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TOS Rewatch

The Enterprise Incident

This was a really solid episode overall. The writers and actors did a great job of making Kirk and Spock seem completely out of character and then revealing that they were running a con the whole time. I like the way they used Spock's heritage as an in with the Romulans and convinced them that Kirk was a lone wolf to put them off their guard. I do wonder why they really needed to use Klingon ships for the Romulans. Was it a budget thing? I just think the Romulan BoP is so much better looking. And the Romulan Commander was another very good guest star - I especially liked her reactions after learning Spock's true plans and seeing that her troops weren't going to catch the Enterprise. Shame we never got her name.

The Paradise Syndrome

A decent episode, I guess. Nothing stands out in a bad way but it did struggle to hold my attention due to the rather questionable native american 'culture'. Still, I like the mission of diverting a disastrous collision and the idea that for once the people who look and act exactly like humans actually are humans who've been transplanted off earth for their own protection. I also liked how being mistaken for a god put Kirk in such an unfortunate position where he struggled to fulfill the overly high expectations.
 
The Gamesters of Triskelion:
I love that Spock questions Scotty about people 'disappearing' while using the transporter.

The body paint/alien designs here are pretty weak in comparison to other episodes.

So if Galt is Master Thrall, does that mean he had to fight too and eventually work his way up?

I always liked the triskelion symbol.

I have to agree with Spock: it is a fascinating question how long someone can survive while in a transporter beam.

The Uhura/drill thrall scene is weird. Somehow both overdone and undersold at the same time. Someone's basically trying to rape and Uhura and yet she doesn't get a single shot in the scene to see her dealing with anything. Instead we see Kirk go totally unhinged, which is pretty out of character, and Chekov just stare at the wall, which is just plain weird.

Kirk's drill thrall's clothes reminds me strongly of the Fifth Element. Wonder if there was some inspirational connection there.

I like that Kirk instinctively tries to pull Galt's attention away from Uhura and onto him. There's the captain we love.

And Chekov's best insult is 'cossacks'.

30 seconds after extreme psychic torture and it's time for a make-out session?

The ongoing argument about where to look for the landing party is amusing, but kind of stretches credibility. Spock really thinks McCoy and Scotty would mutiny against him?

The Federation has educated entire civilizations on a regular basis? The prime directive really is new, then.

Funny how the providers make a big deal out of outlining the rules and then completely ignore them. Stepping on blue is literally the very first thing Kirk does, and he repeats it at least ten times over the fight. Both the first combatants are removed from the fight without being replaced while clearly still alive and Shahna then surrenders - which wasn't provided for in the rules at all.

Overall this was an ok episode. It was pretty standard for the series - all powerful beings being selfish and cruel have to be outsmarted for everyone's own good, and also Kirk must get shirtless and sweaty. It was funny and reasonably entertaining, and although it is one in an interminably long line of sci/fi fantasy shows doing the same old gladiator shtick over and over again, I can at least give it credit for more originality than those other shows that are still doing the same thing today (though I highly doubt this was the first example, either).
For continuity's sake, my earlier review for this episode is quoted here, but also altered in ways, too, so I hope it doesn't offend the moderators as mere duplication. It still obeys the two posts rule, and it is changed, so I think doing this only 3 times total will be O.K. for continuity's sake.

The Gamesters Of Triskelion
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This is an interesting episode where the Enterprise encounters a technologically superior and more highly evolved race - though that race seems to have fallen into a more primitive culture's pursuits - the barbaric practice of slavery and gladiatorial games for their personal amusement - and the thrill of betting on the outcomes of the games just made it that much better.

It hardly seems a worthy pursuit for a "superior" race, but as Trek has once said, the greater the complexity of one's intellect, the greater the need for the simplicity of play. The "Providers" did consider their captured specimens (Thralls) to be of inferior standing (which included humans and andorians and perhaps other races belonging to the Federation of Planets) and apparently not worth the respect one might afford an equal. As such, they were beneath them and fit toys, to take, to have, or to abuse or even kill - almost like children pulling the legs off insects. Perhaps this story is a warning to ourselves to be more considerate of those beneath you, if those others are indeed beneath you, or maybe a suggestion that you've just over estimated your own importance. A few ideas worthy of deeper consideration, and therefore a wonderful episode for that.

The remastered portions are nice - standard ship shots (and when I say standard, I don't mean stock footage). Unlike TOS where stock footage was practically a guarantee, I'm thinking no remastered episodes EVER reuses stock footage (but I could be wrong about that if they reused some new planets). If they felt the need to change it at all, they took the time to do it anew, and each episode seems to have some new ship footage for your enjoyment. I love that. And newly reworked planets, too, are a practical guarantee - this time, two of them:

Gamma II
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The Planet Triskelion, in the M24 Alpha System - a trinary star system.
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There is, of course, the beauty of the day, Angelique Pettyjohn - playing the thrall, Shahna.
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I'm now told she has green hair - who knew? Not me, being red/green colorblind, but I'm sure most people knew - and the other female thrall was yellow - I knew she was not normally colored, but it's nice to have "yellow" confirmed. Anyway, while that silver bikini-like suit is supposed to be sexy, I'm sure, I always thought it was ill-fitting and kind of stupid looking, and therefore not very attractive, unlike many other Trek outfits. YMMV.

But now I'll mention a wonderful character actor, Joseph Ruskin, one of the few actors to have played in every Star Trek series (with the exception of TNG). He only very recently died, so RIP, Joseph, and thanks for your stellar work.

Here are a few of his Trek roles.

Here he plays Galt, the Master Thrall. (Yeah, I think he worked his way up).
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Tumek, DS9
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Sona Officer
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Vulcan Master: Voyager
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Suliban Doctor Enterprise
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Maybe he was just an actor looking for work, but I gotta believe he loved Star Trek and happily sought out those roles so he could be a part of it.

A good segment in this episode includes how McCoy and Scotty feel free to question Mr. Spock's decisions, and how Mr. Spock "reminds" them he is in command and deserves a greater level of respect. I felt it took some clever insight into other people's characters to know exactly how to remind them of that fact. Well done, Spock. He's come a long way since The Galileo Seven incident. Though he does take longer to learn the ways of humans than humans do, of course, so it's not too surprising it is taking him longer to climb the ladder of promotion. But with a lifespan of over 200 years, he is not in rush. And most people, Kirk and his ilk notwithstanding, do take that long, so I don't think he's being passed over by humans for being a vulcan that way I think Data was passed over more often for being an android in TNG.

Anyway, a fine episode - not stellar or great, but well worth watching.

I had given it a 6 out of 10 before, but with the new effects, and the fact the numbers make sense - Triskelion, for example, isn't hundreds or thousands of light years away, but a mere 11.6, so at warp 7, it'd take about a week to get there, and that sounds just about right - so I'll give it a 7 out of 10.
 
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A Piece of the Action

I love the name Horizon for a starship. Wish we'd get one of those as the star of a show.

So '100 years ago' from the late 2260s would make the Horizon one of the very first Federation starships less than a decade after the ENT finale. Interesting that they made it all the way to the galaxy's edge. I can't recall ENT off the top of my head: did they stick with the idea of not having subspace radio?

Fizzbin is still a hilarious scene. Not actually as long as it seemed when I was kid, though.

Oxmyx asks Scotty for 'heaters'. How I wish there was a scene of Scotty beaming down a hundred space heaters and demanding to get his captain back... :lol:

The absolute best thing about this episode is watching everyone try to play along to Kirk's improv. I love the moment when Scott and Uhura realize that Kirk is telling them to beam Krako up and share a little smile. And how Spock just gets deeper into character as the story continues, even answering to 'Spocko' without hesitation.

The plot does require a certain grain of salt - why not use the transporters instead of a car? Why didn't Spock tell Scotty to beam them back up within 30 seconds if they didn't signal that Oxmyx kept his word? Or carry hidden patches/implants that the transporter could track in case they lost communication? Why not beam all the bosses to the Enterprise to prove how overpowered they are? Why did Krako just let Kirk give extensive orders over the communicator with no fuss? Was Kirk really talking about sending a starship there every year and wouldn't that just risk making things worse every time? And, at the end of the day they played McCoy's communicator as joke - but Kirk's line is actually not unthinkable. If the Iotians use the transtater to create starship technology, they might consider it an equalizer between them and the Federation - which is the only interstellar body they know and which they would consider either an oppressor or a top boss to be overthrown...

Despite the plot, though, it is a hilarious episode and really fun to watch.
And the last review, plus with alterations so it is not mere duplication.

A Piece Of The Action
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This is a funny episode, though probably not entirely written for laughs. It's good since it adds depth to the Trek universe by referencing the past event (though yet future event for us) of the USS Horizon's visit to the planet Sigma Iotia II one century prior to the current date. It was lost with all hands, so that wasn't funny. And before most ships of that nature had subspace communications, or their subspace radio was broken, so their radio communications took the last 100 years just to get close enough to Federation space for them to pick it up. Again we can ponder the vast distances in space. I always like it when Science Fiction reminds us of Science Facts. Space is huge, and even Star Trek is almost constantly forgetting just how big it is, and that's just for the tiny, tiny portion of one galaxy, let alone billions of them.

The USS Horizon (NCC-176) was a Federation Daedalus-Class Starship operated by Starfleet. This ship was built, launched, and commissioned in the 22nd century. Though roughly existing at the same time, the freighter, ECS Horizon, former home of Travis Maywether of the NX01-Enterprise, is not the same ship, though I think in the background on that ship on a Enterprise episode they showed a similar book, "Chicago Mobs Of The Twenties," or some such, as an homage to TOS.

USS Horizon (NCC-176)
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Before the prime directive was adopted, the Horizon apparently "contaminated" a newly industrial society - mostly via a book published in 1992 entitled, "Chicago Mobs Of The Twenties" and obviously this information was disseminated throughout that world - but it was influenced from other books and other factors as well, so it's not too hard to believe a very human looking society already surprisingly close to industrial Earth's 1800's could be guided in that direction and greatly resemble Chicago of the 1920's. But rather than a citywide phenomenon, they somehow appear to be talking about the whole planet's culture. There's a bit if disconnect there since these mob bosses don't seem to be operating on a planetary scale, but only a city-wide one, similar to the culture in 1920's Chicago, yet they freely claim to be in charge of the whole planet. Guess we'll ignore that or not look too closely at it - maybe it's explainable, but it escapes me.

They mention a foundational piece of Federation Technology called the transtator, though we're not really sure exactly what it does, it's just important to about every piece of tech the Federation has, so leaving the communicator behind was a pretty important mistake on McCoy's part. They almost should have gone back and beamed it up, probably being capable of locating transtator tech via the sensors. But they didn't, which leads me to believe it's not as big a deal as they implied to Bones just to worry him for a little fun. So I'm guessing though the Iotians could and probably would imitate it, Kirk doesn't honestly feel they'll be a threat any time soon, so meh. It's interesting how these guys with their advanced technology can so easily not know about more primitive tech - like how to operate cars. This makes sense, of course, but it suggests one might ponder changing technology over time more deeply, and how we'd be pretty inept at working the tools of our grandfathers and great grandfathers, etc. let alone the tools of centuries past. Just something to think about.

This is the first episode where they perform a site-to-site transport - that is, bypass materialization on a transporter pad, so it's good to know they can even do that.

