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TOS Rewatch

It went beyond voice, since Spock said they gave it a personality - female, of course. And while it normally behaves, a malfunction could have some of those subroutines doing weird things. But sure, it was mostly an attempt at humor.


But with chaos theory, even a butterfly flapping its wings, or not, can eventually cause a hurricane on the other side of the world. Just imagine all the people that bum interacted with, making them go left instead of right, crossing the street instead of going straight, etc. The truth is, any change, however minor, is likely to have huge changes on the timeline (unless they weren't changes after all, but part of the original history).

And whino is defined on-line as:
whino Noun singular. Whinoes noun plural.
1. a whino is a type of drunk, usually a hobo, who has a preference for cheap wines over the vodkas and whiskeys etc. Especially known for 'hiding' their drink of choice in a paper bag.
But wino is also defined:
wino
Someone who props up walls in the street, drinking an unidentifiable drink (it needn't be wine, could also be spirits, special brew, buckfast or lighter fluid) out of a paper bag whilst swearing incoherently and dribbling.

I do suppose, however, wino would be the more acceptable term, and the latter probably a result of long standing errors that have become so commonplace they are now officially accepted as an alternative definition in some dictionaires. Weirdly, I checked the spelling on-line before I posted that and since that definition came up, I thought, O.K.:shrug:


Spock wasn't supposed to console Jame - just get her out of there. Why is Stone corrupt? Because he was willing to use discretion for the good of the service to give Kirk a pass if he took a desk job? Isn't the prosecution obligated to give Kirk her evidence, anyway, so her strategy is the evidence says you're guilty? I don't think she did anything too out of line. Maybe he doesn't read precedent on a screenless computer, but listens to it - it's audio. He doesn't actually say he reads it, just he can get it, but he never uses it. Maybe he can read a LOT faster than the thing talks at the normal conversational speed.

Spock is a Lt. Commander here, but there's something hinky about the stardates and airing order, I think. I forget.

Negative gravity? Maybe – they have artificial gravity and might need to really crank it up on a small moon, for example, to hold an atmosphere. If it can be cranked up, it might be crankable in the other direction. Otherwise, who knows? Clearly, for friendship's shake, Spock is overstating his opinion as if they are universal facts – i.e. he's exaggerating. He does that a lot.

Tape decks carry their service records, which might contain classified information - it may be better than having duplicate records everywhere, but I dunno.

Spock's hunch the computer's chess game would be off did seem a stretch. Maybe he knew how susceptible that area of the computer core would be if an adjacent area were tampered with.
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Telling them the computer was tampered with is less convincing than showing them. But sticking around once it seemed obvious Finney was alive instead of leaving was silly. Confronting a witness or disputing the evidence, it's still his right to do either.

Court Martial
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Kudos for using the same scenic imagery (of the ringed planet in the sky) for starbase 11 (both in The Menagerie and Court Martial.) That's continuity for you. However, oddly enough, due to stated star dates, this episode occurred before Spock illegally took control of the Enterprise to help Commodore Christopher Pike in The Menagerie. In any event, this starbase seems partially, or mostly, on a planet orbiting that gas giant, for what it's worth. And here, the Enterprise is given repair priority status over the U.S.S. Intrepid, which is another Constitution class starship, but this one is entirely manned by Vulcans, and which later meets its demise in The Immunity Syndrome. In the re-mastered version, we see it in orbit above starbase 11, though we never really see it in The Immunity Syndrome, it adds a touch of awe as the only constitution class starship manned entirely by vulcans - and we get to actually see it here! That's over 400 soon to be dead vulcans hanging in orbit there - so just look at it while you still have the opportunity.
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The re-mastered version also shows some nifty close-up shots of the Enterprise and where the "Ion Pod" is/was located. That was actually pretty cool. The whole ship looks dirty and roughed up.

It's interesting that a fair representation of Kirk's graduating class (hanging about starbase 11 at the time) assumes the worst of him (that he either effed up, or he deliberately killed Commander Ben Finney.) I was once told, and this may be true, that most of them were just jealous of Kirk since he acquired command of a starship at such a young age, nearly a decade sooner than anyone else ever had. His classmates had lieutenant ranks and similar, so maybe it's true. Imagine this when you are slammed by the Trek (2009) film when he gets it even 10 years sooner than that.:rolleyes:

Fun Facts: Joan Marshall plays Lt. Areel Shaw, and she sports the only female dress uniform in the series. It has gold braid on the cuffs as well as a Starfleet breast patch, which the male uniforms do not. The hemline is also somewhat lower than the usual female duty uniforms.
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Commodore Stone is the highest ranked African American (let's assume that, for PC's shake, though he may not actually be "American" for all we know) depicted in TOS.

Kirk states the computer magnifies heartbeats by a factor of 1 to the fourth power. Ughh. :whistle: Even when it's badly written that way, and I assume it was, you'd figure somebody would catch that – even Shatner. 1x1x1x1 = 1. Obviously, he meant 1 x 10^4 or 10,000 times louder.

And, once again, the idea a ship in orbit can quickly plunge to its death in a decaying orbit just because it's out of power is shown. That nasty notion seems prevalent in the series when in reality, losing power would likely just strand the ship in orbit for years, decades, or perhaps centuries or more (assuming nobody could rescue it). Dramatic requirements, however, make it otherwise. Of course, though this is not what they say, we could assume Finney sabotaged the power and might have nudged the ship toward the planet, too (using navigational thrusters or other means).

I like the episode, and I particularly like the intensity of the courtroom drama, if not all the facts or means by which they are shown, but this is just an average episode to me. Still, it's worth watching, as most TOS episodes are.

4.5/10, new effects, 5 out of 10.

