruin a good story (or even a whole series, so short-term use may also be nasty). So it's usually a good thing, fiction-wise, to have a damned good reason why they don't always use this stuff, and to make the limitations of such an element or compound or practice clear. Of course being VERY rare helps in this manner, too.

They didn't really do that in this episode, and IMO, that's one of the greater failings of this episode. It's actually a typical problem when a storywriter dips into magic and fantasy for a science fiction story and tries to explain it as something it's not. How does Q do the things he does? We don't know, so we can hardly argue with his god-like powers. But how does Parmen do it? Telekinesis? A simple, though rare element like Kironide that McCoy can whip up in minutes with his hypospray? Granted, he may have collected the Kironide samples while waiting for Parmen's fever to break and that's why he had it so readily available. But it's far too easy to take exception to those attempts at explanations. So a lesson to remember - if you're going to allow your characters to have god-like powers, you'll probably run into many problems. For more believable fiction, it's better to avoid Gods and those who wield god-like powers, and to not make "magic" materials so easily available.

Kironide's Possibilities
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We'll keep pumping you full of Kironide whether you want it or not. It's for your own good, no matter what the side affects might be, it's a better alternative to this.
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Beep Beep.
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No? Well, T. S.
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Awk kkkkk
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I take it you find my lack of respect disturbing?
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Beep.
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I'll also remark that though the actor, Michael Dunn, died at the very young age of 38, the character, Alexander, like the other Platonians, was apparently ageless, thanks to their race's eugenics background. Thanks to Kirk, that little guy is probably still tooling around the galaxy.

I don't even mind that Kirk produced a communicator from behind his back while wearing that skimpy Greek tunic near the end of the episode. Parmen never really felt the communicators were a threat and never took those away from them, though he did at some points interfere with normal communications. So, Kirk probably had his uniform's Velcro belt on under the tunic and the communicator at the ready. It's not really that odd.

Our beauty of the day is Barbara Babcock as Philana.
This is her second appearance in TOS, her first as Mea 3 in A Taste Of Armageddon.
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Is it just me, or is Mea 3 way hotter than Philana? Well, maybe the fact Philana is a cold-hearted and vain bitch factors in, but I'm thinking I can be shallower than that and it's just her appearance. What eves.

I'll also say it was pretty funny the matter-of-fact way Spock didn't hesitate to guess Philana's age (35). Barbara was 31 then, and Philana claimed to have stopped aging at 30. Anyway, I laughed.

Barbara will also lend 5 voices to the TOS Trek universe. Can you name those 5 voice roles?

Trek Trivia
Trelane's mother - The Squire Of Gothos
Beta 5 Computer - Assignment Earth
Isis the cat - Assignment Earth
Loskene - The Tholian Web
Zetar - The Lights of Zetar

And I rather enjoyed the Mexican Hat Dancing (if that's what it's called) around Kirk's head, though it's pretty clear that's not Nimoy but a stand-in dancer.
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Incredibly I never really noticed before, but once again Jack The Ripper's knife shows up in this episode. It's on the bench that Parmen slides over during the final play, along with the whip, a mace, and a few other items. It's the knife Alexander picks up to try to cut Parmen and kill him, so it's even front and center.

Anyway, I clearly disagree with those who scoff at this episode as a typical third season piece of crap. I had given it a 7 out of 10 before - I like it - and with the new remastered effects, a 7.5. YMMV, of course, but this episode is not really one of those I roll my eyes at when I discover it's the episode airing that day, or next in the line up. I'll watch it, as much as I'd watch any good episode of Trek (but unlike some of those relatively few but obvious turds that I'd happily skip).
 
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Wink of an Eye

I'd call this an ok episode, but not great. Kirk and Deela work well together, but I'm increasingly less interested in Kirk charming alien women. I think that would've been more interesting if they had made more of an effort to really push the Scalosian dilemma, but Kirk was right when he pointed out that they weren't even trying to find another way or do anything to actually fix their problem. But unfortunately, the episode focused primarily on Deela's lover being jealous, instead.

I like the drama of the invisible enemy that can act in the blink of an eye, but it's all very tenuous from a logical perspective. How does it make sense that no one can see them, even if they stand still? How could they go through the transporter without being detected, especially since people can actually hear and feel them? Why doesn't Kirk's phaser blast keep going and destroy the wall/an innocent bystander? How does being accelerated make you docile (but not Rael)? Why can't Kirk just write a note and dump it in Spock's face?

And the biggest issue I had was that they seemed to completely forget to add the obviously appropriate ending. Spock/McCoy had a cure - even while Deela was claiming it was uncurable. The episode should've ended with a Kirk leaving a shipment of cure on the planet's surface - maybe even show Deela and Rael dealing with the fact that what they did was all for nothing - but instead they just leave the scalosians to die out. It was extremely un-Federation-like.
 
Just popping in to say I'm rewatching TOS, and for whatever reason it's hitting me as a lot more awesome this time. Really great stuff and way ahead of its time on so many levels. I get it when people say, "it's just a show," and it is, but what legendary characters and imaginative storytelling. Of course, there are clunkers, and there are repeated ideas - but overall, it's really a superb series. Love it!
 
Just popping in to say I'm rewatching TOS, and for whatever reason it's hitting me as a lot more awesome this time. Really great stuff and way ahead of its time on so many levels. I get it when people say, "it's just a show," and it is, but what legendary characters and imaginative storytelling. Of course, there are clunkers, and there are repeated ideas - but overall, it's really a superb series. Love it!
Awesome! I want to do a full re-watch soon too. I think that in some ways TOS's legendary status precedes it too much and people just leave it on the shelf to admire from afar. But when you dust it off and watch it on its own terms, it's just a really great, well-written, well-acted tv show with big ideas worth thinking about.
 
I'm finding that a lot of Shatner's "over-acting" has been taken out of context. There is one scene in particular where he gives a very impassioned speech. I've seen the clip as a shining example of his "overacting." But within the context of the episode, the scene and the moment, and given the passion of Kirk the character, it's really very much in-character and brilliant.

I do feel like they gave Spock too many powers. It often leaves me thinking, "why didn't Kirk just ask Spock to use his X power in this situation?"
 
Wink of an Eye

I'd call this an ok episode, but not great. Kirk and Deela work well together, but I'm increasingly less interested in Kirk charming alien women. I think that would've been more interesting if they had made more of an effort to really push the Scalosian dilemma, but Kirk was right when he pointed out that they weren't even trying to find another way or do anything to actually fix their problem. But unfortunately, the episode focused primarily on Deela's lover being jealous, instead.

I like the drama of the invisible enemy that can act in the blink of an eye, but it's all very tenuous from a logical perspective. How does it make sense that no one can see them, even if they stand still? How could they go through the transporter without being detected, especially since people can actually hear and feel them? Why doesn't Kirk's phaser blast keep going and destroy the wall/an innocent bystander? How does being accelerated make you docile (but not Rael)? Why can't Kirk just write a note and dump it in Spock's face?

And the biggest issue I had was that they seemed to completely forget to add the obviously appropriate ending. Spock/McCoy had a cure - even while Deela was claiming it was incurable. The episode should've ended with a Kirk leaving a shipment of cure on the planet's surface - maybe even show Deela and Rael dealing with the fact that what they did was all for nothing - but instead they just leave the Scalosians to die out. It was extremely un-Federation-like.
Apparently they don't stand still for a long enough time to be seen. You got me on the Transporter thing – it should have detected them. Though Kirk asked Scotty quite early, "Are the Transporter controls functioning now?" like there had been some problem or unaccounted for mystery they must have mentioned off screen. I had assumed it might just be the first in a string of malfunctions, but it could be an indication the transporter reacted weirdly to the beam up of the Scalosians.

Kirk's phaser was only set to stun, and that wouldn't damage a wall.

Maybe Alpha males or more experienced individuals are far less likely to become docile or just accept their fate – it's just not in their nature.