Spock doesn't pick up on Kirk's adoption of cultural slang as easily, at first, but he seems to have quickly mastered it at one point when he says, "I would advise yas to keep dialin', Oxmyx," which was pretty darn funny.

And it's always impressive to see what I assume is standard Starfleet training kick in, when McCoy - a doctor and a lover, not a fighter - springs into action and karate chops one of those goons into unconsciousness. Standard starfleet training, I guess. He saw it coming, followed his captain's lead, was ready for it, and acted. What a fine man of medicine - easy to forget he's a bit of a solider like the rest them.

Little is done in the remastered work - new planet and ship shots, of course, and reworked phasers, but little else. So this story had little in the way of special effects.

My chosen babe of the day didn't get a screen credit, so I have no idea who she is or even what her character's name was. But she likes to chew gum.
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I gave this episode a 6 out of 10 before, and the remastered version doesn't add anything significant to change that. But it was stronger in humor and probably more important in some ways than I gave it credit when I was younger, so I'll rate it 6.5 or even 7 out of 10 now.

Although Sheldon Collins' character never really was shown collecting his percentage or his "piece of the action" (apart from whatever fun he had) I like to think his keen perception and logical thinking (even praised by Spock) earned him a leadership position in the new syndicate within the decade. But in real life, after a few more years of acting, this little guy became a dentist (and a great Star Trek fan, we're told).
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And, of course, I should mention the greatest cultural addition of them all - Fizzbin. Except on Tuesday, in which case the Vulcan Idic takes precedence.
 
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And the Children Shall Lead

A decent episode. The angle of the power of denial and grief is interesting. I like the way the children are brought to their senses with a reminder of their families. The gorgan (where did that name actually come from? Kirk seemed to just pick it out of thin air) was less than convincing, though. And it's never really clear why he needs the children instead of controlling people himself (the power must've come from him, not from the children). Kirk and Spock being immune is also kind of glossed over - if that's possible (and relatively easy as it was shown), why not any further attempt to break the spell over other crew members? Overall, though, I'd say it's probably the best the show has ever done at utilizing children.

Is There in Truth No Beauty

Scotty wears a kilt with his dress uniform. Are there also officers who wear other traditional clothes?

Wow, Larry is a total creep.

It's always striking how the direction and speed of the ship can be so easily altered from completely different places. Makes you wonder why a helm is needed if engineering can already do everything.

They keep throwing the word ugly around. Nothing about the way they've represented the Medusans really supports it. Feels more like he is too brilliant/bright/mentally disorienting to look at than ugly.

'Blind people can't pilot a ship'. Geordi LaForge says hi.

"That's not Spock" :lol: Slow on the uptake, there, Doctor...

Kollos is really a jovial guy.

Why put the visor on just to transport the closed box? Kirk is literally standing right there without a visor, so there's no danger...

Overall a solid episode. Miranda was an interesting character and a good guest star. All the fawning over her at the beginning was a bit irritating, but it did work well to set up the 'every rose has its thorn' moment, which tied the story together nicely. I am curious how much Kirk's words rang in her ears. I don't think she actually caused Spock's accident - Kollos was simply so distracted and overwhelmed by the experience. But she was definitely jealous, and maybe couldn't bring herself to really dig deep for Spock at first. Also nice to see a conflict like that which ultimately ends in such a mature way, with everyone parting on good terms. And Kollos' insight into humanoids was also really well done, and struck a wonderful chord with Miranda's character, as well.

I also find the medusans interesting - definitely energy beings, yet somehow with an effect on others that no other energy being creates. Or maybe better to say, with an effect on others that they can't control. They also have incredible unique powers. Perhaps they're halfway down the road to becoming something q/organian/etc-like? Maybe they'll eventually be able to tone down their appearance for safe interaction.
 
The Immunity Syndrome:

There's been plenty of talk regarding the exact status of the Intrepid (is it starfleet or not) - hearing the line here, it certainly seemed to me to be intended as Starfleet and the way Kirk says it actually seems, imo, to carry a subtext that it is normal for ships to be crewed by the same species (which is one of the easiest ways to explain how there are hardly any alien crewmembers on the Enterprise).

Spock's logic re Vulcan History isn't logical at all. I've never seen or known anyone with experience of dying from starvation, but that doesn't mean I can't imagine the possibility of running out of food. I also find the idea of him 'feeling' the deaths of the Intrepid crew, so strongly as to actually know firsthand they were astonished, to be completely ill-fitting for the character and the show. I think the episode would've been better off letting the Intrepid fire off a last (partial) warning to get that info across, or even just leaving it a mystery.

The actress lying 'almost dead' in sickbay apparently couldn't stop herself from looking around several times while the cameras on her. Also, Scotty argues with Kirk about the tractor beams, then gives in and 'activates' the tractor beams without moving a single muscle.

This was a solid episode with plenty of drama. It was nice to see unknown phenomena actually stay unknown for while and provide a real challenge to determine what's going on. I liked how Spock and McCoy both volunteered for the suicide mission. But as a concept - Kirk and McCoy's philosophical exchange about antibodies notwithstanding - I'm not really sure how this episode adds anything unique or valuable to the show. It's not the first time the writers reused an earlier concept in a slightly new jacket, but this one feels more egregious than most. I honestly don't think there was much point in making both this episode and The Doomsday Machine.

The Immunity Syndrome
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I've always liked this episode, despite its relative simplicity. One might ponder the exact nature and origin of this space virus and its protective dark zone (or whatever it is) and how many of the properties of the universe seem to be reversed in there. Wherever it came from, the giant space cell (I won't call it an amoeba since those are multi cellular organisms and this is a single cell organism) must be composed of normal matter, lest it not have reacted as it did with normal antimatter in the end. But properties within the zone, and the zone itself, and its possible origins, suggest it came from a different or perhaps parallel universe (and not in the traditional Trek Mirror, Mirror parallel universe kind of way, but one that's different, from outside our universe, like another dimension, but with different properties - a different plane of existence with different physical properties. But I digress.

This invading cell is an incredible 11,000 miles long (using the English system again instead of the metric system, but that's the way it goes at times - though Kirk later reverts to the metric system when estimating how far off course a probe might be carried and why they have to personally plant the antimatter warhead at point-blank-range). Anyway, this single cell is larger than the Earth's own 8,000-mile diameter, so it's a big sucker, and possibly more massive than Earth. One might think, again, the amount of antimatter they could bring to bear wouldn't destroy it, but then they were just trying to frag its chromosomes - a relatively small amount of material amidst the whole). Alas, we never get to see its destruction - but if all that protoplasm splashed into the vacuum of space, it could have formed a spherical rouge planet, a water world, perhaps - but maybe we didn't see that since it didn't happen that way. Once the organism died, its life force that kept the rift into this dimension open may have simply collapsed, so the dark zone disappeared and swallowed its contents when its central organism died, thus returning to the parallel universe from whence it came, though luckily throwing the Enterprise and the tractor-beam-gripped shuttlecraft free of the zone first (thank goodness for momentum). The liquid probably also accounted for the shielding effect from the M/AM blast.

BTW, the properties of normal gravity may have been weaker in that zone since something that large would otherwise have naturally formed a sphere, I would think - but the physical properties of that zone were weird and/or backwards, so what evs. Also, though the organism was ready to split in two, one shouldn't believe you'd get two of the same mass as the original - you'd probably get two, each 5,500 miles long and half the mass - until they each could collect more mass and energy to do it again. Before it might be ready to produce 4, 8, 16, 32 etc. cells, it could take astronomical amounts of time to gather enough energy and mass, so really, there probably wasn't the rush you might think - unless that dark zone was capable of FTL travel and could get to the next star system PDQ. It did consume much of one star system's energy - probably not its sun, but the inhabited planet and its mass, anyway. In any event, it was dangerous, so the Enterprise and her crew nipped this in the bud. RIP for the U.S.S. Intrepid and her valiant Vulcan crew.

This image is from the episode Court Martial, the second starship in orbit is believed to be the U.S.S. Intrepid, whose repairs were put on hold since the Enterprise had priority status.
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Take note here that the Enterprise does seem fully capable of operating in a liquid medium - a thick protoplasm, no less, which is certainly thicker than water - so one could therefore submerge a starship under the sea, if one were so inclined.

The loss of the U.S.S. Intrepid (with all 400+ Vulcans aboard) is a great moment, as more Vulcan mysticism is shown where Spock can sense the death cry of those Vulcans light years away - and the astonishment they must have felt to lose their lives like that - a massive loss of which Vulcans apparently have never experienced before in their collective history. Considering they were nuking each other over 2,000 years ago, this seems dubious. Unless "history" means written records, and maybe those were lost in those dark times. But this, also, seems dubious.

Though once Bones said it was no wonder they were conquered since they didn't drink, or something like that, I think we have to believe he was making a joke.

Anyway, I was most impressed the psychic signal to Spock from the Intrepid, or whatever it was, appeared to travel faster than light. That was . . . interesting. But many things in Trek travel FTL, despite what Kirk said about natural phenomenon being limited to STL.

Also, the fact one of the then 13 Constitution Class Starships in existence was entirely manned by Vulcans is an interesting tidbit of information and perhaps says something about the politics of the Federation of Planets. Exactly what it says is anybody's guess, but it's something to think about. And let's not forgot the total loss of an inhabited star system that had held billions of lives. I don't know if they were a colony of humans, or a Federation member, or a recently scouted new civilization, but wow - a whole planet and star system - gone. Though Spock didn't sense that somewhat larger loss in Obi-Wan Kenobi fashion, since they weren't Vulcans, it's quite a thing to think about - the seemingly unfriendly and almost hostile, though actually indifferent, nature of space, and how even Earth could be wiped out by some astronomical event just as easily if we aren't ready for it. How often has Earth come that close to eradication, but for the Enterprise, Kirk and crew? It's pretty scary to think how fragile our whole species is while on one planet, all our collective eggs in this one basket.

Now, the interplay between Spock and McCoy in this episode is pretty great - though, I must admit, McCoy seems a little more irrational and maybe jealous of Spock than normal, accusing him of non-Vulcan-like motives - perhaps due to McCoy's excitement of the living biological rarity at hand and the chance to study it, or the loss of the personal chance to study it since Spock was more qualified to go. But as a scientist, the tendency to casually lay down one's life to gain a little knowledge is a little unrealistic. One doesn't experiment with one's own life like that. But it was a necessary mission, so maybe. Oh well, all would be forgiven later after captain McCoy orchestrates the rescue of Mr. Spock.

Some of the interlude music is fantastic as both Spock and Kirk take moments out to praise their comrades and shipmates - crewmembers of the finest starship in the fleet. Very compelling stuff.

There are some great shots of the ship - particularly in the dark zone as very little light is cast on the darker ship and for the most part only its own illumination can be seen in the depths of a starless void. It's freakin' cool. The impulse engines are also redone and glow a bright red as they get an uncharacteristic workout. The launch of the shuttlecraft is good, and I thought I saw a small shuttlecraft being dragged along at the end, too, which was new. I'm sorry they didn't add any of their probes - that might have been worth the effort, but they didn't go that far.

Side-By-Side Comparison
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Someone told me they thought the yeoman (or whatever rank that woman had) looked disgusted at the implication of Kirk's comment - twice in this episode Kirk mentioned he was looking forward to some R&R and relaxing on some lovely . . . planet - but he was always looking at a woman when he said lovely planet. I didn't really detect any disgusted expression on her face, but it did seem Kirk was deliberately implying something there, and laughing about it later.