Makes you wonder what Star Fleet eventually did with The Exeter while in orbit around Omega IV!
JB
 
Patterns of Force

I didn't recall much of this episode other than the image of KIrk and Spock in nazi uniforms, so I rather expected it be more tongue in cheeck (like a Piece of the Action). I was pleasantly surprised to see it was actually a very serious, very well done exploration of the subject. All of the guest stars were excellent. The story is compelling and well thought out (although it seemed a bit dramatically 'convenient' to not just beam Gill to the Enterprise, diagnose him, treat him and beam him back down - something McCoy should've been able to do in minutes without endangering the man). I also very much liked the way that it was reimagined as a space war where people don't bat at eye at the possibility of aliens, with the even better touch that the Fuhrer himself was an alien (an obvious historical parallel, albeit Hitler didn't have the good intentions that GIll had).

I do think it would've been interesting to get more detail on Gill's ideas and what he hoped to accomplish/why he thought it was necessary to do more than observe. That could've made this a real exploration of the prime directive and what it should and shouldn't be, rather than just another confirmation that interference is bad.
 
The Devil in the Dark

The Federation concept of 'guard duty' continues to be incredibly non-secure.

It's interesting how Spock and Kirk flip flop in terms of killing the creature immediately or not. Also, Spock's statistical analysis of their possible deaths sounds completely made up and is obviously total bs, considering they spend the entire time standing next to each other.

Overall I'd say this is a reasonably solid episode with a very interesting concept, but everything is just a little too easy to fully hit home. Spock leaps to 'silicon lifeform' for no really clear reason. The Horta gives up its resistance very suddenly. The miners go from bloodthirsty mob to model citizens with very little push. McCoy slaps together a concrete bandaid and the horta is magically better. It's not a huge problem, but it does undermine the effectiveness of the story.
Mob mentality can dissipate rather quickly once new information arises and demonstrates how you were not only wrong, but might have been guilty of far worse behavior yourself - murder! Intelligent young beings, systematically butchered. Who knows? Maybe they will even find it difficult to live with what they did.

The Devil In The Dark
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Once again, there isn't much in the way of remastered special effects in this episode. And there's no babe, let alone babes (one or two in the background, but that's it). WTFudge? Well, the Horta is female, and she is a mother, but she hardly supplies the typical Trek babe factor at all. But some good stuff on motherhood, I suppose. There were a couple on broad shots of the bridge, but they barely offered us even a glimpse of a female crewman - and there were no speaking female parts, either - not even on the radio or intercoms.

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O.K. the effects of the Horta burning through the wall to get to Kirk were pretty well improved. And the backdrop of the pergium production station is new. I'm sure there are others, but they're so minor or have been seen before that they're hardly worth mentioning.

Original
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Re-mastered
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Type 1 and Type 2 Phasers are shown, and it's revealed phasers can be adjusted to be more effective against certain materials, so it's not just more and more energy – it's smarter than that. There's some impressive technology going on here, folks. A phaser is not just some cheap laser.
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We hear of definitive proof that McCoy is not a free mason. Umm, you know, a doctor and not a bricklayer. This is the first time he's a doctor and not something else, but there will be others.

Shatner is gone during some of the scenes since his father died during the filming of this episode. Nimoy does some fine acting with a mind meld - always nice. A second season of Trek was picked up during this time, as well, so that bit of relief added some job security for some actors and was probably a good thing.

One might marvel at how smooth and level the tunnel floors were. I wonder if they blast those areas out and then pump in self leveling concrete to make level floors like that. It's pretty unnatural looking for a natural tunnel, but then these aren't natural tunnels.

Nit picks: Why did the Horta just take the reactor pump and not destroy it? It could have safely retreated then until the humans had to evacuate the planet, but it went after Kirk and Spock and got shot? Then it gave it back, but only after connecting with Spock and learning more of us. Maybe it learned of the impending radiation and felt it might be harmful to her and hers, too. I dunno. Silicone chemical bonds are weaker than carbon ones, IIRC, but would a Horta be more susceptible to radiation than a human given its natural environment? I doubt it. Still, there was talk that her kids would die without her, so maybe she's still necessary for a time - lots of things that hatch from eggs don't need any parental supervision after they are laid, particularly when relying on sheer numbers to survive and expecting the majority to die. Guess Horta aren't amongst those species. Then again, often the more intelligent the species, the longer their young need care and supervision. But they hatch and start tunneling right away, so how much parental guidance would they really need?

Barry Russo appears here as Lt. Commander Giotto (but he has full commander stripes (two solid stripes) on his uniform). We'll see him again later as Commodore Wesley (despite the murderous attack of the miners with clubs on this guy and his men). I mean, wow, those guys were repeatedly wailing on them, I felt sure they probably killed them or gave them permanent brain damage and THAT wasn't going to be ignored later. But if they did something about it, they never said.
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They were bashing us with metal clubs over our heads with full strength. What the devil in the dark are those miners up to?
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Frank da Vinci appears as Vinci, and later in half a dozen other parts too numerous to bother posting pictures for - always in the background and in costume, so hardly ever noticed. This is the guy. Hardly looks like a "regular," but he is.
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Good Kirk/Spock/McCoy banter at the end, regarding how the Horta found Spock and his ears to be more attractive than the repulsive humans, and that Spock therefore found the Horta to be highly intelligent and discerning creature of impeccable taste. Kind of says something about Spock's inner pride and some of his more human qualities he normally conceals, and how Kirk and McCoy think of him.

Overall, I loved this episode. It creeped me out as a kid (very scary monster and horrible deaths) and later, it was the epitome of having the monster turn out to be a good guy, a very relatable and sympathetic being.

A total turn around. Loved it. 8.5/10.
 