It's possible Kirk couldn't find a pencil. Ha. Actually, any note out in the open that Spock might find, I assume the Scalosians would see, recognize, and destroyed before Spock noticed it. Deela knew of the tape, but decided by the time anyone found it and figured it out, they'd be done and it would be too late to stop them. If not for Kirk's sabotage of the transporter, she'd have been right.

Wink Of An Eye
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This episode has never been one of my favorites, though it is at least watchable. I guess I dislike the very idea of hyper acceleration. It's problematic, and the ease with which it can be given or taken away makes it that much worse. Then there's the fact that, once again, the Trek universe has introduced something pretty darn powerful, and they fail to use it ever again. How handy it might be to become hyper accelerated during an emergency. And one can quickly revert back to normal speed, apparently, and with no lasting ill effect. So why don't they?

One might imagine the risk is utterly too high, since even a slight scratch will kill you. At least for those "newly accelerated." This does suggest after a time that might no longer be an issue. But before then, it's dangerous. How often have you managed to hurt yourself while working? A lot, I bet. I know I have. But here instead of a simple scratch that will heal in time, you die. And you thought a paper cut was just annoying - imagine if it were lethal.

Luckily a touch of freezer-burn doesn't seem to do enough cellular damage to kill a tough and obviously lucky bastard like Kirk, so there's that. I'd say he was stupid for doing that, but it was just before he learned the cell damage accelerated death. And, quite frankly, having sex in that sate seems risky since even a scratch will kill you.

What a fantastic risk Spock took repairing the ship like that, and I don't think it was an emergency to warrant such a risk - there wasn't any great rush since they had already kicked the intruders off the ship, after all - and though Kirk might have made sure, or first confirmed that Spock got the taped message, we didn't really see him check that or see Kirk caution his first officer to be extra careful to avoid even minor injury just to be sure. Nope. Just a matter of accepted fact - Hey, Spock, you're accelerated too? And I can see from that look in your eyes that you've already figured everything out and logically deduced everything I could possibly tell you, so let's get to work.

I guess we must or should conclude this process is simply too dangerous. And, for all we know, both Kirk and Spock were also made sterile from this process just like the Scaloasian males. They never had any kids after this, did they? Then again, maybe they did in some fan fiction or non-canon work with which I'm unfamiliar. Of course, given the dangerous nature of radiation-filled space and the hazards of starfleet duty, starfleet personnel might regularly freeze sperm or egg samples for cold storage in case any accident ever rendered them infertile.

Even if male sterility is not the case, there must a reason they don't use this hyper acceleration formula, and the risk of accidental injury and death alone is probably it. Still, even then, in an emergency, it would be worth doing since the alternative might be certain death. Oh well. Such a "mistake" tends to lower an episode's overall score, IMO.

One might also wonder how the transporter could beam something up in such a state or the instruments didn't notice the extra weight/mass - though they did mention it was a tediously slow process, or something like that, and some unmentioned malfunction had occurred earlier. But if they stood there long enough, then they should have been seen there, too. They weren't.

I guess instruments can register them - but humans are too slow or impatient or too careless to notice. Imagine, every time the Scalosians needed to use the Turbolift or even open a door, they might have to wait around for what seemed like an eternity until a regular speed human came along to go through that door or use the lift to go where they needed. GOD! Hopefully, there are also a lot of ladders and crawl ways that, while not normally used, could be used there. There might even be another way on and off the bridge other than the main Turbolift, in case of power failure, but perhaps not. I always imagined there was a bathroom and service crawl way in a section of the bridge rarely seen, perhaps behind an almost invisible door, but maybe not. Anyway . . .

Brother John says the industry standard term for tilting the camera (like they have here to show hyper acceleration) is the "Batman effect." Guess they liked tilting the camera on that show.

So, is it just me, or was it pretty weird they EASILY found the elusive cure that the Scalosians had been hunting for generations - and then they didn't think to give it to them, or decided not to give it to them??? The Scalosians' knowledge of science or medicine is obviously relatively primitive. I mean, compared to Spock's and the Federation's database and computers. It must have been for the Feds to solve a problem in minutes that the Scalosians hadn't been able to crack in generations. Advanced knowledge will do that for you. Still, it does seem all too convenient, and that's another problem, as story telling goes.

So why not give the Scalosians the cure? It might not solve their fertility problems, regardless. And, maybe those few remaining inhabitants deserved to die, because they had repeatedly tricked other starships and crews to their deaths. They are a pack of murderers. But I dunno what Kirk thought. Deela absolutely refused Kirk's reasonable offer to help them but instead continued to use force - so maybe that's why he decided not to give it to them. Let them die and soon the Feds will have a whole, fantastically beautiful planet to move into. He might even have a cut coming to him (though we don't talk about prize money in these stories, there may be something similar to consider).

One might agree a civilization had the right to survive, but by taking the lives of others like that? I don't think so since those others were not in any way aggressors or the cause of the Scalosians' problem. If anything, these other ships came to help, and that was the Scalosians' idea of how to reward them? How uncivilized. And the Scalosians felt certain the Federation would have done the same thing in their place. I hope they're wrong about that - but one does tend to assume others will behave as they behave, or have similar motives as they, themselves, have. Too bad they didn't just ask for help. So - no cure for you guys, and we'll caution future travelers to avoid your planet - just as you guessed we'd do. Didn't seem like much of a civilization, anyway, and Spock said he had recorded their data - maybe his tricorder picked up everything worth having already - the recorded databases and records of that entire civilization. Wow - the storage capacity of those Federation computers onboard a starship is indeed impressive.

I was disappointed how quickly and easily Compton seemed to betray the ship and crew. He was young and was getting laid for his betrayal, apparently, but I would hope there was more to it than that. Perhaps being convinced there was no return to his former life would do that - though Kirk and Spock never believed it for a second. At least in the end Comptom defended the captain, but lost his life doing so, so R.I.P. red shirt Comptom.

Although even higher marks go to Mr. Spock, again, for his selfless act of charging to his captain's/friend's side, even without foreknowledge he can get back to a normal state. Is this courage or logic or friendship or stupidity or what? Maybe it came about simply because he read ahead in the script and knew it would be O. K. in the end. Well, it was impressive, at any . . . rate. Then again, he surmised it was required to save the ship - and his duty would place that ahead of his own life and well being, so hats off to Mr. Spock and whatever motivates the guy - a true hero, really.

The beauty of the day is Queen Deela, played by Kathie Browne.
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I was less impressed with her (and her acting) than I was with her outfit, which was pretty revealing for the time. Though often cut for commercials, the scene of Kirk putting his boots on and Deela combing/brushing her hair (implying Deela and Kirk just had sex) - is amusing and was slipped past the censors, assuming they cared - and in hyper accelerated mode, that's probably the fastest Kirk has ever done it with an alien chick.

The Remastered Footage has a new planet, reworked matt painting in the background, and a few new phaser effects. It's better, particularly the phasers sweeping out the corridor, but not enough to raise the episode's overall score.

Side-By-Side Comparison
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I think it should be assumed the so-called "force field" Kirk and Spock surmised was there when they and the two security guards ran into it, and which later allowed Kirk and Spock to pass but not the guards, was, in fact, not a force field at all, but the Scalosians' weapon's fire. For what it's worth.

It's weird in the starting Scotty is speaking over a scene of him talking, supposedly while recording the "Ship's Log" - this is actually an upcoming scene from the episode, The Empath, and you can't make out what he's really saying there in the scene because of the voice over, but it has nothing to do with this episode. It does explain why Scotty's hairstyle changes mid episode if you notice that sort of thing.

I had given this episode a 5 out of 10 before and see no great reason to change it up or down. It's a middle of the road episode - some good elements, some bad. There are certainly better ones than this, and even a few better ones yet to come, but some worse episodes to come, too. As usual, of course, YMMV.
 
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Apparently they don't stand sill for a long enough time to be seen.

Right, that makes perfect sense for the Scalosians. But Kirk, whose objective is at least partly about letting the crew know he's still alive, could've just stayed on the bridge for a while and accomplished that with ease.

I guess we must or should conclude this process is simply too dangerous. And, for all we know, both Kirk and Spock were also made sterile from this process just like the Scaloasian males. They never had any kids after this, did they?