A few more notes: For some reason, Kirk is forever calling Lt. Kyle, "Cowel" instead. That's too bad. I feel bad for John Winston that the primary star of the show apparently couldn't be bothered to learn his reoccurring character's name or pronounce it properly. I don't think Winston was playing another character in the script that happened to be named Cowel, but I suppose that possible - low budgets, actors and props pulling double duty, you never know, but it seems more likely Shatner just didn't care, and probably nobody had the stones to correct him. I dunno. I know he took exception to being told he pronounced the word "sabotage" weirdly.

Of course the M/AM annihilation of some of the chromosome bodies would produce positive energy, which that thing likes, but it would destroy those chromosomes, which would kill the beastie. And while the Enterprise's power level had dropped to zero and they no longer had shields, there's little more effective at shielding than miles and miles of liquid, most of which is essentially water. Many of the ship's water tanks are probably thin, curved tanks that hug the interior of the ship just under its outer metal skin - their load of water absorbing a lot of otherwise lethal levels of radiation even when power systems and shields have failed. Anyway, all that protoplasm would have made an excellent radiation shield, and with miles of it between the ship and shuttle and the blast, I'm not too surprised the vessels weren't harmed even without shields.

There are better Trek stories, but there are much worse ones, too, and I gave this episode a relatively high score of 7 out of 10 before. I think I'll keep it there, despite some better effects, since I feel it takes a bit more to reach a 7.5 or an 8 or more. But this is a good episode.
 
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Spectre of the Gun

"Establish contact at all costs with these people in the middle of nowhere who no one knows anything about". That's got to be in the running for dumbest order in Trek history. Especially when the Melkotians very deliberately - and very civilly - provide a direct warning to leave them alone. Trespassers will be shot...

Interesting that they chose the wild west specifically as Kirk's punishment, even though he barely even remembers the history. And that they are cast as the outlaws rather than lawmen.

Judging the reality of death based on these unknown characters makes no sense. The Melkotians created the town, and therefore probably the people as well. What proof is there they were ever alive in the first place?

Chekov is definitely enjoying his last meal. Maintain good relations with the natives. :lol:

Considering the power of the Melkotians, it's clear that it probably wouldn't have helped, but it was illogical to dismiss technological solutions out of hand because of being 'in the wrong century'. The Melkotians created that town, they didn't send the crew back in time. There could very well have been Melkotian technology hidden away somewhere.

For the pain... :beer:

I get that there needed to be a moment for Kirk to clearly choose not to kill (even though the Earps were never alive) but it was kind of weird to go from 'none of this is real' to 'now let me kick his ass'.

So the whole planet was part of the illusion - I honestly didn't anticipate that, but it does better explain the transporter/scanner malfunction at the start. I don't know how much I buy the explanation for Chekov living, though.

I wasn't really sure what to expect from this episode, but it was actually a really pleasant surprise. A few strange writing choices here and there but in terms of atmosphere it's top notch for the show. I read an article once about the importance of time and the passage of time in the western genre - that it's in some ways almost fundamental, and this episode absolutely nails that aspect of the story. In fact, I wouldn't be surprised to learn it was at least partially written as an homage to High Noon, which is the most classic example of this. There are obvious, major comparisons - from the reluctant hero who doesn't want to fight to the townspeople all encouraging the fight while refusing to take part in it and, of course, the clock on the wall appearing again and again to drive home how much closer the hero is to his doom and how his efforts to change the inevitable have still not achieved anything. I really enjoyed that atmosphere of the desperate race to stop something bad from happening - following along on the checklist of all the things you have to try, even though we all know they aren't going to work.

I also really liked the fact that it was the Melkotians interference which betrayed the truth - the barrier at the edge of town could be written off as an unknown type of force field, but without some kind of medical interference or direct alteration of physical objects (the medicine), Scotty could not possibly be immune to knockout gas. There's maybe still a little wiggle room there, especially with modern understanding of ideas like nanotechnology, but this was maybe the first time that Spock took a slight leap to the right conclusion where I truly felt it was justified. Also in part because of the context, and the way the transporter also failed to work as expected and the communicator, as well. And the solution of how to convince humans not to fear bullets (especially fidgety McCoy) was brilliant and resulted in a beautiful showdown scene.

The xenophobic aliens being impressed by Kirk's refusal to kill is, of course, a long standing trope in the series, so it's perhaps a bit less impactful here, but I do like that the Melkotians are presented as a more normal civilization that just happens to have a powerful telepathic capability. As opposed to the Metrons who were essentially gods or the First Federation whose technology was insanely advanced. This felt more like a genuine defense network that was actually justified and necessary.

Overall, I wouldn't put it in the absolute top tier of episodes, but still a very strong showing even so.
 
Apparently since a female crewman caused Scotty's recent accident, it was only "natural" to assume he'd develop a deep hatred of ALL women,
Did the episode ever say which woman caused it?

it just took longer than a simple scan, and for all we know, would only work on one who had already submitted a baseline comparison reading, as all crew members probably would be required.

Why, oh, why, oh, why didn't they use (at least attempt to use, or consider using before dismissing for a credible reason) a psychotricorder on Valeris? :brickwall::vulcan:
 
Did the episode ever say which woman caused it?

Why, oh, why, oh, why didn't they use (at least attempt to use, or consider using before dismissing for a credible reason) a psychotricorder on Valeris?

No, they never said which woman caused Scotty's injuries. As for Valeris, I supposed they just didn't have that kind of time – it does seem to be an involved and lengthier process.
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Though mentally violating somebody with a forced mind-meld is about as close to rape as we might ever want Trek to get, and for some, the mental violation may be worse than a physical one. YMMV, but I found the scene to be fairly disturbing that Spock would resort to that means of obtaining information.

A Private Little War

I understand the era had very different musical tastes, and 90% of the time I do appreciate them. But I'm not sure I've ever seen a more egregious example of the music walking all over a scene than Spock's surgery at the start of this episode.

The Mugato design always makes me laugh. But at the same time I actually really like it. It's a very sci-fi thing for a monster to look funny or cute instead of terrifying - it would actually be a great evolutionary advantage, for a while at least.

I always really liked Dr. M'Benga. It's a shame he wasn't around more often. Especially the slapping scene is fantastic.

The storyline on the ground... It's not bad. It works well and there aren't any weak links. But at this point in the show things are starting to blend into one big pot of 'intrigue among the local natives,' and this particular example doesn't really have any purpose other than to set up the 'balance of power' argument. It's perfectly successful in that regard, although honestly Kirk's argument doesn't make much sense and reads more as a defense of contemporary policy at the time the episode was written than a logical conclusion to a story. In truth, an ongoing conflict between two people at such a low level of technology can easily come to end, in various different ways, without destroying the world or even necessarily destroying the combatants.

I do think it was a nice, bittersweet touch that after so much failed manipulation and cajoling to try and make Tyree abandon his principles, Nona actually ultimately succeeded in her wish by trying to betray him and join the villagers. And that she held the power to destroy her attackers with ease in her hand, but simply didn't know how to use it - a truly ironic end for a witch whose entire life is based on knowing and understanding more than others.

Almost forgot, since I commented on the terrible music at the start, I also wanted to mention how much I've always loved the low brass theme they used for 'death', and the final scene of this episode is possibly one of the best examples of that.

A Private Little War
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Here's another anti-war message episode, tempered with the hard reality that sometimes violence is the only answer, at least for now. Seek peace, of course, but only through strength and with a willingness to fight if forced to will a less civilized opponent even have a reason to consider alternative solutions.

McCoy, of course, goes off endlessly about the evils of war, and while true, he's finally forced to admit he doesn't have a better solution. Therefore, Kirk's reply that attempts to preserve both sides is the way they go - a balance of power. Right or wrong, whatever your thoughts on the matters of war in general, or in particular the Vietnam war at the time of this show, it's something to think about and discuss. So, mission accomplished.

Our silly alien of the day is the Mugato, but they're good for a laugh, if nothing else. Lazy bastards couldn't even mock up new footprints for it, so they used the same footprint/tracks they made for the large white rabbit from Shore Leave.
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Here we see for the first time, Doctor M'Benga. We'll see him again in the episode, That Which Survives, but it's good to see an important black male figure in a position of authority on the ship - and apparently as second in command of the medical department, and the resident expert on Vulcan medicine, he fits the bill nicely. And he's funny - delivering a good laugh about how Spock probably knew Nurse Chapel was holding his hand. And there's the chuckle we get from Scotty stopping Chapel from hitting Spock, with Dr. M'Benga charging in and hitting Spock a few good times as Scott dumbfoundedly looks on. It's hilarious. I'm not sure how common a black guy beating a white guy was at the time, or how it went over everywhere in 1967, but I think it was fine or common enough that nobody seems to mention it like they did the first interracial kiss later in this series - obviously a much bigger deal.
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Our beauty of the day is Nancy Kovack as Nona, the Kahn-ut-tu woman.
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This is an attractive, but dangerous woman - short sighted, greedy, not particularly loyal or trustworthy, apparently, and perfectly willing to roofie individuals to get what she wants (drugging people without their knowledge is always morally questionable, IMO, but if she's any indication, the Kahn-ut-tu women probably do this all the time). And they have more than just drugs at their command, for there is a degree of mysticism or supernatural ability there, too. I always wondered who Tyree was aiming at when Nona put the moves on Kirk. Him, or her?

But Nona overplayed her hand and ended up being stabbed to death (probably because she didn't know the type I phaser had the safety on). I mean, how hard is it to figure out how to shoot a phaser? Although, of all the people who take their weapons away from them, how often do you see them firing it? A few, maybe, but mostly, it's like they haven't a clue how to work it, or can't find the safety.

In the end, Nona had to resort to a weapon she knew - her knife, but it wasn't enough. I may be wrong, but her dagger seems to be the same one Jack the Ripper was using in The Wolf In The Fold. Many villagers had them, but I don't recall seeing more than one on the screen at a time, so they probably just had the one prop. Oddly, both knives are said to come from "the Hill People" but apparently they are different hill people on different planets. Same knife though, IMO.

As a kid, this episode always freaked me out a bit because of the part where Tyree slices Nona'a hand open with a knife - God! That sort of thing just sets me off, having accidentally sliced myself a few times. Ouch! Even today, I close my eyes for a second there - not for the blood, but the actual slicing motion bothers me. I cringe and grit my teeth. Anyway . . .

The planet (called Neural in the script but not really mentioned in the show) is described as quite earth-like, and its remastered image is of a very watery planet with nice fluffy clouds.

I particularly liked the long shot over the starboard warp nacelle as the ship flew off at the end of the episode. They also earlier included a klingon ship in orbit, which they spent most of their time avoiding. All in all, very little to remaster in this episode.

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It's good to see not everything in the Trek universe get wrapped up so neatly in a nice bow, with everything all hugs and kisses. They left a civil war in their wake here - a bloody, messy business. But then the closing music was not the typical happy triumphant variety, either, but a more somber tone closed the show. I liked this.

One might question the point of the klingons arming the villagers in the first place, or in general what the klingons hoped to gain that they couldn't just take by subjugating both cultures. But I guess the terms of the treaty are vague enough that we must assume they can't outright take the planet by force, but by arming one side and dealing with the stronger side, they have an ally and a safe port.