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In a thread about deciding the most definitively "Trekkie" episode of each season a few months back, Devil In The Dark was the Season One winner! :techman:
 
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Errand of Mercy

I've mentioned how fast some episodes get started before, but this one really shoots right out of the gate. I'm not sure I've ever seen a surprise attack that was so truly unexpected anywhere else in the franchise.

The Klingon makeup really is poor, even in comparison to other races on the same show.

Kor does do a great job, though. Much more memorable and entertaining than I realized. If this series had a more long-term style like the later shows had, I could've easily seen him as becoming as interesting as all the best DS9 villains (Dukat, Damar, Weyoun, etc). I love the fact that he's so upset by the Organians interference he suddenly wants to ally with Kirk against them, even though he literally just said the Klingons would never be friends with the Federation.

I do find it interesting how the Klingons were portrayed at the very beginning. Not just the question of honor, which was obviously retconned in by TNG, but things like the weird nazi-esque salute to drive home their dictatorial nature and the fact that they routinely use a mind scanner (which actually became a Romulan trait in the later shows). But the idea of them as a mirror to humanity, loving the challenge of battle against a good opponent, that really is there right from the start, even if it comes mostly from Kor rather than the Klingons in general. He's also oddly more benevolent than later Klingons, too - I can't imagine a Klingon villain in the later shows letting his troops off so easily after a prisoner escape.

I also like how Kirk is shocked by his own reaction to the end of the war. And I find it interesting that he kind of has a point, as well: by ending the war in that manner, the Organians are actually forcibly normalizing the current situation, meaning any Federation area the Klingons may have already taken has suddenly lost the right to defend itself.

Overall, a very good episode, I think.

Errand Of Mercy
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Sash examples.
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This episode opens with impending war, and then a surprise Klingon attack! Weirdly, despite its importance and excitment, that entire attack was often cut out as unimportant, or less important than the commercials that could take its place. Morons. So, it was war with the Klingons, and this is the first time we've even heard of these bad boys. I loved that Uhura got the message from StarFleet - Code One. (Cue ominous music) and the knowing glances of Spock and Kirk toward each other. Code One meant WAR.

Anyway, there's Uhura and an unnamed female yeoman hanging around, so there's that.

Sorry, but Kirk utters something during the surprise attack and it's not picked up in CC or in the transcript, so I still can't be sure what he said. I think it was "magnetic" something, in reference to the weapons. They were, I've read, magnetic pulses, so that's somewhat interesting.

The remastered effects of the surprise attack weren't vastly superior there to the original, but at least the Enterprise fires back in the same direction from which they were hit, while it looked before like they were being hit from the bottom, yet firing forward. Anyway, they blow up the attacking vessel with phasers (which again look and sound like photon torpedoes, but they were forced to use stock footage from Balance of Terror, and haven't developed this further yet, so this is not surprising. Kirk also ordered a firing pattern and maximum dispersal rate, whatever that means for a phaser attack.

I don't think we ever saw the Klingon vessel before, but we do here, and its shots are actually curving AFTER being fired, so they are guided torpedoes. Magnetic pulses, eh? And now we see the floating debris after its destruction, too, instead of blank space with only Sulu's assurances, "we got him alright." I always felt it was a relatively small, scout class vessel, which explained why it snuck up on them, and its punch wasn't that harsh, and why the Enterprise easily destroyed it. But had it not been for automated defense systems kicking in just prior to the attack, the shields would have been down and the Enterprise would have been destroyed before they even knew what hit them, even from that, making a surprise attack from a smaller vessel worth the risk. In the remastered version, however, it's a D7 attack cruiser, the Klingon standard for TOS. We'll see a whole fleet of them later, but before, nothing - didn't see a ship at all. Here, you can see 4 up front and at least two others farther back, so at least six D7 destroyers, an impressive fleet. When Sulu returns with more ships, we don't see those Federation ships, either, but they're there.

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The reason we never see the attack vessel in the original is because the budget didn't allow it. Similarly, the reason the Klingons became the main enemy of the Federation (rather than the more interesting Romulans) was because they looked more human and didn't take hours of makeup work (and lots more money) to get ready for a shoot. Then there's the whole business of how these Klingons were the product of the genetic experiment gone awry (ENT), which explains why they look more human than "regular" Klingons look in the TNG, but we needn't get into that here.

John Colicos plays Kor, and he goes for a Genghis Khan look, and so sets the standard for Klingon badass commanders. I think they may even have reused his sash for Worf in the first season of TNG. Colicos had other parts written for him later in TOS, but he wasn't available to play them, so they gave those spots to other Klingons and missed the chance to become a reoccurring villain. But he would come back in future series of Trek to reprise his role, which was more sympathetic at the time, just as Worf's whole take on his klingon culture was more honorable and with a warrior's code rather than just a conquering hoard of imperial aggression crushing the weak, torturing and murdering the defenseless, plundering the helpless under the belief the weak and sick should die, and obeying the rigid command structure and hierarchical authority is the most important thing a Klingon warrior should do (apart from crushing their enemies, seeing them driven before them, and hearing the lamentations of their women, I mean).

Now to Organia. An agrarian looking culture - not much to see. A stock footage castle is used instead of the painting to save money. Didn't really fit the story, but they pretty much ignored it, anyway. Weird doors in that place - they open and close by themselves, like they were IR enabled, and nobody says shit about it they're so used to that kind of thing.

Turns out the Organians are a far advanced race and are beyond the need for physical bodies, and they put a stop to the war. This is problematic later, since how can we fight the Klingons if the Organians are forcing a peace? And just for fun, ENT has a couple of those disembodied beings observing and testing humanity so we get a closer look at their beliefs.

This is one of those few episodes where Kirk is proven to be way off base, claiming he doesn't want war, but practically doing everything he can to get it or protect his right to wage it. When the Organians point out what he's fighting for, a bemused and/or knowing look from Spock confirms Kirk was wrong.