I don't know the timeline perfectly. When was David born?
 
It may not have occurred to him to stand still for what might be a very long time to him. And with Scalosians to interact with and avoid and things to investigate, he may not have had that opportunity.

Not that hyper acceleration actually makes a great deal of sense.

With his degrees, David must have already been born long before this episode. Memory Alpha says he was born in 2261, died in 2285 at 24 years old. I'm surprised he was an accomplished doctor already, but Federation learning methods may accelerate normal things.

Kirk took command of the Enterprise in 2265, so David was 4 years old when Kirk took command of the big E. He'd be about 7 when this episode happened.

I recall in some fan fiction or novel or the like, Spock later sires a child with Zarabeth. Apparently they imply he had sex with her in the episode All Our Yesterdays, but naturally that scene isn't shown. And IIRC, the kid somehow travels through time to be relevant. But it's not canon fact.
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The Empath

This one was a bit of a slow burn but in the end I really did love it. The Vians are so interesting and unique in the history of the franchise: on the one hand, nearly all powerful, nearly incapable of compassion, treating people like objects, but on the other hand their cause is actually noble, they're never cruel just for the sake of it, and they're actually open to dialogue and they wind up learning the lesson they intended to teach someone else.

I love that upon realizing their star system is dying, their first instinct is to save one of the other peoples that inhabit it, and preferrably to save the one most worthy of being saved. And I loved that their definition of worth is about empathy and self-sacrifice (even though they don't quite meet that definition themselves). I find this especially fascinating in comparison to the theoretically much more compassionate Federation which repeatedly argues that it should let entire species die off rather than risk interfering. I also think the lead Vian is possibly the best actor ever to take on one of these 'alien overlord' roles on the show.

Although I do wonder how a species as advanced as the Vians doesn't have the ship technology to evacuate the whole system, or at least send for outside help.

Another thing this episode brings to mind is how often TOS focused on incidents where Humans are the lesser species, at the mercy of the strange civilizations they find. This is something I definitely appreciate about it, since the later series I think too often had the heroes in a position of strength over unknown species, or else more or less on equal footing (with a few exceptions) and most of the truly superpowerful beings they met were either benevolent or just varying shades of grey.

Finally, I love the character work here between Kirk, Spock and McCoy. This episode, maybe more than any other single one, almost perfectly defines their friendship, camarederie and willingness to sacrifice themselves for one another. Especially in the moment of 'the choice', when Spock is grateful to be given the power to sacrifice himself and McCoy takes matters into his own hands to stop it.

Overall a highly enjoyable episode.

PS: Does 'Empathy' mean something different to McCoy? That definition didn't really seem to match my experience at all.
 
The Empath

This one was a bit of a slow burn but in the end I really did love it. The Vians are so interesting and unique in the history of the franchise: on the one hand, nearly all powerful, nearly incapable of compassion, treating people like objects, but on the other hand their cause is actually noble, they're never cruel just for the sake of it, and they're actually open to dialogue and they wind up learning the lesson they intended to teach someone else.

I love that upon realizing their star system is dying, their first instinct is to save one of the other peoples that inhabit it, and preferably to save the one most worthy of being saved. And I loved that their definition of worth is about empathy and self-sacrifice (even though they don't quite meet that definition themselves). I find this especially fascinating in comparison to the theoretically much more compassionate Federation which repeatedly argues that it should let entire species die off rather than risk interfering. I also think the lead Vian is possibly the best actor ever to take on one of these 'alien overlord' roles on the show.

Although I do wonder how a species as advanced as the Vians doesn't have the ship technology to evacuate the whole system, or at least send for outside help.

Another thing this episode brings to mind is how often TOS focused on incidents where Humans are the lesser species, at the mercy of the strange civilizations they find. This is something I definitely appreciate about it, since the later series I think too often had the heroes in a position of strength over unknown species, or else more or less on equal footing (with a few exceptions) and most of the truly super powerful beings they met were either benevolent or just varying shades of grey.

Finally, I love the character work here between Kirk, Spock and McCoy. This episode, maybe more than any other single one, almost perfectly defines their friendship, camaraderie and willingness to sacrifice themselves for one another. Especially in the moment of 'the choice,' when Spock is grateful to be given the power to sacrifice himself and McCoy takes matters into his own hands to stop it.

Overall a highly enjoyable episode.

PS: Does 'Empathy' mean something different to McCoy? That definition didn't really seem to match my experience at all.
I can only assume McCoy means TOTAL empathy, and not this watered down version you might more likely run across when partial empathy can make one feel another's emotions.


The Empath
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This is one of those touchy/feely episodes that rates lower when judged as a kid than is probably warranted when judge as an adult. Perhaps here, more than elsewhere, we see Kirk's, Spock's, and McCoy's willingness to sacrifice themselves for the other two. But I would say more definitely that it's here that we see Mr. Spock's greatest show of compassion for Dr. McCoy - his remarkably good bed-side manner in caring for the dying doctor, and, despite the earlier flawed logic, his decision to volunteer himself as test subject rather than sending McCoy when Spock's talents were more needed to find a way out of the dilemma. His emotions clearly got the better of him, lest it ever be said Spock didn't really care for or have warm, genuine feelings for Doctor McCoy.

Since Spock had a 93% chance of permanent brain damage and insanity, he might as well be dead, while McCoy's 87% chance of death is actually lower. As the numbers go, McCoy should have gone. As the mission objectives may have been altered to simple survival, Spock's work on the alien tech was more vitally needed, too. Spock's assumption Kirk and McCoy together probably could make it work was unwarranted, and assumed Kirk would be in fine enough shape to think clearly - I find the reasoning dubious.

I don't know which one Kirk would have selected had the doctor not knocked him out, and we never get to find out. Maybe Kirk would have tried another tactic (like logic) rather than agreeing to give up either of his friends, particularly when the Vian's word of letting the others go already proved worthless and they were demonstrably less than honorable or trustworthy. Assuming he would have picked, though, who do you think Kirk would have chosen and why? In The Immunity Syndrome he decided Spock was better qualified to go and would likely die, but he sent him anyway, presumably since Spock might survive things McCoy wouldn't, being a tougher Vulcan. But would he have sent Bones to a near certain death here, too? My analysis says, yes, he would/should - but you never know.

The episode is rather unique in its minimalistic setting - pure black backgrounds and a few set pieces. But the quality of the eerie effect it has is part of its charm, I guess.

They say the bed upon which they found Gem is shaped exactly like the agonizer from Mirror, Mirror, but I don't know if they did that deliberately or meant anything by it - like foreshadowing torture. I suspect it may have just been a coincidence when they reused a table they had already built/acquired for a past episode, Spock's Brain.

I scoff at the fact Kirk is hanging there with his shirt off. Why? But then McCoy is strung up with his shirt on. Maybe Kirk chose to take it off before they strung him up and McCoy didn't, but the Vians must have redressed Kirk when the torture was complete. Why? It just seems weirdly inconsistent. Also, unlike McCoy, Kirk hanging there seemed more unrealistic - his arms almost straight out when filmed from the back, like a gymnast doing the iron cross, but more upright when filmed from the front. McCoy's arms were more realistically upright from both angles and it looked more like he was actually hung up by his arms and not by some invisible harness. However, how McCoy's shirt gets all ripped up from just hanging there remains a mystery.

Also, I'm told, though I'd never catch such a thing on my own, mostly due to color blindness, they later used McCoy's older shirt from past seasons as the one to rip up and it's noticeably different in color, material, and texture than what he was wearing before (the third season outfit) and Spock's blue shirt. I still can't see it even if I look for it.

My major gripe with the episode, however, is it never really made sense to me - like there are alternative planets and species in the running to Gem's planet that required these tests since all the planets were, apparently, neck & neck in the finals? That seems extremely unlikely in one solar system, even beyond the unlikelihood the Vians are also yet another sentient species in the same system. Or maybe they have several sentient species on one planet, and that's the Vian's home world too. It's all quite unlikely. Gem seemed to be the last hope of finding a worthy species, but even if she had proven less than worthy now, wouldn't evolution and social development likely occur that would make them worthy down the road? If they had the power to save one planet, and Gem's was their best candidate, it seems they should have saved Gem's planet, regardless, and they didn't need to resort to torture or further tests. The alternative would be to save no one. Seems a waste.