I suspect the point is, like in Vietnam, two superpowers are arming two different factions, working out their differences by proxy though them, whatever terrible price the little guys have to pay, since direct conflict is too costly or impossible for the major powers. My point is I don't clearly see what each superpower will gain by playing this game, but I guess that's not overly important to the story. It might be nothing more than neither side having a safe port there, or both having one - the same, so no advantage and striking a balance.

Kirk may have violated orders, but they were crafted upon his recommendations in the first place, and so they'd likely cut him some slack. It might seem like a violation of the Prime Directive, but mostly that's revealing themselves to the masses and causing culture shock with knowledge of life beyond their own planet before they are ready. This selective revelation to a few is actually supposed to be typical - leaders, scientists, etc. to better gauge the society's reaction, and since the Klingons already polluted the planet, the Prime Directive likely once again does not apply.

Spock suffered a through and through where a human heart would be, but in his case it is where his liver is. They didn't have an organ replacement at the time, but I imagine later they did.

PhotoTrek
How Is That New Artificial Liver Working Out For You, Spock?
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Fine, Doctor. Thank You For Asking.
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Well, Just Remember, You're Not
Allowed To Drink Alcohol Anymore.
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I Rarely Touched That Universal Solvent
As It Was, So Compliance Is No Problem.
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I Thought Water Was The Universal Solvent.
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It's Alcohol, Doctor. Unlike Water, Alcohol Can Dissolve
Marriages, Families, Friendships, And Even Careers.
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I like this episode and gave it a 6 out of 10. But it remains there, despite new effects.
 
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Return to Tomorrow

It's nice to see Captain Kirk actually acknowledge that having both main command officers on a landing party is not a great idea, though ironic that it only happens so that Spock can be forced to come anyway.

I like the idea that the Vulcans may not have evolved on Vulcan.

Interesting that 'everyone who is involved must consent' somehow includes McCoy and Scotty but not Nurse Chapel or anyone else from Engineering.

Dr. Mulhall is really the first guest actress (not counting Yeomen and the like) that I really thought could've made a great permanent addition to the show. Somehow she had a very compatible vibe around Kirk and Spock - believable, curious, professional yet assertive, entertaining and with a clear function in the story. And that final scene certainly would lead to an amusingly complicated relationship between her and the captain.

Overall I would say this was a very good bordering on great episode. Unlike some previous highlights, it never wowed me in direction or visuals and it got a bit overly hammy a few times, but it is possibly one of the strongest, most unique scripts in the show so far. I love the idea of the mind-vault waiting for eons - the possibility of eternal life, albeit without physical senses (funny, though, how Noonien Singh proved every assumption Henoch and Thalassa made blatantly wrong with 'primitive' technology). Kirk openly choosing to help an alien race in such a personal way is a very different, interesting angle for a story to take, especially in the way he openly accepts that they're clearly far above him evolutionarily speaking yet still trusts them. And that speech! "Risk is our business. It's why we're on this ship." Shatner's delivery may be debatable, but that spirit would be a fantastic boon to carry forward in Discovery (and any further Trek installments).

And then there's the whole garden of Eden theme going throughout the episode: possibly the best use the series ever made of the trope despite multiple other episodes actually visually showing us a real garden of Eden. Pointy-eared Spock as the serpent is both hilarious and actually menacing (I think this episode may have made a good case for Leonard Nimoy as the best actor on the show). I love how believable and relatable Thalassa's fall from grace is and how she literally scares herself into doing the right thing again, fully repenting even though it ultimately results in her and her lover being 'banished' from the world entirely. Sargon surviving his 'death' by hiding in the computer, thereby becoming a literal disembodied voice, ie, God, is really well thought out. And Spock being hidden in Nurse Chapel's consciousness is also a really great detail.
I'd say Kirk's motives are not so much just to help these aliens, but the potential to learn for Humanity, which is why we are exploring space and part of his mission.

Return To Tomorrow
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An interesting episode, but not action filled, nor without problems. Here the Enterprise is drawn to the planet Arret (not named in the actual episode, but this is just Terra spelled backwards). It is described as a class M planet, which is immediately weird since class M means suitable for human life, but this planet has had its atmosphere ripped away some half million years ago and it is not suitable for human life at all. It may have been class M at one time, but no longer, so it shouldn't be described as class M. It would just be described as whatever class it is, which isn't M.
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The problem with this episode, of course, is if these beings were truly God-like, why do they need so much help from us humans? Going too Epic like that often produces more problems than it's worth. The solution for me - they really aren't all that impressive a race and were kind of foolish and extremely arrogant to think of themselves as gods. They fall far short of the Q continuum, for example, who themselves are kind of God-like but still fall far short of many Godly standards, and they were confined to one planet, it seems, and had limited influence beyond it, and their best technological efforts can't even seem to construct an android that matches, let alone surpasses Data's capabilities, less than 100 years away from current Federation technology. Not that TOS should foresee everything, particularly things written and accepted in TNG or beyond, or technological advances decades ahead of the show's time, but I did feel Sargon's race was pretty puny in power and wisdom to dare think of themselves as gods, and still not all that advanced technologically, and the episode missed pretty badly at guessing about how far technology would be advanced in half a million years, IMO. Maybe since they were forced to use only the "stone knives and bear skins" the Federation could supply it didn't look like much, and that might explain why their androids looked like they were a collection of transistors and bulky circuit boards. Of course, I suppose it's possible some of the tech they left behind and didn't use ended up on the workbench of Doctor Noonian Soong - you just never know where we pick stuff up. Perhaps many advances in Trek were not the product of clever human research so much as happy accidental discoveries and applications and reverse engineering of alien technologies, or even traded tech from more advanced races. So you think no way could Humanity get that far in 300 years, but what it we heavily relied on trading with more advanced civilizations?

One might wonder if Sargon's spacefairing race encountered the Q. If they had, they had a lot of cheek considering themselves gods by comparison, and if they hadn't met the Q, why not? Seems to me the Q would be dicking with most races as they began their reach toward the stars. Oh well. It's not TOS's fault they didn't think of the Q. Maybe the Q continuum is simply not that old, or dicking with newly advancing races is a new fad for them, or humanity alone, more or less, have so inspired them to interact that way. :shrug:

I also hated the hook, or hooks in the show - it's like Sargon was deliberately being vague or stating things in such a way as to maximize the probability the humans would jump to the wrong conclusions just before the commercial breaks - like he wanted to steal their bodies - instead of borrow them - or all humanity must die if they don't help him - they never really explained that opening hook. Why would humanity perish if they don't help Sargon? It's stupid. Maybe he felt we'd make the same mistake in half a million years if we didn't learn from their mistake, and therefore destroy ourselves. I dunno. Or is it just 10,000 years, for that's as far a leap as Spock suggests, and most of the last 600,000 years they just lay dormant and not steadily advancing in tech? Yeah, let's assume that. So they aren't half a million years beyond us - just 10,000.

Another bonehead move is Henoch tweaks Nurse Chapels's memory when she notices what he's doing with the medicine and hypos, so he makes her forgets what she saw - but THEN, after that, he further explains to her how he's going to kill Sargon and Kirk. WTF?

Anyway, so the idea is floated that a literal Adam and Eve may have been a pair of space travelers from Sargon's race, but the timelines don't match up at all, unless you wish to accept Adam and Eve occurred about 600,000 years ago and Earth's written history reaches that far back. It just doesn't by a couple orders of magnitude, of course, so I felt the attempted connection to Earth there seriously failed. Vulcan, too. Though it might explain Jack the Ripper, who has been with us since "time began" and could take other bodies and inhabit the ship's computers. Sound familiar? If so, doubtless Jack and Henoch would have gotten along famously. What a couple of bastards.

It probably could have been fixed had they simply not felt the need to reach that far back into deep time to set the scene for the self-inflicted cataclysm Sargon's race unleashed upon itself. Too Epic - a needless problem that comes about essentially because you want something to sound more epic rather than finding a better way to show it is actually more epic. Anyway . . .

The ultimate crisis for a race is suggested that a race could get so powerful, they might dare think of themselves as Gods - sort of an ultimate sin, I guess - the worst kind of blasphemy, the punishment of which is obviously essentially the race's annihilation. So watch out, humans, lest we ever think too highly of ourselves or our accomplishments.

In this episode, they start out hundreds of light years beyond where the farthest Earth ships have so far come - another mistake - and it'll take 3 weeks just for Starfleet to even receive Kirk's initial report via subspace, which travels many times faster than warp 9, so again, WTF? So that's pretty far out. Again, at warp 7, it'd take 200 or more days to get out this far, 400 to get there and back, and it's highly questionable there was nothing in between or they'd bypass it all just to investigate this one thing, so again, reaching for the epic in that way is more of a problem than it's worth. One might estimate subspace communications, however, travel 10 or more times faster than their highest warp factors (if you play with some of these numbers), so they are 30 weeks out at maximum warp, or even farther at typical warp. Bad numbers, all the way around. Either ignore them or adjust them rather than struggle to make them fit, IMO.

But there are some nice things about the episode. It's something to think about - the idea of living inside a machine, what it might be like to rematerialize inside solid rock, normal communicators can't communicate through 100 miles of solid rock (which is strange if they use subspace tech), warp engines the size of a walnut, or what Gods are compared to humans, or even what one might sacrifice to obtain knowledge or power - like would you sacrifice a stranger's life, fellow crewmen though they may be, to advance humanity 10,000 years in knowledge?

Fortunately for Lt. Commander Mulhall, our good doctor McCoy's principles hold true and stand the test of temptation - he won't peddle her flesh. Even better, Sargon and Thalassa's self-restraint carries the day, and Henoch's greed and cruelty loses out. It's always enjoyable to see a villain get his comeuppance. One does wonder WTF he actually did to Uhura to make her scream like that, but this is left a mystery. We only know Sulu was ready to act, but even he ultimately decided it would be a pointless attempt when Henoch threatened him. Fortunately, Henoch is destroyed in the end. Sadly, the good guys, Sargon and Thalassa, meet the similar fate of oblivion, though voluntarily. This bothered me a bit and I was somewhat surprised to learn the original author had them survive as disembodied spirits - perhaps powerless, but alive and together (maybe floating in space like Jack). Roddenberry, however, rewrote them into oblivion. I'm not sure why. But John T. Dugan, the author, used his pen name, John Kingsbridge, instead of his real name since he didn't approve of the change either. I just felt they deserved a better fate than Henoch, which, technically, they did get, but only inasmuch as they willingly and fearlessly chose oblivion while Henoch was forced into oblivion while experiencing terror and fear. But they all ended up the same way in the end - non-existent, oblivion.

NOTES: Lt. Commander Mulhall, an astrobiologist and a doctor, Phd, is the highest ranking female we ever see in TOS. It's weird she is wearing operations red instead of science blue, but she probably looked better in red, so that was that.
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Diana Muldaur plays three different doctors in Star Trek - Ann Mulhall, Miranda Jones, and Katherine Pulaski (who wore blue most of the time, but she was much older then and maybe not trying to give the impression of a young hottie in red - but I dunno).
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The most surprising thing about Ann Mulhall is that Kirk has NO clue who the hell she even is, and she's a frickin' Lt. Commander on his ship - not just some nameless nobody. I find it amazing any crew member is on board his ship that hasn't been introduced to him at some point, and Kirk is not that bad with names and faces, so it's weird he's never met her - particularly given her rank. In fact, officers are usually required to report to their captain first thing - aren't they? And they are so far from port, she must have been on board for months and he still had no clue.