The Organians reveal their true form, and the special effects there are improved, IMO.

The term "Vulcanian" is used in this episode, but almost never again. I think Mudd used it before, and maybe that's it, and it's always Vulcan after this.

I was mildly stunned when Spock calls Kirk "Captain" while in disguise, right in front of some grunt Klingons. Luckily, they either didn't hear this or don't understand English, which might make sense since officers might bother to learn it, but the lower ranks probably wouldn't. Still, a bad move on Spock's part. And if the UT is automatic, there must be ways to shut it off since it's not always a good thing everyone knows what you're saying to you buddies.

Real cheap special effects blowing up an ammo dump were not improved. Even the new stuff didn't have the budget to fix everything.

But they did include more Klingon ships, so there's that.

Kor also communicated with his fleet while Kirk talks to Sulu, but we hear nothing, thus proving the Klingons were using Text Messaging long before anyone ever thought of it here, ha ha!

I miss so much green on this show due to my color blindness. In this episode, I'm "told" the goats being herded by the villagers have green fleeces. I guess using odd colors is a good way to show things are alien, so this is a dyed in the wool practice for science fiction. :rolleyes: Anyway . . .

Spock claims he is a dealer in kevas and trillium, and later in the DS9 episode, Arne Darvin, Klingon spy in The Trouble with Tribbles and later Trials and Tribble-ations, claims the same, which was a pretty funny call back, IMO.

I like this episode, but it's not one of my favorites. The enforce treaty seems ignored later, or not enforced all the time or everywhere, IIRC, so we might assume it is limited to the area around Organia, which might be light years in radius, but yet not encompass the whole of Federation or Klingon space. The inclusion of the surprise attack (rather than its omission) greatly helps, but some cheesy effects and few peculiarities don't help elevate it. 6/10 before, maybe 6.5/10 now due to some better special effects.
 
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Errand of Mercy is the greatest and most finest hour in the whole history of television . :techman:

Kor
 
That's a pretty strong endorsement. So, just for the sake of curiosity, what was your absolute favorite part of Errand or Mercy? What's your favorite scene or aspect to make it the best and finest hour of Trek for you?
 
Errand Of Mercy
Now to Organia. An agrarian looking culture - not much to see. A stock footage castle is used instead of the painting to save money. Didn't really fit the story, but they pretty much ignored it, anyway. Weird doors in that place - they open and close by themselves, like they were IR enabled, and nobody says shit about it they're so used to that kind of thing.
The self-opening doors were one of several subtle hints throughout the story that the Organians aren't the primitive and passive creatures they appear to be. From the Balance of Terror Observations thread:
. . . As for "Errand of Mercy," it may seem that the Organians' revelation is a sudden twist, but it's foreshadowed throughout the episode by the Organians' calm, their insistence that they're in no danger and need no help, and by various subtle clues like the way the council chamber doors swing open by themselves and the way Ayelborne inexplicably frees Kirk and Spock from prison. . . .The mystery of the Organians' true nature is woven through the episode, and the revelation of what they really are is the payoff to what's been building all along.


The term "Vulcanian" is used in this episode, but almost never again. I think Mudd used it before, and maybe that's it, and it's always Vulcan after this.
There was also a throwaway line in "Court Martial" about a "Vulcanian Expedition," whatever that was.

I was mildly stunned when Spock calls Kirk "Captain" while in disguise, right in front of some grunt Klingons. Luckily, they either didn't hear this or don't understand English, which might make sense since officers might bother to learn it, but the lower ranks probably wouldn't. Still, a bad move on Spock's part. And if the UT is automatic, there must be ways to shut it off since it's not always a good thing everyone knows what you're saying to you buddies.
Retcon alert!! :nyah: Universal Translators were never mentioned in Trek TOS except for the episode "Metamorphosis."
 
There was also an example of clairvoyance regarding the Klingon beam-down that was explained away by Ayelborne as Trefayne being "really quite intuitive."
 
Retcon alert!! Universal Translators were never mentioned in Trek TOS except for the episode "Metamorphosis."
Yep, and that alone would be enough. And some TOS movies, and of course ENT. All that does suggest they have them on some level - that, and the fact they effortlessly communicate with aliens all the time. They might even be surgically implanted like they were for DS9's Ferengi. Probably not, since they had external ones in court for the movie - unless prisoners have their implants deactivated. Sometimes we have to assume a lot of things taken for granted are NOT mentioned, just as characters who fully know about it wouldn't be discussing it just for the audience. Besides, how was Spock to know the Klingon grunts didn't know standard, or the Klingons don't have UT's?

The Alternative Factor

'If I had more time, I'd laugh.' That was a great line.

So, McCoy leaving obviously dangerous strangers totally unattended in sickbay is not only standard procedure at this point, but apparently a deliberate refusal to have security personnel around.

Why is that engineering Lt. wearing blue the whole time?

An ok episode, I guess. The character of Lazarus was mostly boring and irritating more than anything else, which is a problem since he's really all there is to this episode even to the exclusion of any significant character moments for the main cast. But the alternate Lazarus did have a good scene at the end. The science is pure handwaving to the point of just stating random claims that don't seem to fit together at all as absolute certainties. I do find it interesting that they actually ended this one on such a somber, contemplative note. They usually try to add some levity after the problem is over, which made this ending stand out quite positively.