Although, they might have their own prime directive to consider, such as saving an unworthy (hostile) race that went on to destroy countless millions would have made them morally responsible since they saved them. This would be similar to the Federation's Prime Directive to avoid not just harm to the one civilization, but through their actions, allow greater eventual harm to the larger galaxy on the whole no matter how far in the future that may be. People can blame Mother Nature all they want, but that's not the Federation's fault, but once they interfere, anyone can rightly blame them for any and all bad results.

In the end, Kirk did seem to convince the Vians with reason they were being hypocrites, insisting Gem's species had qualities the Vians sought but no longer seemed to possess themselves. But in the end, they did.

Also, the Vians insistence they didn't kill the two scientists but the scientists' own flaws or fears killed them is just stupid. Really stupid. Too stupid to be believed. Yeah, we tortured them to death, but it's their own fault they weren't tough enough to survive it.

Anyway, the Minara solar system has The Vians, Gem's planet, and possibly several others in competition, and all in that one solar system? This is highly unlikely. And hey, another local star going nova in our lifetime. There are only about 10 novae per year in the whole Milky Way galaxy, and given its size, they are not that close to one another, so this type of astronomical phenomenon shouldn't be as common in the local area and in such a short space of time as Trek makes it out to be. But drama apparently requires it, so I dunno. Too epic, again, I'd say.

But it is impressive these Vians, apparently, aren't just saving Gem's species, but her entire planet, and one assumes all other life on that planet, too - they are going to transplant all life there, or maybe the whole planet to some new solar system - so that is indeed impressive. We will hear of other races that can move whole stars in TNG, but for TOS and the 60's, the ability to move a planet is pretty damned impressive.

I'll briefly mention that TOS and TAS refer back to this episode and the Minara solar system - TOS: Turn About Intruder and TAS: The Counter-Clock Incident.

TOS: JANICE: Spock, when I was caught in the interspace of the Tholian Sector, you risked your life and the Enterprise to get me back. Help me get back now. When the Vians of Minara demanded that we let Bones die, we didn't permit it.
SPOCK: That is true. The captain did not. However, those events have been recorded. They could have become known to you.

TAS: Captain's log, stardate 6770.1. Time continues to flow backward for us. We have set course for a dead star in this anti-matter universe that corresponds with the nova Minara in ours. We're being pulled by Karla Five's unmanned vessel, which is equipped with enough positive matter armament to ignite the dead star into life.

I dislike that the Enterprise had to run away from a solar flare, too. Cosmic radiation is probably trifling stuff compared to phasers. The ship's shields should/could probably handle it, and/or they could always hang on the other side of the planet, using it as a shield, if they wanted and stay within range of the landing party. But nope. It's not like a powered ship has to stay in "orbit." And the "Ritter" scale is just unfortunately named, IMO - sounding too much like the Richter scale (for earthquakes) and, in Trek, the Richter scale is also used for cultural evolution. Just pick a name not already in use for something else, or a different sounding name, guys. On the other hand, use one scientific term already in use and now you sound like science, too. Ugh.

And finally, the Vians seemed to be trying to teach Gem self-preservation and self-sacrifice at the same time, so that always struck me as a bit odd. I guess they wanted to teach both, but required self-sacrifice to be the stronger trait. And what was Gem supposed to do? Infect her species with those notions if she alone learned them? Well, maybe. The Empathy between them might have caused such learning to be readily passed amongst them if Gem got home, but only if she lived, and if she died in sacrifice as the Vians intended, proving she'd do as much, how could she possibly impart those lessons unto her people??? Stupid. It's too bad we never really get to see her species again.

In this episode, we have Alan Bergmann as Lal,
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And Willard Sage as Thann.
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They were named in the credits but not in the dialogue of the episode.

I was understandably curious as to their appearance without makeup.

The beauty of the day is Kathryn Hays, who plays Gem, the Empath.
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The remastered effects were a vast improvement, really. Those awful, choppy, transfer of wounds scenes have been replaced by smooth, seamless scenes that look 100% better and more believable and realistic and far less like cheap, start/stop, jerky camera trickery where the actors couldn't sit still enough not to appear to move between additions. See for yourself. They must have used some pretty decent tech to do this. Too bad they didn't do as much for the disappearing blemishes in Mirri, but at least they did them here, and they did them well.
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This is only one of four episodes written by a TOS fan that managed to be sold to the Trek people and was made by them. Can you name all 4 of those "unsolicited" episodes?

Trek Trivia
The Trouble With Tribbles
Is There In Truth No Beauty?
The Tholian Web
The Empath

This is also one of those episodes rarely aired in other markets for questionable subject matter - in this case, torture.

And it's one of the few episodes to quote the Bible - twice - specifically Psalm 95, verse 4: by one of the scientists, "In His hands are the deep places of the Earth. The heights of the mountains are His also," and the Gospel of Matthew, 13:45-46: by Scotty, but only part of this quote - "Again, the kingdom of heaven is like unto a merchant man, seeking goodly pearls: who, when he had found one pearl of great price, went and sold all that he had, and bought it." I'm not entirely sure I understand the reference here. Apparently Gem was of great value and the Vians traded everything for her and her planet? I dunno. Certainly the eternity of the Kingdom of Heaven, if it exists, would be worth everything one might have acquired during a finite mortal's life - an excellent trade, you might say, if true. Maybe Gem's value allowed her species to continue (sort of like for eternity compared to the finite span that the nova would have granted). It seems an odd reference, anyway, and kind of off or awkward coming from Scotty. Star Trek doesn't quote the Bible all that often, but they do far more often allude to it.

I have read that this was DeForest Kelly's favorite episode. He did have some good moments in it, I'll grant you that.

As a younger lad, I didn't care so much for this episode, and its lack of action and the Starship's involvement, the unnecessary illusionary appearance of Scotty and a landing party to give false hope to Kirk and company, and the questionable motives and actions of an advanced race like the Vians, all compelled me to give it a low score of 4 out of 10. As an adult, I better appreciate it, so 4.5, and with remastered effects, 5 out of 10 now seems fair. But it's not a great episode since I think the Vians actions and motives are a bit unrealistic. Not to want to save one planet, but to go that far and involve others and even kill them, though, like they said, they insist it wasn't their fault. Rubbish.
 
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I've started an Enterprise review thread here, for those who might be interested.

https://www.trekbbs.com/threads/enterprise-episode-review-with-spoilers.290742/#post-12215817

As you probably know, however, according to board rules I shouldn't post more than twice in a row, lest I be admonished, or worse. So unless others make comment there, in that thread, I cannot proceed.

But also according to board rules, such comments should be more substantial than "Yeah" or similar short responses. I suspect anyone just saying what they liked most or least about the last reviewed episode would be more than enough for me to proceed with the next episode, when I'm ready. Or to disagree with something I've said, or correct any mistakes I might have made, which will probably happen.

I'd particularly like it when somebody would post an episode specific image they might dig up or know about or find on the web. Images really help give one a better sense of the story and are great reminders which episode we're talking about, but they take a lot of time to find them or decide which ones are really representative of the story's message.

Anyway, I'm looking forward to the Star Trek: Enterprise thread, hopefully with several interested parties and Enterprise fans who might follow along on Netflix. Talking about it is part of the fun of Trek, after all.
 
The remastered bundle is great, there is the definite improve that sometimes need make as is 're-watchable'
 
@JRTStarlight - Excellent review of "The Empath". :) Excellent trivia too. Funny thing, I saw Alan Bergmann in some other production (can't recall off-hand) but I *instantly* recognized him as the Vian actor from The Empath. It was something about the shape of his mouth and chin that immediately caught my eye. I also thought he did a tremendous job in this Star Trek episode, so adeptly capturing the personality characteristic of a Vian.

