That I had to go alllll the way back to March 20th to find this thread when the movie just came out yesterday shows how completely Disney's marketing dept. failed to hold anyone's attention when it came to this flick. Reviews have been pretty savage too, with most of the blame falling on screenwriter Damon Lindelof. Long story short, looks like Disney's got another John Carter/Lone Ranger on its hands - and one less entertaining than those films.
That I had to go alllll the way back to March 20th to find this thread when the movie just came out yesterday shows how completely Disney's marketing dept. failed to hold anyone's attention when it came to this flick. Reviews have been pretty savage too, with most of the blame falling on screenwriter Damon Lindelof. Long story short, looks like Disney's got another John Carter/Lone Ranger on its hands - and one less entertaining than those films.
The movie would have been better titled "Journey to Tomorrowland." It takes WAY too long to actually get to the titular futuristic realm (about 3/4 of the way through the 1 hr 47 min film), has one opening sequence too many (to introduce George Clooney's character as a boy, since Clooney himself doesn't show up until almost an hour in), falls flat on its face in the third act and (typical Lindelof) by the end gives tons of questions with no real answers. It wants so badly to inspire people to think of the future as something better than Blade Runner/Mad Max, but it just can't get it across except by hit-you-over-the-head preaching.
I guess I'll see Mad Max instead, I've heard nothing, but good things about it,
The trailers seemed interesting to the point where I was going to see the movie last night. Then the reviews started coming out and combining with the word of mouth Mad Max was getting, I decided to see MM instead. I might see Tomorrowland eventually, but that was awfully disappointing that this movie was only getting a 49% on Rottentomatoes.
Suffice to say, I'm disappointed in the film.I would have loved a film that grapples, honestly, with the question of why we’re less optimistic than we were in the Kennedy era. Or a film that attempts to recharge our optimism, by showing how we really can build that future we dreamed about in the two decades following World War II. Tomorrowland is neither of those things, though. Instead, it presents us with simplistic answers, and tries to shame its own audience for liking post-apocalyptic stories. (Did you like Mad Max: Fury Road? Then Tomorrowland wants you to sit in the corner and think about what you’ve done.)
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