The Alternative Factor
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This is NOT a great episode of Trek, IMO. It's too repetitive, like Lazarus falling down three times, or the effect of them swapping out happening N times, where N is large, and a lot of it doesn't make a great deal of sense. The entire matter and anti-matter analogy leaves something to be desired. For example, if one Lazarus were anti-matter, then he'd blow up in our universe, regardless, and not need to find the matter Lazarus counterpart, so one could easily get the wrong idea about the subject from this. Atomic particles don't know or care what or who they make up in conglomeration. Such an explosion (converting the mass of two men into pure energy) wouldn't even begin to threaten a whole stellar system, let alone a whole galaxy, let alone a whole universe, let alone two. It's just a poor analogy. I suppose if the universes start unzipping and connecting there and continue to mingle, it could spread out from there and never stop, but if that's the case, it's just poorly explained. Not to mention the fact if this sort of thing can happen anywhere at all, then probability would have it succeed at some point, making our universe's continued existence a very unlikely prospect. They just went too big on the threat level here, too epic, and should have dialed it back. You don't have to go THAT big to make the story exciting - a common mistake in fiction. And, parallel universes don't seem to be in danger of causing mutual destruction later on, either.

Naturally, if the whole universe is going to blow up, it just makes perfect sense to draw other ships in the area away and leave Enterprise alone and unassisted. :rolleyes:

And finally, it is amazing StarFleet seems to have sensors or contact with the whole galaxy and beyond to make claims that phenomenon is felt galaxy-wide. Whoever wrote this did a fairly poor job on the science, but the main story isn't really about that, so we're supposed to let that slide, I guess.

Spock calmly calls Lazarus a liar - probably to show how dispassionate he can be when making such a normally passionate claim. Unfortunately, his logic doesn't hold up. Did he lie to his captain when he told him there was no life on the planet - but then there was? No. Something happened. Apparently things can come and go and their instruments can't detect this, so they already have good reason to think this. Then when Lazarus says there's another guy running around, it's hardly logical to conclude he must be lying simply because their instruments can't find him. Spock's arrogance is more on display there, IMO, since it totally discounts the possibility he made a mistake or there is more going on than he understands. I'm not sure why they had him say that, given what's already been going on there.

I do like the fact that apparently it's the one from our universe that is insane and not the other guy. It at least doesn't pretend everything homegrown is better, which is a common conceit. I felt the homegrown version was wacky from the start, but of course I wouldn't trust anyone defending his honesty and his "holy" cause as vehemently as this guy does, and long before anyone even questions it - it makes it seem like he's lying all the more, and maybe even like he's a habitual liar, but maybe that was the intent. Seriously, would you trust this guy?

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Once again, I think this happens several times in the series, but Kirk assumes somebody (Bones in this case) is playing a trick on him, despite the high stakes in this profession. I can only assume Finnegan must have done a real number on Kirk to make him assume somebody is always playing a prank on him before he'd just accept even Bones or Spock at their word, so he largely ignores the vanishing cut on Lazarus' forehead - an important clue there are two of this guy running around.

Code Factor One is used - instead of Code One, but both seem similar - War - or Invasion of Federation Space. This is the first time they have instantaneous communications with Starfleet, so they must be relatively close to home, despite the fact this planet is unknown and uncharted (and weirdly, has an oxygen/hydrogen atmosphere, but nothing comes of that). Nothing should be read into the fact Lazarus calls it his "earth," though one wonders when he learned the name of our planet. I suppose it's possible somebody told him, or the UT is making its unseen presence felt again, retcon or otherwise :whistle:

Dilithium crystals are shown as translucent panels here and not first sized rocks. So what's my complaint? It's the shape of the crystals - I was afraid of that. Like other "science" in this episode, it's bad, so I feel freer to ignore it. The very idea dilithium crystals provide tremendous power might be gleaned from this, but it's also possible they just regulate it, and being drained probably just means the magnetic eddy currents normally in a fully charged crystal are depleted and so it can't regulate matter/antimatter reactions in that condition - they have to be recharged first, and that takes time. Besides, it they were the actual source of power, what would you recharge them with?

Despite the lack of gold braids on her sleeves, Lt. Charlene Masters appears in this episode - in blue and not red, though she seems to be doing Scotty's job since James Doohan is not available, but it's not unusual for a Science person to be working in Engineering, and my theory of floating personnel from department to department usually explains such things. This was great in that it showed yet another female officer and a black officer, letting us know Uhura wasn't an exception but probably the rule in the 23rd century. There was a whole Masters/Lazarus subplot of their romantic entanglement during which he used her to gain access to the dilithium crystals, but too many objected to the white/black kissing and mixed race relationship angle, so they cut it, if those tales are to be taken at face value. If they hadn't, that would have been the first interracial kiss on broadcast T.V. instead of Kirk and Uhura later on down the road, so they missed making history by that much.

Lt. Charlene Masters played by Janet MacLachlan
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For the first time, the Enterprise is shown firing one phaser beam instead of two, and the new camera shot is from behind the whole ship, so that's cool. One might wonder why destroying Lazarus' time ship here would destroy the other one, too, but they never say - though Kirk "logically" concludes this will happen and the sane Lazarus confirms this, but it doesn't make a lot of sense. Maybe it isn't destroyed so much as you need both to open the door. Furthermore, some dilithium crystals will be lost here - some were recovered, but not both sets (I assume). Guess they could get on without them for a time, but luckily they are near home and can probably get replacements PDQ.

I did like when Spock asked, "What of Lazarus?" and Kirk responded, "And what of Lazarus?" though they were talking about two different people. I thought it was cute.

I gave this only 4 out of 10 before, and while it's always nice to see new special effects (planet, ship, weapons) they didn't help elevate this story past that rating, IMO. One might enjoy it slightly more if you ponder more deeply of parallel universes and alternative realities and try to keep track of which Lazarus is which, but mostly, the episode does too many questionable things for me to highly recommend it, and it's just not THAT exciting in action.