I agree, there were problems with this episode. I do not understand why they'd need to mortally torture anyone in order to test Gem. They could induce an injury without it taking very long, then bring in Gem to see the person and then try to save them. If she would fail, why would the person need to die? The Vians could take them away out of Gem's view, then restore them. They proved they can do that -- at the end, they save McCoy after Kirk had to so forcefully plead for them to do so.

As for the Vians rescuing an entire planet... I don't think they explained it very well. You'd figure if they had the capability to evacuate an entire planet full of people, they'd be able to do this for multiple planets. Just achieving the scale of one planet should demonstrate a level of power and capability that could be scaled. I think what would have worked to help fit the story is that the Vians have a planet suitable for humanoid life, and they'd completely transport the entire population and ecosystem of that planet. But given how much time it would take, they'd be able to do this for only one planet.

While this episode was completely devoid of any starship combat or exploration, the Vians were a fascinating alien species. I really wish ST-TNG would have brought them back in some form. Or perhaps Voyager discovering them in the Delta quadrant.
 
I feel I must defend "The Empath" if only for the Spock-McCoy interaction. I believe this episode together with another maligned 3rd Season episode "Plato's Stepchildren" is necessary to counteract all the McCoy-Spock negative episodes. Empath shows that McCoy and Spock are good friends after all despite the shouting.
Maybe if those two episodes didn't exist I wouldn't think Spock and McCoy were great friends after all. This episode is possibly a necessary evil.

I'm also thinking Spock made the right decision about his decision to go with the Vians. Its Kirk's policy that junior members of staff are not sacrificed for senior officers like himself and Spock obviously follows his commander's lead. I know McCoy is not much Spock's junior in regards to rank but he is a doctor and I get it that Spock is not going to sacrifice McCoy for himself. Even if McCoy were some ensign he didn't know, Spock was always going to sacrifice himself. However its not all about that for Spock as seen in his later interactions with McCoy.
Its probably logical from Spock's point of view because
1. He's the senior officer
2. McCoy is a doctor and may be needed to help the injured.
3. Spock is not particularly needed more than McCoy here. On the ship in some crisis, Spock may in fact the more valuable officer and would have to be protected for everyone else's sake but here McCoy and Spock are possibly equally valuable to Kirk/mission.
4. There's no guarantee Gem could or would be allowed to save the doctor - the two scientists perished.
 
Plato's Stepchildren, The Empath, Bread and Circuses, For The World Is Hollow And I Have Touched The Sky - four fine episodes with great insight into the Spock/McCoy relationship.

Spock was going to sacrifice himself in this episode, IMO, rather than order doctor McCoy to go (but we can't be 100% certain of that), but he's not above putting lower ranked crewman in dangerous and even potentially lethal situations - The Galileo Seven. I just feel his assessment on who was needed more for the landing party to survive (his belief McCoy could do it with his notes) was probably in error, and McCoy's was right (I don't care how many notes you leave me, I won't be able to get that to work).

If Spock had gone, I wonder if Gem would have even tried to save Spock since there might not be a lot of emotion emanating from the Vulcan and her empathetic response not might not hear the Vulcan cry out in pain or for help. A Vulcan would not cry out so. Stoicism might not always be a good thing.
 
Whatever Spock was going to do, we can be assured that it would have been the most logical thing of course! :vulcan::lol:
JB
 
Elaan of Troyius

I think this is a solid episode overall. Elaan is really hard to tolerate for the first half of the episode, but she does ultimately improve herself (and the Troyian trying to civilize her made for some pretty funny moments). Part of me wishes we'd have gotten a little more of her perspective: why is she a Dohlman? Why doesn't she just step down if Troyians disgust her so much? How badly is this forced marriage destroying the future she wanted for herself? And especially that Kirk could learn more of these things, as well - I think that would've made his decisions about how to deal with her much more agnonizing and poignant. It was, perhaps, just a little too easy to say that she was simply a spoiled rotten brat.

Also, given the obvious Helen of Troy reference, I'm rather struck by the level of abrasiveness on display (not to mention the lack of 1000 ships, but I suppose that's because Kirk is an honorable man who refused to let himself follow Paris into temptation... And just like in This Side of Paradise, it's his overriding love for the Enterprise itself that keeps him grounded.)

The one thing I definitely will knock this episode down a peg for, though, is that battle scene. Suddenly 'impulse power' means the ship can barely move? There aren't any weapons on the ship capable of firing without warp power online? And how on earth can a ship maneuvering 'at warp speed' (the speed designed to cross interstellar distances) not only remain in weapons range the whole time, but also be easily followed by the naked eye? That's probably the worst battle scene in the series.
 
Elaan of Troyius

I think this is a solid episode overall. Elaan is really hard to tolerate for the first half of the episode, but she does ultimately improve herself (and the Troyian trying to civilize her made for some pretty funny moments). Part of me wishes we'd have gotten a little more of her perspective: why is she a Dohlman? Why doesn't she just step down if Troyians disgust her so much? How badly is this forced marriage destroying the future she wanted for herself? And especially that Kirk could learn more of these things, as well - I think that would've made his decisions about how to deal with her much more agonizing and poignant. It was, perhaps, just a little too easy to say that she was simply a spoiled rotten brat.

Also, given the obvious Helen of Troy reference, I'm rather struck by the level of abrasiveness on display (not to mention the lack of 1000 ships, but I suppose that's because Kirk is an honorable man who refused to let himself follow Paris into temptation... And just like in This Side of Paradise, it's his overriding love for the Enterprise itself that keeps him grounded.)

The one thing I definitely will knock this episode down a peg for, though, is that battle scene. Suddenly 'impulse power' means the ship can barely move? There aren't any weapons on the ship capable of firing without warp power online? And how on earth can a ship maneuvering 'at warp speed' (the speed designed to cross interstellar distances) not only remain in weapons range the whole time, but also be easily followed by the naked eye? That's probably the worst battle scene in the series.

Elaan Of Troyius
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Lest I give anyone the wrong impression with a rant or two (or five or six or whatever) that might suggest I thought this was a bad episode, I'll state outright that it's a pretty good episode, IMO, and I quite like it. There are some goofy things in it, sure, but it has one of the most exciting battle sequences in the entire TOS run, and the incidental action music is fantastic. In a way, it's reminiscent of the battle between the H.M.S. Lydia and the Spanish ship of the line, the Natividad, in the movie, Captain Horatio Hornblower, (1951). You may recall, in some ways Shatner tried to pattern Captain Kirk on Captain Hornblower, so I always recommend watching/reading any Hornblower so you can to get an idea of what Shatner might have been thinking. And if you want that sort of thing in a more science fiction type setting, David Weber's Honor Herington series is pretty good.

Having said how much I like this episode, however, a few comments on the remastered effects are in order, and why they are inferior to the original in this particular case.
In general, I am usually quite pleased these remastered episodes fix mistakes without really harming or altering the story. For example, in The Menagerie when Spock was considering the trailing shuttlecraft - in the original he was looking at the main viewer (stock footage) that showed a forward looking view, but in the remastered version it shows the rear view, with nacelles, which was nice, but more importantly, it was in the direction of the trailing shuttlecraft. It just made more sense.

I suppose it was bound to happen, and here it has - the remastered effects of this episode have actually made it worse, seriously missing the higher level of quality of the original. So, this is the first episode I'd recommend one watch the original version over the remastered version if you have the choice (at least for the final battle sequence). To be sure, there are some nicer shots of the Klingon vessel in the remastered work, as well as the Enterprise, of course, and the reworked planets are always vastly superior, and, in general, a cleaner, crisper look and even some cleaned up audio
I never noticed any difference in the audio before, but Kirk says, "Mr. Sulu," at one point that sounds muffled in the original, but far clearer in the remastered - but just the Mr. Sulu part and not the Warp Factor 2, etc. after, which is the same.

Despite the prettier effects, which I admit are at least a slight improvement on many fronts, what they've done elsewhere ruins the action sequence in a couple of important ways.

First: the numbers no longer work out.