Anyway, Ann Mulhall was the least offensive of her three characters, IMO, and it's good to see a woman who was ranked so highly in TOS. I wish it would have happened more often. Instead, Kirk even once suggested women weren't allowed to be captains, so WTF that meant, I dunno, but by TNG, and retroactively in Enterprise, women were clearly capable and allowed to rise in rank that high and higher - perhaps, in part, in some small way, since TOS broke the ground and suggested professional women were quite capable. Any little step helps, I say.

I always appreciate them showing how an impassioned reaction to a situation is often wrong, and a moment's reflection or more logical thought is worth considering. Here, McCoy is reminded by Spock that pointing a phaser at Kirk's body is a meaningless threat.
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George Takei returns as Sulu, having finished his movie, The Green Berets. Welcome back, George.

I'm always amazed when I recall Sargon's voice was supplied by James Doohan himself - he must have been a more talented voice actor than I would even have guessed from this Canadian's Scottish accent - a Scottish accent so bad, I'm told, that while real Scotsmen can understand what everybody else is saying just fine, they have a hard time understanding anything Scotty says. Huh? What did he just say?

There's little remastering done. A few ship shots, the planet, maybe the flames Thalassa hits McCoy with, I dunno - nothing too impressive. They could have, but don't even clean up the stained carpet on the floor of the bridge, which we hardly ever see, but we get a better look at it when Henoch goes down.

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I like the episode, but it's far from a favorite - so I've given it a 5 out of 10 and it remains there. Too many little things bothered me about it, and a lack of action didn't help it along. But I did love the scene where Kirk enthusiastically reminded everyone why they are out exploring space in the first place. A very good scene - one which I'm sure many feel is just Shatner over acting, but I loved it. It makes me feel good about being a curious, exploring, boldly adventuring human being.
 
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Patterns of Force

I didn't recall much of this episode other than the image of Kirk and Spock in Nazi uniforms, so I rather expected it be more tongue in cheek (like a Piece of the Action). I was pleasantly surprised to see it was actually a very serious, very well done exploration of the subject. All of the guest stars were excellent. The story is compelling and well thought out (although it seemed a bit dramatically 'convenient' to not just beam Gill to the Enterprise, diagnose him, treat him and beam him back down - something McCoy should've been able to do in minutes without endangering the man). I also very much liked the way that it was reimagined as a space war where people don't bat at eye at the possibility of aliens, with the even better touch that the Fuhrer himself was an alien (an obvious historical parallel, albeit Hitler didn't have the good intentions that Gill had).

I do think it would've been interesting to get more detail on Gill's ideas and what he hoped to accomplish/why he thought it was necessary to do more than observe. That could've made this a real exploration of the prime directive and what it should and shouldn't be, rather than just another confirmation that interference is bad.
It might be difficult to get a lock on Gill and beam him out of there. But his treatment wouldn't be a few minutes - it would have taken hours, maybe days, even with McCoy's full complement of rattles and beads.

Patterns Of Force
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An interesting and apparently somewhat controversial and/or overly sensitive episode to some, it was too touchy a topic to openly be aired in Germany until just recently (in 2011). The thinly veiled names, I guess, make it too easy to offend various people for a variety of reasons, but I don't think too many people would be offended today. Again, I found elements of it interesting and worth discussing, and I'm not talking about the fictitious element rubindium.

Of course, apart from the translated names - (Eneg's name is an inside joke -- it is just "Gene" spelled backwards. The name "Zeon" is a take on "Zion," while "Abrom" corresponds to "Abraham," "Davod" to "David," "Isak" to "Isaac," and "Daras" reversed is almost "Sara.") - the parallels shouldn't be too striking or thought too unlikely as some of the others that will crop up in TOS since in this episode, John Gill deliberately patterned the Ekosian society after Nazi Germany in an attempt to recreate the efficiency of that nation state, without the violence, so none of it came about due to sheer chance. But he was betrayed.

Problems in the episode include a nuclear missile exploding after being hit by phasers. I've always had a problem with people thinking an atomic warhead would probably explode if you just dropped it or hit it or something - truth is, it's hard enough to make such a device work by design, and if you just bash it, it probably won't work at all. Yet it successfully exploded, reaching critical mass, it would seem, by being hit by phasers. VERY Unlikely. Well, maybe John Gill included some pretty elaborate sensors to detect the proximity of phasers and blow it up in that eventuality, but this seems pretty unlikely, so it was stupid that the warhead blew up instead of just being vaporized. But then that wouldn't have been as impressively dramatic, now would it?

The planets Zeon and Ekos are so close together, to the naked eye, they appear as discs to one another. That's pretty damn close - almost like the twin Earth/Moon system both in orbit about each other and in orbit about the sun, so I'm going to have to say these two planets probably orbit one another, lest two planets that close together would have unstable orbits and not likely allow intelligent life to arise. And wow, side-by-side, they both did it, and with two humanoid races that look virtually alike. Maybe if they reshot this episode, they'd give one or both races a significantly different look from one another. Or maybe they'd explain it as they did Eminiar VII and Vendikar, as the same race, with one of them being a colony of the other that split off long, long ago. But if they did orbit one another, calling one the inner and the other the outer planet makes little sense. Well, I suppose at that particular moment. Or are they both huge moons orbiting a gas giant they don't really show us? But I think not. So sister planets, as Abrams (cough) seemed to suggest the planet Vulcan had in his movie. Anyway . . .

Like many shows in the 60's, it would seem they think the Gestapo and the SS are interchangeable organizations. They are not. The Gestapo were the national secret police force (Geheime Staatspolizei), who were more like the FBI and did not wear uniforms, but plain clothes. Hogan's Heroes often made the same mistake with Major Hochstetter, who wore the SS uniform, but was repeatedly referred to as "Gestapo."
Some screen shots of a parade in Germany actually show (very briefly) Adolf Hitler, and they are chanting Sieg Heil in German instead of Hail Victory in English like they do elsewhere, so this is a bit weird or inconsistent.

And once again, relatively bright people can't figure out how to shoot a phaser once they capture it. Or maybe they did, but couldn't figure out how or why it worked and so couldn't reproduce it. They did seem to know they were weapons. But they didn't seem to bother to get them back.

I'm surprise Spock couldn't put a communicator back together, but by using two communicators, he made something that transmitted in a manner that could be picked up by that planet's current tech. Don't those things use technology beyond radio? So this seemed weird to me, too.

The whip marks weren't very convincing, but it was mildly amusing to see Spock take the punishment without much reaction while Kirk openly flinched. And, of course, Green Blood (I assume - it sure wasn't Red like Kirk's).

TidBits: This is the only time we see Spock shirtless. Vulcans can be pretty hairy, I guess.
It's quite amusing when Spock suggests Captain Kirk would make a very convincing Nazi. That look on Kirk's face is priceless.

And we have Skip Homeier as Melakon (and we'll see him again as Dr. Sevrin in The Way To Eden).
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And hats off to Ed McCready - he gets around. I think it's fun to know that's the same guy - I never knew before he did all those parts. Can you name all these episodes?
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Trek Trivia
Patterns Of Force
Miri
Dagger Of The Mind
Spectre Of The Gun
The Omega Glory

Our Beauty of the Day is Valora Noland as Daras, Hero of the Fatherland.
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Gotta love me some petite blonde in a Nazi Uniform. I supposed it's wrong of me to think she's sexy in that uniform. Or the female storm troopers in Spring Time For Hitler (The Producers), though I won't post the clip of that here.

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The ship, both planets, the cheesy animated missile and the exploding nuke is replaced, and the rubindium laser is redone.

John Gill gets a call back in the controversial fan film, Prelude To Axanar. John Gill is the historian in the documentary type offering, and his name is listed about 2 minutes into the clip.
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I liked this episode - Beating the "Nazis" is always kind of fun, but it wasn't as good as it might have been. I had given it a 6 before, but I could go as high as 7 - sure.
 
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By Any Other Name

That's a really pretty matte painting.

Well, that's the most hilariously awkward entrance ever.

The Kelvans are another pleasantly competent race who don't wait around talking before setting their plan into motion.

Reducing people to little cubes of minerals was a real fad in 50s/60s sci-fi.

Spock can mind meld through a rock wall?

I like the idea of spacefaring tentacle monsters. It's a shame they didn't have the budget to actually show them.

I love how you can constantly see Kirk in the background distracting the Kelvin officer while Spock and Scotty try to get into the Kelvan machine.

It's weird that after neutralizing the crew, they just leave them sitting in the hallway.

"It's Green." - best line in Trek history. James Doohan did a hilarious job with that entire scene.

I like how they proved to the Kelvans that humanity was infecting them, but if I were a Federation citizen I think I would have to question the wisdom of Kirk's strategy. First of all, the Kelvins could have just as easily shed their human forms for something different as give in and turn back. Yes, tempting them with human pleasure was neat, but temptation is no guarantee. Secondly, that robot ship they're sending out won't be dealing with humanoid Kelvans - it'll be dealing with massive chthulhuesque master race conquerors who probably would find the existence of the humanoid Kelvan colony an insult and the Enterprise's triumph an open challenge. Mid 29th century may very well see the worst interstellar war in Federation history.
They had to keep human form since the ship was designed for humans (so they said). And whatever Kirk did, it puts off this invasion by 600 years, or gives us that long to prepare for it. How far might we come in 600 years? Not just us, but the Federation?

By Any Other Name
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I liked this story - it had more than a few funny moments and some pretty intense drama and memorable scenes - but there was also an awful lot of what I take to be nonsense in it - for those who think about numbers and motives and cosmic concerns and probable realism within the given premise in general, I mean, so it sort of balances out for me and becomes only a slightly above average episode.

We start with the general nonsense that a single species from the Andromeda Galaxy has come to the Milky Way Galaxy to conquer it. This seems absurd, and the way they speak of controlling one ship or one group, like the Federation, as if that alone would conquer the entire galaxy is ridiculous, almost as if they think (and Kirk doesn't disagree) that the Federation already actually controls the entire galaxy. This all suggests nobody is really giving the size of these galaxies any real thought (not to mention the local god-like beings in this galaxy who might have other ideas). And the idea that the whole of Andromeda is going to become too hostile for life from radiation in 10,000 years (said as 10 millennia in the episode but elsewhere written as 10,000 millennia or 100,000,000 years) is also silly. The fact they settle for a single planet in the end rather shows how overstated their original position was. So the entire idea of a single invading species trying to take over an entire galaxy seemed very bogus to me to begin with, both in actual need, but also a general lack of pragmetism.

Kirk and Spock take a moment to discuss how unlikely it would be for humanoid life to arise in another galaxy - but seem perfectly fine with it arising on countless planets they visit in the Milky Way, which is a completely stupid idea. You can't have it both ways. There's nothing about the Andromeda Galaxy that would be so different from the Milky Way Galaxy that this couldn't happen there anymore than it happens here, and if humanoids in general arise on many planets here, they'd just as likely arise on many planets there. So the requirement of the Hentei tentacle monster description of the Kelvan's natural form aside, that bit of the story was just moronically inconsistent. Trek's later use of progenitor races to explain why humanoids span this galaxy, more or less, helps that idea, but some story ideas leave something to be desired and go well beyond science fiction to pure fantasy, or worse, anti-science fiction. But I digress.