PhotoTrek
So, You're From An Alternate Universe?
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That's Right Captain. It's The Most Amazing Place.
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Really? Is It A Pretty Place?
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The Bluest Skies You've Ever Seen,
And The Hills, The Greenest Green.
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Sounds Wonderful. What's It Like?
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It's Like A Beautiful Child,
Growing Up Free and Wild,
Full Of Hopes And Full Of Fears,
Full Of Laughter And Full Of Tears,
Full Of Dreams To Last The Years.
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He's Right. I've Seen It. It's A Different Reality.
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Another Reality, Eh? Hey! Then We Could Be . . .
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My Friend.
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Nothing should be read into the fact Lazarus calls it his "earth," though one wonders when he learned the name of our planet. I suppose it's possible somebody told him, or the UT is making its unseen presence felt again, retcon or otherwise :whistle:
It's reasonable to assume that most language-capable species in the galaxy refer to their home planet as their "earth," using the same word that also means the soil or ground under their feet. That's the case with most Terran languages.
 
Well, Lazarus doesn't refer to his home planet as "Earth." He refers to his home planet as "my Earth." It's reasonably clear that that's a different planet from our Earth and from the Federation's Earth, Sol III.
 
KIRK: "This is mutiny, mister!"
Leslie: "Yes, sir. It is."


Actually, since they weren't trying to take control of the ship, it seemed more like desertion than mutiny to me, and in a later episode Mr. Spock says no mutiny has ever occurred aboard a starship, so ultimately this action probably didn't count as a true mutiny since they were being controlled.

Maybe Kirk was trying to provoke a reaction to see how clearheaded Leslie was. If he could still think for himself, he'd say, "Not really, sir. We're not taking over the ship and imprisoning or deserting you, we're abandoning it and you're free to do what you want." If his senses are slightly dulled but he's still with us, he might say something like "Mutiny? (fearful look) "No, sir!" If he's truly loopy, he won't care - the word means nothing to him. It's as though Kirk had just said, "That shirt is made of cotton." or made some other ordinary comment.

It's reasonable to assume that most language-capable species in the galaxy refer to their home planet as their "earth," using the same word that also means the soil or ground under their feet. That's the case with most Terran languages.

I asked this once myself. https://www.trekbbs.com/threads/lis...ep-us-up-at-night.283094/page-6#post-11752554

Once again, I think this happens several times in the series, but Kirk assumes somebody (Bones in this case) is playing a trick on him, despite the high stakes in this profession. I can only assume Finnegan must have done a real number on Kirk to make him assume somebody is always playing a prank on him before he'd just accept even Bones or Spock at their word, so he largely ignores the vanishing cut on Lazarus' forehead - an important clue there are two of this guy running around.

He doesn't recall a similar tell for evil Kirk - the scratches Janice Rand inflicted on his bad half identified who had attacked her. But maybe he'd just as soon put that behind him.
 
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It's reasonable to assume that most language-capable species in the galaxy refer to their home planet as their "earth," using the same word that also means the soil or ground under their feet. That's the case with most Terran languages.
That sounds like a well grounded theory. :techman:
 
KIRK: "This is mutiny, mister!"
Leslie: "Yes, sir. It is."

Actually, since they weren't trying to take control of the ship, it seemed more like desertion than mutiny to me, and in a later episode Mr. Spock says no mutiny has ever occurred aboard a starship, so ultimately this action probably didn't count as a true mutiny since they were being controlled.
Mutiny is generally defined as open rebellion against constituted authority, especially rebellion of military personnel against their superior officers. So technically, it was mutiny and desertion.
 
It's reasonable to assume that most language-capable species in the galaxy refer to their home planet as their "earth," using the same word that also means the soil or ground under their feet. That's the case with most Terran languages.
Unless they are from a gas giant, or a planet whose surface is covered entirely by water.

Kor
 
The Guardian of Forever (The City On The Edge Of Forever)

I like how Uhura's fear is just simple and plain rather than the hysterics that have been common with female side characters in other episodes.

This is still an obvious classic, though I think I probably prefer it the least of the classic episodes I've seen so far.

Edith is undeniably well done and Kirk's relationship with her is great. I love how she was portrayed as being right but at the wrong time. And her incredible sense of the future actually makes me wonder if she could've been an early, unrecorded case of human ESP (since that apparently does exist in Star Trek).

I also think Kirk and Spock's friendship was extraordinarily well portrayed here - in many ways it reminded me of ST IV, which I had always regarded as sort of the classic portrayal of the relationship, since it was all about Spock remembering his place in life.

And the Chinese rice-picking accident still makes me laugh, even today.

The City On The Edge Of Forever
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For me, this is hands down the best episode of TOS, and many agree. Harlan Ellison wrote the original screenplay, but only a couple of his sentences even survived in the final product, so it was mostly the work of other writers. Though it won awards, he didn't really want his name on it - even tried to put his pseudonym name of Cordwainer Bird on it, designating to those in the know he thought it was crap because other writers and producers and executives corrupted it. Roddenberry wouldn't let him since he knew what Ellison meant by using that name. Even at the awards ceremony, Ellison was still being pissy about it and publicly denigrating producers and executives who "ruin" many writer's good work with crap. Yet his screen play won an award, too, as well as the very different and actual episode, though Rodenberry said many writers could win if allowed to write scripts that would easily cost 3 times the show's regular budget and not fit in the allotted time slot, so I guess he returned fire that way.