Now, I won't pretend to fully understand how Federation technology can view objects traveling faster than light, or see anything in space while on a ship traveling faster than light, or discern objects that are farther away than light could travel in the given time - though I suspect it has something to do with the properties of subspace, wherein something transfers information at faster than light speeds. Whether they send out a FTL signal and get a FTL echo back, or by some natural means most things put out FTL signals (of which we are currently unaware), it doesn't matter. Objects on the view screen, therefore, are not necessarily images transmitted by reflected light, as we might intuitively understand seeing things, but by some FTL particles or signals, possibly traveling via subspace. Suffice it to say, the technology is amazing and impressive.

Anyway, when we view the enemy Klingon cruiser on the view screen, it could be practically any distance away from the Enterprise, and with varying degrees of magnification or resolution, its distance away is even more uncertain (to the home audience), and therefore quite forgiving when it comes to hard calculations. Sadly, many of the remastered effects show both ships on the screen at the same time, not via a view screen, but in space and in close proximity to one another such that they are not mere points of light tens of thousands of kilometers away, but readily discernable shapes - that is, practically right next to each other. But in the story, they are tens, if not hundreds of thousands of kilometers apart, and/or yet the better part of a minute away at speeds greater than warp 7. They TOTALLY screwed the pooch there, ladies and gentlemen, with those shots that depicted both ships in the same scene in space at the same time, and this represents a complete misunderstanding of the distances and speeds involved. At least in the original, since they never showed the ships together in the same shot, but only one ship at a time, or a ship via the viewer, it can be assumed there are no such mistakes in distances.

Of course they aren't hanging there in a slug fest fire fight, but taking passing shots, coming about, and doing it multiple times, going quite out of range of each other after the shots and only then reengaging with a return maneuver.

But all that may be nit picking and not of great concern to most people, I admit.

Of course in either the original or the remastered version, the story takes place entirely within one stellar system (the Tellun system) and the distances between planets are relatively small for a warp-driven starship.

Sublight Travel
They even mention they are traveling at the sublight speed and impulse factor 0.037. I've no idea how fast that is, but it seems like it'll take a week or two, at least, to travel from one planet to another, so it's pretty darn slow compared to warp speeds (but still much faster than anything we can muster in the 21st century).

I'm actually impressed the Federation would commit a starship to such a mission for such a long period of time, but it becomes apparent, I think, the Federation did so because somebody there was already well-aware of the presence of abundant dilithium crystals in that system (common stones called Radans, there), though they were keeping that information on the DL for some reason. Of course Spock and Kirk figured it out - so there. And obviously, the Klingons know it, too.

Travel Within A Star System
Now I imagine most starships normally travel well above or below any stellar system's ecliptic plane, thus avoiding most debris like asteroids, planets, moons, micrometeoroids, comets, or what have you. They probably leave the plane and take a parabolic curved path at warp speeds, finally reentering the ecliptic plane at space normal speeds when nearing the desired planet, and this whole trip from one planet to another could take minutes - not weeks or a month or more. For our current space probes, it probably takes us more than a year just to get to Mars, and that's at an opportune time when Earth and Mars start out close to one another in their respective orbits. But I digress.

When an enemy threatened the Enterprise, Kirk's first order was to take the Enterprise out of the star system to gain maneuvering room for combat. Of course the sabotage discovered at the last second – whew - belayed that plan and they were forced to fight within the stellar system.

Second: we could actually see before how slow and sluggish the Enterprise was on Impulse power during the fight, as Kirk and Sulu masterfully maneuvered the Enterprise as best they could to protect her more vulnerable areas. Then, when the fortuitously discovered dilithium crystals kicked in, we could see how much faster it had become, how powerful it really was, and how almost majestically the ship could maneuver when at full power. This gave us a sense of awe when comparing impulse power to warp drive, and the sudden surprise turnabout on the Klingon ship, the springing to life of a seemingly dead vessel that comes up slugging away was utterly beautiful.

"Mr. Chekov, Give Him A Full Spread Of Photon Torpedoes."

But the remastered version? Ughh. They instead showed technically incorrect images of the Klingon ship and Enterprise together, the (I think somewhat worse) remastered Klingon weapon's fire, and new angles of the combat scene instead of the Enterprise's difficulties maneuvering, and there were some odd and clunky and unrealistic looking maneuvers of the Klingon ship, as well, all while TOTALLY losing the scenes that compared a starship wallowing on impulse drive like a garbage scow to one pivoting at warp speed for the surprise combination knock out punch.

And they fired three volleys of photon torpedoes in the remastered version - perhaps 9 torpedoes in total, three at a time, but only two sets hit. Stupid. And they honestly could have noticeably rocked the Klingon ship on the last hit, but they didn't, so I felt let down again. I'm pretty sure they only fired 3 torpedoes in the original, but all three hit.

But compare the two versions for yourself with YouTube technology.
Side-by-Side Comparison
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FTL Combat
Of course there are a couple more nit picks in either version. Pivoting at warp speed, for example? What the heck is that? If we ignore the curve, light could travel around the Earth 7 times in a single second, so how useful is it to pivot a relatively tiny ship at warp speed? It sounded wonderful and commanding and awesome, but it really doesn't make a lot of sense - so this all doesn't translate well from a battle involving sailing vessels with cannons out maneuvering one another, which I believe inspired this combat sequence, to FTL combat. Of course, it sure as hell looked impressive in the original, but that's mostly gone now, replaced with the Klingon ship hitting the Enterprise from a distance instead of the surprise and masterful quick pivot of the Enterprise.

I think we should admit, in addition to the 3D nature of space, making maneuvering ability and speed still critically important in space combat, relativistic affects may come into play here, too. For example, though it seems like a best part of a minute while the Klingon ship closes in on the Enterprise and Sulu makes the count down during this "time," from one reference point it might actually take a tiny fraction of a second as these FTL vessels battle one another. But from inside a warp bubble, time may be passing at another rate. Regardless, at some point since FTL travel and FTL communication of information is a given premise of this fictional universe, we have to accept there are things going on that defy our understanding. At best, we can only hope for consistency, and I think Trek regularly does things at FTL speeds that to us, at least, seem wrong, but maybe they are right.

3D Battle
However, I also believe the very idea the ship has to turn toward the enemy to fire at it is a bit silly, too. They can probably already fire in any direction within the 360 degree of the guns' swivel mounts and torpedo launchers, but we should remember that space is 3D, so only half a sphere may be covered from one phaser bank, or maybe even only one quarter. Well, maybe the photon torpedoes "tubes" do require they be turned more toward the enemy or looking more directly away (for aft torpedoes) - but the phasers don't (at least for half or a quarter a sphere), but they may have phaser cannons up top and down below the saucer section, port and starboard, and cover most angles of attack).

Why Not Use Phasers?
I'm not sure why Kirk didn't use phasers there, but the torpedoes are always fun and exciting. Actually, maybe phasers are SLT, though they seem to be FTL at times, too (due to some enveloping FTL field around the particle weapons, we're told). Besides, Kirk wanted to lure the Klingons farther in - wonderful plan - sounds impressive - but with photon torpedoes, he'll do the same damage either way (assuming he hits them). I must assume it'll be easier to hit the enemy ship with torpedoes when it's closer. Unlike phasers, which apparently actually do more damage to closer objects and less damage to farther objects, photon torpedoes deliver the same destructive package no matter how far they travel (if they hit, of course, and are set to the same particular yield).

I guess Kirk did initially put phasers on standby before he learned his ship's warp power was gone and he couldn't fire them. He even asked Scotty for them later, but was told no way, which is maybe a little inconsistent since I believe Scotty got the U.S.S. Constellation's phasers working without warp drive. Anyway, Kirk still wasn't sure of reliable power when he had Chekov arm the photon torpedoes. So, apparently phasers take a great deal more power to fire than torpedoes, but phasers would otherwise be one's first choice of weapons when fighting another ship. There are obviously some times when torpedoes are better - like when your power supply is unreliable. I guess this was one of those times.