It is interesting, though, the Kelvans had the equipment and technology - (that survived the crash, no less) - as well as the knowledge, to artificially created humanoid forms and then transfer their essence into them. Unfortunately for them, a human, by any other name, would still act just as irrationally - or something like that.

As you can guess, I'm not buying into most of the set up for this story. But, if we go with it . . .

Other numbers don't work for me. At warp 9, it'd take about 3,500 years to reach Andromeda. To get there in 300 years, they'd have to go about warp 20 (old system), which is faster than even subspace radio (by some previous calculations). They state they are traveling at warp 11, so the distances and times are again underestimated. In TNG terms, I think we could get there in 250 years at warp "almost 10." Space is big, people, and the Milky Way is already too big to handle for the relative turtle-like speeds they're using in this series, so introducing other galaxies is problematic, at best, and needless as well, unless they also introduce wildly improved technology or have incredible stretches of time.

While the Kelvans obviously have some impressive tech (teleport through shields, make humanoid bodies, neural field manipulation, ability to distill and reconstitute humans, etc.) their travel speeds seemed quite limited. And their own ship failed to do something the Enterprise easily did - go through the galactic barrier. Speaking of which, the only reason they had for not transmitting a message was because you could not transmit through the barrier - but once you got past it, you could transmit a message home, so there'd be no need to go all the way to the Andromeda Galaxy to deliver a message in person, or even send a robot ship. Maybe Kelvan subspace (assumed faster than Federation subspace) communications would do the trick after they got past the barrier.

Speaking of the barrier, I will probably never understand what Spock means by "Negative density" and other weird pseudo scientific terms. We are obviously dealing with more dimensions than normal time and space here. Anyway, almost without exception, the remastered FX barrier effects aren't as good as the originals, IMO. Normally I like the remastered effects better, but not always, and not in this case. But this was one of the real dramatic moments of the episode where Kirk must decide to blow up the ship or not to stop the potential Kelvan invasion of the ENTIRE galaxy. Again, I think the threat was overstated, so I'm glad he didn't over react.

In a later episode, Kirk seemed more than willing to destroy the Enterprise rather than let others control it, but here he absolutely hated that idea, thinking it mad. One might assume, therefore, his threat to blow up the Enterprise in Let That Be Your Last Battlefield was a complete bluff. A very well done bluff (in fact, I think he lied when he said no order could stop it after it got to 5 seconds, too).

Of course we should wonder where all the modifications to the ship went afterwards. I guess the Kelvans somehow managed to pack up all their tech and processes and keep them a secret from the Federation. But I would think the feds should have picked up something along the way. Nope. :shrug:

And then we have some fun. Scotty (and Scotty music) drinks one of the Kelvans under the table. McCoy is driving one of them up the wall with chemical stimulants, and Kirk is working on making the commander jealous beyond reason by seducing "his" female and probably his assumed mate.

Kelinda: "This business of love. You have devoted much literature to it. Why do you build such a mystique around a simple biological function?"
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So, the beauties of the day (there were 3, but I'm not showing the third since she wasn't as important or as pretty, IMO) are Yeoman Leslie Thompson and Kelinda.
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Thompson wins, hands down, IMO, but YMMV. I've even gone so far as to say she was one of, if not THE, prettiest woman in TOS, but that's a hard call and lots of guys argue with that or have other opinions, so I now just put her in my top 5 TOS babes and nobody seems to question that.

Julie Cobb (Thompson) also has the great "honor" and distinction of playing the only female "redshirt" to ever snuff it in a TOS episode. Thanks, Julie - god I loved her eyes - and RIP, Yeoman Thompson. A grateful Federation thanks you for your service and gratefully thanks your family for your sacrifice. That look you gave Kirk right before you walked to your death probably haunted him until the day he died. I guess what he told Charlie X was right - there is no right way to hit a woman. Look what it got you.

Tidbits: The distilled shape is not a simple cube, as so many often say, but a solid called a cuboctahedron. Its sides or faces are 8 triangles and 6 squares. I have no idea why they used that shape, but after watching the special on this disc about their art directors and props and such, I've little doubt they rummaged the material from elsewhere, like packing material, or used most anything they could lay their hands on.

McCoy is playing solitaire with circular cards. Scotty tossed a bottle which clearly breaks (we hear it shatter) but later it is lying on the floor, intact.

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The Andromeda Galaxy would indeed be that big in our sky - see below - but it's so DIM at 2.5 million light years away, we'd never see it like that with the naked eye. It isn't enlarged, here, but the exposure time is hours and hours to gather up enough light to see it like that, and it might mostly be EM waves from something other than the visible spectrum, too. Crafty people, astronomers and photographers. It's been shopped! (But in a good way).
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It occurs to me, the Kelvans would outstrip Sargon's race in technical skill here, and those Sargon types dared think of themselves as Gods. I mean, Kelvans make humanoid blanks (out of natural resources and raw materials) and transfer their minds into them. That's much better than clunky, unfeeling robots. And I see no reason why they couldn't keep doing it each time the body got too old or worn out - they might be virtually immortal, baring accidents. And for all I know, they can keep daily back up copies of their minds in case of such accidents. You'd only lose the experiences of whatever happened since your last backup copy was made.

Yeah, these Kelvans must be pretty godlike on Sargon's scale. No wonder they think they can easily conquer an entire galaxy. And STILL, less powerful than the Q continuum.

The remastered version didn't really add anything - maybe even took something away - but either way, not enough to change the 6 out of 10 score I rated for this episode.
 
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Have you ever had a cat? Some of them can be very vocal. Some cats seem to meow all the time just for the hell of it.

I've had cats like that, and listened to ones that lived nearby. My reference to Isis in particular was the terrible quality of the sound effects which mostly didn't even sound like a cat in the first place.
 
I've had cats like that, and listened to ones that lived nearby. My reference to Isis in particular was the terrible quality of the sound effects which mostly didn't even sound like a cat in the first place.
That's because they weren't real cat sounds. Isis' meows and growls were voiced by actress Barbara Babcock ("A Taste of Armageddon," "Plato's Stepchildren").
 
The Omega Glory

Apparently the karate chop is standard combat training for prospective captains.

The 'immunization' excuse is medical nonsense. Just because the landing party can safely leave without dying doesn't mean they won't infect the crew in doing so - you'd have to bring the entire crew down to be immunized first. And they still couldn't interact with anyone who hadn't been immunized.

Also kind of bizarre how a strong immune system magically leads to a 1000+ year life span. Being immune to disease isn't the same thing is being immune to aging.

Overall I thought this one was all right. I never cared for the 'alternate earth' storylines where we're supposed to believe that convergent evolution can create the exact same species AND history on totally unrelated planets just so that one can make choice a and the other choice b. Captain Tracy was definitely an excellent guest star, and one of the few tactical minds we've seen as truly matching Kirk in the dept. His attempts to gain favor with the locals even to the very end were brilliant. But the Yangs vs. Kohms idea wasn't all that exciting to me and Kirk's response at the end was classic self-serving bs. He interfered in the culture just like Tracy did, just with more idealism.

I was surprised, though, that the Yangs were convinced by the transporter when the landing party was led by Sulu. That ought to have been seen as proof that Kirk was in league with Kohms.
I'm a physicist, not a doctor, but I would think if the planet's environment immunized you somehow, and you got past the contagious stage, you could go back to other populations. Your suggestion the whole crew has to go down to become immune obviously would mean the ship could never return to any port whose population didn't similarly first visit that planet. So like most diseases, there is a period when one is contagious, and hopefully, after that, you're not - not through normal contact, anyway, and with luck, not in other ways, too. But each disease may be unique. Kirk's blood, for example, carries a rare disease of vegan choriomeningitis (What? Not enough red meat in his diet - ha ha). Of course they may have had to incubate it and grow a culture first to infect someone rather than just make contact with Kirk's blood, so we can't be sure how contagious that disease is or Kirk's blood is - only like a lot of viruses, eradicating it completely from one's body is difficult - even for a transporter's biofilters.

I think McCoy concluded the locals' longevity arouse naturally over time, not necessarily as a result of being immune to that one disease, but just the selection of longevity in the harsh post war conditions and increased immunity to all other diseases, so without those, we'd naturally live longer. But we wouldn't get that ourselves just by becoming immune - only our ancestors might after thousands of years of evolution.

The Omega Glory
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We begin this story with the discovery of another Constitution-Class starship in orbit about the planet Omega IV. Again, we see just how dangerous Starfleet duty aboard a ship of the line (a Constitution-Class starship at this time period) can be. With the exception of her captain, all hands were lost on the U.S.S. Exeter. This complete or near complete loss of an entire crew and/or ship will happen 5 times in TOS for Constitution-Class starships. Can you name all five episodes?

Trek Trivia
The Doomsday Machine - loss of the U.S.S. Constellation.
The Immunity Syndrome - loss of the U.S.S. Intrepid.
The Omega Glory - loss of the U.S.S. Exeter.
The Ultimate Computer - loss of the U.S.S. Excalibur.
The Tholian Web - loss of the U.S.S. Defiant.

The U.S.S. Enterprise finds the U.S.S. Exeter in orbit about the planet Omega IV.
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Beauty of the day, Irene Kelly playing Sirah.
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I can't imagine the fear that might have gone through her mind when the alleged "evil one" was controller her from afar and she couldn't resist that devil. But that is an impressive ability of Spock's to make such a mental suggestion, and at a distance with no physical contact. Wow.

While I like the episode, I've always rated it poorly for the problem of parallel development being just too damn close for believability. But now, I'm happy to say, I've recently read something (official or not), or have adopted a new point of view that has made me change my mind on this matter. But more on that later.

The story was at first suppose to show us that the white race could be the bad guys and the savages, and the non-whites the more civilized race - the lesson - we can't judge things on race alone. But later it turned out the white guys were really the noble ones fighting to reclaim a more righteous and honorable way of life with freedom and liberty and justice for, well, for them, anyway - they had gotten a little off track there, as did that message, I think.

This story makes us ponder again about the Prime Directive - did Captain Tracey violate it - did Kirk violate it? Even Tracey arranging a survey team with the elders of a pre-warp culture seems somehow wrong, but again, as long as you don't show off to the population on the whole, such limited contract is apparently O.K.

And we hear the proper method of accusing another captain of wrongdoing, and, as Tracey says, once Kirk has done that, "you're covered" (legally). The episode is political during our cold war, too. Yet Trek implies all along that the U.S. and Russia will (and therefore should) one day make peace and work together and help form a more inclusive world government - hello Chekov. See?

Odds are, Tracey went mad when he lost his entire crew and found himself in a situation where he had to die or kill, and he decided to kill on a massive scale, mostly helping the guys who were in the better position to help him - the more civilized Kohms - and maybe justify the loss with something he felt might be worth all that - bringing a virtual fountain of youth to the Federation. He could be remembered for that instead of a failed captain who killed his crew. He won't be the last high-ranking Federation officer to feel a fountain of youth is more important than the prime directive. Alas, seems he wanted to get rich off it, too, but that's just a side effect of doing something so great, right? Anyway . . .