I gather Ellison's biggest complaint was the final product suggested speaking out against war wasn't always a good thing, and in the Vietnam War era, he wanted to have his antiwar message undiluted. Instead, the message that "though peace is right, its pursuit can come at the wrong time," was given, and he didn't like that message. Of course he was fine with the sale of illegal drugs on the Enterprise, one crewman murdering another to cover up that crime, the execution of that man by phaser firing squad at the captain's orders (on the next uninhabited world, as per StarFleet regulations), and the super race of guardians (tall people who took care of the gateway, rather than just the gateway itself) eventually flinging the man into an infinite loop of a horrible repeating death by solar fire - a kind of eternal torture (though that doesn't quite make sense since if time resets itself each loop, his memory of the event wouldn't remain, either, since the event itself only happens once, so . . . stupid ideas from Ellison all around). He also had somebody drop dead of a heart attack since the mere sight of Spock scared them to death, and had Kirk willing to let millions die rather than sacrifice Edith, eventually frozen by indecision at the crucial moment so Spock had to act (very unlike the Kirk we've come to know, or Starship commanders in general). His whole treatment was deemed very UN-Trek like and unusable, and rightly so, IMO. There was no good reason even given in his story why Edith had to die - the guardians just said so, and if they were to fix time, she had to die - and a lot of other nonsense about how the Enterprise was transformed into a pirate space ship called the Condor with a pirate crew, etc. etc. (Sounds almost like the episode, Mirror, Mirror, but I'm pretty sure that's not where that's from). None of that would work in an hour-long episode or on budget - maybe 3 hours and 3 times the cost. And much of it would be, IMO, offensively wrong and very un-Trek-like, not that Ellison cared about that - the only important thing there to him was HIS vision.

So, hats off to the actual writers and contributors to this episode. Ellison had impressed me for writing this episode, but after reading a lot of the above accounts on-line, most of which I assume are true, he doesn't impress as much anymore. Another Trek episode wouldn't win as much acclaim and awards until 25 years later in TNG's episode - The Inner Light - where Picard is knocked unconscious by a space probe and lives out an entire lifetime as a native in that dying planet's culture - where he learns to play the flute.

Some items of note - some sets were from The Andy Griffith Show and we see Kirk and Edith walking past Floyd's barbershop (his name is right on the window).

PhotoTrek
Jim? That Barber, Floyd? He's Pink.
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Pink Floyd. Yeah. So What?
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Don't You Think That's Very Strange?
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Naw. Lots Of People Are Pink Where I Come From.
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Edith Keeler's name was not the original one in the script - it was Koestler. Keeler, some say, is derived from "Killer" and "Healer", depending on which way history breaks, she could be both, so she's like Schrödinger's Slum Angel.

In 1930, Clark Gable was still a bit actor and not so well known it would be surprising to have never heard of him, but the contemporary 60's audience had to be given a well known name. So it should be assumed in the Trek timeline, Gable hit it big sooner than in our RL timeline. The biggest flaw in the show, IMO, is simply Kirk asking "What?" when she mentions a Clark Gable movie instead of "Who?" which would have made more sense and been identical to McCoy's inquiry. From "What?" she probably should have just assumed Kirk didn't hear her amid the traffic noises and repeated herself. :shrug:

Remastered effects include more realistic looking planets (a given in these, though they intended the large purple areas to be taken as desert flats and not oceans, as many seem to have assumed), cooler ship shots, also a given, a better disintegration by phaser overload of the bum, Rodent (whom, we must assume, died that way as part of the original timeline since the guardian said everything was again how it was before), extended ruins on the planet, better tricorder screen shots of static and the like, and the cleaned up credits where the smoke inside the guardian doesn't freeze frame every time new credits appear, but runs continuously. Noice.

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We must assume tricorders wirelessly link with on-board computers to perform many of their higher functions, though they can do a lot without that connection - just not discern the historical details recorded at hyper-speeds, apparently. So, I supposed, it's a lot like a computer that is temporarily unable to connect to the Internet.

John Harmon plays Rodent here, and later we'll see him again as Tepo.
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Bart LaRue lends his voice again, as he will many times.
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The Guardian of Forever in The City on the Edge of Forever
Trelane's father in The Squire of Gothos (wrongly credited to Doohan for many years)
Radio announcer in Bread and Circuses
Provider 1 in The Gamesters of Triskelion
Ekosian newscaster in Patterns of Force
Yarnek in The Savage Curtain

This is one of four utterances in TOS of the word "Hell." Can you name all four?

Trek Trivia
The City On The Edge Of Forever, Kirk: "Let's get the hell out of here."
The Doomsday Machine, Decker: "Right out of hell, I saw it."
The Alternative Factor, Lazarus: "I'll chase you into the very fires of hell."
Space Seed, Kirk: quotes Milton: "Better to rule in hell than serve in heaven."

I don't know how many others assume it, but I've always assumed that alternative timeline is very one from Mirror, Mirror. The Third Reich itself may not have endured much beyond the life of Hitler, if that, but the overall imperial, superior race, and expansionist attitude seems well grounded in that history and a worthy foundation for the Terran Empire.

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I love this episode. Time travel, advanced medicine, history, archeology and a fallen civilization, humor, love, friendship, fear, great sacrifice and difficult command decisions, tragedy, Nazis, scary alternative timeline, war and/or anti war, and first class work even when forced to use materials hardly more advanced than stone knives and bearskins. I don't like to do it too often, lest it lose its meaning, but I gave this episode a 10 out of 10. It's the only Trek episode I rate that highly since nothing is perfect. But while even this episode is not perfect, with round off error, this is close enough. It's my personal favorite.
 
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Operation Annihilate

One note for me here: apparently sickbay does actually have restraints on the beds. Why no one used them on Khan or Lazarus, etc, is somewhat baffling.

This was a very interesting episode for Spock and McCoy. They seemed to get a lot of moments together, especially in terms of their disagreements in how to handle the problem. There was some very good drama all round, although I wish Kirk's part hadn't been quite so driven by his sudden family (or their deaths had at least factored into the ending, rather than the big three just joking around). A part of me also wishes they hadn't gone the direction of 'non-visible' light at all. The prospect of saving an entire planet from extinction at the cost of their eyesight was actually interesting, I thought. Although Spock obviously can't be blind for the rest of the show.