Note: It would seem losing warp power deprives the phasers of the required energy to fire, let alone pack a decent punch. Why this came as such a surprise to Kirk in Star Trek: The Motion Picture when the engines weren't working is a bit of a mystery. Decker claimed it was due to a new design, which now channeled phasers through the warp engines to increase their power, but as far as I can tell, they were already doing that, or something like that. And considering the damage that phasers do, that kind of raw power has to come from somewhere, and the warp engines are where that's from. Anyway, it could be a minor mistake in Star Trek: The Motion Picture for that, but since things are being changed around all the time - you know engineers - they love to change things - maybe the last time Kirk was in command, the phasers were no longer as dependent on a functioning warp drive. So who knows?

Dilithium Crystals
I'm just going to mention, lest it be confusing for some, that while dilithium crystals do emit a small power signature, and they are the so-called "heart of the ship's power," the actual power comes from the matter-antimatter reaction that the dilithium crystals help regulate. Don't ask for details or look too closely, but I don't want anyone to leave with the impression that all the massive power of a starship comes from or out of those small rocks. It's the anti-matter reaction in the warp core reactor, again, regulated by dilithium crystals.

Perhaps, while the Constellation's warp drive was shot all to hell, the dilithium crystal reactor remained intact and enough power could be channeled through there to provide one working phaser bank. Scotty said he had managed to recharge one bank - but we lack details.

Anyway, the remastered stuff ignored the stated numbers for speeds and distances and lessened the exciting springing into action sequence with full power, and mitigated the sheer excitement of the moment, and the impressive comparison of Impulse drive to Warp Power was diminished. A powerful moment - the best moment - totally diminished as less important than a backside shot of the Klingon ship with the Enterprise apparently only a few hundred meters away. Meh.

I'm not sure I noticed before this episode, but the security guards are wearing black equipment belts well above the waist and over their colored shirts, so that's a weird look. It may be standard for season 3. I prefer having them on the waist and just under the shirt or at the top of the black pants - but YMMV.
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Victor Brandt plays Watson (and dies - snapped neck, so thanks for your service, redshirt Watson,) but Victor will later return as Tongo Rad in The Way To Eden.
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Jay Robinson plays Lord Petri. Damn it! I hate discovering something or someone is colored weirdly by reading about it decades after the fact. I mean, I knew he wasn't exactly normal, but I thought he was just pale. He's GREEN??? I did not know that. And thanks to closed captioning, I now read that Elaan actually said she didn't want to be mated to a "green" pig, or something like that, and I missed that, too. Oh well. Just another reason to appreciate multiple viewings of Trek.
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The Beauty of the Day is France Nuyen playing Elaan, the Dohlman of Elas.
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I particularly liked her blue wedding dress with no sides. Sexy. I see London, I see France, but I sure can't see her . . . well. Must be wearing a thong - or nothing.
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Perhaps the Dohlman was ignorant, but I'm pretty sure she committed the Han Solo sin and used "light years" as a measurement of time. If so, Kirk didn't bother to correct her, but that was probably just wise, given what she was like - and Shatner, I'm pretty sure, wouldn't know the difference, even today, but that's just an impression I get of him, so maybe I'm wrong about that. I actually would like to think I am wrong about that. Anyway, I suppose it's possible she meant the time it would take to travel 10 light years, but since no established speed is discussed and they aren't traveling that far, it seems unlikely. At the current speed, perhaps? Maybe.

I dislike that Kirk claimed having sex with her was an "accident." Hard to screw somebody accidentally - and, obviously, they must have done it, even if it wasn't shown, since it makes little sense they'd act that way about "what happened" if nothing happened. Like Paris, Kirk didn't resist as much as he perhaps should have and he had to have that beautiful woman. But I guess I can't be too upset with his feelings there since he was drugged/poisoned and not quite himself - and, I assume, deliberately tricked by the Dohlman. This was not a more genuine or spontaneous emotional display on her part, but a conniving attempt to make him touch her tears - probably a common tactic of the women from her planet. Afterwards, her plan for Kirk to use his ship to kill everyone on Troyius and for Kirk and her to become the rulers of Elas and the Tullen system suggested to me she was disingenuous in her feelings, at least initially. However, the biochemical effect may work on her, too, as she did seem to later have more honest feelings toward Kirk. Why else would she have stifled her tears when he beamed her down to another man? Was the thought of not being able to slaughter millions too heart wrenching and not becoming ruler of the whole stellar system too much to lose that it made her cry?

I had forgotten the sexist joke (Kirk said, in all the galaxy, only Vulcan woman can make any claim to being logical, or some such). 60's humor.

At the end the doctor thinks he found a cure, though Spock suggested Kirk was already in love with his ship, or something to that effect, and therefore immune, though if I were the Doc, I'd give him the cure anyway, and he probably did. I guess I don't mind the Federation finding a cure quickly when a more primitive culture hasn't been able to for years, decades, centuries or more. Advanced scientific knowledge and technology is like that. I wonder if he shared it with the men of Troyius and/or Elas. Hmm. Probably not. That might actually be a violation of the prime directive, even if they were already aware of the more advanced spacefaring societies.

I wonder if it would have been all right for the remastered version to fix the obvious flaw of Chekov from the front being not Chekov from the back – one of the problems of using stock footage. They probably could have "shopped" in the back of Chekov's head there easily enough. But then they'd actually be altering the actors. Just like not fixing the obvious stunt men, I guess that mistake was better left alone. But it is an obvious one.

I had given the episode a 7 out of 10 before - the battle sequence alone is fantastic and the incidental music is RIVETING - some of the best of TOS - and any problems you have with the silly Homeric names or the remake of The Taming Of The Shrew, or even the stereotypical Asian female (tiger lady, and/or complete submissive), or any similarity between this story and Journey To Babel are minor compared to that great space fight - better, I think, than Journey's - but both are "MUST SEE" battles.

But the remastered version degraded this to a 6, IMO, though maybe raised it back to 6.5 for the better view of the Klingon ship, the Enterprise, and two planets and "some" of the battle - but overall, it lowered the score half a point. So, again, watch the original on this one. It's better. Well, to be fair, watch them both - but I think you should watch the original one first.
 
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Whom Gods Destroy

In all honesty, this one never really held my attention. I didn't care much for Garth, especially not for Shatner as Garth and most of the other secondary characters were inconsequential. Marta was reasonably interesting and I liked the whole sign/countersign aspect of things (even though it's weird that Kirk suddenly instituted this policy at exactly the same time it became necessary despite there being no logical reason to expect it to be necessary). I also rather enjoyed Spock trying to determine which Kirk was real, although that still pales in comparison to the much more fun double sequence from TUC.

But for the most part I spent the entire episode wondering how it makes any sense to plant an insane asylum with only one doctor on a literally poisonous planet.

I also officially don't see any rhyme or reason whatsoever in these fan theories about Cap. Lorca becoming Garth of Izar. They seem almost nothing alike.
 
Whom Gods Destroy

In all honesty, this one never really held my attention. I didn't care much for Garth, especially not for Shatner as Garth, and most of the other secondary characters were inconsequential. Marta was reasonably interesting and I liked the whole sign/countersign aspect of things (even though it's weird that Kirk suddenly instituted this policy at exactly the same time it became necessary despite there being no logical reason to expect it to be necessary). I also rather enjoyed Spock trying to determine which Kirk was real, although that still pales in comparison to the much more fun double sequence from TUC.

But for the most part I spent the entire episode wondering how it makes any sense to plant an insane asylum with only one doctor on a literally poisonous planet.

I also officially don't see any rhyme or reason whatsoever in these fan theories about Cap. Lorca becoming Garth of Izar. They seem almost nothing alike.
There are very few criminals with this level of insanity anymore, so one on-site doctor is enough to treat them all – other medical consultants, if necessary, could be consulted remotely via subspace. Considering how dangerous these criminals are, and how decent folk probably don't want to have such a place in their backyard, I'm not surprised StarFleet would put it someplace that had good conditions (temperature, gravity) but was otherwise was not qualified for colonization (poisonous atmosphere). Most planets are more likely not right for colonization, but they can still be used. Plus it helps keep the prisoners in since they can't escape outside so once past the force field they can beam someplace.