I love the scene where Tracey describes how many yangs he mowed down and how they kept coming anyway. Wonderful. While I've always found it hard to believe a starship captain could go that wrong, given that he lost his entire crew, the idea that his mind snapped could explain the total shit he became, even showing some buried racism toward Vulcans. He was all in. Morgan Woodward was really wonderful in that intense, crazy sort of way with those piercing eyes, just as he was when he earlier played Simon Van Gelder in the episode, Dagger of the Mind. Tracey: "Don't fight me on this - I'll win - or at worst, I'll drag you down with me." What a shit. He's already lost and still he'll do more harm. He didn't even need to do it to save his life or claim the fountain of youth since that was proven wrong, and they all could have escaped by beaming up. But no. The only way a starship captain can get that bad is for his mind to completely break, IMO, and losing one's whole crew like that is a pretty bitter pill to swallow. Anyway . . .

BTW, I dislike it when Kirk refers to Starfleet as "The Star Fleet" or uses terms like Spaceship rather than Starship, or Star captain rather than Starship captain. It may just be my personal preferences, but I don't think Shatner gave it much thought, and it probably wasn't finalized in any scripts. But I dunno.

Problems:

Kirk's voice echoes throughout the Exeter, but we only see empty rooms and corridors - including the completely empty engineering section (where Kirk and the landing party currently are). Weird, huh?

Galloway is killed, but he'll be back in a later episode as Galloway, and as another named character, too. A twin brother?

McCoy claims the human body is 96% water - it's more like 65%, or 70% for newborns.

Tidbits: Dr. Carter of the U.S.S. Exeter is making a log entry from the captain's chair. This may seem weird for the medical officer to be doing that from that location, but his rank was of full commander - so this is probably one of those times when the doctor also happened to be second in command, and a bridge officer, and with Tracey gone, that's right where he should have been.

We learn phasers have power packs - so that's interesting - and one's belt typically carries a few - though they don't look like they'd fit anywhere on or in a type 2 phasers (they look like ammo clips from a regular gun). I had thought the type 1 phaser WAS the power pack, and placed inside a type 2, it augmented the power or modulated it in more ways to effect different materials differently. But it's unclear.

I think they used the fact that when Sulu and company beamed down, they became infected (and subsequently immune) in some DS9 story somewhere. But that was the first time they saw the rematerialization process, so they looked like they had angelic powers. Regardless of what Sulu looked like, you don't so easily tell an angel he's wrong (not without damning yourself to hell anyway).

Morgan Woodward is like 6' 3" to Shatner's 5' 8", so 7" taller. Shatner's kind of a short guy. Tracey towers over Kirk, and Tracey usually out fought Kirk at every turn, so it's a bit lucky Kirk won that final fight - or maybe good does always destroy evil. I mean, when they first fought, Tracey was actually smiling the whole time, apparently enjoying Kirk's lack of fighting skill, or lesser skills, while Tracey countered every chop and returned a better one. Down went Kirk, no contest. Thankfully, when tied together, they were forced to fight in another style, and Kirk managed to win there.

They announced a third season for Trek was picked up at this time. I'm sure that made the actors happy.

Parallel World Explanation:

O.K., so this parallel development is again too stupid for words - they needn't do that if they just want to warn us of the dangers we are in and the consequences of a nuclear or biological war - we must be careful, lest that same exact thing happen to us, just as it does on Omega IV. We get it. Duh. But exact copies of the U.S. Flag, the Preamble to the Constitution, the slang terms of Yankees and Communists? Too much, right? And worse, their fallen civilization is thousands of years old - so they don't copy Earth - in fact, they came first. Somehow Earth copies them. Wow. Unbelievable. Or is it?

Part of the original story wanted to suggest these guys all came from early earth human space exploration and were like a lost expedition.

McCoy: Could these guys be humans?
Spock: They're savage enough to be humans.

They ditched that idea, obviously. But it has been suggested that in a novel, Forgotten History, that a century or two earlier, the U.S.S. Philadelphia (a far more primitive earth ship) happened upon this fallen civilization. This was before the prime directive. Anyway, they found a believable parallel development, and sided with the yangs since they held similar beliefs (they acquired that name later). So similar, in fact, they gave them copies of the constitution, the flag, and other literature (the Bible, for example) before they left to inspire them and encourage them to stand up for themselves and fight for their freedom (and, sadly, after they left they also seem to have died of the plague, and so they were a lost element of the human race's influence). It seems weird they could be there long enough to learn all that and influence all that but not long enough to become immune. At least it explains how a cloth flag and a paper constitution can last a thousand years or more in those rough conditions - they didn't. They're only a century or two old, and like the gangster book on Sigma Iotia II, became the basis for the civilization and religion. After a couple of centuries, they keep losing something in the translation and pronunciation, but it's mostly there - or some of its equivalents in Latin. While very weird, it's possible the U.S.S. Philadelphia left multiple language copies of many other textbooks, too.

Anyway, the point is, this idea totally fixes the worst part of this story - its unbelievable parallel to Earth history. Now it's believable, since it's totally a complete and deliberate transplant. Kirk and Spock should have guessed this, of course, instead of believing it came about naturally. NO FRIGGIN' WAY WAS THAT NATURAL. I think Tracey may have known, given he ratted out Spock as a devil-like character in their Holy book, so he probably saw a copy of that book somewhere in the Kohm's possession.

Even though this fixes a lot, of course, it's still bad inasmuch as this isn't offered in the story itself and it's left to a more clever audience member to work out and to make the otherwise stupid idea a more plausible one. The author should have at least more strongly suggested it.

I find it interesting the Constitution has become a religion, and the separation of church and state is getting completely trampled here. The philosophy of the golden rule (philosophy, not religion) has worked its way into most religions, and the separation of church and state is just a special instance of the golden rule. You wouldn't want others forcing you to worship a god not of your choice, so it would be wrong of you to force others to worship a god not of their choice, too. How these people will reconcile their religion of the constitution and the first amendment should prove interesting, assuming the Philadelphia left a copy of the bill of rights, too. Maybe they didn't. They left what seemed to be a Bible, after all, so they could have been space missionaries who were fine with the selective application of the golden rule in that regard, as long as it was THEIR religion.

Remastered bits: Mostly just some nicer shots of the planet and the Exeter. But multiple starships is too cool for school, so you gotta love that.

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The 5 out of 10 I had given this episode before could have gone as high as 7, since it could plausibly work given some assumptions, but I give it only a 6 since, if anything, the audience made it work and not the authors. But some of the performances were just that good, so unlike Miri's pointless exact copy of Earth, there wasn't enough good acting in that one to elevate its score, unlike this one, where there really was, and transplanting a bit of culture is far more believable than finding an exact copy of the planet Earth.
 
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The Ultimate Computer

Classic computer war games plot dead ahead. Why remove the crew from the equation entirely when the computer hasn't actually been fully tested yet? It would be far more logical to have everyone at their stations monitoring what happens in case the computer starts making mistakes.

Spock just predicted the EMH (Emergency Medical Holagram).

Chekov being reduced to reporting actions instead of acting is pretty funny.

'Captain Dunsel'... Wow, that Commodore really is trying to piss Kirk off.

Could Daystrom move any slower in trying to shut the computer down?

This was actually a pretty great episode. I really like everything with the crew feeling obsolete and Kirk even wondering if his reaction to the computer is petty. Daystrom is actually a really solid guest star and a wonderfully unique character. His extreme self-identification with the computer is actually a surprising and truly effective twist. I kind of wish we could see more of him. I love the fact that the computer isn't evil or even necessarily beyond redemption, and the fact that it wasn't actually defeated but simply reasoned with. Also watching Kirk and his crew forced to stand by and watch while the M5 kills Starfleet officers is one of the most gut-wrenching, high-tension scenes in the series. This is definitely my favorite of all the computer centered episodes so far.
Taking over 400 hundred people off the ship did seem like a bad idea, but if you don't do it, some will say the test failed because maybe the crew was helping. If the crew is gone, no one can really say that.

It was cool how Spock and McCoy were discussing exactly what the Emergency Medial Hologram would become. There is even a thread around here asking what McCoy would think of the EMH. Here, it pretty much says he'd happily retire.

The Ultimate Computer
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1 vs 4, or 5 vs. 4? M5, that is, vs 4 Mighty Starships.

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One of my favorite episodes of all time, this one was just great from start to finish - and that was before the remastered shots. Totaling less than 2.5 minutes' worth, it's amazing how much better these few shots made this episode on the special effects front compared to the tired, reused, stock footage and duplications - but better wasn't in the budget, so they used what they already had, and that's the way it went for a show back then on a tight budget. Luckily, the story was better than just the effects. Apart from The Doomsday Machine, this was probably one of the most eagerly anticipated episodes to see as far as the re-mastering project was concerned, and they delivered, IMO.

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Not only a cool new space station, but also a starship parked right next to it - The U.S.S. Lexington, I presume.
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The Lexington Attack Force. Four Mighty Starships. Hmm, it's kind of nice to know the Federation can spare 5 ships while they do this - they usually don't have any other available starships anywhere in the area. :shrug:
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Starship on Starship action. You gotta love that.
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It's somewhat impressive how few phaser shots it can take to kill a starship sometimes. Other times they hang in battle a lot longer, or so it seems, but up close and personal, or with good maneuvering, and knowledge of a ship's particular vulnerabilities, apparently you can get in close enough, quick enough, to do a surprising amount of damage - even against shielded ships. I don't know what McCoy was on about when he thought they'd be hitting unshielded ships, but I assume he was just wrong. There would be no reason, I would think, not to use full power on shields, just to insure phasers, even at 1/100th power, wouldn't do any real damage. But a few up close, well-placed shots, and the next thing you know - a whole crew of 430 is dead. RIP Captain Harris, we hardly knew you. And to the good men and women aboard the U.S.S. Excalibur, as well as perhaps a hundred more on the other 3 starships, The U.S.S. Lexington, Hood, and Potemkin, we salute you.

Loss of life on that scale is always tragic. It makes the few losses Kirk suffered in almost every episode pale by comparison, and his feat of bringing the majority of his crew home after his 5-year mission one for the books. Thanks, Captain Kirk - the finest starship captain of your time.

I'll just mention the U.S.S. Potemkin is named after a Russian Battleship, going beyond Chekov in showing again the Russian influence in the 23rd century.

I love many of the scenes in this episode. In particular, I love the memorable scene when Kirk's voice reverberates throughout the ship, explaining to his remaining 19 crewmembers on board how their sacrifice would buy the survival of over 1000 fellow starship crewmen. Yeah, Starfleet impresses me, it always has. I can certainly see the appeal, despite the dangers.

Hats off to William Marshall, a towering 6' 5" actor whose performance as Doctor Richard Daystrom was something to see. And despite the failure of the M-5, what a contribution Daystrom made to the Federation with his duotronic computer circuits - the basic design of which is used for most computers on board a Constitution-Class Starship. But the man clearly had some inner demons to contend with. Speaking of which, here is William Marshall as R. Daystrom and also a demon of sorts, Blacula.
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And praise to James Doohan again - his added voices pop up all over the place, and he isn't remembered as much for his great voice work on the series as he should be. Here he provided the voices for Commodore Enwright and the M-5 Computer.

TidBits: McCoy serves a Finagle's Folly to Kirk, and that drink is ordered several times in DS9. It's green, and Kirk's initial reaction to it is pretty much the same as his initial reaction to Romulan Ale. I guess many ship's doctors can be your drinking buddies.