But it was still great seeing Spock overhear McCoy's praise of him.
It just seems to me Kirk and company aren't in the habit of automatically assuming the worst and treating everyone like prisoners so much as guests. If they behave badly after fair treatment, then that's not your fault, but if you treat them badly and then they behave badly, maybe it is your fault.

The last episode of the first season,

Operation -- Annihilate!
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That's pretty unusual punctuation for a title, with dashes and an exclamation point!

Maurishka Taliaferro, a model and occasional actress, appeared as Yeoman Zahra Jamal, not that she hangs around for other episodes, but she's here now, so have a look at the beauty of the day. And you should also know the actress was a huge Star Trek fan.
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So, some ship (now actually seen in the remastered version) is too far ahead of the Enterprise for them to catch up with it in time to stop it from burning up in the local sun. Despite great super luminal speeds, they can still see things far in the distance, many light seconds ahead of them, probably using subspace technology or subspace relays deployed across their own space. Whatever - it's impressive tech. I'll mention in the last few episodes, the Enterprise is almost routinely pushing high warp speeds - warp 7 to Organia, warp 8 to Deneva, for example, when before they were so worried about pushing their engines too far at warp 6. It's like the writers found warp 6 exciting, so they'd do even better and have warp 7 or 8 or more and make their stories even better. Limitations in fiction are a good thing. Anyway, since we can't have the inconsistency, it must be the case engine tech is improving as we go, as tech tends to do, particularly when you can trade and share information with other space faring species as you meet them. It just might have been better, in a way, if each season sported the new advances rather than mid season changes. But I guess it doesn't matter, as long as one doesn't backslide.

Anyway, the Denevan ship burns up, but not before its operator declares he's free of them. So, new CGI effects there. And we learn the ship's hull can get over 1,000 degrees.

As we get past the opening, right away it strikes me as unnecessarily risky putting Kirk, Spock, and Scotty all in the same landing party. I don't know how often they do that, but they shouldn't - they just shouldn't. Even the captain and the first officer is a bit of stretch, but back then, it was more of a Starship Troopers attitude - everybody fights - even the officers, and you're the man for the job until you die or somebody better comes along. With more qualified people for the job than they have starships, this might even make sense - even if only one man in a million can do that job, they have billions of people in the Federation - possibly more than a trillion beings. However, they back off from that stance by TNG, perhaps seeing some wisdom in better protecting their more valuable and field proven investments. Of course, I'm not sure Scotty was clearly third in command at that time - Sulu was also given command on occasion, but later, Scotty is clearly third in command.

James Kirk's brother, George Samuel Kirk, is shown here. Kirk spoke of these family members before in What Little Girls Are Made Of. Jim calls his brother Sam since their father is also called George, which makes sense, but most people call his brother George. I always thought it was good they found somebody who had a strong family resemblance, but stupid me - that's just Shatner in a mustache and different wig playing the dead body of Samuel. I didn't get a good look before, but here's a good look.
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Kirk had three nephews before, but only one here, and after his sister-in-law dies, McCoy says Peter is the last surviving member of Jim's family, so it's reasonable to assume the other two nephews died prior to this. Space faring and colonization of new planets is a hard life - not for the timid, certainly.

Peter? Where are your two bothers?

They're dead, Jim.

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I'm not happy they treat "light" and IR or UV "radiation" almost like they are completely different things. Maybe light being EM radiation is news to many audience members, but it shouldn't be there, and even in the late 60's I would think more people would know that. So I think they would have tried light sooner, particularly IR or UV light, along with the shorter wavelengths they apparently already tried. But I was more upset with the inappropriate speed with which they proceeded, not waiting for test results that would take mere minutes before proceeding to humanoid experiments. Also, even if you had to blind a million people on the planet since they wouldn't have protection, one wouldn't have had to blind Spock so they could share the pain. That doesn't make it any better. It all seemed somewhat silly just to get a surprise happy ending. And as I've mentioned, it also seemed suspicious such UV light would effect shielded people on the planet below. But I guess curing the majority of them outside would suffice, and mop up operations to annihilate the problem could take care of the others later - it's just not that important to see those details. It's also stupid to assume if some heretofore unknown inner eyelid would grant sufficient protection, merely covering one's eyes with your hands or a sleep mask, etc., wouldn't work as well, if not better.

The new CGI of the ship deploying the UV satellites and their activation is very nice. Over 200 units are made and deployed, so those starships have a lot of hidden resources.

New planet shots, in orbit and on the ground. Interesting, I suppose, but hardly ground breaking at this point.

About 6 minutes worth of new effects and shots.
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And hey, Spock is the best first officer in the fleet, and even McCoy thinks so.

A cured Peter Kirk discusses his plans to live with Sam's science partner - but this is cut from the episode. It might make Kirk seem heartless he doesn't want his only remaining nephew as a responsibility. So he's out of there. They aren't too careful about who they put rank insignia on, are they? So Good bye, Lt. Peter Kirk, never to be seen or mentioned in TOS again.
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But we'll see him (The boy actor, Craig Hundley, later Craig Huxley turned musician and even supplying music and sound effects for later Trek movies) again later.
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I like the idea of the Hive Mind, so that's good. I dislike the idea they suggest these creature must have come from outside the galaxy - this is not necessary - they've barely begun to scratch the surface of their own galaxy, so again they seem to miss just how vast space is when they do things like that.

While I always love new CGI shots - particularly of the ship in new and more interesting angles, they often don't really improve the overall story. I gave this a 6 out of 10 before, and it remains there.

But what a fine first season for a new show. Quality stuff, IMO, but then I'm a science fiction fan.
 
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