I imagine that most here don't remember when color TV sets were new, rare and expensive. But I get tired of hearing how the colors of the sets and uniforms were garish. Please remember that the design had to work in both color and black and white; it was a transitional time in broadcasting.
Before color broadcasting, light blue was used for white, and red was used for dark grey. (White was very seldom used, as it blazed when broadcast.) You had to make actors and costumes "pop" from the backgrounds, and the only avialable tools were the wavelengths of colors.
The fact that TOS worked well in both broadcast spectrums is, I think, remarkable. The only comparable show I can think of with candy-bright colors is "Gilligan's Island," which is muddy and washed-out in its first b&w season.
Desilu was expert at this. For "I Love Lucy" they brought in Karl Freund, cinematographer for "Metropolis" and "Dracula." He taught the whole studio how to paint with shadow.
So let's please cut a little slack for the color design of TOS? And if you want a noir treat, dial down the color the next time you watch TOS, and see -- as I did, growing up -- how well it works in glorious black and white.
Before color broadcasting, light blue was used for white, and red was used for dark grey. (White was very seldom used, as it blazed when broadcast.) You had to make actors and costumes "pop" from the backgrounds, and the only avialable tools were the wavelengths of colors.
The fact that TOS worked well in both broadcast spectrums is, I think, remarkable. The only comparable show I can think of with candy-bright colors is "Gilligan's Island," which is muddy and washed-out in its first b&w season.
Desilu was expert at this. For "I Love Lucy" they brought in Karl Freund, cinematographer for "Metropolis" and "Dracula." He taught the whole studio how to paint with shadow.
So let's please cut a little slack for the color design of TOS? And if you want a noir treat, dial down the color the next time you watch TOS, and see -- as I did, growing up -- how well it works in glorious black and white.