Kirk once again out thinks a computer. I don't mind this, but am I beginning to wonder why a person with an A-7 computer expert classification never does. But then, Kirk also regularly beats Spock at 3D chess. I once heard even McCoy beat Spock at chess once.

Kirk's been insulted before - probably lots of times - but he easily dismisses them. He only takes Commodore Wesley's insult of "Regards to Captain Dunsel" a little too hard because, unlike the other people quick to throw insults at Kirk, Kirk has a great deal of respect and admiration for Wesley. I love the knowing glances Sulu and Chekov give each other as McCoy wallows in his ignorance as to the meaning of the term.

I think Kirk's fear of losing his job was a bit overplayed, but as I understand it, the original script had little character parts and mostly concentrated on the computer - so it was rewritten to include the theme of Kirk's concerns and fear of losing his job, and it makes it more about the characters (or was it Shatner's fear he wasn't getting enough screen time and thus losing his job?).

Flaws? I have my doubts it'd take longer to power communications than shields. Maybe M-5 screwed over the communications equipment more and Scotty meant it'd take longer to fix those than longer to get enough power to use them. Of course, subspace communications might take a great deal of power, but if so, I'd have to think hand held communicators operate on something other than subspace frequencies - and this might make sense, given how often the ship is out of range. But I've always wondered why they couldn't whip out a hand communicator and talk to the other ships - as long as M-5 was no longer jamming signals, it should have been easy, unless their range is exceedingly short (like less than 200 miles, so good for ship to orbit, but not enough for ship-to-ship separated by hundred of thousands of kilometers - at least without first relaying through the ship's communications systems to boost their signals. When you think about it, communications are a pretty complex, with UTs tied in, and messages directed to where they are supposed to go in the ship or to which other communicator, it certainly makes Uhura's job more complex than you might otherwise think.

I find it unremarkable a computer is shutting down unused portions of the ship - yet they seem overly concerned about it. But they did shut off deck 5, and that's where Kirk's cabin is, and even Sickbay, yet it seems powered up later.

I do find it remarkable, however, that they didn't talk to M-5 more and ask it to explain itself, just as it was willing to do for its landing party recommendations. "Hey, Buddy, why'd ya whack the Woden, huh?" One wonders what it was thinking and why it did all that. My guess - Kirk kept shutting it off, and it didn't like that and maybe got a little paranoid since each time it was like being crippled, and there might come a time when they would no longer give you your body back.

Why destroy the Woden? Maybe just to actually test its photon torpedoes at full power. A cost analysis might have showed the loss of the ore ship to be insignificant in comparison to the value of the test - and for all we know, each Photon torpedo costs more than that whole ore ship was worth - and M-5 used two, no less. Two? My god, talk about overkill. Or maybe it needed to learn how a second torpedo would interact in the wake of the first torpedo. The fact it was a robot ship may have made that action possible, for possibly even M5 wouldn't have destroyed a manned vessel as a test. But it wasn't manned, so, logically, the test may proceed. Nice that they used the ore ships (from the cartoon, TAS) rather than the stock footage of the Botany Bay from Space Seed. New is usually more interesting than reused. They also used the cartoon to include the Anteres in Charlie X.

I had already given this episode a 9 out of 10 before, but with the remastering, I'll upgrade it to 9.5. I've only given The City On The Edge Of Forever a better score, since even though that's not flawless, it still better. Of course, YMMV.

Anyway, another great and classic episode.
 
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The Immunity Syndrome
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I've always liked this episode, despite its relative simplicity. One might ponder the exact nature and origin of this space virus and its protective dark zone (or whatever it is) and how many of the properties of the universe seem to be reversed in there. Wherever it came from, the giant space cell (I won't call it an amoeba since those are multi cellular organisms and this is a single cell organism) must be composed of normal matter, lest it not have reacted as it did with normal antimatter in the end. But properties within the zone, and the zone itself, and its possible origins, suggest it came from a different or perhaps parallel universe (and not in the traditional Trek Mirror, Mirror parallel universe kind of way, but one that's different, from outside our universe, like another dimension, but with different properties - a different plane of existence with different physical properties. But I digress.

This invading cell is an incredible 11,000 miles long (using the English system again instead of the metric system, but that's the way it goes at times - though Kirk later reverts to the metric system when estimating how far off course a probe might be carried and why they have to personally plant the antimatter warhead at point-blank-range). Anyway, this single cell is larger than the Earth's own 8,000-mile diameter, so it's a big sucker, and possibly more massive than Earth. One might think, again, the amount of antimatter they could bring to bear wouldn't destroy it, but then they were just trying to frag its chromosomes - a relatively small amount of material amidst the whole). Alas, we never get to see its destruction - but if all that protoplasm splashed into the vacuum of space, it could have formed a spherical rouge planet, a water world, perhaps - but maybe we didn't see that since it didn't happen that way. Once the organism died, its life force that kept the rift into this dimension open may have simply collapsed, so the dark zone disappeared and swallowed its contents when its central organism died, thus returning to the parallel universe from whence it came, though luckily throwing the Enterprise and the tractor-beam-gripped shuttlecraft free of the zone first (thank goodness for momentum). The liquid probably also accounted for the shielding effect from the M/AM blast.

BTW, the properties of normal gravity may have been weaker in that zone since something that large would otherwise have naturally formed a sphere, I would think - but the physical properties of that zone were weird and/or backwards, so what evs. Also, though the organism was ready to split in two, one shouldn't believe you'd get two of the same mass as the original - you'd probably get two, each 5,500 miles long and half the mass - until they each could collect more mass and energy to do it again. Before it might be ready to produce 4, 8, 16, 32 etc. cells, it could take astronomical amounts of time to gather enough energy and mass, so really, there probably wasn't the rush you might think - unless that dark zone was capable of FTL travel and could get to the next star system PDQ. It did consume much of one star system's energy - probably not its sun, but the inhabited planet and its mass, anyway. In any event, it was dangerous, so the Enterprise and her crew nipped this in the bud. RIP for the U.S.S. Intrepid and her valiant Vulcan crew.

This image is from the episode Court Martial, the second starship in orbit is believed to be the U.S.S. Intrepid, whose repairs were put on hold since the Enterprise had priority status.
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Take note here that the Enterprise does seem fully capable of operating in a liquid medium - a thick protoplasm, no less, which is certainly thicker than water - so one could therefore submerge a starship under the sea, if one were so inclined.

The loss of the U.S.S. Intrepid (with all 400+ Vulcans aboard) is a great moment, as more Vulcan mysticism is shown where Spock can sense the death cry of those Vulcans light years away - and the astonishment they must have felt to lose their lives like that - a massive loss of which Vulcans apparently have never experienced before in their collective history. Considering they were nuking each other over 2,000 years ago, this seems dubious. Unless "history" means written records, and maybe those were lost in those dark times. But this, also, seems dubious.

Though once Bones said it was no wonder they were conquered since they didn't drink, or something like that, I think we have to believe he was making a joke.

Anyway, I was most impressed the psychic signal to Spock from the Intrepid, or whatever it was, appeared to travel faster than light. That was . . . interesting. But many things in Trek travel FTL, despite what Kirk said about natural phenomenon being limited to STL.

Also, the fact one of the then 13 Constitution Class Starships in existence was entirely manned by Vulcans is an interesting tidbit of information and perhaps says something about the politics of the Federation of Planets. Exactly what it says is anybody's guess, but it's something to think about. And let's not forgot the total loss of an inhabited star system that had held billions of lives. I don't know if they were a colony of humans, or a Federation member, or a recently scouted new civilization, but wow - a whole planet and star system - gone. Though Spock didn't sense that somewhat larger loss in Obi-Wan Kenobi fashion, since they weren't Vulcans, it's quite a thing to think about - the seemingly unfriendly and almost hostile, though actually indifferent, nature of space, and how even Earth could be wiped out by some astronomical event just as easily if we aren't ready for it. How often has Earth come that close to eradication, but for the Enterprise, Kirk and crew? It's pretty scary to think how fragile our whole species is while on one planet, all our collective eggs in this one basket.

Now, the interplay between Spock and McCoy in this episode is pretty great - though, I must admit, McCoy seems a little more irrational and maybe jealous of Spock than normal, accusing him of non-Vulcan-like motives - perhaps due to McCoy's excitement of the living biological rarity at hand and the chance to study it, or the loss of the personal chance to study it since Spock was more qualified to go. But as a scientist, the tendency to casually lay down one's life to gain a little knowledge is a little unrealistic. One doesn't experiment with one's own life like that. But it was a necessary mission, so maybe. Oh well, all would be forgiven later after captain McCoy orchestrates the rescue of Mr. Spock.

Some of the interlude music is fantastic as both Spock and Kirk take moments out to praise their comrades and shipmates - crewmembers of the finest starship in the fleet. Very compelling stuff.

There are some great shots of the ship - particularly in the dark zone as very little light is cast on the darker ship and for the most part only its own illumination can be seen in the depths of a starless void. It's freakin' cool. The impulse engines are also redone and glow a bright red as they get an uncharacteristic workout. The launch of the shuttlecraft is good, and I thought I saw a small shuttlecraft being dragged along at the end, too, which was new. I'm sorry they didn't add any of their probes - that might have been worth the effort, but they didn't go that far.

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Someone told me they thought the yeoman (or whatever rank that woman had) looked disgusted at the implication of Kirk's comment - twice in this episode Kirk mentioned he was looking forward to some R&R and relaxing on some lovely . . . planet - but he was always looking at a woman when he said lovely planet. I didn't really detect any disgusted expression on her face, but it did seem Kirk was deliberately implying something there, and laughing about it later.

A few more notes: For some reason, Kirk is forever calling Lt. Kyle, "Cowel" instead. That's too bad. I feel bad for John Winston that the primary star of the show apparently couldn't be bothered to learn his reoccurring character's name or pronounce it properly. I don't think Winston was playing another character in the script that happened to be named Cowel, but I suppose that possible - low budgets, actors and props pulling double duty, you never know, but it seems more likely Shatner just didn't care, and probably nobody had the stones to correct him. I dunno. I know he took exception to being told he pronounced the word "sabotage" weirdly.

Of course the M/AM annihilation of some of the chromosome bodies would produce positive energy, which that thing likes, but it would destroy those chromosomes, which would kill the beastie. And while the Enterprise's power level had dropped to zero and they no longer had shields, there's little more effective at shielding than miles and miles of liquid, most of which is essentially water. Many of the ship's water tanks are probably thin, curved tanks that hug the interior of the ship just under its outer metal skin - their load of water absorbing a lot of otherwise lethal levels of radiation even when power systems and shields have failed. Anyway, all that protoplasm would have made an excellent radiation shield, and with miles of it between the ship and shuttle and the blast, I'm not too surprised the vessels weren't harmed even without shields.

There are better Trek stories, but there are much worse ones, too, and I gave this episode a relatively high score of 7 out of 10 before. I think I'll keep it there, despite some better effects, since I feel it takes a bit more to reach a 7.5 or an 8 or more. But this is a good episode.
I never understood why they didn't correct Shatner on the pronounciation of Kyle. I think that he pronounced Sabotage like a Canadian. Cause after all he is a Canadian
 
That's because they weren't real cat sounds. Isis' meows and growls were voiced by actress Barbara Babcock ("A Taste of Armageddon," "Plato's Stepchildren").

I'm not surprised. Whoever decided that was the way to go made a very, very bad decision.
 
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