As for the counter sign, the first time Kirk visited such a place, Simon Van Gelder beamed up and Kirk probably is still taking crap for that. So he added an extra level of security and made sure either he or Spock was on hand to personally make sure that kind of thing didn't happen again. Makes sense to me, given his history.

IMO, Spock should have just stunned them both and sorted them out later, but that's me.

Whom Gods Destroy
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Read Full Review
The title is based on a Greek proverb - "Whom the gods would destroy they first make mad."

The story takes place on Elba II, named after the island where the emperor Napoléon Bonaparte was initially exiled - and Bonaparte is also mentioned by Lord Garth as one of those men who failed to "properly" conquer the world.

Some say this story is just a remake of the episode, Dagger Of The Mind, and as such, it is not as good. I disagree. While both deal with an insane asylum, I think any remaining similarities are few and unimportant. And while I still think Morgan Woodward's performance in Dagger was excellent - better than any one performer here - I didn't like the overall story as much as this one, which I rated more highly. And yet, perhaps that's for its humor. And, of course, I'd rather watch Yvonne Craig's performance as Marta than Marianna Hill's performance as Dr. Helen Noel.

It may or may not be entirely consistent, but apparently the Federation can now cure all insanity with their new medicine - though they don't use it in some cases, like in a couple of up coming episodes - The Way To Eden or Turn About Intruder - but maybe it was only one type of insanity this worked on, or they just didn't have time yet to identify and treat the mental illness of those characters.

Of course if the cure essentially wipes away your memories, as it seems to have done for captain Garth, is this really curing a person, or just a better alternative to executing them or life imprisonment? Some might say if they no longer can remember who they were, they are, in essence, no more - effectively killed, even if the body goes on, it's just another person. Sure, society is safer, and it's probably a good thing, but is it a "cure?"

Regardless, I doubt the Federation is ever totally free of individuals with mental problems, but with treatment, most such problems are a thing of the past. Impressive.

There's very little of note that was done in the remastered version. Still, in the original the planet's force field seemed more like a force field, while here it doesn't really seem as if we can even see it. It looks like they're just shooting phasers at the planet's surface.

Side-By-Side Comparison
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Nitpicks:

One wonders why McCoy isn't more directly and immediately involved with delivering medicine. Maybe he was busy taking a dump or something, so Kirk and Spock went ahead. But seriously, shouldn't the doctor handle this?

At one point, Garth claims Kirk is the second finest military mind of their time, and Kirk seems to agree since his only objection is he's mostly an explorer these days. This is alluded to in other episodes, too. So my question is, when exactly did Kirk spend any significant time earning a reputation for military greatness when he wasn't an explorer? He's damn young for a captain as it is, and besides starfleet academy, and a few tours under the command of others, this is his first command, and it's all more exploration and not really wartime duty. So . . .

So, why are all these COMPLETELY insane inmates so well behaved and disciplined enough to reliably take orders from Garth? It just seems unrealistic.

I don't understand why Cory or Kirk just sat in the chair - they didn't seem restrained at all. Maybe the very act of sitting in it activates a force field, similar to the one Garth held Cory in place in his cell. Otherwise, I'd think they just get out of the chair.

I find it hard to believe an entire planet is shielded by one force field. Wow. A building, a small area, sure, but an entire planet? Seems excessive. Mind you, a starship could easily make short work of it, but they were trying to open it up gently enough so that it wouldn't kill the people inside. And as I mentioned earlier, the force field didn't really show up in the remastered work.

I thought it was stupid that Garth would toss around his explosive like he did, since just dropping that flask would ostensibly vaporize the entire planet. Also, I doubt it would be that powerful, but what do I know? If it is, it's certainly more powerful than 10,000 cobalt bombs or the anti-matter blast they used to kill the vampire cloud, if it is indeed powerful enough to vaporize the planet. I choose to believe Garth was simply exaggerating that aspect of it. Sure, it's powerful, but not THAT powerful. I wonder WTF it is. Maybe they lost the secret when they cured Garth.

Marta seems to be playing along with Garth's plan, fooling Kirk into believing Garth was Spock - but then why did she try to kill Kirk? That would have ruined the plan. So if she was off script, why did she pretend to succumb to a Vulcan nerve pinch, that, let's assume, Garth doesn't actually know how to perform? But earlier I did complain his insane "men" seemed too well behaved, so since Marta is insane, I guess anything's possible.

It was silly Spock had any difficulty discerning which one was Kirk - and there was no real need, as well. Stun them both - one would change back, and Spock could beam down a security team while they both lay there. No big. So not the drama.

Of course, Garth doesn't seem all that clever, but he was insane. He overplayed his hand and revealed himself to Kirk every time, but he is almost constantly on the edge of losing his temper, so that's not too hard to accept. My point is, despite Garth having been an impressive Starfleet captain, he wasn't much of a villain, and his plan to capture the Enterprise seemed obviously doomed to failure even without Kirk's unusual chess problem precautions, or Kirk and Spock's teamwork. Just like before, the crew would have refused his orders and he wouldn't have found any significant number of followers. Apart from the personal threat to Kirk and Spock's life, he didn't seem like much of a threat to the Federation. But YMMV. I wonder about Izar, though, but I'm told it's a human colony, so Garth is just a human and not a different race - he's just not from Earth.

Best Moment - when Garth erupts and orders his men to "REMOVE THAT ANIMAL!" - a characterization he uses of Spock who was calmly, clearly, and logically pointing out the flaws in Garth's position. It was hilarious, as was Spock's earlier sense of nostalgia brought about by Marta's dancing.

I never noticed before Garth had on one silver boot and one gold boot, despite how obvious that is. But his main outfit and cape were just parts of two previously used costumes. Commissioner Ferris' uniform (The Galileo Seven) and Anton Karidian's fur cape (The Conscience of the King).
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Nimoy didn't care for this episode, the logic of Spock's character discerning "which was which" via cleverness having been taken out and replaced with Shatner on Shatner "action." He felt it was uncharacteristic of Spock. But I hear Shatner was always taking extra screen time, so maybe that's why he delivered the medicine instead of the doctor, too.

It's interesting Garth apparently phaser stunned Spock, but they didn't show that - just alluded to it. I wonder why. It might have been cool to see Spock get zapped.

The Beauty of the Day is Yvonne Craig playing Marta - an insane Orion Slave Girl.
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Yvonne may be best known for playing Batgirl on the 60's T.V. show, Batman.
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Marta's dance is better than Vina's, IMO, but not as insanely hot as the trio of sisters in Enterprise. But you judge for yourself if you want to review the three different Orion Slave Girl dances.

Orion Slave Girl Dances
Vina
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Marta
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Nevaar and her Two Sisters.
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I was moderately shocked to learn that Steve Ihnat - the actor who played Garth - died of a heart attack at the young age of 37, just a few years after doing Trek. Thank goodness modern medicine is considerably more advanced these days, and people can survive many heart attacks with stents and bypass surgeries and therapy and drugs - not much of that in the late 60's - but 300 years from then in the Trek universe, they probably use nanobots to root out your arteries and keep them clear of arterial plaque, and with such scanners, they can detect and correct genetic abnormalities to a heart or even replace it with an artificial one. Gosh, I wouldn't mind spending a few hours in Sickbay with the EMH.

I should also mention that this episode was the basis of the Fan Film, Prelude To Axanar, which concerned Garth of Izar and his cleverness there, which Kirk mentioned was still required reading at StarFleet Academy. The currently unmade Axanar short will likely remain never made, or if it ever is, it will likely be seriously downgraded in quality to comply with CBS/Paramount's restrictions, or just another result of the bad fall out over the conflict. Personally, I liked Prelude and wish CBS/Paramount had used a gentler touch, despite Alex Peter's bad behavior, for the sake of the fans. YMMV.
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While Dagger only got a 4 out of 10 from me, I went as high as a 6 out of 10 for Whom Gods Destroy. The Garth/Spock exchanges are quite amusing, and Garth's speeches are more interesting.
 
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